Incubi - Edward Lee.wps

by phuc

It's better that way. Whatever the problem is, he's Veronica's manger, so he should take care of it.

  None of it's any of my business, really."

  This information secretly overjoyed Faye. Did this mean he'd given up on Veronica for good?

  Faye doubted it, but it was a start. Circumstances often took time to come to grips with.

  "But I'm still wondering about those names," Jack commented. Craig brought him a soda water with a lime slice. "Maybe it's just cop paranoia, but it's almost like this rich guy is using people to cover his tracks."

  "Fraus Herren," Faye said. "Philippe Faux. And then the business with the phones."

  "Yeah. It bothers me, that's all."

  Faye reserved further comment. Why bring up subjects when the common denominator was Veronica? Faye felt jealous and subordinate to this woman she didn't even know.

  "How'd it go at the library? You check out that book?"

  "Yeah," she said, as the dismal images returned. "It verified the information I discovered yesterday. The aorists made random sacrifices constantly, but once a year they engaged in a special incarnation rite that specifically involved the trine "

  "The triangle."

  "Right, and what they thought of as a transpositional doorway. The first three sacrifices served as a catalyst to the ritual. One for each star. These girls were supposed to be passionate and creative, to appease Baalzephon."

  "The first victim was an art director, the second two were poets," Jack reminded her. "And they got around."

  "Um-hmm. Very sexual, Baalzephon's cup of tea. Anyway, the first three sacrifices were carried out by the surrogates, or surrogoti highly trained spiritualists. That's what the Latin line is all about. ‘Father of the Earth, walk the earth through me.' It was an incarnation summons.

  Baalzephon was an incubus. The surrogoti would invoke the demon transpositionally, trade places with him for a short time. They'd not only take on his physical likeness, but they'd become vehicles for Baalzephon's spirit as well. So it wasn't the surrogates themselves who were committing the precursory sacrifices, it was an incarnated aspect of Baalzephon."

  "So the guys who killed Shanna Barrington, Rebecca Black, and Susan Lynn believe that it was actually Baalzephon who did it?"

  "Yes. That's what they believe. But these were only partial incarnations. The full transposition came at the end."

  "The fourth sacrifice you were talking about," Jack added.

  Faye nodded, sipping her beer. "This fourth sacrifice was the most important, and today I found out why."

  "I can't wait to hear this," Jack mumbled.

  "The fourth was to serve as the ultimate gift to Baalezphon. She was usually selected out of several candidates."

  "Selected by whom?"

  "By the prelate. It was his job to choose the one who would best serve the demon. They often underwent intense spiritual training. Self-awareness was very important, not just women who were highly creative and passionate, but women who had a refined sense of ‘self.' The prelate would take great care in selecting optimum candidates."

  Jack jiggled the ice in his glass. "But that's what I don't quite get. Candidates for what?"

  "For Baalzephon's wife," Faye said. "Baalzephon took a human wife every year. He was the hierarchical demon of passion and creativity, so his wives must be strongly possessed of both traits." Faye wasn't even looking at him as she recounted what she'd read in The Synod of the Aorists. "The sacrifice of the fourth woman effected a complete transpostional incarnation. The prelate would murder her with the dolch, directly upon a trine fashioned in some low place, like a cave or a quarry, or even a basement. This was the act that the first three sacrifices had led up to the transposition. Baazelphon would open the trine and ascend, incarnare, or in the flesh. To stand upon the very earth that God had banished him from, and claim his bride."

  Jack rubbed his eyes wearily. "This morning I told Noyle that there would probably be a fourth murder."

  "I don't think there are any probablies about it, Jack. So far our killers have duplicated the original rite. Noyle would be stupid not to expect a fourth murder."

  "Noyle is stupid," Jack said. "He's convinced the two killers are just crackheads or psychotics."

  "There are at least three killers, remember. There's also someone out there who thinks he's a prelate, and you can bet that right now he's preparing for the fourth murder."

  "Great," Jack said. "In a way I'm glad Noyle took me off the case; it's his problem now." He stood up, fishing in his pockets. Onto the bar he emptied a bunch of change, keys, and scraps of paper.

  What a slob, Faye thought. But I still love him.

  "I'm out of cigarettes," he said, "and if I don't have one soon, I'll die."

  "You might die if you do have one soon."

  "Please don't confuse me with facts." Jack plucked quarters out of the mass of change, then disappeared for the cigarette machine.

  Faye remained lulled on the bar, thinking. "Can I ask you something, Craig?"

  "Of course." Craig was deftly juggling four shooter glasses around a lit Marlboro 100 in his mouth. "People ask me things all the time."

  "Should I bow out?"

  "I can't advise you on that one. But I can say that it never pays to give up." Craig spoke and juggled at the same time.

  "You're a big help, Craig. I hope you drop those glasses."

  "I've dropped many. How do you think I got to be so good?" Craig grinned. "Think about that."

  Faye smirked at him. He was saying that fulfillment came though trial and error. She'd dropped a few glasses herself in life.

  "But here's something for you to consider. There's a minor variation on the men's room wall, so you know it's true."

  "Graffiti is the voice of truth?" she asked sarcastically.

  "You never seen our men's room."

  "Okay, Craig. What?"

  He expertly juggled each shooter glass down to the bartop. "A woman's got to do what she's got to do."

  Faye's frown deepened. When she sipped her beer again, she noticed a slip of paper Jack had removed from his pocket. She blinked.

  Then she picked it up and looked at it hard. The piece of paper was filled with scrawl, but right on top

  Jack returned, tamping a fresh pack of Camels.

  "What...is...this?" Faye asked, the impossibility of what she saw stretching her words like tallow.

  Jack glanced at the slip of paper. "Those are the directions I told you about, the directions to the rich guy's house."

  "Rich guy," Faye repeated.

  "Yeah, the rich guy. I already told you, the guy who invited Veronica to his estate for some kind of retreat. I copied them down when I broke into Ginny's apartment."

  "You broke into Ginny's apartment?" Craig asked, incredulous.

  "Don't ask," Jack said.

  But Faye was tugging on his sleeve, urgent to the point of almost tearing his shirt. "Jack, Jack, listen to me!"

  "Are you all right, Faye?"

  "Shut up and listen!" She pointed to the world Jack had written above the directions. The word was Khoronos. "What's that? Why did you write that?"

  Now Jack looked totally cruxed. "That's his name."

  "Whose name?"

  "The rich guy," he close to yelled. "I already told you."

  "You never told me his name!"

  "So what?"

  "The rich guy's name is Khoronos?"

  "Yes! Big deal! What's the matter with you?"

  Her eyes leveled on him. "Like those other names, Jack. Fraus. Faux. They weren't names, they were words. Khoronos isn't a name either. It's a Greek word."

  Jack tapped out a Camel. "What are you talking about?"

  She paused to catch her breath. He didn't understand. "Let me ask you something... Do you have any reason to believe that Veronica's disappearance might have something to do with the Triangle case?"

  Jack looked at her absurdly. "That's ridiculous. They're totally unrelated."

 
Then Faye Rowland enlightened him. "Khoronos is Greek for aorista."

  | |

  CHAPTER 34

  Logic was not a thing one generally considered during times of anguish too easily usurped by emotion and, of course, poor judgment. In other words, Jack Cordesman began to act before he began to think. Foot to the floor, he smoked and fumbled with maps as he drove, drifting in and out of his lane. Ginny's directions were not difficult, yet he found difficulty in applying them to the county map grid. He felt something fighting against him.

  Upon Fay's revelation at the bar, Jack was up and out. Impossible, he thought. Completely impossible. But he was not daunted by such formalities as common sense. She'd dragged at his shirt in the parking lot, yelled at him, tried to reason with him, but for naught. "You can't go there by yourself!" she'd shouted.

  "Why not?"

  "Those people are killers!"

  "If they are, I'll deal with them," he'd stated very flatly.

  "Let the police handle it!"

  "I am the police. Besides, they wouldn't believe any of it, anyway. Noyle? Olsher? No way."

  "Take some people with you, then! Someone to back you up!"

  "No."

  "At least let me go with you!"

  "No," he'd said, and gotten into the car, closed the door, and driven away. He saw her shrink in the rearview as he pulled off. She watched after him, standing in the middle of the street. She looked very sad just then. She looked crushed.

  I'm a prick, he thought now. I'm a cold, inconsiderate fucker. Now that he had a fair idea where he was headed, wisps of logic did indeed resurface. First, this could very well be a mistake and a tremendous overreaction. The odds were astronomical. Perhaps he'd written the name down wrong. Perhaps Ginny had. Second, even if it wasn't a mistake, Faye was right. Jack should have backup, or he should've at least tried to get some, not that his credibility these days was particularly convincing among his superiors. He was going off half cocked and then some.

  The unmarked's tires hummed over the blacktop. The car devoured as much road as he could give it. He passed trucks and semi-rigs heading for the interstate; the long open fields to left and right blurred by. It was a pretty night, starry and warm. The moon followed him like a watcher.

  What am I going to do when I get there? This was a sound inquiry. What did he think he was going to do? Bust down Khoronos' door? Infiltrate his estate like some black-bag commando?

  Was he the knight in shining armor traveling through hell and high water to rescue the damsel in distress? Or am I about to make a prime ass of myself?

  And suppose these guys were killers? Killers generally had weapons. All Jack had was his Smith Model 49, a five-shot J-frame peashooter, and he had no extra rounds. In the trunk was a parkerized Remington 870 with a folding stock which he hated (because it kicked worse than a pissed-off mule) and an old Webley revolver (which kicked worse) that he only kept around because it was fun to take to the range. The shotgun would be difficult to maneuver in close quarters, and the Webley, though it chambered a big .455 load, was an antique. Big, clunky, and about thirty years overdue for a major breakdown.

  He could only vaguely adjudicate the directions. At this pace, sixty-five, seventy miles per hour, he'd probably be there in ninety minutes. Khoronos was rich, eccentric, and obviously protective of his privacy. Jack envisioned a fortress rather than an estate. High fences, security windows, steel-frame doors. Jack could pick your average lock, but he couldn't touch tubulars (as were found on most alarm systems) and he couldn't do a pin-wired keyway. What if Khoronos had dogs, or guards? What if he had video? They'd be waiting for him, and they'd be ready.

  But then the darkness crept back, a thousand years' worth. Khoronos, he decrypted. Aorista.

  What if Faye was right?

  They could be killing Veronica right now.

  The ritual that never ends. At least if he died, he would do so at the hands of history, not some crack dealer or street scum.

  He thought of Shanna Barrington, the black-stitched Y of her autopsy-section. He saw Rebecca Black lying crucified upon the blood-sodden bed, and the clean white walls blaring red satanic art. He thought of the sad poem Susan Lynn had written, the poem which had turned out to be her own epitaph.

  He thought of the last time he'd made love to Veronica. He thought of the scent of her hair, the taste of her sex. He thought of the way she felt, so lovely and intense, so wet for him. He remembered what she'd said to him as he came in her, her voice a tiny plea, impoverished out of the desperation to communicate that which reduced all the words in language to utter inferiority.

  Her plea was this: I love you.

  Her love for him was gone now, he knew that, but he could never forget how beautiful things had been in the past, how important he'd once been to her.

  And now these aorists, these madmen, might be killing her.

  They won't kill her, he thought. His long hair blew in the window drag. Not if I kill them first.

  His eyes trained on the endless ribbon of road, his hands firmly gripped the wheel. He lit a Camel.

  He grinned maniacally.

  He may even have laughed aloud when he whispered:

  "If they so much as touch her, I'm gonna kill everything that moves."

  | |

  CHAPTER 35

  Aorista, Father! I am the aorist! Once more the great beautiful black bird descended, higher into the depths than ever. It felt sublime and bright in the magnificent, chaotic darkness, a black aura singing into the whisper of providence. It heard...glorious things. Portents and validities far beyond the total of all the knowledge of the world. These were the Father's whispers.

  The bird sailed effortless over the chasms, each earthwork like a channel of steaming blood bubbling red as lava, and the thick smoke of baking fat the sweetest attar to the pitlike nostrils of its beak. Below, the ushers travailed, dividing twitching faces with stubby, nimble fingers, sloughing hot skin off the backs of the beautiful, unreeling entrails from plundered bellies in scarlet bliss. Aorista! thought the bird. Aorista!

  Now it perched and watched, flexing its sleek black wings. Such honor to sit here, in the lap of truth. You have honored me, drifted the whisper. So behold now all that awaits.

  Yes! Aorista!

  Only then, in the darkled vision, did the great bird realize the place of its perch: the very shoulder of the Father.

  Go.

  and so it did, soaring back through the apsis of the tenebrae, past the castellated crests of onyx and ebon.

  Back

  Aorist, Father!

  back

  Father of the Earth!

  and back, over the darkness of a thousand endless truths.

  Baalzephon!

  Back to the gift that lay warm in wait.

  Hail!

  Back to the blessed error of the world.

  «« »»

  Veronica sensed the descent of motion. Her head bobbed with each step down. She was being carried to some low place.

  When she opened her eyes she saw darkness tinted by dancing candlelight. A cloaked figure stepped away. Her carrier, too, wore the same garb; they looked like monks. Veronica tried to move, yet her limbs did not answer the command of her brain. She felt sluggish, drugged.

  Her vision seemed to lag before her; she was naked in the arms of the sack-clothed monk. Where was she? And what was that, below her on the floor?

  I'm not dead, she realized. And she remembered. The savaged body in the kiosk. Gilles and Marzen attacking her. She remembered the German's big hand squeezing the consciousness out of her like water out of a sponge. They were madmen, all of them, but they hadn't killed her.

  Instead, they'd saved her for something.

  What? What are they going to do with me?

  And what had Gilles said earlier? Something about offerings?

  Her cloaked bearer stopped. The flickering candlelight blurred her vision. All she could see were smears, suggestions of solid shapes submerged in
dark. She squinted, tried to blink away the myopic tatters. What stood before her looked like a primitive chancel, a risen stone altar laid across stone plinths, and sided by iron candelabra. A crude red triangle had been drawn on the wall, where a cross might hang. On the center of the altar were a small jar and what appeared to be a black...

  Knife, she realized in drugged terror. It's a knife.