The Zane Grey Megapack

by Zane Grey

  But at an end of infinite time that rush ceased. Madeline lost the queer feeling of being disembodied by a frightfully swift careening through boundless distance. She distinguished voices, low at first, apparently far away. Then she opened her eyes to blurred but conscious sight.

  The car had come to a stop. Link was lying face down over the wheel. Nels was rubbing her hands, calling to her. She saw a house with clean whitewashed wall and brown-tiled roof. Beyond, over a dark mountain range, peeped the last red curve, the last beautiful ray of the setting sun.

  CHAPTER XXV

  At the End of the Road

  Madeline saw that the car was surrounded by armed Mexicans. They presented a contrast to the others she had seen that day; she wondered a little at their silence, at their respectful front.

  Suddenly a sharp spoken order opened up the ranks next to the house. Señor Montes appeared in the break, coming swiftly. His dark face wore a smile; his manner was courteous, important, authoritative.

  “Señora, it is not too late!”

  He spoke her language with an accent strange to her, so that it seemed to hinder understanding.

  “Señora, you got here in time,” he went on. “El Capitan Stewart will be free.”

  “Free!” she whispered.

  She rose, reeling.

  “Come,” replied Montes, taking her arm. “Perdoneme, Señora.”

  Without his assistance she would have fallen wholly upon Nels, who supported her on the other side. They helped her alight from the car. For a moment the white walls, the hazy red sky, the dark figures of the rebels, whirled before Madeline’s eyes. She took a few steps, swaying between her escorts; then the confusion of her sight and mind passed away. It was as if she quickened with a thousand vivifying currents, as if she could see and hear and feel everything in the world, as if nothing could be overlooked, forgotten, neglected.

  She turned back, remembering Link. He was lurching from the car, helmet and goggles thrust back, the gray shade gone from his face, the cool, bright gleam of his eyes disappearing for something warmer.

  Señor Montes led Madeline and her cowboys through a hall to a patio, and on through a large room with flooring of rough, bare boards that rattled, into a smaller room full of armed quiet rebels facing an open window.

  Madeline scanned the faces of these men, expecting to see Don Carlos. But he was not present. A soldier addressed her in Spanish too swiftly uttered, too voluble for her to translate. But, like Señor Montes, he was gracious and, despite his ragged garb and uncouth appearance, he bore the unmistakable stamp of authority.

  Montes directed Madeline’s attention to a man by the window. A loose scarf of vivid red hung from his hand.

  “Señora, they were waiting for the sun to set when we arrived,” said Montes. “The signal was about to be given for Señor Stewart’s walk to death.”

  “Stewart’s walk!” echoed Madeline.

  “Ah, Señora, let me tell you his sentence—the sentence I have had the honor and happiness to revoke for you.”

  Stewart had been court-martialed and sentenced according to a Mexican custom observed in cases of brave soldiers to whom honorable and fitting executions were due. His hour had been set for Thursday when the sun had sunk. Upon signal he was to be liberated and was free to walk out into the road, to take any direction he pleased. He knew his sentence; knew that death awaited him, that every possible avenue of escape was blocked by men with rifles ready. But he had not the slightest idea at what moment or from what direction the bullets were to come.

  “Señora, we have sent messengers to every squad of waiting soldiers—an order that El Capitan is not to be shot. He is ignorant of his release. I shall give the signal for his freedom.”

  Montes was ceremonious, gallant, emotional. Madeline saw his pride, and divined that the situation was one which brought out the vanity, the ostentation, as well as the cruelty of his race. He would keep her in an agony of suspense, let Stewart start upon that terrible walk in ignorance of his freedom. It was the motive of a Spaniard. Suddenly Madeline had a horrible quaking fear that Montes lied, that he meant her to be a witness of Stewart’s execution. But no, the man was honest; he was only barbarous. He would satisfy certain instincts of his nature—sentiment, romance, cruelty—by starting Stewart upon that walk, by watching Stewart’s actions in the face of seeming death, by seeing Madeline’s agony of doubt, fear, pity, love. Almost Madeline felt that she could not endure the situation. She was weak and tottering.

  “Señora! Ah, it will be one beautiful thing!” Montes caught the scarf from the rebel’s hand. He was glowing, passionate; his eyes had a strange, soft, cold flash; his voice was low, intense. He was living something splendid to him. “I’ll wave the scarf, Señora. That will be the signal. It will be seen down at the other end of the road. Señor Stewart’s jailer will see the signal, take off Stewart’s irons, release him, open the door for his walk. Stewart will be free. But he will not know. He will expect death. As he is a brave man, he will face it. He will walk this way. Every step of that walk he will expect to be shot from some unknown quarter. But he will not be afraid. Señora, I have seen El Captain fighting in the field. What is death to him? Ah, will it not be magnificent to see him come forth—to walk down? Señora, you will see what a man he is. All the way he will expect cold, swift death. Here at this end of the road he will meet his beautiful lady!”

  “Is there no—no possibility of a mistake?” faltered Madeline.

  “None. My order included unloading of rifles.”

  “Don Carlos?”

  “He is in irons, and must answer to General Salazar,” replied Montes.

  Madeline looked down the deserted road. How strange to see the last ruddy glow of the sun over the brow of the mountain range! The thought of that sunset had been torture for her. Yet it had passed, and now the afterlights were luminous, beautiful, prophetic.

  With a heart stricken by both joy and agony, she saw Montes wave the scarf.

  Then she waited. No change manifested itself down the length of that lonely road. There was absolute silence in the room behind her. How terribly, infinitely long seemed the waiting! Never in all her future life would she forget the quaint pink, blue, and white walled houses with their colored roofs. That dusty bare road resembled one of the uncovered streets of Pompeii with its look of centuries of solitude.

  Suddenly a door opened and a tall man stepped out.

  Madeline recognized Stewart. She had to place both hands on the window-sill for support, while a storm of emotion swayed her. Like a retreating wave it rushed away. Stewart lived. He was free. He had stepped out into the light. She had saved him. Life changed for her in that instant of realization and became sweet, full, strange.

  Stewart shook hands with someone in the doorway. Then he looked up and down the road. The door closed behind him. Leisurely he rolled a cigarette, stood close to the wall while he scratched a match. Even at that distance Madeline’s keen eyes caught the small flame, the first little puff of smoke.

  Stewart then took to the middle of the road and leisurely began his walk.

  To Madeline he appeared natural, walked as unconcernedly as if he were strolling for pleasure; but the absence of any other living thing, the silence, the red haze, the surcharged atmosphere—these were all unnatural. From time to time Stewart stopped to turn face forward toward houses and corners. Only silence greeted these significant moves of his. Once he halted to roll and light another cigarette. After that his step quickened.

  Madeline watched him, with pride, love, pain, glory combating for a mastery over her. This walk of his seemingly took longer than all her hours of awakening, of strife, of remorse, longer than the ride to find him. She felt that it would be impossible for her to wait till he reached the end of the road. Yet in the hurry and riot of her feelings she had fleeting panics. What could she say to him? How meet him? Well she remembered the tall, powerful form now growing close enough to distinguish its dress. Stewart’s face
was yet only a dark gleam. Soon she would see it—long before he could know she was there. She wanted to run to meet him. Nevertheless, she stood rooted to her covert behind the window, living that terrible walk with him to the uttermost thought of home, sister, mother, sweetheart, wife, life itself—every thought that could come to a man stalking to meet his executioners. With all that tumult in her mind and heart Madeline still fell prey to the incomprehensible variations of emotion possible to a woman. Every step Stewart took thrilled her. She had some strange, subtle intuition that he was not unhappy, and that he believed beyond shadow of doubt that he was walking to his death. His steps dragged a little, though they had begun to be swift. The old, hard, physical, wild nerve of the cowboy was perhaps in conflict with spiritual growth of the finer man, realizing too late that life ought not to be sacrificed.

  Then the dark gleam that was his face took shape, grew sharper and clearer. He was stalking now, and there was a suggestion of impatience in his stride. It took these hidden Mexicans a long time to kill him! At a point in the middle of the road, even with the corner of a house and opposite to Madeline’s position, Stewart halted stock-still. He presented a fair, bold mark to his executioners, and he stood there motionless a full moment.

  Only silence greeted him. Plain it was to Madeline, and she thought to all who had eyes to see, that to Stewart, since for some reason he had been spared all along his walk, this was the moment when he ought to be mercifully shot. But as no shots came a rugged dignity left him for a reckless scorn manifest in the way he strolled, across to the corner of the house, rolled yet another cigarette, and, presenting a broad breast to the window, smoked and waited.

  That wait was almost unendurable for Madeline. Perhaps it was only a moment, several moments at the longest, but the time seemed a year. Stewart’s face was scornful, hard. Did he suspect treachery on the part of his captors, that they meant to play with him as a cat with a mouse, to murder him at leisure? Madeline was sure she caught the old, inscrutable, mocking smile fleeting across his lips. He held that position for what must have been a reasonable time to his mind, then with a laugh and a shrug he threw the cigarette into the road. He shook his head as if at the incomprehensible motives of men who could have no fair reasons now for delay.

  He made a sudden violent action that was more than a straightening of his powerful frame. It was the old instinctive violence. Then he faced north. Madeline read his thought, knew he was thinking of her, calling her a last silent farewell. He would serve her to his last breath, leave her free, keep his secret. That picture of him, dark-browed, fire-eyed, strangely sad and strong, sank indelibly into Madeline’s heart of hearts.

  The next instant he was striding forward, to force by bold and scornful presence a speedy fulfilment of his sentence.

  Madeline stepped into the door, crossed the threshold. Stewart staggered as if indeed the bullets he expected had pierced him in mortal wound. His dark face turned white. His eyes had the rapt stare, the wild fear of a man who saw an apparition, yet who doubted his sight. Perhaps he had called to her as the Mexicans called to their Virgin; perhaps he imagined sudden death had come unawares, and this was her image appearing to him in some other life.

  “Who—are—you?” he whispered, hoarsely.

  She tried to lift her hands, failed, tried again, and held them out, trembling.

  “It is I. Majesty. Your wife!”

  THE LONE STAR RANGER (1915) [Part 1]

  To

  Captain John Hughes

  and his Texas Rangers

  PREFACE

  It may seem strange to you that out of all the stories I heard on the Rio Grande I should choose as first that of Buck Duane—outlaw and gunman.

  But, indeed, Ranger Coffee’s story of the last of the Duanes has haunted me, and I have given full rein to imagination and have retold it in my own way. It deals with the old law—the old border days—therefore it is better first. Soon, perchance, I shall have the pleasure of writing of the border of today, which in Joe Sitter’s laconic speech, “Shore is ’most as bad an’ wild as ever!”

  In the North and East there is a popular idea that the frontier of the West is a thing long past, and remembered now only in stories. As I think of this I remember Ranger Sitter when he made that remark, while he grimly stroked an unhealed bullet wound. And I remember the giant Vaughn, that typical son of stalwart Texas, sitting there quietly with bandaged head, his thoughtful eye boding ill to the outlaw who had ambushed him. Only a few months have passed since then—when I had my memorable sojourn with you—and yet, in that short time, Russell and Moore have crossed the Divide, like Rangers.

  Gentlemen,—I have the honor to dedicate this book to you, and the hope that it shall fall to my lot to tell the world the truth about a strange, unique, and misunderstood body of men—the Texas Rangers—who made the great Lone Star State habitable, who never know peaceful rest and sleep, who are passing, who surely will not be forgotten and will some day come into their own.

  —Zane Grey

  BOOK I.

  THE OUTLAW

  CHAPTER I

  So it was in him, then—an inherited fighting instinct, a driving intensity to kill. He was the last of the Duanes, that old fighting stock of Texas. But not the memory of his dead father, nor the pleading of his soft-voiced mother, nor the warning of this uncle who stood before him now, had brought to Buck Duane so much realization of the dark passionate strain in his blood. It was the recurrence, a hundred-fold increased in power, of a strange emotion that for the last three years had arisen in him.

  “Yes, Cal Bain’s in town, full of bad whisky an’ huntin’ for you,” repeated the elder man, gravely.

  “It’s the second time,” muttered Duane, as if to himself.

  “Son, you can’t avoid a meetin’. Leave town till Cal sobers up. He ain’t got it in for you when he’s not drinkin’.”

  “But what’s he want me for?” demanded Duane. “To insult me again? I won’t stand that twice.”

  “He’s got a fever that’s rampant in Texas these days, my boy. He wants gun-play. If he meets you he’ll try to kill you.”

  Here it stirred in Duane again, that bursting gush of blood, like a wind of flame shaking all his inner being, and subsiding to leave him strangely chilled.

  “Kill me! What for?” he asked.

  “Lord knows there ain’t any reason. But what’s that to do with most of the shootin’ these days? Didn’t five cowboys over to Everall’s kill one another dead all because they got to jerkin’ at a quirt among themselves? An’ Cal has no reason to love you. His girl was sweet on you.”

  “I quit when I found out she was his girl.”

  “I reckon she ain’t quit. But never mind her or reasons. Cal’s here, just drunk enough to be ugly. He’s achin’ to kill somebody. He’s one of them four-flush gun-fighters. He’d like to be thought bad. There’s a lot of wild cowboys who’re ambitious for a reputation. They talk about how quick they are on the draw. T hey ape Bland an’ King Fisher an’ Hardin an’ all the big outlaws. They make threats about joinin’ the gangs along the Rio Grande. They laugh at the sheriffs an’ brag about how they’d fix the rangers. Cal’s sure not much for you to bother with, if you only keep out of his way.”

  “You mean for me to run?” asked Duane, in scorn.

  “I reckon I wouldn’t put it that way. Just avoid him. Buck, I’m not afraid Cal would get you if you met down there in town. You’ve your father’s eye an’ his slick hand with a gun. What I’m most afraid of is that you’ll kill Bain.”

  Duane was silent, letting his uncle’s earnest words sink in, trying to realize their significance.

  “If Texas ever recovers from that fool war an’ kills off these outlaws, why, a young man will have a lookout,” went on the uncle. “You’re twenty-three now, an’ a powerful sight of a fine fellow, barrin’ your temper. You’ve a chance in life. But if you go gun-fightin’, if you kill a man, you’re ruined. Then you’ll kill another. It’ll be t
he same old story. An’ the rangers would make you an outlaw. The rangers mean law an’ order for Texas. This even-break business doesn’t work with them. If you resist arrest they’ll kill you. If you submit to arrest, then you go to jail, an’ mebbe you hang.”

  “I’d never hang,” muttered Duane, darkly.

  “I reckon you wouldn’t,” replied the old man. “You’d be like your father. He was ever ready to draw—too ready. In times like these, with the Texas rangers enforcin’ the law, your Dad would have been driven to the river. An’, son, I’m afraid you’re a chip off the old block. Can’t you hold in—keep your temper—run away from trouble? Because it’ll only result in you gettin’ the worst of it in the end. Your father was killed in a street-fight. An’ it was told of him that he shot twice after a bullet had passed through his heart. Think of the terrible nature of a man to be able to do that. If you have any such blood in you, never give it a chance.”

  “What you say is all very well, uncle,” returned Duane, “but the only way out for me is to run, and I won’t do it. Cal Bain and his outfit have already made me look like a coward. He says I’m afraid to come out and face him. A man simply can’t stand that in this country. Besides, Cal would shoot me in the back some day if I didn’t face him.”

  “Well, then, what’re you goin’ to do?” inquired the elder man.

  “I haven’t decided—yet.”

  “No, but you’re comin’ to it mighty fast. That damned spell is workin’ in you. You’re different today. I remember how you used to be moody an’ lose your temper an’ talk wild. Never was much afraid of you then. But now you’re gettin’ cool an’ quiet, an’ you think deep, an’ I don’t like the light in your eye. It reminds me of your father.”