Anthology of Speculative Fiction, Volume One

by Short Story Anthology

  It was only after earning his M.A. in 1962 that Zelazny took serious steps towards writing professionally. His early publications include the short story "Passion Play" (Amazing Stories, 1962) followed by "Horseman!" in Fantastic (1962). He prospered in short fiction, even authoring some tales under the pseudonym Harrison Denmark because of his high output. Among his best-known works are "A Rose for Ecclesiastes" (1969), This Immortal (1966, first publishedFantasy & Science Fiction as "…And Call Me Conrad"), and Lord of Light(1967), the latter two novels earning him Hugo awards. During the course of his career, Zelazny received six Hugo awards and three Nebula awards for his various works.

  Undoubtedly Zelazny's most recognized work is the ten-book series The Chronicles of Amber (1970-1991). Like many of his short stories, the Amber novels are rife with mythological references. This motif became his most indelible contribution to the New Wave, helping science fiction literature shift conceptually from the hard sciences and the outside world to a more internal, interdisciplinary model of fantasy fiction. Zelazny himself often referred to his works as "Science Fantasy." Overall, Zelazny produced a literary treasure trove and has been credited with inspiring such authors as George R.R. Martin and Neil Gaiman.

  A Rose for Eccclesiastes, by Roger Zelazny

  Mercury Press, 1963

  I was busy translating one of my Madrigals Macabre into Martian on the morning I was found acceptable. The intercom had buzzed briefly, and I dropped my pencil and flipped on the toggle in a single motion.

  "Mister G," piped Morton's youthful contralto, "the old man says I should 'get hold of that damned conceited rhymer' right away, and send him to his cabin.--Since there's only one damned conceited rhymer . . ."

  "Let not ambition mock thy useful toil," I cut him off.

  So, the Martians had finally made up their minds! I knocked an inch and a half of ash from a smouldering butt, and took my first drag since I had lit it. The entire month's anticipation tried hard to crowd itself into the moment, but could not quite make it. I was frightened to walk those forty feet and hear Emory say the words I already knew he would say; and that feeling elbowed the other one into the background.

  So I finished the stanza I was translating before I got up.

  It took only a moment to reach Emory's door. I knocked thrice and opened it, just as he growled, "Come in."

  "You wanted to see me?" I sat down quickly to save him the trouble of offering me a seat.

  "That was fast. What did you do, run?"

  I regarded his paternal discontent:

  Little fatty flecks beneath pale eyes, thinning hair, and an Irish nose; a voice a decibel louder than anyone else's . . .

  Hamlet to Claudius: "I was working."

  "Hah!" he snorted. "Come off it. No one's ever seen you do any of that stuff."

  I shrugged my shoulders and started to rise.

  "If that's what you called me down here--"

  "Sit down!"

  He stood up. He walked around his desk. He hovered above me and glared down. (A hard trick, even when I'm in a low chair.)

  "You are undoubtedly the most antagonistic bastard I've ever had to work with!" he bellowed, like a belly-stung buffalo. 'Why the hell don't you act like a human being sometime and surprise everybody? I'm willing to admit you're smart, maybe even a genius, but--oh, Hell!" He made a heaving gesture with both hands and walked back to his chair.

  "Betty has finally talked them into letting you go in." His voice was normal again. "They'll receive you this afternoon. Draw one of the jeepsters after lunch, and get down there."

  "Okay," I said.

  'That's all, then."

  I nodded, got to my feet. My hand was on the doorknob when he said "I don't have to tell you how important this is. Don't treat them the way you treat us."

  I closed the door behind me.

  I don't remember what I had for lunch. I was nervous, but I knew instinctively that I wouldn't muff it. My Boston publishers expected a Martian Idyll, or at least a Saint-Exupery on space flight. The National Science Association wanted a complete report on the Rise and Fall of the Martian Empire.

  They would both be pleased. I knew.

  That's the reason everyone is jealous--why they hate me. I always come through, and I can come through better than anyone else.

  I shovelled in a final anthill of slop, and made my way to our car barn. I drew one jeepster and headed it toward Tirellian.

  Flames of sand, lousy with iron oxide, set fire to the buggy. They swarmed over the open top and bit through my scarf; they set to work pitting my goggles.

  The jeepster, swaying and panting like a little donkey I once rode through the Himalayas, kept kicking me in the seat of the pants. The Mountains of Tirellian shuffled their feet and moved toward me at a cockeyed angle. Suddenly I was heading uphill, and I shifted gears to accommodate the engine's braying. Not like Gobi, not like the Great Southwestern Desert, I mused. Just red, just dead. . . without even a cactus.

  I reached their the hill, but I had raised too much dust to see what was ahead. It didn't matter, though, I have a head full of maps. I bore to the left and downhill, adjusting the throttle. A cross-wind and solid ground beat down the fires. I felt like Ulysses in Malebolge--with a terza-rima speech in one hand and an eye out for Dante.

  I sounded a rock pagoda and arrived.

  Betty waved as I crunched to a halt, then jumped down.

  "Hi," I choked, unwinding my scarf and shaking out a pound and a half of grit. "Like, where do I go and who do I see?"

  She permitted herself a brief Germanic giggle--more at my starting a sentence with "like" than at my discomfort--then she started talking. (She is a top linguist, so a word from the Village Idiom still tickles her!)

  I appreciate her precise, furry talk; informational, and all that. I had enough in the way of social pleasantries before me to last at least the rest of my life. I looked at her chocolate-bar eyes and perfect teeth, at her sun-bleached hair, close-cropped to the head (I hate blondes!), and decided that she was in love with me.

  "Mr. Gallinger, the Matriarch is waiting inside to be introduced. She has consented to open the Temple records for your study." She paused here to pat her hair and squirm a little. Did my gaze make her nervous?

  'They are religious documents, as well as their only history," she continued, "sort of like the Mahabharata. She expects you to observe certain rituals in handling them, like repeating the sacred words when you turn pages--she will teach you the system."

  I nodded quickly, several times.

  "Fine, let's go in."

  '"Uh--" she paused. "Do not forget their Eleven Forms of Politeness and Degree. They take matters of form quite seriously--and do not get into any discussions over the equality of the sexes--"

  "I know all about their taboos," l broke in. "Don't worry. I've lived in the Orient, remember?"

  She dropped her eyes and seized my hand. I almost jerked it away.

  'It will look better if I enter leading you."

  I swallowed my comments and followed her, like Samson in Gaza.

  Inside, my last thought met with a strange correspondence. The Matriarch's quarters were a rather abstract version of what I imagine the tents of the tribes of Israel to have been like. Abstract, I say, because it was all frescoed brick, peaked like a huge tent, with animal-skin representations like gray-blue scars, that looked as if they had been laid on the walls with a palette knife.

  The Matriarch, M'Cwyie, was short, white-haired, fifty-ish, and dressed like a Gipsy queen. With her rainbow of voluminous skirts she looked like an inverted punch bowl set atop a cushion.

  Accepting my obeisances, she regarded me as an owl might a rabbit. The lids of those black, black eyes jumped upwards as she discovered my perfect accent. --The tape recorder Betty had carried on her interviews had done its part, and I knew the language reports from the first two expeditions, verbatim. I'm all hell when it comes to picking up accents.

  "You are the poet?"

/>   "Yes," I replied.

  "Recite one of your poems, please."

  'I'm sorry, but nothing short of a thorough translating job would do justice to your language and my poetry, and I don't know enough of your language yet."

  "Oh?"

  "But I've been making such translations for my own amusement, as an exercise in grammar," I continued. "I'd be honored to bring a few of them along one of the times that I come here."

  "Yes. Do so."

  Score one for me!

  She turned to Betty.

  "You may go now."

  Betty muttered the parting formalities, gave me a strange sidewise look, and was gone. She apparently had expected to stay and "assist" me. She wanted a piece of the glory, like everyone else. But I was the Schliemann at this Troy, and there would be only one name on the Association report!

  M'Cwyie rose, and I noticed that she gained very little height by standing. But then I'm six-six and look like a poplar in October: thin, bright red on top, and towering above everyone else.

  "Our records are very, very old," she began. "Betty says that your word for their age is 'millennia."'

  I nodded appreciatively.

  "I'm very eager to see them."

  "They are not here. We will have to go into the Temple--they may not be removed."

  I was suddenly wary.

  'You have no objections to my copying them, do you?"

  "No. I see that you respect them, or your desire would not be so great."

  "Excellent."

  She seemed amused. I asked her what was funny.

  "The High Tongue may not be so easy for a foreigner to learn."

  It came through fast.

  No one on the first expedition had gotten this close. I had had no way of knowing that this was a double-language deal--a classical as well as a vulgar. I knew some of their Prakrit, now I had lo learn all their Sanskrit.

  "Ouch! and damn!"

  "Pardon please?"

  "It's non-translatable, M'Cwyie. But imagine yourself having to learn the High Tongue in a hurry, and you can guess at the sentiment."

  She seemed amused again, and told me to remove my shoes.

  She guided me through an alcove . . .

  . . . and into a burst of Byzantine brilliance!

  No Earthman had ever been in this room before, or I would have heard about it. Carter, the first expedition's linguist, with the help of one Mary Allen, M.D., had learned all the grammar and vocabulary that I knew while sitting cross-legged in the antechamber.

  We had had no idea this existed. Greedily, I cast my eyes about; A highly sophisticated system of esthetics lay behind the decor. We would have to revise our entire estimation of Martian culture.

  For one thing, the ceiling was vaulted and corbelled; for another, there were side columns with reverse flutings; for another--oh hell! The place was big. Posh. You could never have guessed it from the shaggy outsides.

  I bent torward to study the gilt filigree on a ceremonial table. M'Cwyie seemed a bit smug at my intentness, but I'd still have hated to play poker with her.

  The table was loaded with books.

  With my toe, I traced a mosaic on the floor.

  "Is your entire city within this one building?"

  '"Yes, it goes far back into the mountain."

  "I see," I said, seeing nothing.

  I couldn't ask her for a conducted tour, yet.

  She moved to a small stool by the table.

  "Shall we begin your friendship with the High Tongue?"

  I was trying to photograph the hall with my eyes, knowing I would have to get a camera in here, somehow, sooner or later. I tore my gaze from a statuette and nodded, hard.

  '"Yes, introduce me."

  I sat down.

  For the next three weeks alphabet-bugs chased each other behind my eyelids whenever I tried to sleep. The sky was an unclouded pool of turquoise that rippled calligraphies whenever I swept my eyes across it. I drank quarts of coffee while I worked and mixed cocktails of Benzedrine and champagne for my coffee breaks.

  M'Cwyie tutored me two hours every morning, and occasionally for another two in the evening. I spent an additional fourteen hours a day on my own, once I had gotten up sufficient momentum to go ahead alone.

  And at night the elevator of time dropped me to its bottom floors . . .

  I was six again, learning rny Hebrew, Greek, Latin, and Aramaic. I was ten, sneaking peeks at the Iliad. When Daddy wasn't spreading hellfire, brimstone, and brotherly love, he was teaching me to dig the Word, like in the original.

  Lord! There are so many originals and so many words! When I was twelve I started pointing out the little differences between what he was preaching and what I was reading.

  The Fundamental vigor of his reply brooked no debate. It was worse than any beating. I kept my mouth shut after that and learned to appreciate Old Testament poetry.

  --Lord, I am sorry! Daddy--Sir--I am sorry!--It couldn't be! It couldn't be . . .

  On the day the boy graduated from high school, with the French, German, Spanish, and Latin awards, Dad Gallinger had told his fourteen-year- old, six-foot scarecrow of a son that he wanted him to enter the ministry. I remember how his son was evasive:

  "Sir," he had said, "I'd sort of like to study on my own for a year or so, and then take pre-theology courses at some liberal arts university. I feel I'm still sort of young to try a seminary, straight off."

  The Voice of God: "But you have the gift of tongues, my son. You can preach the Gospel in all the lands of Babel. You were born to be a missionary. You say you are young, but time is rushing by you like a whirlwind. Start early, and you will enjoy added years of service."

  The added years of service were so many added tails to the cat repeatedly laid on my back. I can't see his face now, I never can. Maybe it is because I was always afraid to look at it then.

  And years later, when he was dead, and laid out, in black, amidst bouquets, amidst weeping congregationalists, amidst prayers, red faces, handkerchiefs, hands patting your shoulders, solemn-faced comforters . . . I looked at him and did not recognize him.

  We had met nine months before my birth, this stranger and I. He had never been cruel--stern, demanding, with contempt for everyone's shortcomings-- but never cruel. He was also all that I had had of a mother. And brothers. And sisters. He had tolerated my three years at St. John's, possibly because of its name, never knowing how liberal and delightful a place it really was.

  But I never knew him, and the man atop the catafalque demanded nothing now; I was free not to preach the Word.

  But now I wanted to, in a different way. I wanted to preach a word that I could never have voiced while he lived.

  l dld not return for my senior year in the fall. I had a small inheritance coming, and a bit of trouble getting control of it, since I was still under 18. But I managed.

  It was Greenwich Village I finally settled upon.

  Not telling any well-meaning parishioners my new address, I entered into a daily routine of writing poetry and teaching myself Japanese and Hindustani. I grew a fiery beard, drank espresso, and learned to play chess. I wanted to try a couple of the other paths to salvation.

  After that, it was two years in India with the Old Peace Corps--which broke me of my Buddhism, and gave me my Pipes of Krishna lyrics and the Pulitzer they deserved.

  Then back to the States for my degree, grad work in linguistics, and more prizes.

  Then one day a ship went to Mars. The vessel settling in its New Mexico nest of fires contained a new language.--It was fantastic, exotic, and esthetically overpowering. After I had learned all there was to know about it, and written my book, I was famous in new circles:

  "Go, Gallinger. Dip your bucket in the well, and bring us a drink of Mars. Go, learn another world--but remain aloof, rail at it gently like Auden--and hand us its soul in iambics."

  And I came to the land where the sun is a tarnished penny, where the wind is a whip, where two moons play
at hotrod games, and a hell of sand gives you the incendiary itches whenever you look at it.

  I rose from my twistings on the bunk and crossed the darkened cabin to a port. The desert was a carpet of endless orange, bulging from the sweepings of centuries beneath it.

  "I a stranger, unafraid--This is the land--I've got it made!"

  I laughed.

  I had the High Tongue by the tail already--or the roots, if you want your puns anatomical, as well as correct.

  The High and Low Tongues were not so dissimilar as they had first seemed. I had enough of the one to get me through the murkier parts of the other. I had the grammar and all the commoner irregular verbs down cold; the dictionary l was constructing grew by the day, like a tulip, and would bloom shortly. Every time I played the tapes the stem lengthened.

  Now was the time to tax my ingenuity, to really drive the lessons home. I had purposely refrained from plunging into the major texts until I could do justice to them. I had been reading minor commentaries, bits of verse, fragments of history. And one thing had impressed me strongly in all that I read.

  They wrote about concrete things: rocks, sand, water, winds; and the tenor couched within these elemental symbols was fiercely pessimistic. It reminded me of some Buddhist texts, but even more so, I realized from my recent recherches, it was like parts of the Old Testament. Specifically, it reminded me of the Book of Ecclesiastes.

  That, then, would be it. The sentiment, as well as the vocabulary, was so similar that it would be a perfect exercise. Like putting Poe into French. I would never be a convert to the Way of Malann, but I would show them that an Earthman had once thought the same thoughts, felt similarly.

  I switched on my desk lamp and sought King James amidst my books.

  Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity. What profit hath a man . . .

  My progress seemed to startle M'Cwyie. She peered at me, like Sartre's Other, across the tabletop. I ran through a chapter in the Book of Locar. I didn't look up, but I could feel the tight net her eyes were workings about my head, shoulders, and rapid hands. I turned another page.