The Taint and Other Novellas

by Brian Lumley

  The Fairground Horror

  This one was written in the first half of 1972. Kirby McCauley sold it on my behalf to editor Edward F. Berglund for an anthology that would be called “The Disciples of Cthulhu.” And indeed The Fairground Horror was so published—by DAW Books in 1976, in an attractive and now much sought after paperback edition—since when it has been reprinted variously, most recently in my TOR Books collection, “Beneath the Moors and Darker Places.” My Lovecraft dependency (and its resultant purple prose) is not so much visible as unmistakable in this novella…!

  The funfair was as yet an abject failure. Drizzling rain dulled the chrome of the dodgem-cars and stratojets; the neons had not even nearly achieved the garishness they display by night; the so-called “crowd”was hardly worth mentioning as such. But it was only 2:00 P. M. and things could yet improve.

  Had the weather been better—even for October it was bad—and had Bathley been a town instead of a mere village, then perhaps the scene were that much brighter. Come evening, when the neons and other bright naked bulbs would glow in all the painful intensity of their own natural (unnatural?) life, when the drab gypsyish dollies behind the penny-catching stalls would undergo their subtle, nightly metamorphosis into avariciously enticing Loreleis—then it would be brighter, but not yet.

  This was the fourth day of the five when the funfair was “in town”. It was an annual—event? The nomads of Hodgson’s Funfair had known better times, better conditions and worse ones, but it was all the same to them and they were resigned to it. There was, though, amid all the noisy, muddy, smelly paraphernalia of the fairground, a tone of incongruity. It had been there since Anderson Tharpe, in the curious absence of his brother, Hamilton, had taken down the old freak-house frontage to repaint the boards and canvas with the new and forbidding legend: TOMB OF THE GREAT OLD ONES.

  Looking up at the painted gouts of “blood” that formed the garish legend arching over a yawning, scaly, dragon-jawed entranceway, Hiram Henley frowned behind his tiny spectacles in more than casual curiosity, in something perhaps approaching concern. His lips silently formed the ominous words of that legend as if he spoke them to himself in awe and then he thrust his black-gloved hands deeper into the pockets of his fine, expensively tailored overcoat and tucked his neck down more firmly into its collar.

  Hiram Henley had recognized something in the name of the place—something which might ring subconscious warning bells in even the most mundane minds—and the recognition caused an involuntary shudder to hurry up his back. “The Great Old Ones!”he said to himself yet again, and his whisper held a note of terrible fascination.

  Research into just such cycles of myth and aeon-lost legend, while ostensibly he had been studying Hittite antiquities in the Middle East and Turkey, had cost Henley his position as Professor of Archaeology and Ethnology at Meldham University. “Cthulhu, Yibb-Tstll, Yog-Sothoth, Summanus—the Great Old Ones!”Again an expression of awe flitted across his bespectacled face. To be confronted with a…a monument such as this, and in such a place…

  And yet the ex-professor was not too surprised; he had been alerted to the contents of Anderson Tharpe’s queer establishment, and therefore the fact that the owner had named it thus was hardly a matter of any lasting astonishment. Nevertheless Henley knew that there were people who would have considered the naming of the fairground erection, to say nothing of the presence of its afore-hinted contents, blasphemous. Fortunately such persons were few and far between—the Cult of Cthulhu was still known only to a minority of serious authorities, to a few obscure occult investigators, and a scattered handful of esoteric groups—but Hiram Henley looked back to certain days of yore when he had blatantly used the university’s money to go in search of just such items of awesome antiquity as now allegedly hid behind the demon-adorned ramparts of the edifice before him.

  The fact of the matter was that Henley had heard how this Tomb of the Great Old Ones held within its monster-daubed board-and-canvas walls relics of an age already many millions of years dead and gone when Babylon was but a sketch in the mind’s eye of Architect Thathnis III. Figures and fragments, hieroglyphed tablets and strangely scrawled papyri, weird greenstone sculptings and rotting, worm-eaten tomes: Henley had reason to believe that many of these things, if not all of them, existed behind the facade of Anderson Tharpe’s horror-house.

  There would also be, of course, the usual nonconformities peculiar to such establishments—the two-headed foetus in its bottle of preservative, the five-legged puppy similarly suspended, the fake mummy in its red- and green-daubed wrappings, the great fruit (“vampire”) bats, hanging shutter-eyed and motionless in their warm wire cages beyond the reach of giggly, shuddering women and morbidly fascinated men and boys—but Hiram Henley was not interested in any of these. Nevertheless, he sent his gloved right hand awkwardly groping into the corner of his overcoat pocket for the silver coin which alone might open for him the door to Tharpe’s house of horror.

  Hiram Henley was a slight, middle-aged man. His thin figure, draped smotheringly in the heavy overcoat, his balding head and tiny specs through which his watery eyes constantly peered, his gloved hands almost lost in huge pockets, his trousers seeming to hang from beneath the hem of his overcoat and partly, not wholly covering the black patent leather shoes upon his feet; all made of him a picture which was conspicuously odd. And yet Hiram Henley’s intelligence was patent; the stamp of a “higher mind”was written in erudite lines upon his brow. His were obviously eyes which had studied strange mysteries, and his feet had gone along strange ways; so that despite any other emotion or consideration which his appearance might ill-advisedly call to mind, still his shrunken frame commanded more than a little respect among his fellow men.

  Anderson Tharpe, on the other hand, crouching now upon his tiny seat in the ticket-booth, was a tall man, well over six feet in height but almost as thin and emaciated as the fallen professor. His hair was prematurely grey and purposely grown long in an old-fashioned scholarly style, so that he might simulate to the crowd’s satisfaction a necessary erudition; just such an erudition as was manifest in the face above the slight figure which even now pressed upon his tiny window, sixpence clutched in gloved fingers. Tharpe’s beady eyes beneath blackly hypnotic brows studied Hiram Henley briefly, speculatively, but then he smiled a very genuine welcome as he passed the small man a ticket, waving away the sixpence with an expansive hand.

  “Not you, sir, indeed no! From a gent so obviously and sincerely interested in the mysteries within—from a man of your high standing”—again the expansive gesture—“why, I couldn’t accept money from you, sir. It’s an honour to have you visit us!”

  “Thank you,” Henley dryly answered, passing myopically into the great tent beyond the ticket booth. Tharpe’s smile slowly faded, was replaced by a look of cunning. Quickly the tall man pocketed his few shillings in takings, then followed the slight figure of the ex-professor into the smelly sawdust-floored “museum”, beyond the canvas flap.

  In all, a dozen people waited within the big tent’s main division. A pitifully small “crowd”. But in any case, though he kept his interest cleverly veiled, Tharpe’s plans involved only the ex-professor. The tall man’s flattery at the ticket booth had not all been flannel; he had spotted Henley immediately as the very species of highly educated fly for which his flypaper—in the form of the new and enigmatic legend across the visage of the one-time freak-house—had been erected above Bathley Moor.

  There had been, Tharpe reflected, men of outwardly similar intelligence before at the Tomb of the Great Old Ones; and more than one of them had told him that certain of his artifacts—those items which he kept, as his brother had kept them before him, in a separately enclosed part of the tent—were of an unbelievable antiquity. Indeed, one man had been so affected by the very sight of such ancientness that he had run from Tharpe’s collection in stark terror, and he had never returned. That had been in May, and though almost six months had passed since that time, s
till Tharpe had come no closer to an understanding of the mysterious objects which his brother Hamilton had brought back with him from certain dark corners of the world; objects which, early in 1961, had caused him to kill Hamilton in self-defence.

  Anderson had panicked then—he realized that now—for he might easily have come out of the affair blameless had he only reported Hamilton’s death to the police. For a long time the folk of Hodgson’s Funfair had known that there was something drastically wrong with Hamilton Tharpe; his very sanity had been questioned, albeit guardedly. Certainly Anderson would have been declared innocent of his brother’s murder—the case would have gone to court only as a matter of formality—but he had panicked. And of course there had been…complications.

  With Hamilton’s body secretly buried deep beneath the freak-house, the folk of the fairground had been perfectly happy to believe Anderson’s tale of his brother’s abrupt departure on yet another of his world-spanning expeditions, the like of which had brought about all the trouble in the first place.

  Now Anderson thought back on it all…

  He and his brother had grown up together in the fairground, but then it had been their father’s property, and “Tharpe’s Funfair”had been known throughout all England for its fair play and prices. Wherever the elder Tharpe had taken his stalls and sideshows—of which the freak-house had ever been his personal favourite—his employees had been sure of good crowds. It was only after old Tharpe died that the slump started.

  It had had much to do with young Hamilton’s joy in old books and fancifully dubious legends; his lust for travel, adventure, and outré knowledge. His first money-wasting venture had been a “treasure-hunting” trip to the islands of the Pacific, undertaken solely on the strength of a vague and obviously fake map. In his absence—he had gone off with an adventurous and plausible rogue from the shooting gallery—Anderson looked after the fair. Things went badly and all the Tharpes got out of Hamilton’s venture was a number of repulsively carved stone tablets and one or two patently aboriginal sculptings, not the least of which was a hideous, curiously winged octopoid idol. Hamilton placed the latter obscenity in the back of their caravan home as being simply too fantastic for display to an increasingly mundane and sceptical public.

  The idol, however, had a most unsettling effect upon the younger brother. He was wont to go in to see the thing in the dead of night, when Anderson was in bed and apparently asleep. But often Anderson was awake, and during these nocturnal visits he had heard Hamilton talking to the idol. More disturbingly, he had once or twice dimly imagined that he heard something talking back! Too, before he went off again on his wanderings in unspoken areas of the great deserts of Arabia, the sensitive, mystery-loving traveller had started to suffer from especially bad nightmares.

  Again, in Hamilton’s absence, things went badly. Soon Anderson was obliged to sell out to Bella Hodgson, retaining only the freak-house as his own and his prodigal brother’s property. A year passed, and another before Hamilton once more returned to the fairground, demanding his living as before but making little or no attempt to work for his needs. There was no arguing, however, for the formerly sensitive younger brother was a changed, indeed a saturnine man now, so that soon Anderson came to be a little afraid of him.

  And quite apart from the less obvious alterations in Hamilton, other changes were much more apparent; changes in habit, even in appearance. The most striking was the fact that now the younger Tharpe constantly wore a shaggy black toupee, as if to disguise his partial premature baldness, which all of the funfair’s residents knew about anyway and which had never caused him the least embarrassment before. Also, he had become so reticent as to be almost reclusive; keeping to himself, only rarely and reluctantly allowing himself to be drawn into even the most trivial conversations.

  More than this: there had been a time prior to his second long absence when Hamilton had seemed somewhat enamoured of the young, single, dark-eyed Romany fortune-teller, “Madame Zala”—a Gypsy girl of genuine Romany ancestry—but since his return he had been especially cool towards her, and for her own part she had been seen to cross herself with a pagan sign when he had happened to be passing by. Once he had seen her make this sign, and then he had gone white with fury, hurrying off to the freak-house and remaining there for the rest of that day. Madame Zala had packed up her things and left one night in her horse-drawn caravan without a word of explanation to anyone. It was generally believed that Hamilton had threatened her in some way, though no one ever taxed him over the affair. For his own part, he simply averred that Zala had been “a charlatan of the worst sort, without the ability to conjure a puff of wind!”

  All in all the members of the funfair fraternity had been quick to find Hamilton a very changed man, and towards the end there had been the aforementioned hints of a brewing madness…

  On top of all this, Hamilton had again taken up his nocturnal visits to the octopoid idol, but now such visits seemed less frequent than of old. Less frequent, perhaps, but they nevertheless heralded much darker events; for soon Hamilton had installed the idol within a curtained and spacious corner of the tent, in the freak-house itself, and he no longer paid his visits alone…

  Anderson Tharpe had seen, from his darkened caravan window, a veritable procession of strangers—all of them previous visitors to the freak-house, and always the more intelligent types—accompanying his brother to the tent’s nighted interior. But he had never seen a one come out! Eventually, as his younger brother became yet more saturnine, reticent, and secretive, Anderson took to spying on him in earnest—and later almost wished that he had not.

  In the months between, however, Hamilton had made certain alterations to the interior of the freak-house, partitioning fully a third of its area to enclose the collection of rare and obscure curiosities garnered upon his travels. At that time Anderson had been puzzled to distraction by his brother’s firm refusal to let his treasures be viewed by any but a chosen few of the freak-house’s patrons: those doubtfully privileged persons who later accompanied him into the private museum never again to leave.

  Of course, Anderson finally reasoned, the answer was as simple as it was fantastic: somewhere upon his travels Hamilton had learned the arts of murder and thievery, arts he was now practicing in the freak-house. The bodies? These he obviously buried, to leave behind safely lodged in the dark earth when the fair moved on. But the money…what of the money? For money—or rather its lack—patently formed the younger brother’s motive. Could he be storing his booty away, against the day when he would go off on yet another of his foolish trips to foreign places? Beside himself that he had not been “cut in”on the profits of Hamilton’s dark machinations, Anderson determined to have it out with him; to catch him, as it were, red-handed.

  And yet it was not until early-in-the spring of 1961 that Anderson finally managed to “overhear” a conversation between his brother and an obviously well-to-do visitor to the freak-house. Hamilton had singled out this patently intelligent gentleman for attention, inviting him back to the caravan during a break in business. Anderson, knowing most of the modus operandi by now and, aware of the turn events must take, positioned himself outside the caravan where he could eavesdrop.

  He did not catch the complete conversation, and yet sufficient to make him aware at last of Hamilton’s expert and apparently unique knowledge in esoteric mysteries. For the first time he heard uttered the mad words Cthulhu and Yibb-Tstll, Tsathoggua and Yog-Sothoth, Shudde-M’ell and Nyarlathotep, discovering that these were names of monstrous “gods” from the dawn of time. He heard mention of Leng and Lh’yib; Mnar, Ib and Sarnath; R’lyeh and “red-litten” Yoth, and knew now that these were cities and lands ancient even in antiquity. He heard descriptions and names given to manuscripts, books and tablets—and here he started in recognition, for he knew that some of these aeon-old writings existed amid Hamilton’s treasures in the freak-house—and among others he heard the strangely chilling titles of such works as the Necronomicon,
the Cthaat Aquadingen, the Pnakotic Manuscripts and the R’lyehan Texts. This then formed the substance of Hamilton’s magnetism: his amazing erudition in matters of myth and time-lost lore.

  When he perceived that the two were about to make an exit from the caravan, Anderson quickly hid himself away behind a nearby stall to continue his observations. He saw the flushed face of Hamilton’s new confidant, his excited gestures; and, at a whispered suggestion from the pale-faced brother, he finally saw that gentleman nodding eagerly, wide-eyed in awed agreement. And after the visitor had gone, Anderson saw the look that flitted briefly across his brother’s features: a look that hinted of awful triumph, nameless emotion—and, yes, purest evil!

  But it was something about the face of the departed visitor—that rounded gentleman of obvious substance but doubtful future—which caused Anderson the greatest concern. He had finally recognized that face from elsewhere, and at his first opportunity he sneaked a glance through some of the archaeological and anthropological journals which his brother now spent so much time reading. It was as he had thought: Hamilton’s prey was none other than an eminent explorer and archaeologist; one whose name, Stainton Gamber, might be even higher in the lists of famous adventurers and discoverers but for a passion for wild-goose expeditions and safaris. Then he grew even more worried, for plainly his brother could not go on forever depleting the countryside of eminent persons without being discovered.

  That afternoon passed slowly for Anderson Tharpe, and when night came he went early to his bed in the caravan. He was up again, however, as soon as he heard his brother stirring and the hushed whispers that led off in the direction of the freak-house. It was as he had known it would be, when for a moment pale moonlight showed him a glimpse of Hamilton with Stainton Gamber.