Anthology of Speculative Fiction, Volume One

by Short Story Anthology

  "And with glasses," added the professor, taking off his spectacles and gazing at them as though seeing them for the first time.

  ANTHONY GILMORE

  Harry Bates (Pittsburgh, Pennsylvania, October 9, 1900 – September 1981) was an American science fiction editor and writer. His 1940 short story "Farewell to the Master" was the basis of the well-known 1951 science fiction movie The Day the Earth Stood Still.

  Harry Bates was born Hiram Gilmore Bates III on October 9, 1900 in Pittsburgh, Pennsylvania. He began working for William Clayton in the 1920s as the editor of adventure pulp magazines. When Clayton proposed a period adventure magazine, Bates suggested several alternatives that he said would be easier to edit, and Astounding Science Fiction was the result. Bates, who was not a fan of science fiction, edited the magazine from its inception in January 1930 until March 1933, when Clayton went bankrupt and the magazine was sold to Street and Smith. During that time, he edited other magazines for Clayton, including Strange Tales, intended to compete with Weird Tales.

  Bates believed the science fiction stories of the time were poorly written: "Amazing Stories! Once I had bought a copy. What awful stuff I'd found it! Cluttered with trivia! Packed with puerilities. Written by unimaginables! But now at the memory I wondered if there might be a market for a well-written magazine on the Amazing themes." Bates wrote that the "science fiction of the early writers had little relation to science of the scientists." What science fiction writers did was to "extrapolate" and not "relate" because "almost all of what is called science fiction is fantasy and nothing else but."

  In 1964, Bates recalled his editorship of Astounding: "Long ago I was a party to the genesis of a magazine which persisted through thirty years and thirty millions of words. ... Astounding was a living being. I served it in its infancy and childhood, Orlin Tremaine brought it through youth and adolescence, John Campbell guided it through adulthood and maturity."

  Clayton was willing to pay four times the rates offered by Hugo Gernsback's rival Amazing Stories. Bates had a different opinion of science fiction than Gernsback. Bates felt that the science needed to be exciting but not necessarily accurate and that story and pacing were more important.

  Using the pseudonyms Anthony Gilmore and H.G. Winter, Bates and his assistant editor Desmond Winter Hall collaborated on the "Hawk Carse" series and other stories. In 1952, the Hawk Carse stories were collected in Space Hawk: The Greatest of Interplanetary Adventurers. Bates's most famous story is "Farewell to the Master" (Astounding, October 1940), which was the basis for the well-known science fiction movie of 1951, The Day the Earth Stood Still, as well as the 2008 remake and the 1973 Marvel Comics Worlds Unknown series adaptation.

  Bates recalled the creation of the Hawk Carse science fiction series in Requiem for Astounding (1964): "From the beginning I had been bothered by the seeming inability of my writers to mix convincing character with our not-too-convincing science; so after nearly two years, with the double hope of furnishing the writers an example of a vivid hero and villain and my readers a whopping hero versus villain, I generated the first Hawk Carse story."

  Two novellas by Bates appeared in Gernsback's Science-Fiction Plus, edited by Sam Moskowitz. "The Death of a Sensitive" (May, 1953) was ranked by Moskowitz as the best story he ever published in the magazine. Both Gernsback and Moskowitz, however, wanted changes in "The Triggered Dimension" (December 1953). Bates agreed to make the changes and arrived at the magazine's offices at 25 West Broadway to do the revisions.

  That same year Moskowitz began teaching what is believed to be the first college course on science fiction at City College. Bates had agreed to speak as a guest lecturer for the first class. As retaliation for the revision of his story, however, Bates intentionally did not go to the class, resulting in considerable awkwardness for Moskowitz. Moskowitz recalled later:

  Seven years later, I received a letter from Harry Bates dated October 2, 1960. In essence, it revealed that Bates was now totally disabled due to progressive arthritis and was trying to get early Social Security at 60. He had a doctor's statement that he was suffering from that condition at present, but they wanted proof that it was progressive and prevented him from writing stories for income. He asked if I would be willing to supply a statement that he had written stories for me with the greatest difficulty. He didn't know if he had ever mentioned it to me, but any validation would help. It so happened that he had shown me his swollen knuckles in 1953, but beyond that, I had a letter from him describing the difficulty, written earlier that year. I mailed him back the letter, for which I still had the dated envelope, and he got his Social Security—- his only income for the next 20 years! Christmas of 1962 I received a card from him on which he scrawled: "I ain't mad at you no more."

  In 1964, Bates contributed an introductory essay, Editorial Number One, "To Begin", along with John W. Campbell, to A Requiem for Astounding by Alva Rogers, which examined the history of the science fiction magazine Astounding.

  Harry Bates died in September, 1981, at the age of 80.

  In 1951, Twentieth Century Fox released the movie The Day the Earth Stood Still, which was based on the Harry Bates' 1940 short story "Farewell to the Master". The science fiction movie featured Michael Rennie as Klaatu, Patricia Neal, Sam Jaffe, Hugh Marlowe, and Lock Martin as the giant alien robot Gort, called Gnut in Bates' short story. The movie was directed by Robert Wise and produced by Julian Blaustein. Screenwriter Edmund H. North adapted Bates' short story for the screen. The movie is rated consistently by critics as one of the greatest science fiction movies ever made.

  In 2008, director Scott Derrickson remade The Day the Earth Stood Still. The movie starred Keanu Reeves as the alien Klaatu and Jennifer Connelly as Dr. Helen Benson. David Scarpa wrote the screenplay based on Edmund H. North's 1951 screenplay.

  The critical and commercial success of the 1951 movie relied on the novel themes Bates introduced in his short story. Ever since H.G. Wells' The War of the Worlds (1898), aliens were often described as menacing, aggressive, and murderous, with a degraded moral and ethical sense. In Bates' story, aliens are the opposite, possessing a good moral character. The alien Klaatu's face "radiated kindness, wisdom, the purest nobility. In his delicately tinted robe he looked like a benign god." The giant alien robot, Gnut in the short story, Gort in the film, is immensely powerful, but can exhibit sadness and gentleness. The surprise ending, wherein Gnut tells the journalist, who is relating the story, "You misunderstand, ... I am the master," prompts some interesting speculation about relationships between mankind and technology of the future.

  While The Day the Earth Stood Still is inspired by Bates' short story, the 1951 context of the Cold War the film changes the story's themes somewhat. In the movie Klaatu seeks to promote peace and to warn mankind of the dangers of science and technology when they are exploited and corrupted. The alien explains that Gort is a member of a race of all-powerful robots who were created to eliminate any civilizations which promoted warfare in space.

  During 1983, The Day the Earth Stood Still was inducted into the Science Fiction Film Hall of Fame as part of the Balrog Awards, which were given from 1979-1985.

  The 2008 version of The Day the Earth Stood Still represents a major issue of its own day: the alien's concern is mankind's destruction of the environment. Earth is believed by alien civilizations to be one of a very few precious planets capable of supporting intelligent life and should therefore be protected from mankind's predations.

  Farewell to the Master, by Anthony Gilmore

  Part 1

  From his perch high on the ladder above the museum floor, Cliff Sutherland studied carefully each line and shadow of the great robot, then turned and looked thoughtfully down at the rush of visitors come from all over the Solar System to see Gnut and the traveler for themselves and to hear once again their amazing, tragic story.

  He himself had come to feel an almost proprietary interest in the exhibit, and with some reason. He had been the only freelance pictu
re reporter on the Capitol grounds when the visitors from the Unknown had arrived, and had obtained the first professional shots of the ship. He had witnessed at close hand every event of the next mad few days. He had thereafter photographed many times the eight-foot robot, the ship, and the beautiful slain ambassador, Klaatu, and his imposing tomb out in the center of the Tidal Basin, and, such was the continuing news value of the event to the billions of persons throughout habitable space, he was there now once more to get still other shots and, if possible, a new "angle."

  This time he was after a picture which showed Gnut as weird and menacing. The shots he had taken the day before had not given quite the effect he wanted, and he hoped to get it today; but the light was not yet right and he had to wait for the afternoon to wane a little.

  The last of the crowd admitted in the present group hurried in, exclaiming at the great pure green curves of the mysterious time-space traveler, then completely forgetting the ship at sight of the awesome figure and great head of the giant Gnut. Hinged robots of crude manlike appearance were familiar enough, but never had Earthling eyes lain on one like this. For Gnut had almost exactly the shape of a man – a giant, but a man – with greenish metal for man's covering flesh, and greenish metal for man's bulging muscles. Except for a loin cloth, he was nude. He stood like the powerful god of the machine of some undreamt-of scientific civilization, on his face a look of sullen, brooding thought. Those who looked at him did not make jests or idle remarks, and those nearest him usually did not speak at all. His strange, internally illuminated red eyes were so set that every observer felt they were fixed on himself alone, and he engendered a feeling that he might at any moment step forward in anger and perform unimaginable deeds.

  A slight rustling sound came from speakers hidden in the ceiling above, and at once the noises of the crowd lessened. The recorded lecture was about to be given. Cliff sighed. He knew the thing by heart; had even been present when the recording was made, and met the speaker, a young chap named Stillwell.

  "Ladies and gentlemen," began a clear and well-modulated voice – but Cliff was no longer attending. The shadows in the hollows of Gnut's face and figure were deeper; it was almost time for his shot. He picked up and examined the proofs of the pictures he had taken the day before and compared them critically with the subject.

  As he looked a wrinkle came to his brow. He had not noticed it before, but now, suddenly, he had the feeling that since yesterday something about Gnut was changed. The pose before him was the identical one in the photographs, every detail on comparison seemed the same, but nevertheless the feeling persisted. He took up his viewing glass and more carefully compared subject and photographs, line by line. And then he saw that there was a difference.

  With sudden excitement, Cliff snapped two pictures at different exposures. He knew he should wait a little and take others, but he was so sure he had stumbled on an important mystery that he had to get going, and quickly folding his accessory equipment he descended the ladder and made his way out. Twenty minutes later, consumed with curiosity, he was developing the new shots in his hotel bedroom.

  What Cliff saw when he compared the negatives taken yesterday and today caused his scalp to tingle. Here was a slant indeed! And apparently no one but he knew! Still, what he had discovered, though it would have made the front page of every paper in the Solar System, was after all only a lead. The story, what really had happened, he knew no better than anyone else. It must be his job to find out.

  And that meant he would have to secrete himself in the building and stay there all night. That very night; there was still time for him to get back before closing. He would take a small, very fast infrared camera that could see in the dark, and he would get the real picture and the story.

  He snatched up the little camera, grabbed an aircab and hurried back to the museum. The place was filled with another section of the ever-present queue, and the lecture was just ending. He thanked Heaven that his arrangement with the museum permitted him to go in and out at will.

  He had already decided what to do. First he made his way to the "floating" guard and asked a single question, and anticipation broadened on his face as he heard the expected answer. The second thing was to find a spot where he would be safe from the eyes of the men who would close the floor for the night. There was only one possible place, the laboratory set up behind the ship. Boldly he showed his press credentials to the second guard, stationed at the partitioned passageway leading to it, stating that he had come to interview the scientists; and in a moment was at the laboratory door.

  He had been there a number of times and knew the room well. It was a large area roughly partitioned off for the work of the scientists engaged in breaking their way into the ship, and full of a confusion of massive and heavy objects – electric and hot-air ovens, carboys of chemicals, asbestos sheeting, compressors, basins, ladles, a microscope, and a great deal of smaller equipment common to a metallurgical laboratory. Three white-smocked men were deeply engrossed in an experiment at the far end. Cliff, waiting a good moment, slipped inside and hid himself under a table half buried with supplies. He felt reasonably safe from detection there. Very soon now the scientists would be going home for the night.

  From beyond the ship he could hear another section of the waiting queue filing in – the last, he hoped, of the day. He settled himself as comfortably as he could. In a moment the lecture would begin. He had to smile when he though of one thing the recording would say.

  Then there it was again – the clear, trained video of the chap Stillwell. The foot scrapings and whispers of the crowd died away, and Cliff could hear every word in spite of the great bulk of the ship lying interposed.

  "Ladies and gentlemen," began the familiar words, "the Smithsonian Institution welcomes you to its new Interplanetary Wing and to the marvelous exhibits at this moment before you."

  A slight pause.

  "All of you must know by now something of what happened here three months ago, if indeed you did not see it for yourself in the telescreen," the voice went on. "The few facts are briefly told. A little after 5:00 p.m. on September 16th, visitors to Washington thronged the grounds outside this building in their usual numbers and no doubt with their usual thoughts. The day was warm and fair. A stream of people was leaving the main entrance of the museum, just outside in the direction you are facing. This wing, of course, was not here at that time. Everyone was homeward-bound, tired no doubt from hours on their feet, seeing the exhibits of the museum and visiting the many buildings on the grounds nearby. And then it happened. On the area just to your right, just as it is now, appeared the time-space traveler. It appeared in the blink of an eye. It did not come down from the sky; dozens of witnesses swear to that; it just appeared. One moment it was not here, the next it was. It appeared on the very spot it now rests on."

  "The people nearest the ship were stricken with panic and ran back with cries and screams. Excitement spread out over Washington in a tidal wave. Radio, television, and newspapermen rushed here at once. Police formed a wide cordon around the ship, and army units appeared and trained guns and ray projectors on it. The direst calamity was feared. For it was recognized from the very beginning that this was no spaceship from anywhere in the Solar System. Every child knew that only two spaceships had ever been built on Earth, and none at all on any of the other planets and satellites; and of those two, one had been destroyed when it was pulled into the Sun, and the other had just been reported safely arrived on Mars. Then, the ones made here had a shell of a strong aluminum alloy, while this one, as you see, is of an unknown greenish metal."

  "The ship appeared and just sat here. No one emerged, and there was no sign that it contained life of any kind. That, as much as any single thing, caused excitement to skyrocket. Who, or what, was inside? Were the visitors hostile or friendly? Where did the ship come from? How did it arrive so suddenly right on this spot without dropping from the sky?"

  "For two days the ship rested here, just as you n
ow see it, without motion or sign that it contained life. Long before the end of that time the scientists had explained that it was not so much a spaceship as a space–time traveler, because only such a ship would arrive as this one did – materialize. They pointed out that such a traveler, while theoretically understandable to us Earthmen, was far beyond attempt at our present state of knowledge, and that this one, activated by relativity principles, might well have come from the far corner of the Universe, from a distance which light itself would require millions of years to cross."

  "When this opinion was disseminated, public tension grew until it was almost intolerable. Where had the traveler come from? Who were its occupants? Why had they come to Earth? Above all, why did they not show themselves? Were they perhaps preparing some terrible weapon of destruction?"

  "And where was the ship's entrance port? Men who dared go look reported that none could be found. No slightest break or crack marred the perfect smoothness of the ship's curving ovoid surface. And a delegation of high-ranking officials who visited the ship could not, by knocking, elicit from its occupants any sign that they had been heard."

  "At last, after exactly two days, in full view of tens of thousands of persons assembled and standing well back, and under the muzzles of scores of the army's most powerful guns and ray projectors, an opening appeared in the wall of the ship, and a ramp slid down, and out stepped a man, godlike in appearance and human in form, closely followed by a giant robot. And when they touched the ground the ramp slid back and the entrance closed as before."

  "It was immediately apparent to all the assembled thousands that the stranger was friendly. The first thing he did was to raise his right arm high in the universal gesture of peace; but it was not that which impressed those nearest so much as the expression on his face, which radiated kindness, wisdom, the purest nobility. In his delicately tinted robe he looked like a benign god."