The Madness Underneath

by Maureen Johnson

  The Madness Underneath

  Maureen Johnson

  THE

  MADNESS

  UNDERNEATH

  DON’T MISS THE FIRST BOOK IN THE

  SHADES OF LONDON SERIES:

  The Name of the Star

  THE

  MADNESS

  UNDERNEATH

  THE SHADES OF LONDON,

  BOOK TWO

  maureen johnson

  G. P. PUTNAM’S SONS

  An Imprint of Penguin Group (USA) Inc.

  G. P. PUTNAM’S SONS · A division of Penguin Young Readers Group.

  Published by The Penguin Group.

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  Copyright © 2013 by Maureen Johnson.

  All rights reserved. No part of this book may be reproduced, scanned or distributed

  in any printed or electronic form without permission in writing from the publisher,

  G. P. Putnam’s Sons, a division of Penguin Young Readers Group,

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  Design by Annie Ericsson. Text set in ITC New Baskerville Std.

  Library of Congress Cataloging-in-Publication Data

  Johnson, Maureen, 1973–

  The madness underneath / Maureen Johnson.

  p. cm.—(Shades of London ; bk. 2)

  Summary: “After her near-fatal run-in with the Jack the Ripper copycat, Rory Deveaux is back in London to help solve a new string of inexplicable deaths plaguing the city”—Provided by publisher. [1. Boarding schools—Fiction. 2. Schools—Fiction. 3. Murder—Fiction. 4. Ghosts—Fiction. 5. London (England)—Fiction. 6. England—Fiction.] I. Title.

  PZ7.J634145Mad 2013 [Fic]—dc23 2012026755

  ISBN: 978-1-101-60783-1

  ALWAYS LEARNING

  PEARSON

  For my friend, the real Alexander Newman,

  who would never let a tiny thing like having twelve strokes

  get the better of him. When I grow up, I want to be you.

  (Maybe without the twelve strokes? You know what I mean.)

  Table of Contents

  The Royal Gunpowder Pub

  The Crack in the Floor

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  15

  16

  17

  18

  New Dawn Psychic Parlor

  The Falling Woman

  20

  21

  22

  23

  24

  25

  THE ROYAL GUNPOWDER PUB,

  ARTILLERY LANE, EAST LONDON

  NOVEMBER 11

  10:15 A.M.

  CHARLIE STRONG LIKED HIS CUSTOMERS—YOU DON’T RUN a pub for twenty-one years if you don’t like your customers—but there was something about the quiet in the morning that pleased him to no end. In the morning, Charlie had the one cigarette he allowed himself daily. He drew on the Silk Cut slowly, listening to the satisfying sizzle of burning paper and tobacco. He could smoke inside when no one else was here. Good mug of tea. Good smoke. Good bacon on his sandwich.

  Charlie switched on the television. The television in the Royal Gunpowder went on for only two things: when Liverpool played and Morning with Michael and Alice, the relentlessly cheerful talk show. Charlie liked to watch this as he prepared for the day, particularly the cooking part. They always made something good, and for some reason, this made him enjoy his bacon sandwich even more. Today, they were making a roast chicken. His barman, Sam, came up from the basement with a box of tonic water. He set it on the bar and quietly got on with his work, taking the chairs from their upside-down positions on the tables and setting them upright on the floor. Sam was good to have around in the mornings. He didn’t say much, but he was still good company. He was happy to be employed, and it always showed.

  “Good-looking chicken, that,” he said to Sam, pointing to the television.

  Sam paused his work to look.

  “I like mine fried,” Sam said.

  “It’ll kill you, all that fried food.”

  “Says the man eating the bacon sarnie.”

  “Nothing wrong with bacon,” Charlie said, smiling.

  Sam shook his head good-naturedly and continued moving chairs. “Think we’ll get more of them Ripper freaks today?” he asked.

  “Let’s hope so. God bless the Ripper. We did almost three thousand pounds last night. Speaking of, they do eat a lot of crisps. Get us another box of the plain and”—he sorted through the selection under the bar—“cheese and onion. And some more nuts while you’re there. They like nuts as well. Nuts for the nutters, eh?”

  Without a word, Sam stopped what he was doing and returned to the basement. Charlie’s gaze was fixed on the television and the final, critical stages of the cooking segment. The cooked chicken was produced from the oven, golden brown and lovely. The show moved on to the next segment, talking about some music festival that was going on in London over the weekend. This interested Charlie less than the chicken, but he watched it anyway since he had a cigarette to finish. When he was down to the filter, he stubbed it out and got to work.

  He had just started wiping down the blackboard to write the day’s specials when he heard the sound of breaking glass from below. He opened the basement door.

  “Sam! What in God’s name—”

  “Charlie! Get down here!”

  “What’s the matter?” Charlie yelled back.

  Sam did not reply.

  Charlie swore under his breath, allowed himself one heavy post-smoke cough, and headed down the stairs. The basement stairs were narrow and steep, and the basement itself was full of things Charlie largely didn’t want to deal with—broken chairs and tables, heavy crates of supplies, racks of glasses ready to replace the ones that were chipped, cracked, or stolen every day.

  “Sam?” he called.

  “In here!”

  Sam’s voice was coming from a small room off the main one. Charlie ducked down. The ceiling was lower in this room; it just skimmed his head. Many times he had almost knocked himself senseless on it.

 
; Sam was near the wall, cowering between two shelving units. There were two shattered pint glasses, as well as a roughly drawn X in chalk on the stone floor.

  “What are you playing at, Sam?”

  “I didn’t do that,” Sam replied. “Those weren’t there a few minutes ago.”

  “Are you feeling all right?”

  “I’m telling you, those weren’t there.”

  This was not good, not good at all. The glasses clearly hadn’t fallen off a shelf—they were in the middle of the room. The X was shaky, like the hand that had drawn it could barely hold the chalk. No one looked healthy in the basement’s faintly greenish fluorescent light, but Sam looked particularly bad. The color had drained from his face, and he was quivering and glistening with sweat.

  Maybe this had been bound to happen. Charlie had always known the risks, but the risks were part of the agreement. He had gotten sober, and he trusted that others could as well. And you needed to show that trust.

  Charlie said quietly, “If you’ve been taking something—”

  “I haven’t!”

  “But if you have, you just need to tell me.”

  “I swear to you,” Sam said, “I haven’t.”

  “Sam, there’s no shame in it. Sobriety is a process.”

  “I didn’t take anything, and I didn’t do that!”

  There was an urgency in Sam’s voice that frightened Charlie, and he was not a man who frightened easily. He’d been through fights, withdrawal, divorce. He faced alcohol, his personal demon, every day. Yet, something in this room, something in the sight of Sam huddled against the wall and this crude X and broken glass on the floor…something in this unnerved him.

  There was no point in checking to see if anyone else was down here. Every business in the area had fortified itself when the Ripper was around. The Royal Gunpowder was secure.

  Charlie bent down and ran his hand over the cool stone floor.

  “How about we just get rid of this,” he said, wiping away the chalked X with his hand. In cases like this, it was best to calmly get things back to normal and sit down and talk the issue through. “Come on, now. We’ll go upstairs and have a cup of tea, and we’ll talk this out.”

  Sam took a few tentative steps from the wall.

  “Good, that’s right. Now let’s just get rid of this and we’ll have a nice cuppa, you and me…”

  Charlie continued wiping away the last of the X. He didn’t see the hammer.

  The hammer was used to pry open crates, to knock sticky valves into action, and to do quick repairs on the often unstable shelving units. Now it rose, lingering just long enough over Charlie’s head to find its mark.

  “No!” Sam screamed.

  Charlie turned his head in time to see the hammer come down. The first time it did so, Charlie remained upright. He made a noise—not quite a word, more of a broken, gurgling sound. There was a second blow, and a third. Charlie was still upright, but twitching, struggling against the onslaught. The fourth blow seemed to do the most damage. An audible cracking sound could be heard. On that fourth blow, Charlie fell forward and did not move again.

  The hammer clattered to the ground.

  THE

  CRACK

  IN THE

  FLOOR

  Out flew the web and floated wide;

  The mirror crack’d from side to side;

  “The curse is come upon me,” cried

  The Lady of Shalott.

  —Alfred Lord Tennyson, “The Lady of Shalott”

  1

  BACK AT WEXFORD, WHERE I WENT TO SCHOOL BEFORE ALL of this happened to me, they made me play hockey every day. I had no idea how to play hockey, so they covered me in padding and made me stand in the goal. From the goal, I could watch my fellow players run around with sticks. Occasionally they’d whack a small, very hard ball in my direction. I would dive out of the way, every time. Apparently, avoiding the ball isn’t the point of hockey, and Claudia would scream, “No, Aurora, no!” from the sidelines, but I didn’t care. I take my best lessons from nature, and nature says, “When something flies at your head—move.”

  I didn’t think hockey had trained me for anything in life until I went to therapy.

  “So,” Julia said.

  Julia was my therapist. She was Scottish and petite and had a shock of white-blond hair. She was probably in her fifties, but the lines in her face were imperceptible. She was a careful person, well spoken, so achingly professional it actually made me itch. She didn’t fuss around in her chair or need to change over and cross the other leg. She just sat there, calm as a monk. The winds might blow and the rains might fall, but Julia would remain in the same position in her ergonomic chair and wait it out.

  The clock in Julia’s office was hidden in plain sight; she put it behind the chair where her patients sat, on top of a bookcase. I followed the clock by watching its reflection in the window, watching time run backward. I had just managed to waste a solid forty-five minutes talking about my grandmother—a new record for me. But I’d run out of steam, and the silence descended on the room like a vague but ever-intensifying smell. There was a lot going on behind her never-blinking eyes. I could tell, from what now amounted to hours of staring at her, that Julia was studying me even more carefully than I was studying her.

  And I knew about her relationship with that clock. All she had to do was flick her eyes just a tiny bit to the left, and she could see both me and the time without moving her head. It was an incredibly small move, but I had started to look for it. When Julia checked the time, it meant she was about to do something.

  Flick.

  Time to get ready. Julia was going to make a move. The ball was heading for my face. Time to dodge.

  “Rory, I want you to think back for me…”

  Dive! Dive!

  “…we all learn about death somehow. I want you to try to remember. How did you learn?”

  I had to restrain myself. It doesn’t look good if your therapist asks you how you learned about death and you practically jump off the couch in excitement because that’s pretty much your favorite story ever. But as it happens, I have a really good “learning about death” story.

  I wasted about a full minute, grinding away the airtime, tilting my head back and forth. It’s hard to pretend to think. Thinking doesn’t have an action stance. And I suspected that my “thinking” face looked a lot like my “I’m dizzy and may throw up” face.

  “I was ten, I guess. We went to Mrs. Haverty’s house. She lived in Magnolia Hall. Magnolia Hall is this big heritage site, proper antebellum South, Gone with the Wind, look-at-how-things-were-before-the-War-of-Northern-Aggression sort of place. It has columns and shutters and about a hundred magnolia trees. Have you ever seen Gone with the Wind ?”

  “A long time ago.”

  “Well, it looks like that. It’s where tourists go. It’s on a lot of brochures. Everything about it looks like it’s from 1860 or something. And no one ever sees Mrs. Haverty, because she’s crazy old. Like, maybe she was born in 1860.”

  “So an elderly woman in a historical house,” she said.

  “Right. I was in Girl Scouts. I was a really bad Girl Scout. I never got any badges, and I forgot my troop number. But once a year there was this amazing picnic thing at Magnolia Hall. Mrs. Haverty let the Girl Scouts use the grounds, because apparently she had been a Girl Scout back when the rocks were young and the atmosphere was forming…”

  Julia eyed me curiously. I shouldn’t have thrown in that little flourish. I’d told this story so many times that I’d refined it, given it nice little touches. My family loves it. I pull it out every year at our awkward get-together dinners at Big Jim’s or at my grandmother’s house. It’s my go-to story.

  “So,” I said, slowing down, “she’d have barbecues set up, and huge coolers of soda, and ice cream. There was a massive Slip ’N Slide, and a bouncy castle. Basically, it was the best day of the year. I pretty much only did Girl Scouts so I could come to this. So this one summ
er, when I was ten, I guess…oh, I said that…”

  “It’s all right.”

  “Okay. Well, it was hot. Like, real hot. Louisiana hot. Like, over a hundred hot.”

  “Hot,” Julia summarized.

  “Right. Thing was, Mrs. Haverty never came out, and no one was allowed inside. She was kind of legendary. We always wondered if she was looking at us from the window or something. She was like our own personal Boo Radley. Afterward, we would always make her a huge banner where we’d write our names and thank her and draw pictures, and one of the troop leaders would drive it over. I don’t know if Mrs. Haverty let her in or if she just had to throw it out of the car window at the porch. Anyway, usually the Girl Scouts got Porta Potties for the picnic. But this year there was some kind of strike at the Porta Potti place and they couldn’t rent any, and for a week or so, they thought there was going to be no picnic, but then Mrs. Haverty said it was okay for us to use the downstairs bathroom, which was a really big deal. On the bus ride over, they gave us all a lecture on how to behave. One person at a time. No running. No yelling. Right to the bathroom and back out again. We were all excited and sort of freaked out that we could actually go inside. I made up my mind I was going to be the first person in. I was going to pee first if it killed me. So I drank an entire bottle of water on the ride—a big one. I made sure our troop leader, Mrs. Fletcher, saw me. I even made sure she said something to me about not wasting my water. But I was determined.”

  I don’t know if this happens to you, but when I get talking about a place, all the details come back to me at once. I remember our bus going up the long drive, under the canopy of trees. I remember Jenny Savile sitting next to me, stinking of peanut butter for some reason and making an annoying clicking noise with her tongue. I remember my friend Erin just staring out the window and listening to something on her headphones, not paying any attention. Everyone else was looking at the crew that was inflating the bouncy castle. But I was on high alert, watching the house get closer, getting that first view of the columns and the grand porch. I was on a mission. I was going to be the first to pee in Magnolia Hall.