The Ask

by Sam Lipsyte

  "Didn't you complain about me?"

  "Yeah, I guess I did. But more like as a joke."

  "Did you make an official written complaint?"

  "Yeah, but in a jokey way."

  "Those go on record, Horace. Those are in our file. As soon as a company hires you they begin plotting the paper trail with which to fire you. Didn't you know that?"

  "Sort of."

  "Okay, let's just shake and start again. Congrats on the new position. I hear you are really doing well on a big ask."

  "Thanks, Milo. But you'll have to find yourself another desk. I'm wedded to this configuration."

  I found a Plant Ops guy and an IT guy and by the end of the day I had a desk, a chair, a computer, an internet connection. I had a password to the server, though my only access was to an empty folder marked "MiloStuff."

  Now that I had the desk I wasn't sure what to do. I only had the one ask. Also, I was on probation. I sent Purdy an email, thanked him for dinner, told him how thrilled I was to be working with him on this tremendously exciting project. I used all the dead language. Dead language would keep me alive. Besides, tone was tricky. I had to sound like a man who unexpectedly discovered himself in a professional relationship with an old friend. Just because it was true didn't mean it wasn't tricky. That was usually when I started to crack-when I told the truth, especially to social betters.

  The night before I left for college, my father gave me his Spanish dueling knife. This was huge, the kind of intimate bestowal for which I'd always yearned.

  "Take this," said my father, from where he stood at the edge of my basement room. I had moved down there, near the gas meter, to become a man. Soon I would depart the cold cinder walls lined with Scotch-taped postcards of my icons, Renaissance thugs and alcoholic crybabies from the Cedar Tavern. My own boozy, plaintive triumphs awaited, surely.

  "Wow, thanks," I said.

  The blade bordered on sword. We studied its Castilian chasings.

  "A beaut, right?"

  "I never knew you had this."

  "Didn't want you to know about it. Thought you and the neighbor boys would sneak it out, behead each other. Then I'd really be screwed."

  "Probably a good call. Where did you get this? It really is something."

  "If I told you I won it in a card game in a cathouse in El Paso, would you tell your mother?"

  "Do you think she'd want to know?"

  "She always seems to want to know. Maybe it's better if you picture me in a gift shop near a hotel."

  "Okay, that's how I'll always remember you, Dad."

  "You must be nervous about driving up to school tomorrow. Sorry I can't make it. Got a lot of work, though I'd love to switch places with you. All that moist young stuff up there. Have you gotten laid yet?"

  "Dad."

  "The few girls you've brought home, they seem like nice girls. But you've got to learn how to reach the dirty glory in them."

  "I'll try to squeeze that into my schedule. Thanks for the advice."

  "Shit," said my father. "You can read books and paint your splotches at home. Make the most of the scene up there. And I'm not saying this just because of the money. Your grandparents put some aside for you, and I'll kick in some, but there will be debt on your head. It will pursue you like, I don't know, some sicko pursuer. But that's not what I'm talking about."

  "What are you talking about?"

  "Take the knife."

  "Not exactly sure what I'll do with it in my dorm."

  "Get drunk and wave it at some stuck-up assholes. Brandish it. Show it to a girl. Girls who can really fuck will appreciate a work of exquisite craftsmanship like this. Or just put it in a drawer and whenever you open the drawer and see it, think of me. In a cathouse in Brownsville."

  "You said El Paso."

  "What?" said my father. "El Paso. Sure."

  I did keep the knife in a drawer, in a series of them, as I moved from dorm room to dorm room to off-campus apartment. I would put it in my desk or under the clutter of utensils in the kitchen drawer. My father died during my junior year and every time I caught sight of the knife a warm charge of grief shot through me. That knife was my talisman of bereavement. I never spoke of the thing unless somebody spotted it, digging for a garlic press or a slotted spoon. Usually it would be a girlfriend sifting through the drawer while we cooked and I would tell her it was my father's knife, bequeathed to me before his death. Everyone knew about my father. I made a habit of getting blotto and cornering people so I could describe the exact nature of his monstrosity. Now I winced when I recalled the bathos, the drool. I was a raincoat perv with my wound. I guess I was working on some stuff. Some moist young stuff.

  Senior year I moved into the House of Drinking and Smoking, took the cheap room, almost a pantry. It had a futon, some books, a desk, a chair, a Fold 'N Play record player. I screwed a blue bulb in the ceiling and slept there, mostly alone. I listened to old records and stared at the blue light. I worried I might go crazy, but I also felt on the verge of something important, the final touches on the permanent exhibition-Father, Fucker, Human: The Dreamtime of Roger Burke-I was mounting in my heart. I stayed many hours in that room.

  Otherwise I studied in the library or painted in my studio or drank in the living room with all the people who either lived there or sort of lived there or might as well have lived there, though the core stayed fairly stable, a crew that included Billy Raskov, Maurice Gunderson, Charlie Goldfarb, Purdy, Constance, Sarah Molloy, and a guy named Michael Florida, who may or may not have been a student, though by dint of his meth addiction could have counted as an apprentice chemist. We drank local beer, smoked homegrown and shake. We used words like "systemic," "interpolate," "apparatus," "intervention." It wasn't bullshit, I remember thinking at the time. It just wasn't not bullshit.

  But the blue bulb was healing me.

  I moved out at the end of spring term. My plan was to stay in town for the summer, perhaps beyond, to work at a restaurant near campus and finish up some paintings. Maybe I wasn't ready for New York City, even if Lena thought so, had made some phone calls on my behalf. But to what end? To be some pompous impostor's assistant? To stretch canvas, fetch sushi? It sounded pretty admirable, in a strange way, as though in lieu of the atelier you might learn something ferrying hunks of rice-couched toro, but I also wanted more time in my little world. Maybe more time with Lena.

  I found a cheap studio above a dry cleaner and moved everything out of the house. A new group took over the Drinking and Smoking lease. One of them was the daughter of a reactionary governor, a girl who'd become notorious for denouncing her father's policies at campus demos. We admired her greatly for this.

  Sometime early in the semester I found myself at a party at the house, stood in the kitchen with a can of beer and watched everybody shout and flirt. Already I was the older fellow, suspect. Why had I not gone bounding into the surf of destiny? Why did I still lurk on this sorry spit? Somebody brushed past and opened a drawer near my hip, poked around, maybe for a bottle opener. That's when I saw it, my knife, wedged in the wires of a whisk.

  I had forgotten to take it when I moved out. I had no idea what this lapse could mean. Or maybe some idea. I hoisted myself up on the counter, unsheathed the knife. The party got louder, crowded. Somebody tapped my shoulder. Somebody tugged my shirt. A few of the new tenants gathered around the counter. Constance stood with them, smiled. We'd ended things, but we still mattered to each other. She had understood about the blue light.

  "Hey," I said.

  "What are doing with that thing?" one of the others asked.

  "Nothing," I said.

  "It's a great knife, isn't it?" said the governor's daughter. "We found it when we moved in. Kind of makes us nervous right now, though, with the party and all these people. Could you put it back?"

  "Sure, sorry," I said, nodded sagely to signal my concurrence with the notion that huge knives and parties did not mix. I sheathed the blade, slid it into the back of my jeans.
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  "What are you doing?" said the first girl.

  "What do you mean?"

  I scooted off the counter, stood before them.

  "We asked you to put the knife back. Not steal it."

  "It's my knife," I said. "My father gave it to me. I just left it here when I moved out. By accident. But now I found it. I can't believe I left it in the first place. I'm going to need some therapy to figure it all out."

  "That's the lamest story I ever heard," said the governor's daughter.

  "Totally," said one of the others.

  "Why should we believe you? Do you have proof?"

  "Proof?"

  "I don't think he has proof."

  "It's my knife," I said. "My father won it in cathouse in El Paso."

  "A cathouse?" said the first girl, though we knew then to say woman, even if none of us were women or men.

  "Is that the word he used?" said another. "Cathouse? Not rape factory? What a pig your father must be. Are you proud of him? Paying to rape underage women of color?"

  "They have agency," said the governor's daughter to the first girl. "They are sex workers in a marginal economy and there is agency there. Though not much. Especially if they are underage."

  "Who said underage?" I said, tried to recruit Constance to my cause with a glance, but she glided behind the others. Somehow I couldn't blame her.

  "Okay, maybe they were eighteen," said the governor's daughter. "Who cares? It's a bullshit story. It's not your knife. And anyway, possession is nine-tenths of the law."

  I wondered when she had first heard that sacred charm. Had the governor cooed it into her newborn ear? I could not believe I was not believed. I wanted to laugh. I could just walk out with the knife, nobody would stop me, but still I would not be believed. I would be known as a thief.

  I shook as I handed over my father's knife. Such shame. The governor's daughter, who cared so little for this object, would get to keep it. She was from the people who kept everything. I was from the people who rented some of everything for brief amounts of time. I knew I deserved no pity, would get none from the people who kept everything. They only pitied the people with nothing at all. I also knew that because I was leaving without the knife, I did not deserve the knife. A part of me did not want to deserve it.

  Brownsville or El Paso.

  Wave or brandish.

  So it was all very tricky, telling the truth. It wasn't really about the truth. It was about being believed. It was about Purdy believing that he'd chosen right when he'd chosen me. It was bad form to hound him by telephone this soon after the email. I surfed art blogs for news of newer art blogs, food blogs for news of food. A new joint downtown seated eleven. The pork belly tart was divine. Reservations were impossible, and if you got one, it didn't guarantee dinner for your party, just you.

  I logged off, swung my knapsack to my shoulder. I'd had a hard time deciding whether to carry a knapsack, a messenger bag, a canvas book bag, or a briefcase. Each seemed to embody a particular kind of confusion and loss. But the knapsack did the least spinal damage. I'd also noticed more people on the street with those briefcases on wheels. Nothing depressed me more than these rigs, this luggage for people not going anywhere, having their holiday at work. Sometimes I imagined those squat cases full of bondage gear or hobby trains, some secret glee, but you could almost be certain they bulged with files.

  "Tough hour?" said Horace, swiveled from his monitor.

  "Just sort of setting up today. Need to pick up Bernie soon."

  "Right. Well, nice to have you back. On a probationary basis."

  "Thanks, Horace."

  Vargina popped her head up out of her command nook.

  "Milo?"

  "Hey," I said.

  "So, everything working here?"

  "Think so, yeah."

  "You know, given the nature of your situation here, how it's just this one project, please don't feel you have to come in that often. We're more interested in the outcome than the process."

  "Right," I said. "But since, if this works out, I'll be back here long-term, isn't it better if I re-integrate now?"

  There was a blankness, and within that blankness an odd flicker of what I took to be pity, in Vargina's expression. The pity part, plus the idea that the tips of her nipples might be brushing the synthetic weave of the cube wall, put a thrum in me. Or it might have been my cell phone.

  Eight

  They held up the N train at Queensboro Plaza for a medical emergency, somebody maybe stroked out on the car's sticky floor, mistaking for a celestial communique the guarantees of Upper Manhattan's number one pimple doctor, or the public service announcement about condoms targeted at Spanish-speaking men who believed they were not gay. The victim's eyes might even have alighted on the new Mediocre subway campaign: Knowledge and Discovery: A Better You. A Better World, the words stenciled below a beautiful Polish exchange student in a lab coat. This could be what the admissions folks called a change-of-life opportunity. If Strokey lived he might quit his job, go back to school, become what he always wanted to be, namely, somebody standing next to a beautiful Polish exchange student in a lab coat.

  Still, why stop the whole train just so paramedics could board the car and pull some poor slob back from the white light? We couldn't waste time like this. Not for an individual life. We were losing our superpower superpowers. Would they stop this train in China?

  I got off and waved down a livery cab, rode out to my Astoria Boulevard stop, took the shortcut through a playground beneath the tracks. The playground was empty except for a burly man coaxing his daughter down a slide. The sight of them startled me. He looked like a man I'd known on my block, a man who was dead now but who in life boasted the same huge shoulders and shaggy dreadlocks. But really this man looked very different, his skin much lighter, and he wore jeans and construction boots powdered with drywall dust. The man I remembered favored tatty T-shirts and checkered chef pants. Whenever I thought of him I thought of those pants.

  Often, out with Bernie in the stroller, I'd pass his house. His two young kids, a boy and a girl, would putter around a dirty plastic playhouse, the man on his stoop, smoking, reading the paper. I'd wave, dad to dad. Sometimes we would talk, the weather, the fish at the Greek place up the street, the dilapidation of the swings at the river park.

  I liked talking to this man who could somehow pull off the role of loving and attentive parent with a lit cigarette in his mouth. He was a throwback papa, reminiscent of another time, another texture, his affection gruff, or else a bit reined in, but all the more palpable, that full-hearted but fatalistic love from before people used "parent" as a verb, when you might sit on the stoop and watch your children play in your barren rented yard and believe that life could work out. It was horseshit, of course, nostalgia for a nonexistent past, but it warmed the cheap parts of me.

  Yet we were also, the both of us in our way, the new dads. This fellow was the real McCoy, a stay-at-home hero, but at least I was a quality-of-lifer, a knock-off-at-fiver, who would rush back for hours of child care if Maura needed to finish a project or just needed free time, a pedicure, a treadmill run. Often enough this man and I both put our kids to bed, our wives still at work, doing the work of their type in this era, the conferencing, the teleconferencing, the brainstorming, the liaisoning. Sometimes the work of their type meant drinks at the bar with other men and women. Sometimes they just needed to get away from us. Enjoy yourself, we said. Heaven knows you deserve it. We meant this and did not resent them for being better than us. New dads still respected what was best in the old ones, but had maybe abandoned the fear, the silence, or else the gabby cruelty of our fathers, grandfathers.

  This is how I liked to think of us, anyway, me and this large man with his good laugh and the Marlboro Light in his teeth or between his stubby fingers, which he'd hold with such care away from his daughter's braids when she charged over to collapse in his lap and file howling grievance against her brother's style of playhouse play.

>   I even imagined a life for this guy, figured him for a chef, because of the checkered pants, home until he could find another high-end organic gig or else raise the cash for his own place, living off scant savings and his wife's administrative job. Then one afternoon, sitting in the playground I crossed now, while Bernie napped in his stroller, I noticed an item in the paper about an entire family wiped out by a beverage truck on the Brooklyn-Queens Expressway, and studying the article and the photograph of my neighbor there beneath photographs (and diagram) of the wreck, I saw I had not been far off.

  James "Jimmy" Easter had been a chef in the East Village. Probably knew his way around a pork belly tart. His wife was in sales, medical supplies. Jimmy Easter, there was the name, Jimmy Easter, the missing piece that should have connected it all, me out with the stroller, always the lighter-framed of our two Maclarens, not because it weighed less but because it was cleaner and there was something unmanly about pushing the filthier stroller, with its crumbed seams and yogurt-smeared handles and pockets stuffed with rotten apple cores (not that I ever cleaned the thing), and the friendly neighbor with his cigarette and his children and their mud-crusted playhouse. Except the name connected nothing. Easter was too much. It crowded out what mattered.

  There was also the question of the car, the compact Korean-made tomb of the Easters. Had I ever seen it? Probably parked out back. Maybe Jimmy paid his landlord for a space. A monthly strain, this extra. And Jimmy with his cigarettes, even after the mayor jacked the tax, Jimmy still with his cigarettes and the smoke he tried to wave away. What kind of father would smoke around his children, or smoke at all? Not the kind of father the mayor would consider a father. Nobody committed to effective parenting. Did Jimmy have life insurance? Would his death from lung cancer at least pay out?

  But these questions, these accusations in the form of questions, they really stopped being pertinent one blue afternoon in October in a southbound lane on the BQE. The semi took care of these questions, or really issues, let's call them issues, much as many of us not my mother claim to despise the word. It took care of the unemployment issue, the parking space issue, the smoking issue, and it took care of James "Jimmy" and Barbara Easter's issue, Devin and Charlene. The truck, the sleep-starved Croat at the wheel of it, took care of everything. Jimmy Easter might just as well have taught his children how to blow smoke rings, or steal cigarettes. Jimmy Easter was off the hook. He would never go down in history, or case history, as a shitty father.