Where the River Ends

by Charles Martin

  CONTENTS

  TITLE PAGE

  DEDICATION

  PROLOGUE

  CHAPTER 1

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  CHAPTER 17

  CHAPTER 18

  CHAPTER 19

  CHAPTER 20

  CHAPTER 21

  CHAPTER 22

  CHAPTER 23

  CHAPTER 24

  CHAPTER 25

  CHAPTER 26

  CHAPTER 27

  CHAPTER 28

  CHAPTER 29

  CHAPTER 30

  CHAPTER 31

  CHAPTER 32

  CHAPTER 33

  CHAPTER 34

  CHAPTER 35

  CHAPTER 36

  CHAPTER 37

  CHAPTER 38

  CHAPTER 39

  CHAPTER 40

  CHAPTER 41

  CHAPTER 42

  CHAPTER 43

  CHAPTER 44

  CHAPTER 45

  CHAPTER 46

  CHAPTER 47

  CHAPTER 48

  CHAPTER 49

  CHAPTER 50

  AFTERWARD

  ACKNOWLEDGMENTS

  ALSO BY CHARLES MARTIN

  COPYRIGHT

  For my grandparents, Ellen and Tillman Cavert

  . . . who have loved well for sixty-seven years

  PROLOGUE

  I don’t have good memories of growing up. Seems like I knew a lot of ugly stuff when I shouldn’t. The only two things I remember as beautiful were my mom and this riverbank. And until I knew better I thought they’d named the river after my mom.

  The man who lived in our trailer was always angry. Always smoking. Don’t know why. He lit one cigarette with the glow-plug end of the other. Touched them like sparklers. They matched his eyes. He never hit me, least not very hard, but his mouth hurt my ears. Mom said it was the devil in the bottle, but I don’t think you drink meanness. You can try and drown it, but, in my experience, it’s a pretty good swimmer. That’s why it’s in the bottle. To escape it, she and I, we came here. She told me it’d help my asthma. I knew better. Dying was about the only thing that’d help my asthma.

  With a brick sitting on my chest, I pulled every breath through the length of a garden hose. That made it sort of difficult to get what I thought or felt out my mouth. Mom was always wanting me to talk about my feelings, trying to pull me out of me. I told her, “Forget feelings. I can feel later. Throw me some air.” Between bottle-man, the albuterol and the spastic cough I couldn’t shake, there was a disconnect between my mouth and my heart. Something in me had been severed.

  I lived in pieces.

  Maybe islands is a better word. Whenever I crept inside myself and took a look around, I didn’t see one whole. Or one main. I saw a continent cut and quartered with each section floating aimlessly on some far corner of the globe. I’ve seen pictures of ice sheets near the pole that do the same thing.

  From the ages of five to eight, I wore a helmet even when I wasn’t on my bike and grew up with the nickname “Smurf”—adopted from my occasional lip color. To occupy me during my forced sedentary and mostly sucky childhood, my mother bought me some paints, and in them I found escape—painting the world I wished I lived in.

  We had this bench down by the river where we used to sit nights. Mostly when the cigarette haze and verbal dribble drove us out of the trailer. Our butts had worn it smooth. One night, when I was about ten, I’d picked up on the trailer park chatter and I said, “Momma, what’s an ‘easy’ woman?”

  She’d heard it, too. “Who you been listening to?”

  I pointed. “That big fat woman over there.”

  She nodded. “Honey, we all lose our way.”

  “You lost yours?”

  She touched the tip of my nose with her finger. “Not when I’m with you.” She put her arm around me. “But that’s not what really matters. What matters is what you do when you find yourself lost.”

  She walked me through the woods, sat me on the bench and panned her hand across the view in front of me. “Doss, God is in this river.”

  It was one of those copper-colored evenings when thunderclouds blocked out the sun. The edges were red and the underside dark blue and bleeding into black. In the distance, we could see the wave of rain coming. I scanned the riverbank, the ripples on the water, remembering all the times I’d felt my tongue thicken and turn numb, right before I blacked out due to oxygen deprivation.

  I frowned. “That explains a lot.”

  She pushed the hair out of my eyes while I stole two quick puffs on the inhaler. “What do you mean?”

  I held my breath and thumbed over my shoulder. “Well, He ain’t in that trailer.”

  She nodded once. “He was when I made you.”

  I had just learned to cuss, so I was testing my boundaries. “Maybe.” I hacked and spat. “But he sure as hell ain’t now.”

  She squeezed my cheeks between her fingers and jerked my heard toward the water. “Doss Michaels.”

  “Yes, ma’am.”

  “Look at the surface of that river.”

  I nodded.

  “What do you see?”

  My voice sounded thick and garbled. “Black water.”

  She squeezed tighter. “Don’t get smart with me. Look again.”

  “A few minnows.”

  “Closer—at the surface.”

  I waited while my eyes focused. My teeth were cutting into my cheeks. “The treeline, some clouds…the sky.”

  “What’s that called?”

  “A reflection.”

  She let go of my mouth. “I don’t care what trash the world throws at you, don’t let it muddy your reflection. You hear me?”

  I pointed at the trailer. “Well, he does and you don’t say nothing.”

  “True. But I can’t fix him. And you’re not broken.”

  “Why do you let him stay?”

  She nodded, then said quietly, “’Cause I can only work so many hours in a day, and”—she held up my inhaler—“he’s got benefits.” She lifted my chin again. “Band-Aid, are you hearing me?”

  “Why you call me that?”

  She pressed her forehead to mine. “’Cause you stick to me and you heal my hurts.”

  I didn’t know squat about life, but I knew one thing for certain: my momma was a good woman. I nodded back up the street. “Can I go tell that big fat woman that she can just suck on a lemon?”

  She shook her head. “It wouldn’t do any good.”

  “Why?”

  Lightning spiderwebbed the sky. “’Cause all that fat just represents pain.” She brushed the hair out of my eyes. “Last time…you hearing me?”

  “Yes, ma’am.”

  A few minutes passed. The air grew damp, charged with electricity and smelling of pungent rain. “What you got—what you can do with a pencil or a brush—that’s something special.” She pulled me close. “Any dummy with half a brain can see that. I didn’t teach you to do what you do. Couldn’t have, ’cause I don’t know the first thing about it—can’t draw myself out of a wet paper bag. What you got comes from some place none of the rest of us know nothing about. That makes you special.”

  “I don’t feel special. Most the time, I feel like I’m dying.”

  She hiked her skirt up over her knees to dry the sweat off her legs. A rusty razor had cut the rough skin above her heel. She waved her hand across the world. “Li
fe ain’t easy. Most the time, it’s hard. It seldom makes sense and it ain’t never wrapped up in a neat little bow. Seems like the older you get the more it trips you up, breaks you down and bloodies you…” She tried to laugh and then fell quiet a minute. “People come to this river for lots of reasons. Some of us are hiding, some of us are escaping, some of us are looking for a little peace and quiet, maybe trying to forget, anything to ease the pain we carry, but…we all come thirsty.” She pushed the hair out of my eyes. “You’re a lot like this river. In your fingertips, you got what people need. So don’t hold it back. Don’t dam it up. And don’t muddy it.” She flipped my hand over and spread her palm against mine. “Let it flow out, and one day you’ll find that people from all over will dive in and drink deeply.”

  She laid a sketchbook across my lap, handed me a pencil, then aimed my eyes downriver. “You see that?”

  “Yes, ma’am.”

  “Now close your eyes.” I did. “Take as deep a breath as you can.” I coughed, sucked it in and held it. “See that picture on the back of your eyelids?” I nodded. “Now…” She placed the pencil in my fingers just as the first raindrop fell. “Find the one thing that makes you want to look again…and let it out.”

  So I did.

  That evening, she studied my sketch. Her nose was running. Eyes too. “Promise me one more thing.”

  “Yes, ma’am?”

  She stared out my bedroom window, where the river floated beneath a cloud of steam. She tapped my temple and laid her hand across my chest. “What you got inside you is…is a well that bubbles up from way down deep. It’s sweet water, too. But”—a tear dripped off her face—“sometimes wells run empty. If you ever get to hurting and all you feel is ache—you reach down and find your well empty, nothing but dust—then you come back here…dive in and drink deeply.”

  And I did.

  1

  MAY 30

  I climbed the final step into my studio, sniffed the dank fireplace and wondered how long it would take an errant flame to consume everything in here. Minutes I should think. Arms folded, I leaned against the wall and stared at all the eyes staring back at me. Abbie had tried so hard to make me believe. Even taken me halfway around the world. Introduced me to Rembrandt, poked me in the shoulder and said, “You can do that.” So I had painted. Faces mostly. My mother had planted the seed that, years later, Abbie watered, nurtured and pruned. In truth, given a good flame and a tardy fire department, I stood to make more money on an insurance payout. Stacked around me in layered rows against the four walls lay more than three hundred dusty works—a decade’s worth—all oil on canvas. Faces captured in moments speaking emotions known by hearts but spoken by few mouths. At one time, it had come so easily. So fluidly. I remember moments when I couldn’t wait to get in here, when I couldn’t hold it back, when I would paint on four canvases at once. Those all-nighters when I discovered Vesuvius in me.

  The last decade of my life was staring back at me. Once hung with promise in studios across Charleston, paintings had slowly, one at a time, returned. Self-proclaimed art critics pontificating in local papers complained that my work “lacked originality,” “was absent of heart” and my favorite, “was boring and devoid of artistic skill or understanding.”

  There’s a reason the critics are called critics.

  On the easel before me stretched a white canvas. Dusty, sun-faded and cracked. It was empty.

  Like me.

  I stepped through the window, along the side of the roof, and climbed the iron stairs to the crow’s nest. I smelled the salt and looked out over the water. Somewhere a seagull squawked at me. The air was thick, dense and blanketed the city in quiet. The sky was clear, but it smelled like rain. The moon hung high and full, casting shadows on the water that lapped the concrete bulkhead a hundred feet away. The lights of Fort Sumter sat glistening in the distance to the southeast. Before me, the Ashley and Cooper rivers ran into one. Most Charlestonians will tell you it is there that the two form the Atlantic Ocean. Sullivan’s Island sat just north, along with the beach where we used to swim. I closed my eyes and listened for the echo of our laughter.

  That’d been a while.

  The “Holy City,” with its competing steeples piercing the night sky, lay still behind me. Below me stretched my shadow. Cast upon the roof, it tugged at my pants leg, begging me backward and pulling me down. The ironwork that held me had been fashioned some fifty years ago by local legend Philip Simmons. Now in his nineties, his work had become the Charleston rave and was very much in demand. The crow’s nest, having ridden out the storm, had come with the house. In the thirteen years we’d lived here, this nine square feet of perch had become the midnight platform from which I viewed the world. My singular and solitary escape.

  My cell phone vibrated in my pocket. I checked the screen and saw the Texas area code. “Hello?”

  “Doss Michaels?”

  “Speaking.”

  “This is Anita Becker, assistant to Dr. Paul Virth.”

  “Yes?” My breathing was short. So much hung on her next few words.

  She paused. “We wanted to call and…”—I knew it before she said it—“…say that the oversight committee has met and decided on the parameters of the study. At this time, we’re only accepting primary cases. Not secondary.” The wind shifted and swiveled the squeaking vane. The rooster now pointed south. “Next year, if this study proceeds as we hope, we’re planning on adding a study on secondary…” Either she faded off, or maybe I did. “We’re sending a letter recommending Abbie for a study with Doctors Plist and Mackles out of Sloan-Kettering…”

  “Thank you…very much.” I closed the phone.

  The problem with a Hail Mary pass is that it hangs in the air so long, and most are dropped in the end zone. That’s why they invoke God.

  Because it’s impossible to begin with.

  The phone rang a second time, but I let it ring. A minute passed and it rang again. I checked the faceplate. It read, “Dr. Ruddy.”

  “Hey, Ruddy.”

  “Doss.” His voice was quiet. Subdued. I could see him, leaning over his desk, head resting in his hands. His chair squeaked. “The scan results are in. If you two could get around the speakerphone, thought maybe we’d talk through them.”

  His tone of voice told me enough. “Ruddy, she’s sleeping. Finally. Did that most of yesterday. Maybe you could just give them to me.” He read between the lines.

  “I’m with you.” A pause. “Umm…they’re uhh…” He choked. Ruddy had been our lead doctor since the beginning. “Doss, I’m sorry.”

  We listened to each other listening to each other. “How long?”

  “A week. Maybe two. Longer if you can keep her horizontal…and still.”

  I forced a laugh. “You know better than that.”

  A deep breath. “Yep.”

  I slid the phone back in my pocket and scratched my two-day stubble. My eyes stared out over the water, but my mind was a couple hundred miles away.

  Empty-handed and lungs half full, I climbed down and back through the window. Running my fingers along the trim tacked to the wall, I crept down another flight. The staircase was narrow, made of twelve-inch-wide pine planks, which at nearly two hundred years old, creaked loudly—tapping out a story of age and the drunken pirates who once stumbled down them.

  The sound lifted her eyelids, but I doubted she’d been asleep. Fighters don’t sleep between rounds. A cross breeze slipped through the open windows and filtered across our room, raising goose bumps across her calves.

  Footsteps sounded downstairs, so I crossed the room, closed the bedroom door and returned. I sat next to her, slid the fleece blanket over her legs and leaned back against the headboard. She whispered, “How long have I been asleep?”

  I shrugged.

  “Yesterday?”

  “Almost.” While we could manage the pain with medication, we couldn’t deter its debilitating effects. She would lie still, motionless for hours, fighting an inn
er battle in which I played helpless spectator. Then for reasons neither of us could explain, she’d experience moments—sometimes even days—of total lucidity, when the pain would relent and she was as normal as ever. Then with little warning, it would return and she’d begin her own private battle once again. It is there that you learn the difference between tired and fatigued. Sleep cures tired, but it has no effect on fatigued.

  She smelled the air, catching the last remnants of aftershave that still hung in the air. I lifted the window. She raised an eyebrow. “He was here?”

  I stared out over the water. “Yup.”

  “How’d that go?”

  “About like normal.”

  “That good, huh? What is it this time?”

  “He’s”—I lifted both hands in the air making quotation marks with my fingers—“‘moving you.’”

  She sat up. “Where?”

  More quotation marks. “‘Home.’”

  She shook her head and let out a deep breath that puffed up her cheeks like a blowfish. “For him, it’s my mother all over again.”

  I shrugged.

  “How’d you leave it?”

  “I didn’t. He did.”

  “And?”

  “He’s sending over a team of people in the morning to…‘collect you.’”

  “He sounds like he’s taking out the trash.” She pointed at the phone. “Give it to me. I don’t care if he is four heartbeats from the President.”

  “Honey, I’m not letting him take you anywhere.” I flicked a piece of paint off the windowsill.

  She listened to the sound of footsteps downstairs. “Shift change?”

  I nodded, watching a barge slowly putter up the Ashley.

  “Don’t tell me he talked to them, too.”

  “Oh, yeah. Really put everybody at ease. Basically read them the riot act disguised as an ‘attaboy.’ I just love the way he gives you what he wants you to have under the pretense of your best interest.” I shook my head. “Sleight-of-hand manipulation.”

  She wrapped her leg around mine, using it as leverage to push her head up, allowing her eyes to meet mine. The once fit thighs now gave way to bony knees, thin veins and sticklike shins. Her left hipbone, the once voluptuous peak of the hourglass, pointed up through her gown, which hung loosely over the skin. After four years, her skin was nearly translucent—a faded sun-drenched canvas. Now it hung across her collarbone like a clothesline.