Fulgrim

by Graham McNeill

  ‘Ostian!’ she cried. ‘It’s me, Serena… please… let me in!’

  Ostian did not reply, and she beat her hands bloody on the shutter, screaming his name and sobbing as she cried and begged for his forgiveness. Still there was no reply, and in desperation she reached down and lifted the shutter.

  Serena stumbled into the dimly lit studio, detecting a dreadful, familiar smell even before her exhausted eyes made out the loathsome sight before her.

  ‘Oh, no,’ she whispered as she saw the grisly sight of Ostian’s body impaled upon a glittering sword blade protruding from a wondrous sculpture of the Emperor.

  She dropped to her knees before him and screamed, ‘Forgive me! I didn’t know what I was doing! Oh, please forgive me, Ostian!’

  What remained of Serena’s mind finally buckled and collapsed inwards at this latest atrocity. She pushed herself to her feet and placed her hands on Ostian’s shoulders.

  ‘You loved me,’ she whispered, ‘and I never saw it.’

  Serena closed her eyes and wrapped her arms around Ostian’s corpse, feeling the sharp tip of the sword between her breasts.

  ‘But I loved you too,’ she said, and pulled herself hard onto the sword blade.

  TWENTY-TWO

  World of Death

  The Trap is Set

  Maraviglia

  ISSTVAN V HAD been, so the exterminated Isstvanian myth-makers believed, a place of exile. Stories told that, in a time consigned to legend, Father Isstvan himself had sung the world into being with music for his Warsingers to hear and interpret. Father Isstvan was, it seemed, a fertile god and had spread his seed far and wide across the stars, nameless mothers bearing him countless children with which he had populated the first ages of the world.

  Such allegorical concepts became night and day, the seas and the land, and countless other aspects of the world in which the Isstvanians lived. Within the Sirenhold, great towers and enormous murals had told these legends in great detail: intricate dramas of love, betrayal, death and blood, but these were gone forever, burned and pounded to oblivion by the Warmaster’s bombardment.

  Such wrath was no stranger to the myths of Isstvan, which told of the children of Father Isstvan who turned from his light and led their hosts against their benevolent sire. A terrible war followed. The Lost Children, as they came to be known, were finally defeated in a great battle and their armies destroyed. Instead of slaying his wayward children, Father Isstvan banished them to Isstvan V, a desolate place of black deserts and ashen wastelands.

  Upon this nightmarish place of darkness, the Lost Children were said to brood upon their expulsion from paradise, bitterness twisting their beautiful countenances until no man could look upon them without revulsion. These monstrosities were said to dwell in cyclopean fortresses of black stone where they dreamed of returning to wreak vengeance on their enemies.

  Such were the myths of Isstvan as preached by the Warsingers, cautionary tales that warned their people to follow the true path, lest the Lost Children return and finally take their long awaited vengeance.

  Whether these myths were allegorical parables or were in fact history was irrelevant, for, in the shape of the Warmaster’s Legions, the Lost Children had indeed returned.

  THE SKIES OF Isstvan V were grey and ashen, dark clouds gathering in rumbling thunderheads to the south of where the first battle for the Imperium would be fought. As places of legend went, it was not particularly impressive, thought Julius Kaesoron. The air tasted of long vanished industry, and the ground underfoot was a dusty black powder, fine and granular like sand, but hard and crunching like glass.

  When Julius had first set foot on the black deserts of Isstvan V, a howling wind had been whipping across the black dunes, echoing mournfully through the towers and weathered battlements of an ancient fortress, which stood atop a gently sloping ridge at the northern edge of a vast emptiness. Known as the Urgall Depression, it was the planet’s largest desert, a featureless plain of bare rock and scattered scrub that rose gently to low hills upon which was built the fortress. Who had raised it was unknown, though the Mechanicum adepts postulated that it belonged to a civilisation that predated humanity by millions of years.

  Its walls were formed of enormous blocks of a hard vitreous stone, each one the size of a Land Raider, and carved with such precision that there was no evidence of any bonding agent between them. Its builders were long dead, but their architectural legacy had endured the passage of aeons, though long stretches of the wall had collapsed over the millions of years. Such ruin rendered it untenable as a fortress, but ideal as a bulwark against which to mount a defence. The wall stretched for nearly twenty kilometres and rose to heights of thirty metres in places, with slopes of gritty sand banked against it and filling the hallways of its mighty, turreted keep.

  Fulgrim had set up his command within the remains of the keep and begun the work of ensuring that it would be a bastion worthy of the Warmaster.

  Together with Marius, Julius followed the Primarch of the Emperor’s Children as he toured the mighty works of fortification being undertaken here. Vast teams of Mechanicum earthmovers were shifting the sand from before the walls of the fortress and using it to form a vast network of earthworks, trenches, bunkers and redoubts that stretched along the ridge before the fortress. Laagers of anti-aircraft batteries were set up in the shadow of the walls, and mighty orbital torpedoes on mobile launch vehicles hid in the warrens of the fortress. If the Emperor’s Legions wanted to destroy them, they were going to have to come down to the surface to do so.

  The Primarch of the Emperor’s Children was arrayed in his plate armour, the gleaming ceramite burnished to a brilliant purple, though Julius’s newly enhanced vision detected hundreds of subtle variations of hue within each plate. Legion artificers had added many layers to the armour, its sweeping curves accentuated in new and wondrous ways, the Imperial Eagle removed from his breastplate and replaced with gracefully carved bands of lacquered ceramite.

  Silver and gold edged every plate and scenes representing the Legion’s new loyalties were carved onto every surface, lending the armour the appearance of something purely ceremonial, though such an impression could not be further from the truth.

  ‘A fine sight is it not, my friends?’ asked Fulgrim as he watched a gigantic bulldozer the size of a Titan lander scooping hundreds of tonnes of sand and rubble into a similarly gigantic hopper.

  ‘Majestic,’ said Julius without enthusiasm. ‘The Warmaster will be pleased, I’m sure.’

  ‘He will indeed,’ replied Fulgrim, oblivious to the irony in his tone.

  ‘Do we know yet when Horus will grace us with his presence?’ he asked.

  Fulgrim turned, finally hearing Julius’s ennui. He smiled, sweeping a hand through his unbound white hair, and Julius felt his spirits aroused by the sight of the beautiful primarch. In deference to the Warmaster, Fulgrim had dispensed with the powder and paints on his face and more resembled his old self, a glorious warrior of utmost perfection.

  ‘The Warmaster will join us soon, Julius,’ said Fulgrim, ‘and so too will the Legions of the Emperor! I know this work seems tedious to you, but it is necessary if we are to achieve the great victory Horus requires.’

  Julius shrugged, his senses crying out for stimulation. ‘It is humiliating. The Warmaster could have thought of no greater punishment than denying us a place in the battle for Isstvan III and consigning us to become ditch diggers and grubby labourers on this desolate rock.’

  ‘We all have our part to play,’ said Marius, ever the sycophant, but Julius could see that he too did not relish this work and smarted at missing the glory of expunging the imperfect from their Legion. The battles on Isstvan III had been glorious, and Eidolon had sent word of the perfection of the Legion’s conduct as well as the fact of Solomon Demeter’s death.

  Unlike when Lycaon had died fighting the Diasporex, Julius hadn’t known what to feel upon hearing of his former battle-brother’s end. His senses were height
ened to the point that only the most shocking things could evoke more than a glimmer of passing interest. He felt no sadness, only a mild regret that a warrior as fine as Solomon had proved to be imperfect, and thus deserving of his fate.

  ‘That we do, Marius,’ agreed Fulgrim. ‘The work we do is vital, Julius, that is why Horus has entrusted it to us. Only the Emperor’s Children bring the perfection required to ensure that this phase of the Warmaster’s plan plays out as ordained.’

  ‘This work is fit only for the workers of the Mechanicum and perhaps the dour Iron Warriors of Perturabo’s Legion. For it to be foisted upon the Emperor’s Children is demeaning,’ said Julius, unrepentant in his defiance. ‘We are being punished for our failure.’

  Though Fulgrim had been devastated at his exclusion from the battles raging on Isstvan III following the disastrous mission to bring over Ferrus Manus, he had nevertheless thrown himself into the preparations for Horus’s triumphant arrival like a man possessed.

  The Legions of the Emperor were massing to destroy them and soon the battle that might very well determine the fate of the Imperium would be fought on this desolate plain.

  ‘Maybe so,’ growled Fulgrim, ‘but it will be done.’

  WITH THE DESTRUCTION of the last surviving warriors on Isstvan III, the Legions of Horus made their way to Isstvan V, a flotilla of powerful warships and carriers bearing the martial pride of four Legions, their ranks fully comprised of those whose loyalty was to Horus and Horus alone.

  Mass conveyers of Lord Commander Fayle’s Army units brought millions of armed men and their tanks and artillery pieces. Bloated Mechanicum transports bore the Legio Mortis to Isstvan V, dark priests of the Machine ministering to the Dies Irae and its sister Titans as they prepared to unleash the unimaginable power of these land battleships once more.

  Final victory on Isstvan III had been bought with many lives, but in its wake the Legions were tempered in the crucible of combat to do what must be done to save the Imperium. The process had been long and bloody, but the Warmaster’s army was ready and eager to fight its brothers, where the lackeys of the Emperor would find their readiness to strike down their kith and kin untested.

  Such mercy would be their undoing, promised Horus.

  THE ATMOSPHERE IN La Fenice was tense and ripe with potential. Thousands packed its stalls and boxes, the vividness of the art, sculpture and colours overwhelming the senses with their extravagance. Nearly three thousand Astartes warriors had returned to the Pride of the Emperor from the surface of Isstvan V, and some six thousand remembrancers and ship’s crew jammed themselves between the warriors wherever a space could be found. The excited hubbub of conversation filled the theatre.

  For tonight would see the unveiling of Bequa Kynska’s long-awaited Maraviglia.

  The auditorium was painted in a riot of colours with gold trim throughout, and ornamental plaster-work and mouldings divided the wall areas into large, well-proportioned panels decorated with all manner of splendidly overwrought artworks. In magnitude, La Fenice had few superiors, even in the largest and most urbane of the Terran hives, and was finished in a style that had clearly involved the most lavish expenditure of resources.

  Parquet spread from the front of the stage in wide, concentric arcs, the mosaic floor invisible beneath the sandals of the thousands who had come to see this most magnificent spectacle. Semi-circular niches to the side of the parquet accommodated busts of renowned impresarios of Terra and other, more exotic, statues of hedonistic libertines. Amongst these sculptures were other, less recognisable statues of mightily muscled androgynous figures with bulls’ heads and bejewelled horns.

  To the rear of this area, six mighty columns of solid marble supported the dress circle, and the front of the balcony was decorated with exquisite plaster applique.

  Brass cages containing brightly coloured songbirds were suspended from the base of the balcony and their frantic music added to the din of the orchestra and audience. A sweet scented musk drifted from hanging incense burners and the air was almost unbearably humid. The sense of fevered anticipation was palpable as scores of musicians tuned their instruments in the bow shaped orchestra pit before the stage. Each instrument was a monstrous contraption of pipes, bellows and crackling electrical generators, which in turn were hooked to towering stacks of mighty amplifiers, created specifically for this performance, and designed to replicate the magical music of the Laer temple.

  Coloured lights and strategically placed prisms filled La Fenice with blinding rainbows and cast beams of a million different hues to every corner of the theatre. An army of seamstresses had worked tirelessly to create the stage curtain, and the glaring footlights illuminated the vividness of the red velvet and the wondrously embroidered images of decadent legends, cavorting nudes, animals and scenes of battle.

  On the vast pediment above the stage, illuminated by a single spotlight, was the late Serena d’Angelus’s painting of the Emperor’s Children’s primarch. Its terrible aspect, unendurable finish, and the passion of its outlandish colours rendered those who saw it dumb, and robbed them of coherent thought.

  More of Serena’s work could be seen on the vaulted ceiling of the theatre, a colossal, multi-coloured mural of serpents and ancient beasts of legend, which sported with naked humans and beasts of all description.

  The sheer bulk of the Astartes filled much of the enormous theatre, even though they were stripped of their armour and wore only simple training robes. Those remembrancers that found themselves behind one of the giant warriors danced from foot to foot as they sought to obtain a better view of the stage.

  The captains of the Legion sat in the comfort of the boxes, arranged in two tiers on either side of the stage. The boxes overlooked the proscenium with an unobstructed view, and their facades were of a classical design with fluted pilasters to either side.

  The box with the most perfect viewpoint was known as the Phoenician’s Nest, its interior painted with frescoes of gold and silver, and decorated with yellow satin draperies that overhung lace curtains. Over it all, a valance of gold silk shimmered in the light of hundreds of candles fixed upon a great chandelier above the centre of the stage.

  A movement in the Phoenician’s Nest drew the gaze of the gathered audience and soon every eye was fixed upon the magnificent warrior standing there. Dressed in his finest toga of regal purple, Fulgrim raised his hand to the crowd and basked in the adoration displayed by his Legion as thunderous applause built and shook the rafters with its volume.

  His senior commanders accompanied the primarch, and as he took his seat the lights began to dim. A brilliant spotlight shone on the stage as the great velvet curtain parted and Bequa Kynska made her entrance.

  JULIUS WATCHED WITH barely contained excitement as the blue haired composer crossed the stage and descended into the orchestra pit to take her place on her conductor’s podium. Dressed in a scandalously translucent dress of gold and crimson, the gossamer thin material hung with precious stones that glittered like stars. The cut of her dress plunged from her shoulders to her pelvis, the swell of her breasts and the hairlessness of her flesh clearly visible beneath.

  ‘Magnificent!’ cried Fulgrim, clapping furiously with the audience at Bequa’s appearance, and Julius was amazed to see tears in his eyes.

  Julius nodded, and though he had no real memory of feminine splendour or any frame of reference against which to compare her, the composer’s curves and obvious womanhood stole away his breath. Julius had felt such stirrings of emotion when he gazed upon his primarch, heard a particularly inspiring piece of music or went into battle, but to feel his senses aroused by a mortal woman was a new experience for him.

  Thick silence enveloped the audience as they waited for the magic to happen, the collective breath of nearly ten thousand throats held fast as the moment of anticipation stretched to breaking point. Bequa selected a mnemo-baton and tapped it on the libretto stand before launching into the opening bars of the Maraviglia’s overture.

 
; Tremendous noise erupted from the orchestra pit as the first notes blared from the newly conceived musical devices, the sound reaching to every corner of La Fenice with its wonderful instrumentation, romantic beauty and hints of themes yet to come. Julius felt himself carried on a journey of the senses as the music rose and fell, emotions he had never experienced plucked from the depths of his soul and brought joyously to the fore as the crashing beats and wild, skirling tunes wound their way through the audience.

  He wanted to laugh and then cry, and then he felt a terrible anger build, before it bled away and a great melancholy settled upon him. Within moments the music had torn that loose, and a soaring elation asserted itself with the utmost lucidity and force, as though all that had gone before was merely the prelude to some grand design yet to be unveiled.

  Bequa Kynska thrashed like a lunatic atop her conductor’s podium, jabbing and slashing the air with her baton, her hair a wild comet of blue as it whipped around her head. Julius tore his eyes from the magnificent sight of her and looked out over the audience to witness its reaction to this sublime, raucous music.

  He saw faces rapt in stunned disbelief, eyes wide as the power and majesty of the dissonant sounds penetrated every skull and spoke to every soul of the sensations evoked. But not every member of the audience appeared to appreciate the wonder of what they were privileged to witness, and Julius saw many with their hands clamped over their ears in the throes of agony as the music swelled once more. Julius caught sight of the slender figure of Evander Tobias in the audience, and his anger grew as he watched the ungrateful wretch lead a group of his fellow scriveners through the crowd towards the exit.

  Scuffles broke out and the recalcitrant archivist and his fellows were attacked, fists pummelling them to the ground where they were kicked and beaten. Without pause, the audience returned its attention to the stage, and Julius felt a fierce pride swell in his breast as he watched a heavy boot crunch down on Tobias’s skull. None remarked upon the sudden, bloody violence, as if it had been the most natural reaction, but Julius could see the bloodlust spread throughout the audience like a virus or the shockwave of a detonation.