White Shotgun ag-4
Page 31
“You can’t stay here,” I tell Cecilia after the honey and pears, when we take our evening walk. “The family is marked.” “As I said, it’s a war. You adjust.” “You people are targets! They’ll get you at a traffic light, Cecilia! They killed seven people in England over an egg fight in Calabria! Why are you so stubborn?” “My husband will never leave Siena. His blood is here. His work is here. He won’t give in. For better or worse, I am with him. Isn’t that what you wanted?” “Your husband is behaving like a horse’s ass.” I stop and grip her shoulders. I look into her troubled eyes. “You’re my sister. I love you. I can’t just leave you in harm’s way.” “I love you, too,” she answers with resignation, and kisses me tenderly on both cheeks.
The following day I fly back to Los Angeles. Cecilia and I do not speak of her marriage again. Nor do I bring up her affair with the Commissario. There are some things even sisters shouldn’t ask.
SAN LUIS OBISBO, CALIFORNIA
EPILOGUE
On my first day back at the Los Angeles field office, SAC Robert Galloway calls me into his office.
“I brought you a souvenir.” I unfold a green and white square depicting the crowned white Noble Goose.
“What is that?”
I try to explain the contrada system. “It’s a scarf for Oca, the Goose.”
Galloway removes an unlit cigar from his mouth and squints at the silk.
“Is that supposed to be me?” he asks suspiciously.
“Why?” I say. “Because it’s wearing a crown?”
“I thought you were making a joke.”
“It’s not a joke! It’s the symbol of the fighting spirit of the people of Oca.”
Galloway says, “A goose?”
“Ever tangle with one?”
Galloway folds the scarf and puts it with his collection of law enforcement oddities, including a bear trap used to catch escaped cons in the Oklahoma territories and a miniature guillotine.
“I owe you an ‘attaboy,’ Ana. The intel from Nicoli Nicosa on trafficking from Italy is good. FBI HQ is ecstatic,” he says with the deadpan irony I have learned to appreciate.
“Glad it’s working out.”
“Headquarters is talking about a two-year undercover operation spread over four states to bust the mafia’s drug route.”
“Great. I’m on it.”
“You’re done with this one. The lawyers want your body,” Galloway says. “They need to prep you on the deposition for the Peter Abbott case.”
“I know — it’s already on my calendar. Is that why you called me in?”
“No,” he says. “It’s something else.”
His tone is serious and I think, Good. A new case.
“I understand you came into an inheritance in Italy,” he says.
“Yes, but it wasn’t much.”
“Whatever it was, you still have to declare it to the Bureau. Any undisclosed income has to be reported. Here are the forms,” he says, and damn if they’re not right there, waiting on his desk.
“How’s it going?” asks Mike Donnato when I join him at the coffee machine.
“Another day at the office,” I say, dropping the forms into the wastebasket.
“Want some?” He holds up a blackened glass pot.
“No, thanks. I’ve been ruined by coffee in Italy. Especially the Nicosa brand. They really invented a tasty bean.”
“They never invented any bean.”
“What are you talking about? The Nicosa bean that broke the case? The DNA specific to their coffee? Sofri, rest in peace, cracked the coffee genome and created a new plant.”
“He’s not the one who cracked it.”
“Yes, he was.”
“No, he wasn’t. I came across that particular factoid researching the case. The Brazilians are the ones who decoded the coffee genome.”
“Then how did Nicosa get ahold of it?”
“Sofri sold it to your brother-in-law for a share in half the company.”
“How did Sofri get it?”
“How do you think?”
It takes me half a second. “Sofri stole it from the Brazilians.”
Donnato gave me that world-weary look that says, Welcome back.
• • •
If you move the chairs into the far corner of the deck, you get a slice of the Pacific Ocean through the roofs and telephone poles sloping down to a private beach just north of Santa Barbara, where I’m house-sitting for an old college friend. Her dad had the foresight to be a professor at UCSB back in the seventies, and to buy this modest stucco family home, which now would sell for a gazillion dollars. It’s worth the commute to work, while I’m still looking for that dream apartment.
Sterling promised to call when he came back from Europe, but he never did. Instead, he just shows up.
“I’m at the L.A. airport,” he says in the middle of a Sunday afternoon. “Where are you?”
I explain the situation, and he is there in two and a half hours.
“Where’s your pack?” I say when he comes up the driveway.
“In the rental car.”
“Planning to stay?”
“Thought I might.”
“Good, because I have everything we need.”
“What would that be?” he asks, with a light kiss on the lips.
“Fresh sea bass and a grill?”
I don’t ask where he’s been or where he is headed. From his restlessness it is a given that he is on a job. We are halfway through a pitcher of margaritas, but it is still almost like a first date. The needle is hovering at “Maybe.” We could push through the charged, heavy air that still seems to separate us, or we could let it go. I’ve had time to obsess over whether I love him, and decided that I do. But you can love a lot of people and still let them go.
There is a large envelope on the patio table. I put a rock on top to keep it from lifting off in the sea breeze. Sterling notices that the stamps are from El Salvador.
“What’s all this?”
“A letter from Cecilia. They moved down there, the whole family.”
“They left Siena?”
“It wasn’t safe.”
“No kidding.”
“The abbey is going to become one of those historic five-star hotels.”
“I wouldn’t know about those.”
“Me either, but that’s what Cecilia said. She was going to just take Giovanni, but Nicoli decided to go. And she decided that she wanted him to come.”
He perches on the wooden arm of the Adirondack chair, where I am minding my own business, looking at the view.
“You can read it,” I say. “Go ahead.”
Sterling draws out the letter and a smaller envelope that is sealed.
“When were you planning to open this?”
“When I’m ready.”
He fingers the envelope. “Any clue as to what’s inside?”
“It’s a picture that Cecilia wants me to have.”
“What’s the problem?”
“When I open it, I know what I’ll see. My father.”
He downs the margarita and pours another.
“No time like the present,” he says.
“Except the past.”
He gives me a reproving look. I grimace and open the envelope. Inside is a color print that has turned yellow and magenta with age. It shows a squarely built, dark-skinned young man in his twenties standing on a rise over a newly plowed field. In the background is jungle. His black hair is slicked back and he holds a straw hat. He is looking out of frame with an expression of calm anticipation, as if everything — the harvest, the rest of his life — is before him.
Sterling puts his arm around me, and looks over my shoulder at the photograph of my father.
“First time you’ve ever seen him, huh?”
“I was too young to remember.”
I never imagined him that youthful. His face is untroubled and confident. For a long time we don’t say anything.
“I see the
resemblance,” Sterling says. “You never found out what happened to him, did you?”
“I know that he was murdered, and they never found the body. Like the ‘disappeared.’ ”
I lower the photo and notice that Sterling has been stroking my neck.
“Are you feeling me?”
“Yes, babe. I’m very glad you’re here.”
I put my hand over his hand.
“You know, all the time we were in Italy, whenever you’d touch me, I couldn’t feel it,” he says. “I mean, literally, I was numb.”
I look into his face, surprised. “I guess you were still getting used to buildings that didn’t have bomb craters in them.”
He pulls back. “Should we take a walk on the beach?”
It is close to sundown and the air is chilly. We throw sweatshirts over our bathing suits. You have to go down a long flight of redwood steps, and then there is a tiny cove the other houses share, with big charcoal gray carved-out volcanic cliffs on either side; if you go around them you would be on a wide state beach. A steady gust is coming off the ocean and everything seems to be in motion — seagulls, waves, pelicans, sailboats way out. We walk along the wet sand, mirrored with flocks of long-legged pipers needling for crabs.
“What happened was, they changed the rules of engagement,” Sterling says.
“This was after London?”
“When I left you back in London, yeah. The mission was in Pakistan. We paid the right people and crossed the border to Afghanistan. The target was a senior Hamas commander who was supplying guns to the militants. He was responsible for a lot of deaths, not only in Gaza. As you know, it’s hard to get close to these guys, so they have a new policy — like with all these predator drones now, they’re willing to accept a certain number of civilian casualties. I’m a sniper. It ain’t how I was trained. For me, you sit in a hole for three days and surgically remove the bad guy. I was very vocal about the changes, but they overrode me. The client was just going to go ahead with it, knowing there could be other deaths, including family members. It became a numbers game. Like seven people is acceptable, but not eight.
“The way we pulled it off, we put a bomb in his cell phone. We switched out his phone and planted a small explosive charge in one exactly like it — had the same wear and feel as the old one. We were in a hide site in the desert. He showed up on the road driving his Land Rover. We called, he answered the phone. Our interpreter confirmed his identity: ‘Is this Colonel So-and-So?’ He said yes. We tapped in a code on the keypad, and it sent a signal and blew his head off. Surgical strike and no collateral damage. Mission accomplished. I should have felt good, right? Except the Hamas commander was also a dad, and he got his head blown off in front of his wife and kids, who were also in the car.”
I suck in brackish air. “Doesn’t quite sit right, does it?”
“I never used to have a problem. This time I didn’t feel justified. I just felt dirty.”
“Quit.”
“And do what?”
“Go back to horses?”
We have been walking in surf up to our ankles. The damp salt wind keeps pushing, wrapping itself around our legs and insistently through our hair, as if nuzzling us to pay attention. The light is holding strong. Against the tide we walk into the water, finding ourselves waist-deep in a forest of rust-colored kelp, the soup of life. No longer resisting loneliness, I fold into his arms. My fingers dig into his flesh with desperation. He never flinches. He never once lets go. Halfway hidden, he pulls off my bikini bottom, and I wrap my legs around his hips, and the swells lift us together.
In Siena, Italy, a miracle occurs. The 1476 bronze sculpture of Risen Christ by Lorenzo Vecchietta, a Renaissance masterpiece that disappeared from the Santa Maria della Scala orphanage chapel four years earlier, is anonymously returned to the high altar. Experts believe it was stolen on behalf of a wealthy collector who kept it in a vault in his private museum, because it reappeared in perfect condition — the face of suffering, the right hand reaching out in forgiveness — as luminous and powerful as ever. No explanation was given for this apparent change of heart.
ACKNOWLEDGMENTS
I must first acknowledge the work of others that has informed this journey. Roberto Saviano’s Gomorrah, a first-person account of organized crime in Naples for which he is still at this time forced to live in hiding, was inspirational, along with McMafia by Misha Glenny. To understand the meaning of the Palio, La Terra in Piazza by Alan Dundes and Alessandro Falassi was an essential text, and Palio, The Race of the Soul by Mauro Civai and Enrico Toti was an insightful tribute.
White Shotgun would not have come into being without the generous assistance of many international law enforcement professionals. In Los Angeles: FBI Supervisory Special Agent Pam Graham and Special Agent George Carr, Principal Firearms Instructor for Los Angeles, as well as Assistant Director in Charge Steve Martinez and Supervisory Special Agent Mary B. Prang — with thanks for the privilege of attending the FBI Citizens Academy. In Washington, D.C.: Rex Tomb, Unit Chief, retired, and FBI Public Affairs Office and Public Affairs Specialist Philip Edney. In Rome: FBI Legat Leo Taddeo. In Siena: Commissario Dottore Andrea Arcamone and Barbara Poazzolti of the provincial police, who were extraordinarily welcoming and patient.
I am obliged to those who unstintingly shared their expertise. Michael Grunberg and Tim Collins provided crucial background on private military operatives. Dr. William Skinner was an indispensable medical adviser. Jesse Sweeney at Caffé Umbria coffee roasting company in Seattle, Washington, kindly provided a spur-of-the-moment tour. Ines Cortez graciously described her experiences growing up in El Salvador.
The enduring love of my husband, Douglas Brayfield, and daughter, Emma, allowed me to stay sane during the roller coaster of writing a novel. While our son, Benjamin, was living in Italy, he suggested that a crime taking place during Palio might make an intruging thriller. He has continued to be an invaluable webmaster and photographer throughout this project.
On the home front at Alfred A. Knopf, I owe a huge debt to production editor Maria Massey and her crack crew, Maralee Youngs and Elizabeth Schraft, for meticulous reading; Paul Bogaards, Nicholas Latimer, and Pam Henstell for getting the word out; Anne-Lise Spitzer for state-of-the-art marketing; and Diana Coglianese for editorial support. I would like to offer profound gratitude to Sonny Mehta for his brilliant leadership, and to express special appreciation to Edward Kastenmeier, executive editor at Vintage Books, for gracing the manuscript with his keen attention.
Thank you to my friends at CAA, and to my longtime literary agent, Molly Friedrich, whose many gifts hardly fit in the four words of the dedication. She is unstoppable when it comes to excellence in publishing — a passionate advocate for both authors and readers.
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