The Occult Detective Megapack

by J. Sheridan le Fanu

  “The metal sheath is curious for having a crosspiece, which, taken with the fact that the sheath itself is continued three parts up the hilt of the dagger (in a most inconvenient fashion), gives it the appearance of a cross. That this is not unintentional is shown by an engraving of the Christ crucified upon one side, whilst upon the other, in Latin, is the inscription: ‘Vengeance is Mine, I will Repay.’ A quaint and rather terrible conjunction of ideas. Upon the blade of the dagger is graven in old English capitals: I WATCH. I STRIKE. On the butt of the hilt there is carved deeply a Pentacle.

  “This is a pretty accurate description of the peculiar old weapon that has had the curious and uncomfortable reputation of being able (either of its own accord or in the hand of something invisible) to strike murderously any enemy of the Jarnock family who may chance to enter the Chapel after nightfall. I may tell you here and now, that before I left, I had very good reason to put certain doubts behind me; for I tested the deadliness of the thing myself.

  “As you know, however, at this point of my investigation, I was still at that stage where I considered the existence of a supernatural Force unproven. In the meanwhile, I treated the Chapel drastically, sounding and scrutinizing the walls and floor, dealing with them almost foot by foot, and particularly examining the two tombs.

  “At the end of this search, I had in a ladder, and made a close survey of the groined roof. I passed three days in this fashion, and by the evening of the third day I had proved to my entire satisfaction that there is no place in the whole of that Chapel where any living being could have hidden, and also that the only way of ingress and egress to and from the Chapel is through the doorway which leads into the castle, the door of which was always kept locked, and the key kept by Sir Alfred Jarnock himself, as I have told you. I mean, of course, that this doorway is the only entrance practicable to material people.

  “Yes, as you will see, even had I discovered some other opening, secret or otherwise, it would not have helped at all to explain the mystery of the incredible attack, in a normal fashion. For the butler, as you know, was struck in full sight of the Rector, Sir Jarnock and his son. And old Bellett himself knew that no living person had touched him.… ‘Out of the Void,’ the Rector had described the inhumanly brutal attack. ‘Out of the Void!’ A strange feeling it gives one—eh?

  “And this is the thing that I had been called in to bottom!

  “After considerable thought, I decided on a plan of action. I proposed to Sir Alfred Jarnock that I should spend a night in the Chapel, and keep a constant watch upon the dagger. But to this, the old knight—a little, wizened, nervous man—would not listen for a moment. He, at least, I felt assured had no doubt of the reality of some dangerous supernatural Force a roam at night in the Chapel. He informed me that it had been his habit every evening to lock the Chapel door, so that no one might foolishly or heedlessly run the risk of any peril that it might hold at night, and that he could not allow me to attempt such a thing after what had happened to the butler.

  “I could see that Sir Alfred Jarnock was very much in earnest, and would evidently have held himself to blame had he allowed me to make the experiment and any harm come to me; so I said nothing in argument; and presently, pleading the fatigue of his years and health, he said goodnight, and left me; having given me the impression of being a polite but rather superstitious, old gentleman.

  “That night, however, whilst I was undressing, I saw how I might achieve the thing I wished, and be able to enter the Chapel after dark, without making Sir Alfred Jarnock nervous. On the morrow, when I borrowed the key, I would take an impression, and have a duplicate made. Then, with my private key, I could do just what I liked.

  “In the morning I carried out my idea. I borrowed the key, as I wanted to take a photograph of the chancel by daylight. When I had done this I locked up the Chapel and handed the key to Sir Alfred Jarnock, having first taken an impression in soap. I had brought out the exposed plate—in its slide—with me; but the camera I had left exactly as it was, as I wanted to take a second photograph of the chancel that night, from the same position.

  “I took the dark slide into Burtontree, also the cake of soap with the impress. The soap I left with the local ironmonger, who was something of a locksmith and promised to let me have my duplicate, finished, if I would call in two hours. This I did, having in the meanwhile found out a photographer where I developed the plate, and left it to dry, telling him I would call next day. At the end of the two hours I went for my key and found it ready, much to my satisfaction. Then I returned to the castle.

  “After dinner that evening, I played billiards with young Jarnock for a couple of hours. Then I had a cup of coffee and went off to my room, telling him I was feeling awfully tired. He nodded and told me he felt the same way. I was glad, for I wanted the house to settle as soon as possible.

  “I locked the door of my room, then from under the bed—where I had hidden them earlier in the evening—I drew out several fine pieces of plate armor, which I had removed from the armory. There was also a shirt of chain mail, with a sort of quilted hood of mail to go over the head.

  “I buckled on the plate armor, and found it extraordinarily uncomfortable, and over all I drew on the chain mail. I know nothing about armor, but from what I have learned since, I must have put on parts of two suits. Anyway, I felt beastly, clamped and clumsy and unable to move my arms and legs naturally. But I knew that the thing I was thinking of doing called for some sort of protection for my body. Over the armor I pulled on my dressing gown and shoved my revolver into one of the side pockets—and my repeating flash-light into the other. My dark lantern I carried in my hand.

  “As soon as I was ready I went out into the passage and listened. I had been some considerable time making my preparations and I found that now the big hall and staircase were in darkness and all the house seemed quiet. I stepped back and closed and locked my door. Then, very slowly and silently I went downstairs to the hall and turned into the passage that led to the Chapel.

  “I reached the door and tried my key. It fitted perfectly and a moment later I was in the Chapel, with the door locked behind me, and all about me the utter dree silence of the place, with just the faint showings of the outlines of the stained, leaded windows, making the darkness and lonesomeness almost the more apparent.

  “Now it would be silly to say I did not feel queer. I felt very queer indeed. You just try, any of you, to imagine yourself standing there in the dark silence and remembering not only the legend that was attached to the place, but what had really happened to the old butler only a little while gone, I can tell you, as I stood there, I could believe that something invisible was coming toward me in the air of the Chapel. Yet, I had got to go through with the business, and I just took hold of my little bit of courage and set to work.

  “First of all I switched on my light, then I began a careful tour of the place; examining every corner and nook. I found nothing unusual. At the chancel gate I held up my lamp and flashed the light at the dagger. It hung there, right enough, above the altar, but I remember thinking of the word ‘demure,’ as I looked at it. However, I pushed the thought away, for what I was doing needed no addition of uncomfortable thoughts.

  “I completed the tour of the place, with a constantly growing awareness of its utter chill and unkind desolation—an atmosphere of cold dismalness seemed to be everywhere, and the quiet was abominable.

  “At the conclusion of my search I walked across to where I had left my camera focused upon the chancel. From the satchel that I had put beneath the tripod I took out a dark slide and inserted it in the camera, drawing the shutter. After that I uncapped the lens, pulled out my flashlight apparatus, and pressed the trigger. There was an intense, brilliant flash, that made the whole of the interior of the Chapel jump into sight, and disappear as quickly. Then, in the light from my lantern, I inserted the shutter into the slide, and reversed the slide, so as to have a fresh plate ready to expose at any time.

 
“After I had done this I shut off my lantern and sat down in one of the pews near to my camera. I cannot say what I expected to happen, but I had an extraordinary feeling, almost a conviction, that something peculiar or horrible would soon occur. It was, you know, as if I knew.

  “An hour passed, of absolute silence. The time I knew by the far-off, faint chime of a clock that had been erected over the stables. I was beastly cold, for the whole place is without any kind of heating pipes or furnace, as I had noticed during my search, so that the temperature was sufficiently uncomfortable to suit my frame of mind. I felt like a kind of human periwinkle encased in boilerplate and frozen with cold and funk. And, you know, somehow the dark about me seemed to press coldly against my face. I cannot say whether any of you have ever had the feeling, but if you have, you will know just how disgustingly unnerving it is. And then, all at once, I had a horrible sense that something was moving in the place. It was not that I could hear anything but I had a kind of intuitive knowledge that something had stirred in the darkness. Can you imagine how I felt?

  “Suddenly my courage went. I put up my mailed arms over my face. I wanted to protect it. I had got a sudden sickening feeling that something was hovering over me in the dark. Talk about fright! I could have shouted if I had not been afraid of the noise.… And then, abruptly, I heard something. Away up the aisle, there sounded a dull clang of metal, as it might be the tread of a mailed heel upon the stone of the aisle. I sat immovable. I was fighting with all my strength to get back my courage. I could not take my arms down from over my face, but I knew that I was getting hold of the gritty part of me again. And suddenly I made a mighty effort and lowered my arms. I held my face up in the darkness. And, I tell you, I respect myself for the act, because I thought truly at that moment that I was going to die. But I think, just then, by the slow revulsion of feeling which had assisted my effort, I was less sick, in that instant, at the thought of having to die, than at the knowledge of the utter weak cowardice that had so unexpectedly shaken me all to bits, for a time.

  “Do I make myself clear? You understand, I feel sure, that the sense of respect, which I spoke of, is not really unhealthy egotism; because, you see, I am not blind to the state of mind which helped me. I mean that if I had uncovered my face by a sheer effort of will, unhelped by any revulsion of feeling, I should have done a thing much more worthy of mention. But, even as it was, there were elements in the act, worthy of respect. You follow me, don’t you?

  “And, you know, nothing touched me, after all! So that, in a little while, I had got back a bit to my normal, and felt steady enough to go through with the business without any more funking.

  “I daresay a couple of minutes passed, and then, away up near the chancel, there came again that clang, as though an armored foot stepped cautiously. By Jove! but it made me stiffen. And suddenly the thought came that the sound I heard might be the rattle of the dagger above the altar. It was not a particularly sensible notion, for the sound was far too heavy and resonant for such a cause. Yet, as can be easily understood, my reason was bound to submit somewhat to my fancy at such a time. I remember now, that the idea of that insensate thing becoming animate, and attacking me, did not occur to me with any sense of possibility or reality. I thought rather, in a vague way, of some invisible monster of outer space fumbling at the dagger. I remembered the old Rector’s description of the attack on the butler.… of the void. And he had described the stupendous force of the blow as being ‘like the kick of a great horse.’ You can see how uncomfortably my thoughts were running.

  “I felt ’round swiftly and cautiously for my lantern. I found it close to me, on the pew seat, and with a sudden, jerky movement, I switched on the light. I flashed it up the aisle, to and fro across the chancel, but I could see nothing to frighten me. I turned quickly, and sent the jet of light darting across and across the rear end of the Chapel; then on each side of me, before and behind, up at the roof and down at the marble floor, but nowhere was there any visible thing to put me in fear, not a thing that need have set my flesh thrilling; just the quiet Chapel, cold, and eternally silent. You know the feeling.

  “I had been standing, whilst I sent the light about the Chapel, but now I pulled out my revolver, and then, with a tremendous effort of will, switched off the light, and sat down again in the darkness, to continue my constant watch.

  “It seemed to me that quite half an hour, or even more, must have passed, after this, during which no sound had broken the intense stillness. I had grown less nervously tense, for the flashing of the light ’round the place had made me feel less out of all bounds of the normal—it had given me something of that unreasoned sense of safety that a nervous child obtains at night, by covering its head up with the bedclothes. This just about illustrates the completely human illogicalness of the workings of my feelings; for, as you know, whatever Creature, Thing, or Being it was that had made that extraordinary and horrible attack on the old butler, it had certainly not been visible.

  “And so you must picture me sitting there in the dark; clumsy with armor, and with my revolver in one hand, and nursing my lantern, ready, with the other. And then it was, after this little time of partial relief from intense nervousness, that there came a fresh strain on me; for somewhere in the utter quiet of the Chapel, I thought I heard something. I listened, tense and rigid, my heart booming just a little in my ears for a moment; then I thought I heard it again. I felt sure that something had moved at the top of the aisle. I strained in the darkness, to hark; and my eyes showed me blackness within blackness, wherever I glanced, so that I took no heed of what they told me; for even if I looked at the dim loom of the stained window at the top of the chancel, my sight gave me the shapes of vague shadows passing noiseless and ghostly across, constantly. There was a time of almost peculiar silence, horrible to me, as I felt just then. And suddenly I seemed to hear a sound again, nearer to me, and repeated, infinitely stealthy. It was as if a vast, soft tread were coming slowly down the aisle.

  “Can you imagine how I felt? I do not think you can. I did not move, any more than the stone effigies on the two tombs; but sat there, stiffened. I fancied now, that I heard the tread all about the Chapel. And then, you know, I was just as sure in a moment that I could not hear it—that I had never heard it.

  “Some particularly long minutes passed, about this time; but I think my nerves must have quieted a bit; for I remember being sufficiently aware of my feelings, to realize that the muscles of my shoulders ached, with the way that they must have been contracted, as I sat there, hunching myself, rigid. Mind you, I was still in a disgusting funk; but what I might call the ‘imminent sense of danger’ seemed to have eased from around me; at any rate, I felt, in some curious fashion, that there was a respite—a temporary cessation of malignity from about me. It is impossible to word my feelings more clearly to you, for I cannot see them more clearly than this, myself.

  “Yet, you must not picture me as sitting there, free from strain; for the nerve tension was so great that my heart action was a little out of normal control, the blood beat making a dull booming at times in my ears, with the result that I had the sensation that I could not hear acutely. This is a simply beastly feeling, especially under such circumstances.

  “I was sitting like this, listening, as I might say with body and soul, when suddenly I got that hideous conviction again that something was moving in the air of the place. The feeling seemed to stiffen me, as I sat, and my head appeared to tighten, as if all the scalp had grown tense. This was so real, that I suffered an actual pain, most peculiar and at the same time intense; the whole head pained. I had a fierce desire to cover my face again with my mailed arms, but I fought it off. If I had given way then to that, I should simply have bunked straight out of the place. I sat and sweated coldly (that’s the bald truth), with the ‘creep’ busy at my spine.…

  “And then, abruptly, once more I thought I heard the sound of that huge, soft tread on the aisle, and this time closer to me. There was an awful li
ttle silence, during which I had the feeling that something enormous was bending over toward me, from the aisle.… And then, through the booming of the blood in my ears, there came a slight sound from the place where my camera stood—a disagreeable sort of slithering sound, and then a sharp tap. I had the lantern ready in my left hand, and now I snapped it on, desperately, and shone it straight above me, for I had a conviction that there was something there. But I saw nothing. Immediately I flashed the light at the camera, and along the aisle, but again there was nothing visible. I wheeled ’round, shooting the beam of light in a great circle about the place; to and fro I shone it, jerking it here and there, but it showed me nothing.

  “I had stood up the instant that I had seen that there was nothing in sight over me, and now I determined to visit the chancel, and see whether the dagger had been touched. I stepped out of the pew into the aisle, and here I came to an abrupt pause, for an almost invincible, sick repugnance was fighting me back from the upper part of the Chapel. A constant, queer prickling went up and down my spine, and a dull ache took me in the small of the back, as I fought with myself to conquer this sudden new feeling of terror and horror. I tell you, that no one who has not been through these kinds of experiences, has any idea of the sheer, actual physical pain attendant upon, and resulting from, the intense nerve strain that ghostly fright sets up in the human system. I stood there feeling positively ill. But I got myself in hand, as it were, in about half a minute, and then I went, walking, I expect, as jerky as a mechanical tin man, and switching the light from side to side, before and behind, and over my head continually. And the hand that held my revolver sweated so much, that the thing fairly slipped in my fist. Does not sound very heroic, does it?

  “I passed through the short chancel, and reached the step that led up to the small gate in the chancel rail. I threw the beam from my lantern upon the dagger. Yes, I thought, it’s all right. Abruptly, it seemed to me that there was something wanting, and I leaned forward over the chancel gate to peer, holding the light high. My suspicion was hideously correct. The dagger had gone. Only the cross-shaped sheath hung there above the altar.