Small Vices s-24

by Robert B. Parker

  "I'll try to do it the best way I can," I said.

  Susan settled back down with her head on my shoulder again. We were quiet.

  "Yes," Susan said finally, "you will. Which is the way you should do it."

  Pearl got off the bed and went purposefully to the kitchen, where I could hear her lapping water from her dish.

  "Have you noticed that I have no clothes on," Susan said.

  "This was brought to my attention quite forcefully," I said. "About an hour ago."

  Susan ran her forefinger along the line of my bicep. "I suppose, since you've been wounded, and since you are not as young as you were when we first met, that bringing it forcefully to your attention again would be too much."

  "Probably," I said. "On the other hand, it seems a shame to waste all that nudity. Maybe we should fumble around a little and see what develops."

  Susan reached over and closed the bedroom door.

  "Pearl won't like being shut out," I said.

  "It'll only be for a little while."

  "Maybe it'll be a long while," I said.

  "One can only hope."

  I heard Pearl return to the closed door and snuffle a little, and sigh and lie down against it. She seemed to have figured out that there were times when we had to be alone. And accepted it philosophically.

  "Well, for heaven's sake," Susan whispered. "Something seems to be developing already."

  "Strong," I said. "Like a bull."

  Susan giggled a little bit.

  "The resemblance ends there," she said.

  Chapter 44

  I TALKED WITH Ellis Alves again, alone, in a small conference room on the thirty-second floor at Cone, Oakes and Baldwin. He was as hostile and interior as he had been the last time. I remembered what Hawk had said: You in for life, hope will kill you. There was nothing on the conference table except a water carafe and some paper cups stacked upside down. Ellis paid no attention to it. He stood motionless, silhouetted against the bright picture window with the early fall light filling the room.

  "Where's Hawk?" Alves said.

  "Elsewhere," I said. "I have some things to tell you."

  He didn't say anything. He simply waited, standing on the other side of the small conference table, for what I might have to say. I imagined in prison you learn to wait.

  "I know you didn't kill Melissa Henderson," I said.

  Alves waited.

  "I can't prove it yet, but I will."

  Alves waited.

  "You interested in what I know?" I said.

  "No."

  "You're going to get out," I said.

  Alves stood without speaking or moving.

  "You got any questions?"

  "No."

  "Okay, then that's all I got to say."

  "Make you feel better?" Alves said.

  "No. I just figured you ought to know you're going to get out pretty soon, so you wouldn't do something dumb in the interim."

  "Yeah," Alves said.

  "Don't try to escape. Don't get into a fight. Don't break any rules. Nobody much wants you to get out, so don't give them an excuse to keep you."

  Alves didn't say anything. He was looking at me, but I felt no contact. It was like exchanging stares with a statue.

  "You got anything else you want to say before I get the guards?"

  "No."

  "Okay."

  I got up and started for the door.

  Behind me, Alves said, "How long it going to take?"

  "I don't know, weeks probably, maybe days. I need to make somebody confess."

  "What happens they don't?"

  "I'll force it," I said.

  "Been almost a year," Alves said. "How come you still doing this?"

  "I was hired to do this."

  "What happens to me, somethin' happen to you?"

  "Hawk will finish it," I said.

  We stood looking at each other for a minute.

  "Couple niggers fighting the system," Alves said.

  "Couple niggers and the biggest law firm in Boston," I said.

  Alves walked stiffly over to the window and looked out at Boston Harbor.

  "I ain't counting on nothing," Alves said.

  "Best way to be," I said.

  Alves nodded once, his eyes flat and meaningless, his face empty.

  "Yeah," he said. "It is."

  I knocked on the door and the guards opened it. "All done," I said.

  They went past me into the conference room and I walked out to the corridor and punched the button on the elevator. It arrived in time, and I got in it with mail room clerks and young female secretaries and a couple of suits, and down we went.

  I stopped in the lobby for a minute and watched the people hurrying freely about. They would have taken Ellis down in the service elevator and out the back. In an hour he'd be back in the joint, looking at life; his only chance to get out in the hands of a white guy he neither knew nor trusted…

  breeding/lilacs out of the dead land, mixing/memory and desire… If you're a lifer, hope will kill you…

  Was I mixing up my poets? At least no one was calling me the hyacinth girl.

  I walked over to the parking garage where they'd found Tommy Miller's body and got in my car and headed for New York.

  Chapter 45

  PATRICIA UTLEY HAD moved uptown. She had a townhouse on Sixty-fifth Street between Park and Madison with an etched glass front door, which I noticed had been covered with a thick sheet of clear Lexan. On either side of the entrance there were little pillars, like the entrance to some sort of Greco-Roman shrine. Steven opened the door. He was still black and well set up, still moved with a light springiness. His short hair had started to gray. In keeping with the times, he had turned in his white coat and was wearing a blue blazer. He recognized me, though the recognition didn't overpower him.

  "Mister Spenser," he said.

  "Hello, Steven," I said. "Is Mrs. Utley in?"

  Steven stepped back from the door so I could come in.

  "Come into the library," he said, "while I find out if she can see you."

  The room was in the front of the house. There was a clean fireplace with a green marble hearth on the left wall. The big arched windows looked out onto Sixty-fifth Street. There were filigreed metal inserts on the inside of each, which effectively barred someone from breaking in. I sat on a big hassock covered in green leather. All of the furniture was leather covered in green or a kind of off blue. The walls were paneled in oak, and the whole room looked exactly like the library of someone who never read but watched Masterpiece Theater a lot. There was a bookcase on either side of the cold fireplace. She seemed to have moved all her books up from Thirty-seventh Street. I remembered some of them: The Complete Works of Charles Dickens, A History of the English-Speaking Peoples, Longfellow: Complete Poetical and Prose Works, The Outline of History, The Canterbury Tales. They didn't look as if they'd been taken down and thumbed through fondly in the twenty years since I first saw them.

  Patricia Utley herself, when she came into the room, didn't look like she'd been thumbed through much either. She was as pulled together as she always was. Her hair was maybe a little brighter, and thus a little less credible, blonder than it had been when I'd first met her. It was short and full but it didn't look lacquered. There were crow's-feet at her eyes, and only the subtlest hint of lines at the corners of her mouth. She was small, trim, stylish in a black pantsuit with a white blouse. The blouse had a low neck line, and a short rope of pearls lay against her skin above it. Her glasses were big and round and black-rimmed. I had no idea what age she was, but whatever it was she looked good. She put her hand out as she walked across the room. I stood and took her hand. She leaned gracefully forward and kissed me cheek.

  "Still a detective?" she said.

  "Yes," I said. "Still a madam?"

  "Yes, and a fabulously successful one, if I may say so."

  "As the move uptown would suggest," I said.

  "My previous home was
not impoverished," she said.

  "No, it wasn't."

  "Would you like a glass of sherry?" she said. "A real drink?"

  "No, thank you," I said. "Just some talk."

  "I hope you won't mind if I have a glass."

  "Not at all."

  She walked to a small sideboard between the big windows and poured herself a pony of sherry from a cut-glass decanter, and turned, standing in front of the window so the light silhouetted her.

  "So what stray are you looking for this time?" she said.

  "Maybe I just dropped in to say hi," I said. "Maybe I miss you."

  "I'm sure you do," Patricia Utley said. "But I do know that in the past, whenever you have come to see me you were looking for someone's little lost lamb."

  "More like a wolf this time," I said.

  "Really?"

  "Guy named Rugar, he's been hired to kill me, and he almost did."

  "I would have thought that would be hard to do."

  "He didn't succeed," I said.

  The library door opened and Steven came in with what appeared to be a black and white aardvark on a leash. The aardvark had a bright red choke collar around his neck. His lost-and-found tag dangled from one of the loops on the collar. The tag was bright red also, and heart shaped.

  "She's had her walk," Steven said. "And the maid says she was very good."

  He leaned over and unsnapped the leash and the aardvark dashed over to Patricia Utley and wagged its tail. Astonishingly, Patricia Utley went to her knees and put her face down where the aardvark could lap it. It wasn't a very big aardvark. Maybe it was too small to be an aardvark.

  "Did you have a lovely tinky tinky?" Patricia Utley said.

  As I studied it, it was definitely too small to be an aardvark. But whatever it was, it was a lapping fool. It lapped Patricia Utley's face very intently.

  "This is Rosie," Patricia Utley said.

  She was turning her face to avoid losing all her makeup.

  "That's great," I said. "Rosie is not an aardvark, is she?"

  "No, of course not. She's a miniature bullterrier."

  "That was going to be my next guess," I said. "Like Spuds McKenzie in the beer ads."

  "I don't watch beer ads," Patricia Utley said.

  She stood and Rosie turned and wiggled over to me and rolled on her back.

  "She wants you to rub her stomach," Patricia Utley said.

  I sat back down on the hassock and bent over and rubbed Rosie's stomach, which was quite pink.

  "She likes it if you say rub rub rub, while you're doing it."

  "I can't do that," I said. "You'd tell."

  "Rub, rub, rub," Patricia Utley said for me.

  She brought her sherry to the blue leather couch and sat on the edge of it, her knees together, her hands, holding the sherry, folded quietly in her lap. Rosie turned immediately over onto her feet, trotted to the couch, and elevated onto it without any apparent effort, as if somehow she had jumped with all four feet equally. She lay down beside Patricia Utley, put her head on Patricia Utley's lap, and stared at me with her almond-shaped black eyes that had no more depth than two slivers of obsidian.

  "And now you are looking for this Rugar person?"

  "Yes."

  "I don't know anyone of that name."

  "He works through a lawyer," I said. "Or he used to."

  "Is he based in New York?"

  "I think so."

  "Do you know anything else about him?"

  "Rugar or the lawyer?"

  "Either," Patricia Utley said.

  She was smoothing the fur on Rosie's tail, which looked like it belonged on a short Dalmatian. Rosie would occasionally open her mouth and close it again.

  "He's American born, worked for the Israelis for a while. He's in his forties or fifties. Tall, athletic, gray hair, gray skin, seems to dress all in gray. Rugar probably isn't his real name. Very expensive, very covert."

  "And if I wished to hire him I would go to a lawyer?"

  "A particular lawyer. Who would set up an appointment with Rugar."

  "And you don't know who the lawyer is?"

  "No, hell, I don't even know if his name is Rugar."

  Patricia Utley ran the tip of her tongue along her lower lip. I waited. She sipped her sherry and swallowed and repeated the tongue-on-lower-lip movement. Rosie kept looking at me. Occasionally she wagged her tail.

  "I don't know of any such lawyer," she said finally.

  "Where would you go if you needed someone killed?" I said.

  "I have never had to consider that," she said. "Bribery has always been entirely serviceable."

  "And so much more genteel," I said.

  She smiled and sipped her sherry again.

  "Will you be in the City long?"

  "Depends how long this takes," I said.

  "You would be amazed at the diversity of my client list," she said.

  "No, I wouldn't," I said.

  She smiled and made an assenting gesture with her head.

  "No, probably you wouldn't be. But I have contact with a vast range of rich and important people. If this man, who might be named Rugar, is truly expensive, my clientele would be his market."

  "Can you ask around without being too direct?"

  She gave me a look as flat and impenetrable as Rosie's.

  "Of course you can," I said.

  She smiled.

  "Where are you staying?" she said.

  "Days Inn on the West Side."

  She wrinkled her nose. "Really?"

  "I'm on my own time," I said, "and Susan's not with me."

  "Don't you yourself deserve to go first class?" she said.

  "I probably deserve whatever I can get," I said. "But all I need is a room and a bath. Days Inn will do fine."

  She nodded as if she weren't really listening to me.

  "I'll get in touch with you there," she said.

  I stood. Rosie sprang from the couch and dashed over to me and did a quick spin.

  "She wants you to pick her up," Patricia Utley said.

  I did. She weighed more than I would have thought.

  "Dog's built like a Humvee," I said.

  "But much cuter," Patricia Utley said.

  "And her nose is longer," I said.

  Rosie lapped me slurpily under the chin as I walked toward the door carrying her. Patricia Utley walked with me. Steven appeared in the hall. I had noticed over the years, both on Thirty-seventh Street and now here, that the front door never opened unless Steven was present. He opened it.

  I handed Rosie to him and leaned over and kissed Patricia Utley on the cheek and went down the steps and turned west on Sixty-fifth Street. West Fifty-seventh Street was only about ten blocks away, but it was a lot farther than that from where Patricia Utley lived.

  Chapter 46

  I HAD DINNER with Paul Giacomon that night in one of those SoHo restaurants where the wait staff all look like members of a yuppie motorcycle gang.

  "What do you think?" Paul said as we studied the menu which the head biker had slapped down in front of us before returning to her real job, intimidating tourists.

  "Interesting," I said.

  "Does that mean it really is interesting, or is it the kind of interesting like when you see a Jackson Pollock painting and you haven't got a clue and somebody says how do you like it?"

  "The latter," I said.

  Paul grinned.

  "But it's very downtown," he said.

  "I think maybe I'm more a midtown guy," I said.

  "Food's good," Paul said.

  And it was. We had a bottle of wine with it. And we talked. It was fascinating to me to see how at home in this environment Paul was.

  "You look good," he said. "Susan told me after you got shot you were down to like 170 pounds."

  "I was slim," I said, "but I was slow and clumsy."

  "You okay now?"

  "Good as new," I said.

  "Susan says you and Hawk worked like slaves for almost a y
ear."

  "If I'm to pursue my chosen profession," I said, "I can't be slim, slow, and clumsy."

  "I suppose you wouldn't pursue it for very long," Paul said, "if you were."

  "How's your love life?" I said.

  "More like a sex life at the moment," Paul said.

  "Nothing wrong with a sex life," I said.

  Paul grinned at me again.

  "Nothing at all," I said. "Though finally it seems to me that a love life is better."

  "If you find a Susan," Paul said.

  "True," I said.

  "And the Susan finds you."

  "Meaning?"

  "Her first marriage, for instance, didn't work," Paul said.

  "Meaning?"

  "Meaning Susan is not a simple woman."

  "Not hardly," I said.

  "Not everyone could be happy with her," Paul said.

  "Maybe not," I said.

  "But you can."

  I nodded.

  "You dating anyone regularly?" I said.

  "Three people," he said.

  "They know about each other?"

  "Of course they do," he said. "Who brought me up?"

  "Mostly me, I guess."

  "All you," Paul said. "And the psychiatrist you got me. My first fifteen years were without upbringing."

  "Well," I said. "We did a hell of a job."

  "Me too," he said. "You in town on business?"

  "Yeah."

  He nodded. Paul never asked about business.

  "You okay?" I said.

  "Me? Yeah."

  "Enough money?"

  "Yeah. I still get a check every month from my father. I'm getting a lot of bookings for my choreography, and I've started acting a little. Got a part in a thing called Sky Lark about ten off-offs."

  I nodded. Paul looked at me carefully.

  "Why do you ask? You never ask questions like that."

  "Just wondering."

  Paul didn't say anything. He drank some wine, poured some into my glass and some more into his.

  "You're all right?"

  "Absolutely," I said. "Healthy as a horse, and damned near as smart."

  Paul chimed in on the damn near as smart so that we spoke it simultaneously. We both laughed.

  "Okay," I said, "so maybe you've heard my act."

  "And maybe I know it pretty well," Paul said. "You're worried about something."