The Kill Call

by Stephen Booth

  STEPHEN BOOTH

  The Kill Call

  As with all my previous books, this story would never have seen the light of day without the hard work and support of a whole team of people. This novel is particularly dedicated to my agent, Teresa Chris, to my editor, Julia Wisdom at HarperCollins, and to long-suffering copy editor Anne O’Brien, all of whom have been involved with Cooper and Fry for almost a decade.

  Contents

  Title Page

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty One

  Chapter Twenty Two

  Chapter Twenty Three

  Chapter Twenty Four

  Chapter Twenty Five

  Chapter Twenty Six

  Chapter Twenty Seven

  Chapter Twenty Eight

  Chapter Twenty Nine

  Chapter Thirty

  Chapter Thirty One

  Chapter Thirty Two

  Chapter Thirty Three

  Chapter Thirty Four

  Chapter Thirty Five

  Chapter Thirty Six

  Chapter Thirty Seven

  Chapter Thirty Eight

  Chapter Thirty Nine

  Chapter Forty

  Chapter Forty One

  Chapter Forty Two

  By The Same Author

  Copyright

  About the Publisher

  1

  Journal of 1968

  In those days, there were always just the three of us. Three bodies close together, down there in the cold, with the water seeping through the concrete floor, and a chill striking deep into flesh and bone. The three of us, crouching in the gloom, waiting for a signal that would never come.

  And what a place to wait and watch in. Seven feet high and seven feet wide – it might as well have been a giant coffin. But slam down the lid and blot out the sun, and we’d survive. Oh, yes. For fourteen days, we’d survive. Thinking about all the things we’d hoped for, and the way our lives could be snuffed out, just like that.

  One night, Jimmy looked up from his bunk at me and Les, and he said we were like the three little pigs, or the three billy goats gruff. Well, I don’t know about that. Three blind mice, maybe – it would be more fitting. If it all kicked off, the three of us would be as good as blind. Blinded by a million suns. Blind to the people dying.

  A few of the details are a bit dim now. Age does that to you. But other things are as bright and stark in my mind as if they’d been burnt there by a lightning flash. Faces and eyes are what I remember most. Faces in the dark. Eyes turned up towards the light. That look in the eyes a second before death.

  Yet all we had down there was a miserable six-watt bulb. I don’t think they even make bulbs that small any more, do they? No wonder your sight could get damaged. Then, every ninety minutes, the switch would pop and it went totally dark. Black as a cat in a coal hole. I always hated that. Even now, complete darkness is what frightens me most. You never know what might be coming up right next to you in the dark.

  But it’s amazing how you can adapt to it, for a while. With that one little bulb, we could see pretty well in the murk, well enough to read and do what was necessary.

  The place was shocking damp, too. I don’t know what they’d done wrong when they built it, but Les said it hadn’t been tanked. Les was our number one, and he might have been right, for once. The water seemed to soak right through the walls from the soil. It was particularly bad in the winter, or after a heavy rain, which happens a mite too often in Derbyshire. Some nights, if it were siling down, it would be all hands to the pump.

  And that was the three of us. Me, Les, and poor old Jimmy. Always three, except for the time that we didn’t ever talk about.

  A lot of things seem to come in threes, don’t they? The Holy Trinity, the Three Wise Men, the Third World War. There must be something magic about the number. Perhaps it’s to do with the Earth being the third planet from the Sun. Or the fact that we see the world in three dimensions – even if your world happens to be only seven feet wide and seven feet high.

  Well, times change so much. The years pass and the world turns, and suddenly no one cares, and no one wants you any more. They take away your friends, your pride, your reason for living. But they can’t ever wipe out your memories. Sometimes, I wish they would. If only they could take away the nightmares, free me from the memory of those damp concrete walls and the icy darkness, and the memory of a face, staring up at the light.

  And that’s another funny thing. They say bad luck comes in threes, don’t they? I think I always knew that.

  But here’s something I didn’t know. It turns out that people die in threes, too.

  2

  March 2009, Tuesday

  Old buildings drew Sean Crabbe like a bee to honey. The more neglected they were, the better he liked them. He couldn’t really explain the appeal. It might have been something to do with the history that clung to the walls, the lives of long-dead people written in the dust, their stories forever trapped in cobwebs hanging from broken ceilings.

  That was why the old Nissen huts above Birchlow were one of his favourite places. He made his way there whenever he got the chance, bunking off from college or just disappearing on a weekend, when no one cared what he was up to. No one else ever went up to the huts any more – not since the homeless man had died there, wrapped up in a roll of plastic sheeting with empty cans scattered around him, a cold morning light glinting on the last drops of his beer as they dribbled across the floor.

  Sean had been there on that morning, had found the old derelict lying in his pool of Special Brew, and had walked away to try somewhere else. Next day, he’d watched from the hillside as the police and paramedics made their way to the site. He wondered why they’d sent an ambulance when any fool could see that the man was long since dead.

  Some folk said that the place was cursed now, haunted by the ghost of the drunken vagrant. So that was why Sean was always on his own at the old huts. And it was just the way he liked it.

  There was one big building that was almost intact, with damp brick walls and corrugated-iron sheets banging in the wind. Its purpose was a mystery to him, but he didn’t really care. There were a few small rooms that might have been offices, a kitchen that still had a filthy sink in it, and a bigger space with a concrete floor and shelves along the walls, like a workshop. He liked the narrow corridors best, the floorboards that had warped from the damp and seemed to move with him as he crossed from room to room, and the peeling paint of the doorways where he could imagine anything waiting behind them to be found.

  In a way, whenever he pushed open one of those doors, he was entering a different world, stepping through into the past. He wondered if the past had been a better world than the one he was in right now.

  This morning, Sean’s need to escape had been urgent. His BTEC course at the further education college was turning out to be a waste of time, useless for his chances of finding the media career he’d dreamed of. The money he’d saved doing holiday jobs had long since run out. All those hours washing caravans and picking up rubbish hadn’t kept him in course fees for long, and now he owed his parents for a loan to see him through. His girlfriend had dumped him week
s ago, because she said he was mean. If he could call her a girlfriend. Most of the girls thought he was geeky. But, if he was a geek, why wasn’t he cleverer at passing exams and doing assignments?

  And, to cap it all, a bunch of kids had mugged him last night outside the pub and nicked his phone. Lucky he didn’t have his iPod with him at the time, but losing the Nokia was a real pain. His parents had shelled out for it, and he couldn’t face telling them that he’d lost it.

  It was pity there was no sun, though. A patch of thin, lattice-like wood had been exposed up there in the roof space, and when the sunlight shone through, it cast shadows across the floor. Then Sean could pretend he was a child, avoiding the cracks on the pavement. Here, he could step from light to light, avoiding the dark shadows as if they were traps, holes where evil lurked. Step from light to light, and avoid the shadows. If only life was so easy.

  But there was no sun today. Just the rain clattering on the corrugated iron, blowing through the splintered windows, streaming down the walls. He was already wet when he arrived at the huts, and the chill made him shiver inside his parka.

  Mouldy, fusty, stale and mildewed. Those were the familiar smells of the hut. If the weather was warm, he could scent an underlying odour of oil or grease, saturated into the concrete from whatever had gone on in here. That smell must have lasted decades. Fifty, sixty years? The buildings must be from about that time. They were so old-fashioned, so last century. It was hard for him to imagine what anyone might have done up here, stuck on an empty hillside in Derbyshire.

  Now and then, he smoked a spliff up here at the huts, but he couldn’t afford that now. Instead, he plugged in the earphones of his iPod and selected some Coldplay. A feeling of peace settled over him as he listened to Chris Martin’s plaintive vocals coming in on ‘A Rush of Blood to the Head’. He could forget everything else for a while once the music was playing.

  Today, though, Sean knew something was different. He tugged out the earphones and stayed completely still, his eyes tightly closed, his ears straining for a sound. The scurrying of a mouse under the floorboards, maybe, or a bird scratching a nest in the roof. But there was no sound.

  He squinted at the dust swirling slowly around him, disturbed only by the current of his own breath. The room looked the same as always. Nothing had been moved or disturbed since his last visit. It was always a worry that someone else would find the derelict buildings – another vagrant sleeping rough, a couple of kids finding a place to have sex or take drugs. Or, worst of all, the owner coming to check on his property, or a builder with a plan to demolish it.

  Sean closed his eyes, trying to recapture the moment that had been lost. But he finally had to acknowledge that something really was different today. It wasn’t a sound, or anything that looked out of place. It was in the very quality of the mustiness, an underlying odour that was too sweet to be oil or grease. He couldn’t deny the message that was hitting his nostrils.

  The difference was in the smell.

  It had been raining for six hours by the time they found the body. Since the early hours of the morning, sheets of water had been swirling into the valley, soaking the corpse and the ground around it. Pools of water had gathered in the hollows of the fields below Longstone Moor, and a new stream had formed between two hawthorns, washing their roots bare of earth.

  Detective Sergeant Diane Fry wiped the rain from her face and cursed under her breath as she watched the medical examiner and an assistant turn the body on to its side. Rivulets of blood-soaked water streamed off the sleeves of a green coat the victim was wearing. A crime-scene photographer crouched under the edge of the body tent to capture the moment. Big, fat drops bounced off his paper suit, ricocheting like bullets.

  Shivering, Fry made a mental note to find out the manufacturer of the victim’s coat. Her own jacket was barely shower proof, and it would never have withstood the amount of rain that had fallen during the night. Her shoulders already felt damp, though she’d been standing in the field no more than ten minutes. If she didn’t get back to her car soon, her clothes would be sticking to her all day, with no chance of a hot shower for hours yet. She’d be unpopular back at the office, too. No one liked sharing their nice, warm working space with a drowned rat.

  ‘Haven’t we got any cover up here yet?’ she said. ‘Where’s the mobile control unit?’

  ‘On its way, Sarge. It’s a difficult spot to get to.’

  ‘Tell me about it.’

  She’d left her Peugeot way back somewhere in a muddy gateway, two fields off at least. Her trek to reach the scene had been across hundreds of yards of damp, scrubby grass, dodging sheep droppings, hoping not to twist an ankle in the treacherous holes that opened up everywhere in this kind of area. The remains of old lead mines, she’d been told. The legacy of thousands of years of men burrowing into the hills like rabbits.

  And then, when she arrived, she’d discovered a delay by the first officers attending the call to get a body tent up. The FOAs’ vehicle had been short of the required equipment. What a surprise.

  An officer standing nearby in a yellow jacket looked at the sky to the west and said something about the rain easing off a bit. He said it with that tone of voice that a countryman used, pretending to be so wise about the ways of the weather. But that was one thing Fry had learned about the Peak District during her time in Derbyshire – there was nothing predictable about the weather.

  ‘Could you find something more useful to do than pretending to be Michael Fish?’ said Fry.

  ‘Yes, Sarge. I expect so.’

  Fry watched him walk back towards the gateway to direct an arriving vehicle. Even if the officer was right, it was already too late. She felt sure about that. There was a limit to how much water even a limestone landscape could absorb, and this crime scene wouldn’t take much more of a soaking.

  Continuous heavy rain did an effective job of destroying physical evidence at an exposed crime scene like this one. And exposed was the right word. She was standing in the middle of a field of rough, short-cropped grass, with no real shelter in sight except a distant dry-stone wall. Right now, she would be glad to huddle behind that wall, even if it meant sharing with the sheep she could see standing hunched and miserable at the far end of the field.

  Crime-scene examiners put their faith in the theory that anyone present at a crime scene took traces away from it, and left traces behind. It was called Locard’s Principle. But, in this case, one half of Locard had been rendered practically worthless by the weather. During the past few hours, blood had been washed away, fingerprints soaked off, shoe marks obliterated. Whatever traces an attacker might have left behind were dissolving into the soil, his unique DNA absorbed into the landscape.

  Fry took a step back and felt something soft and squishy slide under her heel. Damn it. If only traces of these bloody sheep disappeared from the landscape so quickly.

  For a moment, she gazed across the valley towards Longstone Moor. According to the map, the nearest villages of any size were Birchlow and Eyam. But if they were ever visible from here, she’d chosen the wrong day to enjoy the view. Grey clouds hung so low over the hills that they seemed to be resting on the trees. A dense mist of rain swept across the part of the valley where Eyam was supposed to be.

  Fry already hated the sound of Eyam. That was because she’d been corrected about its pronunciation. It was supposed to be said ‘Eem’, they told her – not ‘I-am’, which was the way only tourists pronounced it. Well, sod that. She felt inclined to say it the wrong way for the rest of the day, just to show that she was a tourist, at heart. Yes – deep down, she was just a visitor passing through, taking a break from civilization to study the ways of primitive hill folk.

  A gust of wind blew a spatter of rain in her eyes. That was one thing you could say for a city. Any city, anywhere. There was always a building within reach where you could get out of the rain. In the Peak District, the weather would always catch you exposed and vulnerable. It could bake you one minute,
and drown you the next. It was like some big conspiracy, nature combining with the remains of ancient lead mines that lurked under your feet to trip you up.

  When Fry turned away from the view, she found the crime-scene manager, Wayne Abbott, standing in front of her, as if he’d materialized out of the rain. He was a damp ghost, glistening in his white scene suit as if he was formed of ectoplasm.

  ‘There doesn’t seem to be much physical evidence in the immediate area around the body,’ he said, when he’d got her attention.

  ‘I’m not surprised.’

  ‘And I can’t even see where the approach route might have been. We’ll probably have to do a fingertip search over the whole field.’

  ‘How many people on the ground would we need for that?’

  ‘I don’t know. It’s a big field.’

  ‘Thanks a lot.’

  Fry could imagine the arguments about overtime payments and the hours spent frowning over the duty rota. Luckily, she could pass that problem up to her DI, Paul Hitchens.

  The information so far was too scanty for her liking. A sighting of the body had been called in by the air support unit at nine forty-five a.m., a sharp-eyed observer on board Oscar Hotel 88 spotting the motionless figure as the helicopter passed overhead en route to a surveillance task. The zoom facility on his video camera had confirmed the worst. Paramedics had attended, along with uniforms from Bakewell, the observer keeping up a running commentary to guide units to the location. With death confirmed, the duty DC had been called out, and gradually the incident had begun to move up the chain. Her DI, Paul Hitchens, would be on scene shortly, and he would become the officer in charge.

  But Fry could see that this was already looking like a difficult one. According to the control room, there were no overnight mispers, not so much as a stressed teenager who’d stayed out all night to wind up Mum and Dad. Neighbouring forces weren’t any help, either. She’d held out hopes of Sheffield, who usually had a bunch of drunks gone AWOL, even on a wet Monday night in March. But no such luck.