The Year's Best Science Fiction & Fantasy, 2012 Edition

by Fowler, Karen Joy

  I didn’t care. I wanted out of the dark.

  About the fifth day, Goodspeed’s forward left steering tread went off a drop-off of three meters or so. The gig flipped over forward to the left, crashing onto its back. Force of habit had me strapped into the seat, and wearing my suit, the two things that the manuals the insurance company said were what you had to be doing any time the gig was moving if you didn’t want to void your policy. Sam had made a big deal about that, too.

  So after rolling, Goodspeed came to a stop on its back, and all the lights went out. When I finished screaming with rage and disappointment and everything else, there was still enough air (though I could feel it leaking) for me to be conscious.

  I put on my helmet and turned on the headlamp.

  I had a full capacitor charge on the suit, but Goodspeed’s fusion box had shut down. That meant seventeen hours of being alive unless I could replace it with another fusion box, but both the compartment where the two spare fusion boxes were stored, and the repair access to replace them, were on the top rear surface of the gig. I climbed outside, wincing at letting the last of the cabin air out, and poked around. The gig was resting on exactly the hatches I would have needed to open.

  Seventeen—well, sixteen, now—hours. And one big promise to keep.

  The air extractors on the gig had been running, as they always did, right up till the accident; the tanks were full of liquid oxygen. I could transfer it to my suit through the emergency valving, live for some days that way. There were enough suit rations to make it a real race between starvation and suffocation. The suit radio wasn’t going to reach anywhere that could do me any good; for long distance it depended on a relay through the gig, and the relay’s antenna was under the overturned gig.

  Sam was dead. Goodspeed was dead. And for every practical purpose, so was I.

  Neither Goodspeed nor I really needed that oxygen anymore, but Sam does, I realized. I could at least shift the tanks around, and I had the mining charges we used for breaking up big rocks.

  I carried Sam’s body into the oxygen storage, set her between two of the tanks, and hugged the body bag one more time. I don’t know if I was afraid she’d look awful, or afraid she would look alive and asleep, but I was afraid to unzip the bag.

  I set the timer on a mining charge, put that on top of her, and piled the rest of the charges on top. My little pile of bombs filled most of the space between the two oxygen tanks. Then I wrestled four more tanks to lie on the heap crosswise and stacked flammable stuff from the kitchen like flour, sugar, cornmeal, and jugs of cooking oil on top of those, to make sure the fire burned long and hot enough.

  My watch said I still had five minutes till the timer went off.

  I still don’t know why I left the gig. I’d been planning to die there, cremated with Sam, but maybe I just wanted to see if I did the job right or something—as if I could try again, perhaps, if it didn’t work? Whatever the reason, I bounded away to what seemed like a reasonable distance.

  I looked up; the stars were out. I wept so hard I feared I would miss seeing them in the blur. They were so beautiful, and it had been so long.

  Twenty kilograms of high explosive was enough energy to shatter all the LOX tanks and heat all the oxygen white hot. Organic stuff doesn’t just burn in white-hot oxygen; it explodes and vaporizes, and besides fifty kilograms of Sam, I’d loaded in a good six hundred kilograms of other organics.

  I figured all that out a long time later. In the first quarter second after the mining charge went off, things were happening pretty fast. A big piece of the observation bubble—smooth enough not to cut my suit and kill me, but hard enough to send me a couple meters into the air and backward by a good thirty meters—slapped me over and sent me rolling down the back side of the ridge on which I sat, smashed up badly and unconscious, but alive.

  I think I dreamed about Sam, as I gradually came back to consciousness.

  Now, look here, botterogator, of course I’d like to be able, for the sake of the new generation of Martians, to tell you I dreamed about her giving me earnest how-to-succeed advice, and that I made a vow there in dreamland to succeed and be worthy of her and all that. But in fact it was mostly just dreams of holding her and being held, and about laughing together. Sorry if that’s not on the list.

  The day came when I woke up and realized I’d seen the medic before. Not long after that I stayed awake long enough to say “hello.” Eventually I learned that a survey satellite had picked up the exploding gig, and shot pictures because that bright light was unusual. An AI identified a shape in the dust as a human body lying outside, and dispatched an autorescue—a rocket with a people-grabbing arm. The autorescue flew out of Olympic City’s launch pad on a ballistic trajectory, landed not far from me, crept over to my not-yet-out-of-air, not-yet-frozen body, grabbed me with a mechanical arm, and stuffed me into its hold. It took off again, flew to the hospital, and handed me over to the doctor.

  Total cost of one autorescue mission, and two weeks in a human-contact hospital—which the insurance company refused to cover because I’d deliberately blown up the gig—was maybe twenty successful prospecting runs’ worth. So as soon as I could move, they indentured me and, since I was in no shape to do grunt-and-strain stuff for a while, they found a little prospector’s supply company that wanted a human manager for an office at the Hellas depot. I learned the job—it wasn’t hard—and grew with the company, eventually as Mars’s first indentured CEO.

  I took other jobs, bookkeeping, supervising, cartography, anything where I could earn wages with which to pay off the indenture faster, especially jobs I could do online in my nominal hours off. At every job, because I’d promised Sam, I learned as much as I could. Eventually, a few days before my forty-third birthday, I paid off the indenture, quit all those jobs, and went into business for myself.

  By that time I knew how the money moved, and for what, in practically every significant business on Mars. I’d had a lot of time to plan and think, too.

  So that was it. I kept my word—oh, all right, botterogator, let’s check that box too. Keeping promises is important to success. After all, here I am.

  Sixty-two earthyears later, I know, because everyone does, that a drug that costs almost nothing, which everyone takes now, could have kept Sam alive. A little money a year, if anyone’d known, and Sam and me could’ve been celebrating anniversaries for decades, and we’d’ve been richer, with Sam’s brains on the job too. And botterogator, you’d be talking to her, and probably learning more, too.

  Or is that what I think now?

  Remembering Sam, over the years, I’ve thought of five hundred things I could have done instead of what I did, and maybe I’d have succeeded as much with those too.

  But the main question I think about is only—did she mean it? Did she see something in me that would make my bad start work out as well as it did? Was she just an idealistic smart girl playing house with the most cooperative boy she could find? Would she have wanted me to marry again and have children, did she intend me to get rich?

  Every so often I regret that I didn’t really fulfill that second promise, an irony I can appreciate now: she feared the icy grave, but since she burned to mostly water and carbon dioxide, on Mars she became mostly snow. And molecules are so small, and distribute so evenly, that whenever the snow falls, I know there’s a little of her in it, sticking to my suit, piling on my helmet, coating me as I stand in the quiet and watch it come down.

  Did she dream me into existence? I kept my promises, and they made me who I am . . . and was that what she wanted? If I am only the accidental whim of a smart teenage girl with romantic notions, what would I have been without the whim, the notions, or Sam?

  Tell you what, botterogator, and you pass this on to the new generation of Martians: it’s funny how one little promise, to someone or something a bit better than yourself, can turn into something as real as Samantha City, whose lights at night fill the crater that spreads out before me from my balco
ny all the way to the horizon.

  Nowadays I have to walk for an hour, in the other direction out beyond the crater wall, till the false dawn of the city lights is gone, and I can walk till dawn or hunger turns me homeward again.

  Botterogator, you can turn off the damn stupid flashing lights. That’s all you’re getting out of me. I’m going for a walk; it’s snowing.

  Pug

  Theodora Goss

  “Pug is flat, like most animals in fiction. He is once represented as straying into a rosebed in a cardboard kind of way, but that is all . . . ”

  —E.M. Forster, Aspects of the Novel

  You don’t know how lonely I was, until I met Pug.

  In summer, tourists come to Rosings. The coaches are filled with them. They want to see where Roger de Bourgh murdered Lady Alice, or where Lady Alice’s grand-niece Matilda de Bourgh hid King Charles, in the cellar behind a cask of port, from the Roundheads. There has always been a rumor that her son, from her hasty marriage to Walter d’Arcy, resembled the king more than his father. The de Bourghs have never been known for acting with sober propriety. Miss Jenkinson relishes the details. “And here,” she says, “you will see the bloodstains where Lady Alice fell. This floor has been polished every day for a hundred years, but those stains have never come out!” And indeed there are, just there, discolorations in the wood. Whether they are the bloodstains of Lady Alice, I can’t tell you.

  When the tourists come, I go to my room, in the modern wing of the house where even Miss Jenkinson’s ingenuity will find no bloodstains, or out into the garden. If, by chance, they happen upon me, I admire the roses, or the fountain with its spitting triton, and they assume I am one of them. Of course, if Miss Jenkinson sees me, she scolds me. “Miss Anne, what will your mother think! Outside on a day like this, and without a shawl.” With the fog rolling over the garden. We are in a valley, at Rosings. We are almost always in a sea of fog.

  I could hear them that day, the tourists. In the fog, their voices seemed to come from far away, and then suddenly from just beside me, so I ducked into the maze. It is not a real maze: for that, the tourists must go to Allingham or Trenton. It is only a series of paths between the courtyard, with its triton perpetually spitting water, while stone fish leap around him in rococo profusion, and the rose garden. But the paths are edged with privet that has grown higher than I, at any rate, can see. I have called that place the maze since I was a child. When I am in the maze, I can pretend, for a moment, that I am somewhere else.

  So there I was, among the privets, and there he was, sitting on his haunches, panting with his pink tongue hanging out. Pug.

  Of course I did not learn his name until later, when he showed me the door. The door: inconsistent, irritating, never there when you want it. And at the best of times, difficult to summon, like a recalcitrant housemaid.

  But there was Pug. I assumed he had come from Huntsford, from the parsonage or one of the tradesmen’s houses. He was so obviously cared for, so confident as he sat there, so complacent, even fat. And he had a quality that made him particularly attractive. When he looked at you with his brown eyes, and panted with his pink tongue hanging out, he looked as though he were smiling.

  “Here, doggie,” I said. He came to me and licked my hand. I knew, of course, that Mother would never allow it. Not for me, not in, as she called it, my “condition.” But as I said, I was lonely. “Come on, then.” And he followed me, through the courtyard, into the kitchen garden with its cabbages and turnips, and through the kitchen door.

  I had no friends at Rosings, but Cook disliked Miss Jenkinson, and the enemy of my enemy was at least my provisional ally. I knew she would give me a scrap of something for Pug. He gobbled a bowl of bread and milk, and looked up at me again with that smile of his.

  “If Lady Catherine finds him in your room, there will be I don’t know what to pay,” Cook said, wiping her hands on her apron.

  “Mother never comes into my room,” I said.

  “Well, I’ll tell Susan to hold her tongue. Only yesterday I said to her, you’re here to clean the bedrooms, not to talk. Someday that tongue of yours is going to fall off from all the talking you do. And won’t your husband be grateful!”

  “All right, Cook,” I said. “I’ll take him up, and could you have Susan bring me a box with wood shavings, just in case, you know.”

  “Certainly, Miss.” She patted Pug on the head. “You’re a friendly one, aren’t you? I do like dogs. They’re dirty creatures, but they make a house more friendly.”

  And that’s how Pug came to Rosings. I carried him, as quietly as I could, past the gallery. “Every night,” Miss Jenkinson was saying, “Sir Fitzwilliam d’Arcy walks down the length of this hall and stands before the portrait of his brother, Jonathan d’Arcy, who chopped off his head with an axe right there in the courtyard and married his wife, Lady Margaret de Bourgh. Visitors who have seen him say that he carries his severed head in his arms.” I heard gasps, and a “Well, I never!” The de Bourghs and the d’Arcys. We have been marrying and killing each other since the Conquest.

  Later, when I had learned something of how the door works, I discussed it with the Miss Martins.

  “Mary had a thought,” said Eliza. “She did want to tell you, although I told her, Miss, that you might not like hearing it.”

  “Please call me Anne,” I said. “We share a secret, the three of us—and Pug. So we should have no distinctions between us. We know about the door. Surely that should make us friends.”

  We were sitting in the Martins’ garden, at Abbey-Mill Farm. I could smell the roses that were blooming in the hedge, and the cows on the other side of the hedge, in the pasture. Eliza had folded her apron on the grass beside her. She was fair and freckled, although she used Gower twice a day. She looked what she was, the perfect English farm girl, with sunlit hair and a placid disposition. Mary was still wearing her apron, as though about to go in and finish her cleaning, but she had woven herself a crown of white clover. She was darker than her sister, with a liveliness, like a gypsy girl from Sir Walter Scott. An inquisitiveness. She had been the scholar, and regretted leaving school.

  “Well,” said Mary, “this is what I’ve been thinking, Miss—Anne. Eliza and me, we’re the ones to whom nothing happens. There’s Robert marrying Harriet, and all the high and mighty folks of Highbury marrying among themselves, and even the servants seem to have their doings. But us—we just milk the cows, and clean the house with Mother, and take care of the garden, day after day, no different. And begging your pardon, Anne, but nothing happens to you either. You read and you go out riding in your carriage, that’s all. And what could happen to Pug?” Who was lying contentedly on the grass beside us. At Abbey-Mill Farm, the sun almost always shone. I was glad to escape, for a while, the fogs of Rosings.

  “You’re right,” I said. “Nothing ever does happen to me. I don’t think anything ever will.”

  “Well then,” said Eliza, “here’s what Mary thinks. She thinks the door is for us. That it was put there just so we could find each other. Do you think that could be true?”

  I put a clover flower on Pug’s nose, and he stared at me reproachfully before shaking his head so that it fell onto the grass. “We are told there is providence in the fall of a sparrow. Why not in the opening of a door?”

  “That’s lovely, Miss,” said Eliza. “Just like Mr. Elton in church.”

  When I was a child, I was not allowed to have toys. I slept on a bare bed, in a bare room. Those were the days of Dr. Templeton. He believed in strengthening. If I could be strengthened, I would no longer be sick or small. So there were cold baths, and porridge for breakfast, and nothing but toast for tea. Then came Dr. Bransby, who believed in supporting. If my constitution could be supported, then I would be well. Those were the days of baths so hot that I turned as red as a lobster, fires in July and draperies to keep out drafts, and rare roast beef. I have been on a diet of mashed turnips, I have been to Bath more times than I remember, I have ev
en, once, been bled. Nothing has ever helped. I have always been sick and small. When I walk up stairs, I am always out of breath; when I look in the mirror, there are always blue circles under my eyes, blue veins running over my forehead. I always remind myself of a corpse.

  When I was a child, I was not allowed to have friends. Other children, “young horrors,” as Mother called them, would be too softening, said Dr. Templeton, too trying, said Dr. Bransby. One day, so lonely that I could have cried, I wandered through the corridors, almost losing myself, and discovered the library. (“Over a thousand volumes,” said Miss Jenkinson. “The gilding on the books alone is worth more than a thousand pounds.”) Dr. Templeton’s regimen had confined me to the schoolroom, but Dr. Templeton had been summoned to Windsor Castle, to attend the King himself. And Dr. Bransby, whose carriage was expected that afternoon, had not yet arrived. Miss Jenkinson, thinking I was asleep, had put her feet up and fallen asleep with a handkerchief over her face. I could hear her snoring.

  I tiptoed, frightened, down the endless corridors of Rosings, with de Bourghs and d’Arcys frowning at me from the walls. At the end of one corridor was an archway. I walked through it and saw shelves of books going up to heaven. (“The fresco on the ceiling was painted by an Italian, Antonio Vecci,” said Miss Jenkinson. “Although unlikely to appeal to our modern tastes, in his day the painting, of classical gods disporting themselves in an undignified manner, was considered rather fine. If you look in the corner there, up to the right, you’ll see where the painting was left unfinished when Vecci eloped with Philomena de Bourgh. He was later shot in the back by Sir Reginald.”)