The Comfortable Coffin
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The Comfortable Coffin
A Mystery Writers of America Classic Anthology
Robert Arthur
Stanley Ellin
Michael Fessier
Jack Finney
Erle Stanley Gardner
Michael Gilbert
Dion Henderson
Evan Hunter
Veronica Parker Johns
Dana Lyon
Margaret Manners
Berkely Mather
William O’Farrell
Richard S. Prather
Ellery Queen
Edited by
Richard S. Prather
This is a work of fiction. Names, characters, places, and incidents either are the product of the authors’ imaginations or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
THE COMFORTABLE COFFIN
Copyright © 1960, 2020 by Mystery Writers of America.
A Mystery Writers of America Presents: MWA Classics Book published by arrangement with the authors.
Cover art image by
Cover design by David Allan Kerber
Editorial and layout by Stonehenge Editorial
PRINTING HISTORY
Mystery Writers of America Presents: MWA Classics edition / June 2020. All rights reserved.
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Every effort has been made to locate the copyright holders or their heirs and assigns and to obtain their permission for the use of copyrighted material, and MWA would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book.
For information contact: Mystery Writers of America, 1140 Broadway, Suite 1507, New York, NY 10001
Contents
A Message from Mystery Writers of America
Introduction
Acknowledgments
The Bottled Wife
Michael Faster
A Coffin for Mr. Cash
Robert Arthur
The Faith of Aaron Menefee
Stanley Ellin
“My Queer Dean!”
Ellery Queen
—Your Cake and Eat It
Berkely Mather
Squeakie’s Second Case
Margaret Manners
First Man at the Funeral
Dion Henderson
The Strange Tale of Mr. Elsie Smith
Dana Lyon
The Live Ones
Richard S. Prather
The Gentleman Caller
Veronica Parker Johns
Mr. Portway’s Practice
Michael Gilbert
Fin de Siècle
William O’Farrell
Kiss Me, Dudley
Evan Hunter
To Strike a Match
Erle Stanley Gardner
It Wouldn’t Be Fair
Jack Finney
Afterword
The Mystery Writers of America Classic Anthology Series
A Message from Mystery Writers of America
The stories in this collection are products of their specific time and place, namely, the USA in 1960. Some of the writing contains dated attitudes and offensive ideas. That certain thoughtless slurs and commonly-held ways of thinking were commonplace—and among writers, whose prime task is to inhabit the skin of all their characters—can be both troubling and cause for thought.
We decided to publish these stories as they originally appeared, rather than sanitize the objectionable bits with a modern editorial pencil. These stories should be seen as historical mysteries, reflective of their age. If their lingering prejudices make us uncomfortable, well, perhaps history’s mirror is accurate, and the attitudes are not so distant as we might have hoped.
Introduction
This book has been designed for your uninhibited enjoyment, with the hope that while reading it you will smile, and chuckle, and—more than once—laugh out loud.
When I first wrote the membership of Mystery Writers of America about this year’s anthology, I asked them for “the light touch,” merry mysteries which would leave readers in a warm glow instead of a cold sweat. The membership responded so splendidly that you will find in these pages everything from lighthearted larceny to death without sting, each piece written in the light vein rather than the gory artery. In this book the blunt instruments are velvet saps, the daggers merely tickle, and the blood (if any) runs pink.
These writers are pros, men and women who cover the skeleton of plot with the flesh of solid craftsmanship and stamp of individual style. The book begins with Fessier and ends with Finney, and I guarantee that you will enter chuckling and leave happy. In between you will be entertained by such masters as Erie Stanley Gardner, Ellery Queen, and Stanley Ellin. You will have a bubbling good time with “Kiss Me, Dudley” (a new Evan Hunter to many of you), and there is the sure professional touch of Robert Arthur, Dion Henderson, and William O’Farrell, plus thoroughly delightful stories from MWA’s corresponding members, Michael Gilbert and Berkely Mather of England. In last year’s MWA anthology, its editor, John D. MacDonald, referred to the ladies as “The Lethal Sex,” and in the collection he—and they—proved the ladies are just that; but they are also lovely and witty and charming, proved here by the artistry of such solid pros as Dana Lyon, Margaret Manners, and Veronica Parker Johns. And, like it or not, the editor includes a Shell Scott story by the editor.
This collection has been planned to amuse you, but it has, perhaps, another virtue. It seems—at least to me—that we are beset these days by much designed to make us feel miserable, created by people who would send “Get Sick” cards to convalescents and, at weddings, throw cooked rice: plays that rise to peaks of dullness, paintings that look like upset stomachs, books that read like long suicide notes…such a flood of woe and weeping, of pessimism and Freudian cuckooism, that we are in imminent danger of drowning entirely in misery and tired blood.
But not this time. Here is a raft—or at least a straw—in that rotting sea of tears. For this is a book intended to make you feel good, jolly, even healthy. I hope it does. At any rate, it is a happy book that we of MWA give you.
Some facts re this fiction: MWA—Mystery Writers of America, Inc.—is a nonprofit organization of mystery and crime writers established to improve the state of mystery writing and mystery writers. MWA’s slogan is: “Crime does not pay—enough!” Yet, despite that slogan, each MWA member here represented generously contributed his or her story knowing that moneys received go into the MWA treasury, not the author’s pocket, after taxes. Each year such an anthology as this is published, with a different theme and a different editor. This is, I am pleased to say, number thirteen.
With that cheerful thought, I leave you. My pleasant labor, and that of the other contributors to this volume, is ended; your enjoyment is about to start.
—Richard S. Prather, Laguna Beach, California
Acknowledgments
The editor Acknowledges his sincere gratitude and his debt:
First of all, to the authors whose names appear in the Table of Contents; they are, of course, the book. My thanks to each of them for generously donating their stories, and, even more, for writing them in the first place.
To all members of Mystery Writers of America who submitted stories which didn’t quite fit (usually because of the narrow limits of this year’s theme and special requirements, or because of the editor’s mushy mind). It was often agony to send them back.
To Dorothy Salisbury Davis, past President of Mystery Writers of America, and Chairman of MWA’s Anthology Committee; and to Executive Secretary Catherine Barth, who not only helped me in many matters large and small but had the additional responsibility, among others, for completing a depressing amount of correspondence.
To Bart Spicer, who read and commented helpfully upon most of the submitted stories before I received them, and to David Alexander, who did much of the same, thus adding courage to my convictions.
To Knox Burger, Editor of Gold Medal Books, who has looked over my shoulder during the preparation of this anthology, helped assure the presence of some of the material now in it, and cheered me along the way with his wit—and who now takes over to put the book into its final form.
And, as always, and for many reasons, to Tina, my wife.
There should, I think, be one additional acknowledgment, and this (like my remarks in the introduction) is entirely my own suggestion: To Ellery Queen.
The gentlemen Queen have been such a constructive and inspirational force in this field that it is undeniable the mystery and the mystery writer would not be what they are today had there been no Queen. But, further, four of the selections in this anthology first appeared in the pages of Ellery Queen’s Mystery Magazine, familiarly EQMM. Moreover, some stories noted herein as having originally been published elsewhere were later reprinted in EQMM, a fact not otherwise noted in this volume.
Here, then, is one more writer’s (and ex-editor’s) bow to royalty: Mr. Frederic Dannay and Mr. Manfred B. Lee—Ellery Queen.
—RSP
The Bottled Wife
Michael Faster
The small courtroom was jammed with spectators when the case of Alvin Prent, M.D., versus George Bashford, came to trial. Judge Homer Leggit presiding. Everybody in the community knew Dr. Prent’s side of the lawsuit, which involved several thousands of dollars, but, because George Bashford, owner and operator of the town’s leading garage and usually a loquacious individual, had been unaccountably uncommunicative concerning his views in the matter, speculation was rife as to what possible defense he could put up for himself.
Judge Leggit, a peppery man with bristling white hair, banged the gavel for order, noted that Dr. Prent was represented by Attorney J. Youngs, and then observed that George was sitting alone at the counsel table.
“Mr. Bashford,” he said sternly, “whoever your attorney is, you’d better whistle him up. I’m not going to stand for delays.”
George, an amiable-appearing, sandy-haired man of middle age and stature, rose and faced the judge. “Your Honor,” he said. “I haven’t got, don’t need, and don’t want a lawyer.”
“Why not?” asked the judge.
“Because I got justice on my side.”
“That’s a matter for the court to decide,” declared the judge. “If you insist on conducting your own defense, Mr. Bashford, I must warn you that you may be seriously jeopardizing your case.”
“And if I hired a lawyer,” said George, “I’d be seriously jeopardizing my bank roll. Your Honor, in this land of ours justice is supposed to be as free as the air we breathe; it’s our inherent right; it’s guaranteed by the Constitution. So what happens?”
“That’s a rhetorical question if I ever heard one,” said the judge, “and I’m not sure I should encourage it. But I’ll bite. What happens?”
“What happens,” said George, “is that a guy by the name of John Doe goes and gets himself murdered. So the cops come into the case, and, through a process of error and ignorance, they arrest Joe Blow and charge him with the murder. Joe Blow wasn’t there and didn’t do it, but just the same he’s in the bucket, and he can see the shadow of the loose on the wall. He’s got money, so he hires a lawyer. And that does the lawyer do?”
“I object,” announced Attorney Youngs, leaping to his feet. “This case does not involve murder.”
“And it hasn’t started yet, either,” the judge told him. “So sit down and be quiet.”
Attorney Youngs, young, sleek-haired, and with a small mustache, sat down beside Dr. Prent, also young, sleek-haired, and with a small mustache.
“Go ahead,” the judge told George. “I want to see just how your mind works. What does the lawyer do?”
“The lawyer,” said George, “audits Joe’s bank account, inventories his liquid assets, and assays the gold in his teeth, and the sum total turns out to be precisely what the lawyer’s going to charge Joe for defending him. After that they hold a trial and the lawyer proves that Joe Blow didn’t kill anybody and he’s acquitted. So, because the cops, whose wages he helps to pay, made a mistake, Joe is now busted; he’s spent a couple of months in jail; he’s probably lost his job or his business; and he’s got a hollow cough caused by a damp cell.”
“Just what does he think he’s trying to prove?” inquired Attorney Youngs petulantly.
“What I mean,” George told him, “is that if your client should happen to benefit from a colossal miscarriage of justice and win this case, I’m not going to give him the satisfaction of knowing he cost me extra money for a lawyer.”
“He,” Attorney Youngs told the judge, “is trying to prejudice the jury even before the case begins.”
“We haven’t a jury for him to prejudice,” said the judge. “Suppose we go about selecting one.”
In examining prospective jurors, Attorney Youngs asked numerous questions before determining their suitability, but George contented himself with inquiring only as to their marital status. He challenged all women and bachelors, and it was obvious that his strategy was to stack the jury. But he exhausted his challenges, and when the jury was finally selected it included a lone, lean, uncongenial female by the name of Mrs. Sylvia Pembroke. The others were all married men.
“Your Honor and members of the jury,” said Attorney Youngs in opening the case for the plaintiff, “I propose to prove that the defendant, George Bashford, did take into his place of business, the Acme Garage, a nearly new thirty-five-hundred-dollar Imperial Eight automobile, the property of my client. Dr. Prent, for the purpose of performing a minor repair, and that he thereafter did feloniously, maliciously, and out of spite dismantle, damage, and otherwise make inoperative the said automobile. We propose also to prove that Mr. Bashford subsequently presented my client, Dr. Prent, with a bill for the preposterous sum of five thousand dollars and that, when Dr. Prent declined to pay, Mr. Bashford refused to relinquish possession of the automobile in question.”
Attorney Youngs then went on to explain that he would demand exemplary and punitive damages from George and that he would also insist upon declaratory relief from George’s incredible service charges.
“Your Honor and members of the jury,” said George in rebuttal, “I propose to prove that this case has aspects and facets that do not appear on the surface and that my conduct of the whole matter followed a pattern established and employed by the plaintiff himself. I furthermore deny that the car is inoperative. She runs pretty well, considering the shape she’s in. And as for my repair bill, I intend to prove that it’s justified according to the precedent set by that eminent and learned local body snatcher, Dr. Alvin Prent.”
“I object to this man’s abusive lan
guage,” said Attorney Youngs.
“So do I,” said the judge. “Hereafter, Mr. Bashford, I’ll thank you to keep a civil tongue in your head.”
“I stand corrected,” said George, and turned to the jury. “I’m not going to do any more talking until after my worthy opponent has established his side of the case, which you already know anyway, considering that our eminent vivisectionist’s been galloping all over the countryside shooting off his face about what a robber I am and—”
“I object,” said Attorney Youngs.
“I should think you would,” said the judge, and then he turned to George. “Mr. Bashford,” he said, “I’m not going to try to give you a legal education during the brief period of this trial, but you can take a hint, can’t you? The way you’re behaving is not considered correct court etiquette. Do you follow me?”
“Sure,” said George cheerfully. He turned and waved to Attorney Youngs. “It’s your inning, Buster,” he said. “Get up to bat.”
Attorney Youngs placed his client on the witness stand. Dr. Prent repeated and embellished the charges previously outlined by his counsel. At the conclusion of the testimony, George waived the right to cross-examine. Attorney Youngs faced the judge.
“I would like to introduce as evidence,” he said, “what remains of my client’s automobile. I ask the court for permission to escort the jurors to the Acme Garage for the purpose of seeing for themselves the atrocities perpetrated by the defendant.”