Steampunk III: Steampunk Revolution

by Ann Vandermeer (ed)

  “And what do you plan to do for them,” I said. “A good Fabian like you knows that these girls will now—”

  “Will now what? Starve? You know they won’t, not as long as there are lampposts in London. They all contain receptacles. Mature and breed, further filling the working-men’s districts with the unemployable, uneducable? No, they won’t. Find themselves abused and exploited in manners venereal? No, not possible, even if there was a man so drunk as to overlook their new prosthetic mandibles. Indeed, we had hoped to move the girls into the sales area, which is why their voiceboxes are rather…focused, but as it happens few people wish to buy matches from young girls. Something about it feels immoral, I suppose. So they are free to never work again. Herr Engels, their problems are solved.”

  For a long moment, we both stood our ground, a bit unsure as to what we should do next, either as socialist agitators or as gentlemen. We were both keenly aware that our conversation was the first of its type in all history. The contradictions of capitalism, resolved? The poor would always be with us, but also immortal and incapable of reproduction. Finally the dentist looked at his watch—he wore one with rotating shutters of numerals on his wrist, as is the fashion among wealthy morons—and declared that he had an appointment to make. “The steam-workers will show you out,” he said, and in a moment their fingers were on my arms, and they dragged me to the entrance of the factory as if I were made of straw. The girls followed, confused and, if the way their metallic jaws were set was telling, they were actually relieved. The press pestered us with questions on the way out, but I sulked past them without remark. Let them put Doctor Flint above the fold tomorrow morning, for all the good it will do them. Soon enough there’d be steam-workers capable of recording conversations and events with perfect audio-visual fidelity, and with a dial to be twisted for different settings of the editing of newsreels: Tory, Liberal, or Fabian. Indeed, one would never have to twist the dial at all.

  We returned to Wilkins and our autocarriage, defeated and atomised. Flint spoke true; as we drove through the streets of the East End, I did espy several former match girls standing on corners or in gutters, directionless and likely cast out from whatever home they may have once had.

  “We have to…” but I knew that I couldn’t.

  Wilkins said, “The autocarriage is overburdened already. Those girlies weigh more than they appear to, eh? You can’t go ’round collecting every stray.”

  No—charity is a salve at best, a bourgeois affectation at worst. But even those concerns were secondary. As the autocarriage moved sluggishly toward the airship field, I brooded on the question of value. If value comes from labour, and capital is but dead labour, what are steam-workers? So long as they needed to be created by human hands, clearly steam-workers were just another capital good, albeit a complex one. But now, given the dexterity of the latest generation of steam-workers, they would clearly be put to work building their own descendents, and those that issue forth from that subsequent generation would also be improved, without a single quantum of labour-power expended. The bourgeoisie might have problems of their own; with no incomes at all, the working-class could not even afford the basic necessities of life. Steamworkers don’t buy bread or cloth, nor do they drop farthings into the alms box at church on Sunday. How would bourgeois society survive without workers who also must be driven to consume the very products they made?

  The petit-bourgeoisie, I realized, the landed gentry, perhaps they could be catered to exclusively, and the empire would continue to expand and open new markets down to the tips of the Americas and through to the end of the Orient— foreign money and resources would be enough for capital, for the time being. But what of the proletariat? If the bourgeoisie no longer need the labour of the workers, and with the immense power in their hands, wouldn’t they simply rid themselves of the toiling classes the way the lord of a manor might rid a stable of vermin? They could kill us all from the air—firebombing the slums and industrial districts. Send whole troupes of steam-workers to tear men apart till the cobblestones ran red with the blood of the proletariat. Gears would be greased, all right.

  We didn’t dare take an airship home to Manchester. The mooring station was sure to be mobbed with writers from the tabloids and Tory sheets. So we settled in for the long and silent drive up north.

  I had no appetite for supper, which wasn’t unusual after an hour in an airship, but tonight was worse for the steel ball of dread in my stomach. I stared at my pudding for a long time. I wished I could offer it to the girls, but they were beyond treats. On a whim, I went back to the factory to check in on the Dialectical Engine, which had been processing all day and evening. A skeleton crew had clocked out when the hour struck nine, and I was alone with my creation. No, with the creation of the labour of my workers. No, the workers. If only I could make myself obsolete, as the steam-workers threatened the proletariat.

  The factory floor, from the vantage point of my small office atop the catwalk, was a sight to behold. A mass of cloth, like huge overlapping sails, obscured the looms, filling the scaffolding that had been built up six storeys to hold and “read” the long punched sheets. A human brain in replica, with more power than any Difference Engine, fuelled by steam for the creation not of figures, but dialectics. Quantitative change had become qualitative, or would as soon as the steam engines in the basement were ignited. I lacked the ability to do it myself, or I would have just then, allowing me to talk to my old friend, or as close a facsimile as I could build with my fortune and knowledge. All the machinery came to its apex in my office, where a set of styluses waited in position over sheets of foolscap. I would prepare a question, and the machine would produce an answer that would be translated, I hoped, into comprehensible declarative sentences upon the sheets. A letter from Marx, from beyond the grave! Men have no souls to capture, but the mind, yes. The mind is but the emergent properties of the brain, and I rebuilt Marx’s brain, though I hoped not simply to see all his theories melt into air.

  With a start, I realized that down on the floor I saw a spark. The factory was dark and coated with the shadows of the punched sheets, so the momentary red streak fifty feet below was obvious to me. Then I smelled it, the smoke of a pipe. Only a fool would light up in the midst of so much yardage of inflammable cotton, which was perplexing, because Wilkins was no fool.

  “Wilkins!” I shouted. “Extinguish that pipe immediately! You’ll burn down the factory and kill us both! These textiles are highly combustible.”

  “Sow-ry,” floated up from the void. But then another spark flitted in the darkness, and a second and a third. Wilkins held a fistful of matches high, and I could make out the contours of his face. “Quite a mechanism you’ve got all set up here, Mister Engels. Are these to be sails for the masts of your yacht?”

  “No sir, they won’t be for anything if you don’t extinguish those matches!”

  “Extinguish, eh? Well, you got a good look, and so did I, so I think I will.” And he blew out the matches. All was dark again. What happened next was quick. I heard the heavy thudding—no, a heavy ringing of boots along the catwalk and in a moment a steam-worker was upon me. I wrestled with it for a moment, but I was no match for its pistons, and it threw me over the parapet. My breath left my body as I fell—as if my soul had decided to abandon me and leap right for heaven. But I didn’t fall far. I landed on a taut sheet of fine cotton, then rolled off of it and fell less than a yard onto another. I threw out my arms and legs as I took the third layer of sheet, and then scuttled across it to the edge of the scaffold on which I rested. Sitting, I grasped the edge with my hands and lowered myself as much as I dare, then let go. Wilkins was there, having tracked my movements from the fluttering of the sheets and my undignified oopses and oofs. He lit another match and showed me his eyes.

  “Pretty fit for an older gentlemen, Mister Engels. But take a gander at the tin of Scotch broth up there.” He lifted the match. The steam-worker’s metallic skin glinted in what light there was. It stoo
d atop the parapet of the catwalk and with a leap flung itself into the air, plummeting the six storeys down and landing in a crouch like a circus acrobat. Remarkable, but I was so thankful that it did not simply throw itself through the coded sheets I had spent so long trying to manufacture, ruining the Dialectical Engine before it could even be engaged. Then I understood.

  “Wilkins!” I cried. “You’re a police agent!”

  Wilkins shrugged, and swung onto his right shoulder a heavy sledge. “’Fraid so. But can you blame me, sir? I’ve seen the writing on the wall—or the automaton on the assembly line,” he said, nodding past me and toward the steam-worker, who had taken the flank opposite my treacherous driver. “I know what’s coming. Won’t nobody be needing me to drive ’em around with these wind-up toys doing all the work, and there won’t be no other jobs to be had but rat and fink. So I took a little fee from the police, to keep an eye on you and your…” He was at a loss for words for a moment. “Machinations. Yes, that’s it. And anyhow, they’ll pay me triple to put all this to the torch, so I will, then retire to Cheshire with old Lizzie and have a nice garden.”

  “And it?” I asked, glancing at the automaton on my left.

  “Go figure,” Wilkins said. “My employers wanted one of their own on the job, in case you somehow bamboozled me with your radical cant into switching sides a second time.”

  “They don’t trust you,” I said.

  “Aye, but they pay me, half in advance.” And he blew out the match, putting us in darkness again. Without the benefit of sight, my other senses flared to life. I could smell Wilkins stepping forward, hear the tiny grunt as he hefted the sledge. I could nearly taste the brass and aluminium of the steam-worker on my tongue, and I certainly felt its oppressive weight approaching me.

  I wish I could say I was brave and through a clever manoeuvre defeated both my foes simultaneously. But a Communist revolutionary must always endeavour to be honest to the working-class—Reader, I fell into a swoon. Through nothing more than a stroke of luck, as my legs gave way beneath me, Wilkins’s sledgehammer flew over my head and hit the steam-worker square on the faceplate. It flew free in a shower of sparks. Facing an attack, the steamworker staved in Wilkins’s sternum with a single blow, then turned back to me, only to suddenly shudder and collapse atop me. I regained full consciousness for a moment, thanks to the putrid smell of dead flesh and fresh blood. I could see little, but when I reached to touch the exposed face of the steam-worker, I understood. I felt not gears and wirework, but slick sinew and a trace of human bone. Then the floor began to shake. An arclight in the corner flickered to life, illuminating a part of the factory floor. I was pinned under the automaton, but then the tallest of the girls—and I’m ashamed to say I never learned what she was called—with a preternatural strength of her own took up one of the machine’s limbs and dragged him off of me.

  I didn’t even catch my breath before exclaiming, “Aha, of course! The new steam-workers aren’t automata, they’re men! Men imprisoned in suits of metal to enslave them utterly to the bourgeoisie!” I coughed and sputtered. “You! Such as you, you see,” I told the girl, who stared at me dumbly. Or perhaps I was the dumb one, and she simply looked upon me as a pitiable old idiot who was the very last to figure out what she considered obvious. “Replace the body of a man with a machine, encase the human brain within a cage, and dead labour lives again! That’s how the steam-workers are able to use their limbs and appendages with a facility otherwise reserved for humans. All the advantages of the proletariat, but the steam-workers neither need to consume nor reproduce!” Sally was at my side now, with my pudding, which she had rescued from my supper table. She was a clever girl, Sally. “The others started all the engines they could find,” she said, and only then I realized that I had been shouting in order to hear myself. All around me, the Dialectical Engine was in full operation.

  5. All That Is Solid Melts Into Air

  In my office, the styluses scribbled for hours. I spent a night and a day feeding it foolscap. The Dialectical Engine did not work as I’d hoped it would—it took no input from me, answered none of the questions I had prepared, but instead wrote out a single long monograph. I was shocked at what I read from the very first page:

  Das Kapital: Kritik der politischen Ökonomie, Band V.

  The fifth volume of Capital. Marx had died prior to completing the second, which I published myself from his notes. Before turning my energies to the Dialectical Engine, I had edited the third volume for publication. While the prior volumes of the book offered a criticism of bourgeois theories of political economy and a discussion of the laws of the capitalist mode of production, this fifth volume, or extended appendix in truth, was something else. It contained a description of socialism.

  The internal contradictions of capitalism had doomed it to destruction. What the bourgeoisie would create would also be used to destroy their reign. The ruling class, in order to stave off extinction, would attempt to use its technological prowess to forestall the day of revolution by radically expanding its control of the proletarian and his labour-power. But in so doing, it would create the material conditions for socialism. The manuscript was speaking of steamworkers, though of course the Dialectical Engine had no sensory organs with which to observe the metal-encased corpse that had expired in its very innards the evening prior. Rather, the Engine predicted the existence of human-steam hybrids from the content of the decade-old correspondence between Marx and myself.

  What then, would resolve the challenge of the proletarian brain trapped inside the body of the steam worker? Dialectical logic pointed to a simple solution: the negation of the negation. Free the proletarian mind from its physical brain by encoding it onto a new mechanical medium. That is to say, the Dialectical Engine itself was the key. Free the working-class by having it exist in the physical world and the needs of capitalism to accumulate, accumulate. Subsequent pages of the manuscript detailed plans for Dialectical Engine Number 2, which would be much smaller and more efficient. A number of human minds could be “stitched-up” into this device and through collective endeavour, these beings-in-one would create Dialectical Engine Number 3, which would be able to hold still more minds and create the notional Dialectical Engine Number 4. Ultimately, the entire working-class of England and Europe could be up-coded into a Dialectical Engine no larger than a hatbox, and fuelled by power drawn from the sun. Without a proletariat to exploit—the class as a whole having taken leave of realm of flesh and blood to reconstitute itself as information within the singular Dialectical Engine Omega—the bourgeoisie would fall into ruin and helplessness, leaving the working-class whole and unmolested in perpetuity. Even after the disintegration of the planet, the Engine would persist, and move forward to explore the firmament and other worlds that may orbit other stars.

  Within the Dialectical Engine Omega, consciousness would be both collective and singular, an instantaneous and perfect industrial democracy. Rather than machines replicating themselves endlessly as in Mister Butler’s novel—the machines are gaining ground upon us; day by day we are becoming more subservient to them—it is us that shall be liberated by the machines, through the machines. We are gaining ground upon them! Proletarier aller Länder, vereinigt euch! We have nothing to lose but our chains, as the saying goes!

  The Dialectical Engine fell silent after nineteen hours of constant production. I should have been weary, but already I felt myself beyond hunger and fatigue. The schematics for Dialectical Engine Number 2 were incredibly advanced, but for all their cleverness the mechanism itself would be quite simple to synthesize. With a few skilled and trusted workers, we could have it done in a fortnight. Five brains could be stitched-up into it. The girls and myself were obvious candidates, and from within the second engine we would create the third, and fourth, and subsequent numbers via pure unmitigated Arbeitskraft!

  Bold? Yes! Audacious? Certainly. And indeed, I shall admit that, for a moment, my mind drifted to the memory of the empty spectacle of Mister Pea
ke’s play, of the rampaging monster made of dead flesh and brought to life via electrical current. But I had made no monster, no brute. That was a bourgeois story featuring a bogeyman that the capitalists had attempted to mass produce from the blood of the working-class. My creation was the opposite number of the steam-worker and the unphilosophical monster of stage and page; the Engine was mens sana sine corpore sano—a sound mind outside a sound body.

  What could possibly go wrong…?

  This is how it might have gone:

  The Circus Tresaulti spent the winter on the road, Ayar the strong man knocking the stakes into the ground when it was frozen over.

  They bartered for liquor to keep warm, and when spring came they pushed the trucks through the mud to save oil, and everything went on as before, and nothing broke.

  But that was the winter they found the house.

  The mansion stands more than two miles from the city walls, far enough that the looters have given up, and it’s been left to rot so long that the city’s children wouldn’t understand it’s a house.

  The windows go first, from enemy fire and bad frosts. Then the moss and ivy move in, and the birds, and the rain. At last, the brick begins to crumble.

  By the time the Circus comes, it will be a ruin.

  But by the time the Circus comes, the storm has been raging for days, and the house rises up from the road, and Boss thinks, We must rest here, there’s no way to go on. “Stop,” says Boss, and the Circus stops.

  The Circus waits in leaking trailers while Boss takes her lieutenants through the house.

  Then, her lieutenants are Elena from the trapeze, and Panadrome the music man, who presses his accordion bellows tight to his side to keep it from sharp edges, and Alec, their final act, who folds his gleaming wings tight against his back so he can fit through the hole in the wall.