Anthology of Speculative Fiction, Volume One

by Short Story Anthology

  Then the stranger turned around. His shoulders jerked as he saw Sid. He moved toward him just two or three steps at a time, speaking at the same time in breathy little rushes.

  * * * * *

  Sid stood there and watched him. When the other actors came boiling up behind him, he put his hands on the doorframe to either side so none of them could get past. Their faces peered around him.

  And all this while the stranger was saying, "What may this mean? Can such things be? Are all the seeds of time ... wetted by some hell-trickle ... sprouted at once in their granary? Speak ... speak! You played me a play ... that I am writing in my secretest heart. Have you disjointed the frame of things ... to steal my unborn thoughts? Fair is foul indeed. Is all the world a stage? Speak, I say! Are you not my friend Sidney James Lessingham of King's Lynn ... singed by time's fiery wand ... sifted over with the ashes of thirty years? Speak, are you not he? Oh, there are more things in heaven and earth ... aye, and perchance hell too ... Speak, I charge you!"

  And with that he put his hands on Sid's shoulders, half to shake him, I think, but half to keep from falling over. And for the one time I ever saw it, glib old Siddy had nothing to say.

  He worked his lips. He opened his mouth twice and twice shut it. Then, with a kind of desperation in his face, he motioned the actors out of the way behind him with one big arm and swung the other around the stranger's narrow shoulders and swept him out of the dressing room, himself following.

  The actors came pouring in then, Bruce tossing Macbeth's head to Martin like a football while he tugged off his horned helmet, Mark dumping a stack of shields in the corner, Maudie pausing as she skittered past me to say, "Hi Gret, great you're back," and patting my temple to show what part of me she meant. Beau went straight to Sid's dressing table and set the portrait aside and lifted out Sid's reserve makeup box.

  "The lights, Martin!" he called.

  Then Sid came back in, slamming and bolting the door behind him and standing for a moment with his back against it, panting.

  I rushed to him. Something was boiling up inside me, but before it could get to my brain I opened my mouth and it came out as, "Siddy, you can't fool me, that was no dirty S-or-S. I don't care how much he shakes and purrs, or shakes a spear, or just plain shakes--Siddy, that was Shakespeare!"

  "Aye, girl, I think so," he told me, holding my wrists together. "They can't find dolls to double men like that--or such is my main hope." A big sickly grin came on his face. "Oh, gods," he demanded, "with what words do you talk to a man whose speech you've stolen all your life?"

  I asked him, "Sid, were we ever in Central Park?"

  He answered, "Once--twelve months back. A one-night stand. They came for Erich. You flipped."

  He swung me aside and moved behind Beau. All the lights went out.

  * * * * *

  Then I saw, dimly at first, the great dull-gleaming jewel, covered with dials and green-glowing windows, that Beau had lifted from Sid's reserve makeup box. The strongest green glow showed his intent face, still framed by the long glistening locks of the Ross wig, as he kneeled before the thing--Major Maintainer, I remembered it was called.

  "When now? Where?" Beau tossed impatiently to Sid over his shoulder.

  "The forty-fourth year before our Lord's birth!" Sid answered instantly. "Rome!"

  Beau's fingers danced over the dials like a musician's, or a safe-cracker's. The green glow flared and faded flickeringly.

  "There's a storm in that vector of the Void."

  "Circle it," Sid ordered.

  "There are dark mists every way."

  "Then pick the likeliest dark path!"

  I called through the dark, "Fair is foul, and foul is fair, eh, Siddy?"

  "Aye, chick," he answered me. "'Tis all the rule we have!"

  A Pail of Air, by Fritz Leiber

  Preface by Eric Flint

  My reaction when I first read this story, somewhere around the age of fifteen, was perhaps bizarre. "A Pail of Air"is a story about survival in the face of desperate circumstances, and there are no ifs, ands or buts about it.

  There is no atmosphere . . . bitter cold . . . only way you can breathe is to dig up a pail of liquid oxygen and heat it . . .

  Yup, that's desperate.

  Still, I had pretty much the same reaction I had to L. Sprague de Camp's "A Gun for Dinosaur," a story which appears later in this anthology and about which I make some remarks in an afterword. Desperate circumstances . . . impossible odds . . . almost alone . . .

  Oh, how cool.

  Like I said, a bizarre reaction. I didn't even have the excuse of being a stupid adolescent. I wasn't stupid. Already by the age of fourteen I could rip off the great suave mantras regarding adventure, with a curled lip I'd learned from studying David Niven in the movies.

  Adventure. Ah, yes. That's someone else having a very rough go of it very far away.

  Adventure. Yes. My idea of adventure is carrying a pint of bitters from one smoked-filled room to the next.

  Granted, I didn't really have any idea what "bitters" were. (A few years later I found out, and the decline of the British empire was no longer a mystery to me.) But I understood the gist of the wisecrack well enough—and fully subscribed to the sentiment.

  I still do. And now, from the vantage point of my mid-fifties wisdom and sagacity, I can look back on the reaction of that callow youngster and realize that he was . . . well, completely correct.

  This is just one hell of a cool story. If you look at it the right way, as much fun as one of Leiber's famous Fahfrd and the Grey Mouser tales.

  Okay. You have to squint.

  * * *

  Pa had sent me out to get an extra pail of air. I'd just about scooped it full and most of the warmth had leaked from my fingers when I saw the thing.

  You know, at first I thought it was a young lady. Yes, a beautiful young lady's face all glowing in the dark and looking at me from the fifth floor of the opposite apartment, which hereabouts is the floor just above the white blanket of frozen air. I'd never seen a live young lady before, except in the old magazines—Sis is just a kid and Ma is pretty sick and miserable—and it gave me such a start that I dropped the pail. Who wouldn't, knowing everyone on Earth was dead except Pa and Ma and Sis and you?

  Even at that, I don't suppose I should have been surprised. We all see things now and then. Ma has some pretty bad ones, to judge from the way she bugs her eyes at nothing and just screams and screams and huddles back against the blankets hanging around the Nest. Pa says it is natural we should react like that sometimes.

  When I'd recovered the pail and could look again at the opposite apartment, I got an idea of what Ma might be feeling at those times, for I saw it wasn't a young lady at all but simply a light—a tiny light that moved stealthily from window to window, just as if one of the cruel little stars had come down out of the airless sky to investigate why the Earth had gone away from the Sun, and maybe to hunt down something to torment or terrify, now that the Earth didn't have the Sun's protection.

  I tell you, the thought of it gave me the creeps. I just stood there shaking, and almost froze my feet and did frost my helmet so solid on the inside that I couldn't have seen the light even if it had come out of one of the windows to get me. Then I had the wit to go back inside.

  Pretty soon I was feeling my familiar way through the thirty or so blankets and rugs Pa has got hung around to slow down the escape of air from the Nest, and I wasn't quite so scared. I began to hear the tick-ticking of the clocks in the Nest and knew I was getting back into air, because there's no sound outside in the vacuum, of course. But my mind was still crawly and uneasy as I pushed through the last blankets—Pa's got them faced with aluminum foil to hold in the heat—and came into the Nest.

  * * *

  Let me tell you about the Nest. It's low and snug, just room for the four of us and our things. The floor is covered with thick woolly rugs. Three of the sides are blankets, and the blankets roofing it touch Pa's head
. He tells me it's inside a much bigger room, but I've never seen the real walls or ceiling.

  Against one of the blankets is a big set of shelves, with tools and books and other stuff, and on top of it a whole row of clocks. Pa's very fussy about keeping them wound. He says we must never forget time, and without a sun or moon, that would be easy to do.

  The fourth wall has blankets all over except around the fireplace, in which there is a fire that must never go out. It keeps us from freezing and does a lot more besides. One of us must always watch it. Some of the clocks are alarm and we can use them to remind us. In the early days there was only Ma to take turns with Pa—I think of that when she gets difficult—but now there's me to help, and Sis too.

  It's Pa who is the chief guardian of the fire, though. I always think of him that way: a tall man sitting cross-legged, frowning anxiously at the fire, his lined face golden in its light, and every so often carefully placing on it a piece of coal from the big heap beside it. Pa tells me there used to be guardians of the fire sometimes in the very old days—vestal virgins, he calls them—although there was unfrozen air all around then and you didn't really need one.

  He was sitting just that way now, though he got up quick to take the pail from me and bawl me out for loitering—he'd spotted my frozen helmet right off. That roused Ma and she joined in picking on me. She's always trying to get the load off her feelings, Pa explains. Sis let off a couple of silly squeals too.

  Pa handled the pail of air in a twist of cloth. Now that it was inside the Nest, you could really feel its coldness. It just seemed to suck the heat out of everything. Even the flames cringed away from it as Pa put it down close by the fire.

  Yet it's that glimmery white stuff in the pail that keeps us alive. It slowly melts and vanishes and refreshes the Nest and feeds the fire. The blankets keep it from escaping too fast. Pa'd like to seal the whole place, but he can't—building's too earthquake-twisted, and besides he has to leave the chimney open for smoke.

  Pa says air is tiny molecules that fly away like a flash if there isn't something to stop them. We have to watch sharp not to let the air run low. Pa always keeps a big reserve supply of it in buckets behind the first blankets, along with extra coal and cans of food and other things, such as pails of snow to melt for water. We have to go way down to the bottom floor for that stuff, which is a mean trip, and get it through a door to outside.

  You see, when the Earth got cold, all the water in the air froze first and made a blanket ten feet thick or so everywhere, and then down on top of that dropped the crystals of frozen air, making another white blanket sixty or seventy feet thick maybe.

  Of course, all the parts of the air didn't freeze and snow down at the same time.

  First to drop out was the carbon dioxide—when you're shoveling for water, you have to make sure you don't go too high and get any of that stuff mixed in, for it would put you to sleep, maybe for good, and make the fire go out. Next there's the nitrogen, which doesn't count one way or the other, though it's the biggest part of the blanket. On top of that and easy to get at, which is lucky for us, there's the oxygen that keeps us alive. Pa says we live better than kings ever did, breathing pure oxygen, but we're used to it and don't notice. Finally, at the very top, there's a slick of liquid helium, which is funny stuff. All of these gases in neat separate layers. Like a pussy caffay, Pa laughingly says, whatever that is.

  * * *

  I was busting to tell them all about what I'd seen, and so as soon as I'd ducked out of my helmet and while I was still climbing out of my suit, I cut loose. Right away Ma got nervous and began making eyes at the entry-slit in the blankets and wringing her hands together—the hand where she'd lost three fingers from frostbite inside the good one, as usual. I could tell that Pa was annoyed at me scaring her and wanted to explain it all away quickly, yet could see I wasn't fooling.

  "And you watched this light for some time, son?" he asked when I finished.

  I hadn't said anything about first thinking it was a young lady's face. Somehow that part embarrassed me.

  "Long enough for it to pass five windows and go to the next floor."

  "And it didn't look like stray electricity or crawling liquid or starlight focused by a growing crystal, or anything like that?"

  He wasn't just making up those ideas. Odd things happen in a world that's about as cold as can be, and just when you think matter would be frozen dead, it takes on a strange new life. A slimy stuff comes crawling toward the Nest, just like an animal snuffing for heat—that's the liquid helium. And once, when I was little, a bolt of lightning—not even Pa could figure where it came from—hit the nearby steeple and crawled up and down it for weeks, until the glow finally died.

  "Not like anything I ever saw," I told him.

  He stood for a moment frowning. Then, "I'll go out with you, and you show it to me," he said.

  Ma raised a howl at the idea of being left alone, and Sis joined in, too, but Pa quieted them. We started climbing into our outside clothes—mine had been warming by the fire. Pa made them. They have plastic headpieces that were once big double-duty transparent food cans, but they keep heat and air in and can replace the air for a little while, long enough for our trips for water and coal and food and so on.

  Ma started moaning again, "I've always known there was something outside there, waiting to get us. I've felt it for years—-something that's part of the cold and hates all warmth and wants to destroy the Nest. It's been watching us all this time, and now it's coming after us. It'll get you and then come for me. Don't go, Harry!"

  Pa had everything on but his helmet. He knelt by the fireplace and reached in and shook the long metal rod that goes up the chimney and knocks off the ice that keeps trying to clog it. Once a week he goes up on the roof to check if it's working all right. That's our worst trip and Pa won't let me make it alone.

  "Sis," Pa said quietly, "come watch the fire. Keep an eye on the air, too. If it gets low or doesn't seem to be boiling fast enough, fetch another bucket from behind the blanket. But mind your hands. Use the cloth to pick up the bucket."

  Sis quit helping Ma be frightened and came over and did as she was told. Ma quieted down pretty suddenly, though her eyes were still kind of wild as she watched Pa fix on his helmet tight and pick up a pail and the two of us go out.

  * * *

  Pa led the way and I took hold of his belt. It's a funny thing, I'm not afraid to go by myself, but when Pa's along I always want to hold on to him. Habit, I guess, and then there's no denying that this time I was a bit scared.

  You see, it's this way. We know that everything is dead out there. Pa heard the last radio voices fade away years ago, and had seen some of the last folks die who weren't as lucky or well-protected as us. So we knew that if there was something groping around out there, it couldn't be anything human or friendly.

  Besides that, there's a feeling that comes with it always being night, cold night. Pa says there used to be some of that feeling even in the old days, but then every morning the Sun would come and chase it away. I have to take his word for that, not ever remembering the Sun as being anything more than a big star. You see, I hadn't been born when the dark star snatched us away from the Sun, and by now it's dragged us out beyond the orbit of the planet Pluto, Pa says, and taking us farther out all the time.

  I found myself wondering whether there mightn't be something on the dark star that wanted us, and if that was why it had captured the Earth. Just then we came to the end of the corridor and I followed Pa out on the balcony.

  I don't know what the city looked like in the old days, but now it's beautiful. The starlight lets you see pretty well—there's quite a bit of light in those steady points speckling the blackness above. (Pa says the stars used to twinkle once, but that was because there was air.) We are on a hill and the shimmery plain drops away from us and then flattens out, cut up into neat squares by the troughs that used to be streets. I sometimes make my mashed potatoes look like it, before I pour on the g
ravy.

  Some taller buildings push up out of the feathery plain, topped by rounded caps of air crystals, like the fur hood Ma wears, only whiter. On those buildings you can see the darker squares of windows, underlined by white dashes of air crystals. Some of them are on a slant, for many of the buildings are pretty badly twisted by the quakes and all the rest that happened when the dark star captured the Earth.

  Here and there a few icicles hang, water icicles from the first days of the cold, other icicles of frozen air that melted on the roofs and dripped and froze again. Sometimes one of those icicles will catch the light of a star and send it to you so brightly you think the star has swooped into the city. That was one of the things Pa had been thinking of when I told him about the light, but I had thought of it myself first and known it wasn't so.

  He touched his helmet to mine so we could talk easier and he asked me to point out the windows to him. But there wasn't any light moving around inside them now, or anywhere else. To my surprise, Pa didn't bawl me out and tell me I'd been seeing things. He looked all around quite a while after filling his pail, and just as we were going inside he whipped around without warning, as if to take some peeping thing off guard.

  I could feel it, too. The old peace was gone. There was something lurking out there, watching, waiting, getting ready.

  Inside, he said to me, touching helmets, "If you see something like that again, son, don't tell the others. Your Ma's sort of nervous these days and we owe her all the feeling of safety we can give her. Once—it was when your sister was born—I was ready to give up and die, but your Mother kept me trying. Another time she kept the fire going a whole week all by herself when I was sick. Nursed me and took care of the two of you, too.

  "You know that game we sometimes play, sitting in a square in the Nest, tossing a ball around? Courage is like a ball, son. A person can hold it only so long, and then he's got to toss it to someone else. When it's tossed your way, you've got to catch it and hold it tight—and hope there'll be someone else to toss it to when you get tired of being brave."