The Mistress of Paris

by Catherine Hewitt

  Bernheimer, Charles, Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France (Cambridge, MA and London: Harvard University Press, 1989)

  Bertaut, Jules, Paris 1870–1935, trans. by R. Millar, ed. by John Bell (London: Eyre and Spottiswoode, 1936)

  Besançon, Dr Julien, Le Visage de la femme (Paris: Éditions Terres Latines, 1940)

  Bigne, Yolaine de la, Valtesse de la Bigne ou Le pouvoir de la volupté (Paris: Perrin, 1999)

  Blanchard, Claude, Dames de coeur (Paris: Éditions du Pré aux Clercs, 1946)

  Blavet, Émile, La Vie parisienne – la ville et le théâtre (Paris, 1884)

  Booth, Michael R., ‘Nineteenth-Century Theatre’, in The Oxford Illustrated History of Theatre, ed. by John Russell Brown (Oxford and New York: Oxford University Press, 1997), pp. 299–340.

  Bouvier, Jeanne, ‘My Memoirs’, in The French Worker: Autobiographies from the Early Industrial Era, ed. and trans. by Mark Traugott (Berkeley: University of California Press, 1993), pp. 336–380.

  Briais, Bernard, Au Temps des frou-frous – Les Femmes célèbres de la Belle Époque (Paris: Éditions France-Empire, 1985)

  Brilliant, Richard, Portraiture (London: Reaktion Books Ltd., 1991)

  Brown, Frederick, Zola: A Life (London: Papermac, 1997)

  Bury, J.P.T., Gambetta and the Making of the Third Republic (London: Longman Group Limited, 1973)

  C., E., Le Livre (Paris, 1884), p. 756.

  Caccia, Joseph, Nouveau guide général du voyageur en Italie (Paris, 1875)

  Camp, Maxime du, Paris: ses organes, ses fonctions et sa vie dans la seconde moitié du XIXième siècle, 6 vols (Paris, 1869–75), vol. 3.

  Camp Davis, Bradley, ‘States of Banditry: The Nguyen Government, Bandit Rule and the Culture of Power in the Post-Taiping China-Vietnam Borderlands’ (doctoral thesis, University of Washington, 2008)

  Casselaer, Catherine van, Lot’s Wife: Lesbian Paris 1890–1914 (Liverpool: The Janus Press, 1986)

  Catalogue de tableaux modernes, pastels, aquarelles, dessins etc de Mme Valtesse de la Bigne (Paris: Imprimerie de la Gazette des Beaux-Arts, June 1902)

  Chaix, N., ed., Nouveau guide en Italie – Guide-Chaix (Paris, 1864)

  Chalon, Jean, Liane de Pougy: courtisane, princesse et sainte (Paris: Flammarion, 1994)

  Champsaur, Félicien, Les Parisiennes (Paris, 1877)

  ____ Paris, le massacre (Paris, 1885)

  Charleston, Robert J., ed., World Ceramics: An illustrated history from earliest times (New York: Crescent Books, 1990)

  Chevalier, Julien, Inversion sexuelle (Paris, 1893)

  Claretie, Jules, L’Art et les artistes français contemporains (Paris, 1876)

  ____ La Vie à Paris (Paris: Charpentier, 1911)

  Clark, T.J., The Painting of Modern Life: Paris in the Art of Manet and His Contemporaries (New York: Knopf, 1984 and London: Thames and Hudson, 1985)

  Claudius-Petit, Dominique Cécile, Ville-d’Avray: mémoire en images (Saint-Avertin: Éditions Sutton, 2013)

  ____ ‘Histoire de la maison Rostand’ (unpublished article, 2014)

  Clayson, Hollis, Paris in Despair: Art and Everyday Life under Siege (1870–71) (Chicago and London: University of Chicago Press, 2002)

  ____ Painted Love: Prostitution in French Art of the Impressionist Era (Los Angeles, California: The Getty Research Institute, 2003)

  Clément, Félix and Pierre Larousse, Dictionnaire des opéras (Paris, 1881)

  Clifford Barney, Natalie, Souvenirs indiscrets (Paris: Flammarion, 1960)

  Coffignon, A., Paris vivant: La Corruption à Paris (Paris: Kolb, 1889)

  Cole, Charles Augustus, The Imperial Paris Guide (London, 1867)

  Conty, H.A. de, Paris en poche – Guide pratique Conty, 6th edn (Paris, 1875)

  Cope, Susan, and others, eds, Larousse Gastronomique (London: Mandarin, 1990)

  Cope Devereux, W., Fair Italy: The Riviera and Monte Carlo (London, 1884)

  Corbin, Alain, ‘The Secret of the Individual’ in A History of Private Life, ed. by Philippe Ariès and George Duby, trans. by Arthur Goldhammer, 5 vols (Cambridge, MA and London: Belknap Press of Harvard University Press, 1987–1991), vol. 4: From the Fires of Revolution to the Great War, ed. by Michelle Perrot (1990), pp. 457–547.

  ____ Women for Hire: Prostitution and Sexuality in France after 1850, trans. by Alan Sheridan (Cambridge, MA and London: Harvard University Press, 1990)

  Cosse, Victor, ‘Gambetta’, in Plutarque populaire contemporain illustré (Paris, 1870), pp. 48–54.

  Comtesse Dash, Comment on fait son chemin dans le monde, code du savoir-vivre (Paris, 1868)

  Decaux, Alain, L’Empire, l’amour et l’argent (Paris: Librairie Académique Perrin, 1982)

  Delvau, Alfred, Les Cynthères parisiennes (Paris, 1864)

  Désert, Gabriel, Les Paysans du Calvados 1815–1895: Une société rurale au XIXe siècle (Caen: Centre de recherche d’histoire quantitative de Caen, 2007)

  Dumas, Alexandre, Filles, lorettes et courtisanes (Paris, 1874)

  Eade, Philip, Young Prince Philip: His Turbulent Early Life (London: Harper Press, 2012)

  Ego, Isola (Paris: Dentu, 1876)

  England and Wales, National Probate Calendar (Index of Wills and Administrations), 1858–1966 for Louise Emilie Valtesse de la Bigne

  Esquiros, Alphonse, Les Vierges folles (Paris, 1840)

  Faderman, Lillian, Surpassing the Love of Men: Romantic Friendship and Love between Women from the Renaissance to the Present (London: The Women’s Press Ltd, 1997)

  Fare, A. la (ed.), Annuaire des châteaux 1900–1901 (Paris, 1901)

  Faris, Alexander, Jacques Offenbach (London: Faber and Faber Ltd., 1980)

  Flaubert, Gustave, Madame Bovary, trans. by Geoffrey Wall (London: Penguin Books, 1992)

  Foley, Susan K. and Charles Sowerwine, A Political Romance; Léon Gambetta, Léonie Léon and the Making of the French Republic, 1872–1882 (London: Palgrave MacMillan, 2012)

  Fouquières, André de, Mon Paris et ses parisiens, 5 vols (Paris: Éditions Pierre Horay, 1953–1955)

  Frascina, Francis, and others, Modernity and Modernism: French Painting in the Nineteenth Century (New Haven and London: Yale University Press, 1993)

  Fuchs, Rachel, Abandoned Children: Foundlings and Child Welfare in 19th-Century France (Albany: State University of New York Press, 1984)

  Gammond, Peter, Offenbach: His Life and Times (Kent: Midas Books, 1980)

  Garb, Tamar, ‘Gender and Representation’ in Francis Frascina and others, Modernity and Modernism: French Painting in the Nineteenth Century (New Haven and London: Yale University Press, 1993), pp. 219–89.

  ____ Sisters of the Brush: Women and Artistic Culture in Late 19th-Century Paris (New Haven and London: Yale University Press, 1994)

  Gasquet, Martine, Impératrices, artistes et cocottes: Les femmes sur la Riviera à la Belle Époque (Nice: Gilletta nice-matin, 2013)

  Gildea, Robert, Children of the Revolution: The French 1799–1914 (London: Allen Lane, 2008)

  Goncourt, Edmond de, Paris under Siege, 1870–1871: From the Goncourt Journal, ed. and trans. by George J. Becker (Ithaca and London: Cornell University Press, 1969)

  Grafe, Etienne, Portraitistes Lyonnais 1800–1914 (Lyon: Musée des Beaux-Arts, 1986)

  Griffin, Susan, The Book of the Courtesans (London: Pan Macmillan, 2003)

  Groom, Gloria, and others, L’Impressionisme et la mode, exhib. cat. Musée d’Orsay (Paris: Skira/Flammarion, 2013)

  Guerrand, Roger-Henri, ‘Private Spaces’ in A History of Private Life, ed. by Philippe Ariès and George Duby, trans. by Arthur Goldhammer, 5 vols (Cambridge, MA and London: Belknap Press of Harvard University Press, 1987–1991), vol. 4: From the Fires of Revolution to the Great War, ed. by Michelle Perrot (1990), pp. 359–449.

  Guide des plaisirs à Paris (Paris: Éditions photographiques, 1899)

  Guides Joanne – Nice, Monaco (Paris, 1887)

  Halévy, Ludovic, La Famille Cardinal (Paris: Ca
lmann-Lévy, 1946)

  Harding, James, Jacques Offenbach: A Biography (London: John Calder & New York: Riverrun Press, 1980)

  Havard, Oscar, Guide de Rome, Turin, Milan, Venise, Padoue, Florence, Assise, Ancône, Lorette, Naples, etc. (Paris, 1877)

  Hayhurst, J.D., The Pigeon Post into Paris 1870–1871 (1970)

  Henri Gervex 1852–1929, exhib. cat. (Paris: Paris-Musées, 1992)

  Herbert, Robert L., Impressionism: Art, Leisure, and Parisian Society (New Haven and London: Yale University Press, 1988)

  Higonnet, Anne, Berthe Morisot (California: University of California Press, 1995)

  Hillairet, Jacques, Dictionnaire historique des rues de Paris, 2 vols (Paris: Les Éditions de minuit, 1957–1961), vol. 2

  Horne, Alistair, Seven Ages of Paris (London: Pan Macmillan, 2003)

  Houbre, Gabrielle, Le Livre des courtisanes: archives secrètes de la police des moeurs, 1861–1876 (Paris: Tallandier, 2006)

  House, John, Impressionism: Paint and Politics (New Haven and London: Yale University Press, 2004)

  ____Impressionists by the Sea, exhib. cat. (London: Royal Academy of Arts, 2007)

  Humbert, Jean-Marcel, Édouard Detaille: L’héroisme d’un siècle (Paris: Éditions Copernic, 1979)

  Hunt, Lynn, ‘The Unstable Boundaries of the French Revolution’ in A History of Private Life, ed. by Philippe Ariès and George Duby, trans. by Arthur Goldhammer, 5 vols (Cambridge, MA and London: Belknap Press of Harvard University Press, 1987–1991), vol. 4: From the Fires of Revolution to the Great War, ed. by Michelle Perrot (1990), pp. 13–45.

  Inventaire de Chaville, IA000 51459

  Janet, Paul, La Famille, 17th edn (Paris, 1900)

  Jill, Duchess of Hamilton, Napoleon, the Empress & the Artist: the Story of Napoleon, Josephine’s Garden at Malmaison, Redouté and the Australian Plants, ed. by Anne Savage (East Roseville, NSW: Kangaroo Press, 1999)

  Jones, Colin, Cambridge Illustrated History of France (Cambridge: Cambridge University Press, 1994)

  Kavanagh, Julie, The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis (New York: Alfred A. Knopf, 2013)

  Kenyon, Olga, ed., Women’s Voices through two thousand years of letters (London: Constable, 1997)

  Kiefer, Carol Solomon, The Empress Josephine: Art and Royal Identity (Mead Art Museum: Amherst, Massachusetts, 2005)

  King, Graham, Garden of Zola: Émile Zola and His Novels for English Readers (London: Barry and Jenkins Ltd, 1978)

  Kinsman, Jane, ‘Henri Gervex – Madame Valtesse de la Bigne’ in Sylvie Patry and others, Van Gogh, Gauguin, Cézanne & Beyond – Post-Impressionism from the Musée d’Orsay, exhib. cat. (London: Prestel, 2011)

  Koning, Victor, Tout Paris (Paris, 1872)

  Kracauer, Siegfried, Jacques Offenbach and the Paris of His Time, trans. by Gwenda David and Eric Mosbacher (New York: Zone Books, 2002)

  Lamber, Juliette, Le Siége de Paris – journal d’une parisienne (Paris, 1873)

  Lasalle, Albert de, Histoire des Bouffes-Parisiens (Paris, 1860)

  Latouche, Robert, Histoire de Nice de 1860 à 1914, 2 vols (Nice: Ville de Nice, 1954)

  Lefebvre, Christiane, Alfred Stevens – 1823–1906 (Paris: Brame & Lorenceau, 2006)

  Lehmbeck, Leah Rosenblatt, ‘Édouard Manet’s Portraits of Women’ (doctoral thesis, Institute of Fine Arts, New York, May 2007)

  ____ ‘“L’Esprit de l’atelier”: Manet’s Late Portraits of Women, 1878–1883’ in Maryanne Stevens and others, Manet: Portraying Life, exhib. cat. (Toledo: Toledo Museum of Art; London: Royal Academy of Arts; New York: Distributed in the United States and Canada by Harry N. Abrams, Inc., 2012), pp. 50–57.

  Lepelletier, Edmond, Émile Zola: sa vie, son oeuvre (Paris: Mercure de France, 1908)

  Limouzin, Charles, Almanach illustré de Monaco et de Monte-Carlo (Nice, 1894)

  Loliée, Frédéric, La Fête impériale (Paris: Tallandier, 1926)

  Mainardi, Patricia, Husbands, Wives, and Lovers: Marriage and Its Discontents in Nineteenth-Century France (New Haven and London: Yale University Press, 2003)

  Mardoche and Desgenais, Les Parisiennes (Paris, 1882)

  Martin-Fugier, Anne, ‘Bourgeois Rituals’ in A History of Private Life, ed. by Philippe Ariès and George Duby, trans. by Arthur Goldhammer, 5 vols (Cambridge, MA and London: Belknap Press of Harvard University Press, 1987–1991), vol. 4: From the Fires of Revolution to the Great War, ed. by Michelle Perrot (1990), pp. 261–337.

  Marx, Adrien, Les Petits mémoires de Paris (Paris, 1888)

  Matlock, Jan, Scenes of Seduction: Prostitution, Hysteria and Reading Difference in 19th-Century France (New York: Columbia University Press, 1994)

  Mazon, A., Nice en 1861 – Guide de l’étranger (Paris and Nice, 1861)

  McMillan, James F., France and Women, 1789–1914: Gender, Society and Politics (London: Routledge, 2000)

  McPherson, Heather, The Modern Portrait in 19th-Century France (Cambridge: Cambridge University Press, 2001)

  Michel, Pierre and Jean-François Nivet, eds, Octave Mirbeau – Correspondance générale, 3 vols (Lausanne: ge d’homme, 2002–2009), vol. 1 (2002)

  Milne, Anna-Louise, ed., The Cambridge Companion to the Literature of Paris (Cambridge: Cambridge University Press, 2013)

  Mitchell, Peter, Jean Baptiste Antoine Guillemet, 1841–1918 (London: John Mitchell & Son, 1981)

  Mogador, Céleste, Memoirs of a Courtesan in 19th-Century Paris, trans. by Monique Fleury Nagem (Lincoln and London: University of Nebraska Press, 2001)

  Naugrette-Christophe, Catherine, Paris sous le Second Empire: le théâtre et la ville (Paris: Librairie théâtrale, 1998), annexe 4

  Nouvel-Kammerer, Odile, ‘La création de la chambre conjugale’, in Rêves d’Alcôves: la chambre au cours des siècles, exhib. cat. (Paris: Musée des Arts décoratifs, 1995), pp. 104–127.

  ____ ‘Le lit d’une lionne: Valtesse de la Bigne’, in Rêves d’Alcôves: la chambre au cours des siècles, exhib. cat. (Paris: Musée des Arts décoratifs, 1995), pp. 211–13.

  Olivier-Martin, Yves, Histoire du roman populaire en France (Paris: Albin Michel, 1980)

  Parent-Duchâtelet, Alexandre, De la Prostitution dans la ville de Paris, considérée sous le rapport de l’hygiène publique, de la morale et de l’administration, 3rd edn (Paris, 1857)

  Parisis (Émile Blavet), La Vie parisienne, la ville et le théâtre (Paris, 1887)

  Patry, Sylvie, and others, Van Gogh, Gauguin, Cézanne & Beyond – Post-Impressionism from the Musée d’Orsay, exhib. cat. (London: Prestel, 2011)

  Père, Henry de, Paris Guide, par les principaux écrivains et artistes de la France (Paris, 1867)

  Perthes, Justus, ed., Almanach de Gotha – Annuaire généalogique, diplomatique et statistique (Paris, 1872)

  Perrot, Michelle, ‘The Curtain Rises – Introduction’, in A History of Private Life, ed. by Philippe Ariès and George Duby, trans. by Arthur Goldhammer, 5 vols (Cambridge, MA and London: Belknap Press of Harvard University Press, 1987–1991), vol. 4: From the Fires of Revolution to the Great War, ed. by Michelle Perrot (1990), pp. 9–11.

  Pougetoux, Alain, ‘Josephine as Patron and Her Collection of Paintings’ in Carol Solomon Kiefer, The Empress Josephine: Art and Royal Identity (Mead Art Museum: Amherst, Massachusetts, 2005), pp. 93–5.

  Pougy, Liane de, Idylle saphique (Paris: Éditions des Femmes, 1987)

  ____ My Blue Notebooks, trans. by Diane Athill (New York: Tarcher Putnam, 2002)

  Price, Roger, A Social History of Nineteenth-Century France (London: Hutchinson, 1987)

  Privat d’Anglemont, Alexandre, Paris inconnu (Paris, 1861)

  Recueil des dépêches télégraphiques reproduites par la photographie et adressées à Paris au moyen de pigeons-voyageurs pendant l’investissement de la capitale, 6 vols, vol. 1 (Bordeaux)

  Reid, Joyce M.H., ed., The Concise Oxford Dictionary of French Literature (Oxford and New York: Oxford University Press, 1976)

  Rêves d’Alcôves: la chambre
au cours des siècles, exhib. cat. (Paris: Musée des Arts décoratifs, 1995)

  Rewald, John, The History of Impressionism, 4th edn (New York: Museum of Modern Art and London: Secker & Warburg, 1973)

  Richardson, Joanna, La Vie Parisienne 1852–1870 (London: Hamish Hamilton Ltd., 1971)

  ____The Courtesans: The Demi-Monde in 19th-Century France (London: Phoenix, 2000)

  Robichon, François, Édouard Detaille: un siècle de gloire militaire (Paris: Bernard Giovanangeli, 2007)

  Mme Romieu, Marie-Sincère, La Femme au XIXe siècle (Paris, 1858)

  ____ Des Paysans et de l’agriculture en France au XIXe siècle (Paris, 1865)

  Ronzeville, Edmond, Paris Xe (Amiens: Martelle Editions, 1996)

  Roqueplan, Nestor, ‘Les Théâtres’, in de Père, Henry, Paris Guide (Paris, 1867)

  Rounding, Virginia, Grandes Horizontales: The Lives and Legends of Four 19th-Century Courtesans (London: Bloomsbury, 2003)

  Sanchez, Jean-Pierre, ‘Un mariage réaliste: Gervex et la critique du Salon de 1881’, in Henri Gervex 1852–1929 (Paris: Paris-Musées, 1992), pp. 152–61.

  Simond & Poinsot, La Vie galante aux Tuileries sous le Second Empire (Paris: Albert Méricant, 1912)

  Souhami, Diana, Wild Girls – Paris, Sappho and Art: The Lives and Loves of Natalie Barney and Romaine Brooks (London: Weidenfeld and Nicolson, 2004)

  Sterling, Charles, and Margaretta Salinger, French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art, vol. 2: Nineteenth and Twentieth Centuries (New York: The Metropolitan Museum of Art, 1966); vol. 3: Nineteenth and Twentieth Centuries (New York: The Metropolitan Museum of Art, 1967)

  Stevens, Maryanne, and others, Manet: Portraying Life, exhib. cat. (Toledo: Toledo Museum of Art; London: Royal Academy of Arts; New York: Distributed in the United States and Canada by Harry N. Abrams, Inc., 2012)

  Sulzberger, Max, Une Visite chez Alfred Stevens (Brussels, 1876)

  Tabarant, A., Manet, histoire catalographique (Paris: F. Aubier, 1931)

  Taxil, Léo, La Corruption fin-de-siècle (Paris: Henri Noirot, 1891)

  Tétart-Vittu, Françoise, ‘Édouard Manet, La Parisienne’ in Gloria Groom and others, L’Impressionisme et la mode, exhib. cat. (Paris: Skira-Flammarion, 2013), pp. 125–8.