Prescription: Murder! Volume 1: Authentic Cases From the Files of Alan Hynd

by Alan Hynd

  One morning, after the second stiff in forty-eight hours had been carried away in the night, Gilligan was out front sweep-ing the porch when the sisters, who couldn’t stand the suspense, decided to call over to him.

  “What’d the last two residents die of, Mr. Gilligan?” asked Mabel.

  Gilligan stopped to take a swig out of the bottle before answering. Then he bellowed out, loudly enough to be heard in the next block:

  “None of yer goddam business!”

  That, as it was eventually to turn out, was a mistake. The Bliss sisters furious. They sat down and got off a letter to The Hartford Courant, then, as today, a great New England newspaper. They had been counting the number of peo-ple who left in that box during the night for more than four years now and it added up to one a month.

  “I think,” the letter to The Courant concluded, “that that’s a lot of people dying and that there is something mighty strange going on over there.”

  The next day there popped up at the Bliss front door a very appropriately named man named Mike Toughy, the youthful star reporter of The Courant, a walking, talking symbol of the front page scribes of the era: battered hat, dangling cigarette, whisky breath and side-of-the-mouth talk.

  “And now,” he began, as he settled himself on a green chair in the Bliss parlor, “suppose you tell me just why you ladies are so suspicious of that place across the street.”

  The Bliss sisters didn’t have anything to impart to Mike but suspicion. But, as they went into details about that hearse that had been calling in the night all those years, there was something so earnest about them that Mike decided to look into things. So he dug into the records of a few of Sister Amy’s recent losses, got the names of the three physicians who had signed the death certificates, and sought out the doctors.

  True, all three doctors told Toughy, an average of a death a month at The Archer Home did, at first glance, seem high, considering that such an average would com-pletely decimate the Home and repopulate it every twenty months. But the doctors pointed out to Mike that Sister Amy’s patients were all breaking up from the infirmities of age when they came to The Home and had a short time to live at best. Then, too, all three doctors pointed out, Sister Amy, having come out of Bellevue Hospital with practically as much knowledge of the human system as a physician, was more than capable of seeing that everything possible was done for any of her charges.

  Toughy wasn’t satisfied, though. He had a friend who was an actuary, one of those statistics wizards who figure out how long people are going to live, employed by The Greater New England Life Insurance Company, and he dropped in on the man. After filling him in on the death rate at Sister Amy’s establishment, he made some notes, and asked Mike to come back in a few days.

  The news that awaited Mike was mixed. The death rate was high, but, considering the condition of Sister Amy’s charges when they checked in, a lot was accounted for.

  “So,” concluded the actuary, a good man with double talk, “the pic-ture doesn’t look all black and it isn’t all white, either.”

  Mike Toughy didn’t do anything now but hire a couple of grave diggers and an intern from Hartford General Hospi-tal, dig up one of Sister Amy’s most recent check-outs, take the man’s insides out, put him back and cover the grave. Then Mike took the insides to the state toxicologist right in Hartford. The news from the toxicologist wasn’t what Mike was after: not the slightest trace of any kind of poison. Mike, the persistent one, dug up a second stiff but got the same kind of a report. A third stiff got him nowhere, nor did a fourth.

  Mike had just gone back to the city room of his newspaper after getting his fourth negative report when who telephoned him but Sister Amy.

  “Mr. Toughy,” came the sweet voice of the lady who mixed sex and murder, “I’m wondering if you can stop over to see me as soon as you can.”

  Sitting in Sister Amy’s parlor half an hour later, Toughy found himself looking at a very confident lady.

  “Well, Mr. Toughy,” she began, smiling sweetly, “were you disap-pointed?”

  “Disappointed? Disappointed at what?”

  “Disappointed,” said Sister Amy, her voice taking on some harshness now, “at not finding any poison in the four bodies.”

  For once, Mike couldn’t come up with an answer.

  “No wonder you can’t answer me,” said Sister Amy, her voice now dripping icicles, “you no good son of a bitch. Dig up one more body and try to blacken my fine reputation and I’ll see that you wind up in jail and, besides, I’ll sue that paper of yours for the last desk in that room where you write your lies.”

  Mike had no sooner returned to the city room when the city editor beckoned him.

  “Mike,” said the city editor, “I can guess what Sister Amy said to you.”

  “Why?”

  “She’s hired the sharpest shyster lawyer this side of the Rockies, a scoundrel from New York, and he’s just been in here threatening the very future of this paper.”

  “Anything else?” Toughy asked.

  “Yes. This: maybe that woman is one of the greatest criminals since Bluebeard. But if she is, we’ll never prove it. Let the law find out and dig into the facts. Drop this thing.”

  Mike Toughy, though, was practically fearless. On his days off, he ran down to New York and began to poke around Bellevue Hospital. There was a coffee house near Bellevue where the doctors, interns and nurses hung out. It was from a young physician who had been an intern when Sister Amy had been a nurse who gave Toughy some idea of Sister Amy’s sexual demands.

  “I’ve had quite a few women in my life,” the doctor told the scribe, “but never anybody to come anywhere near Amy Archer. I know for a fact that she had three other fellows besides myself one day when she was here within a twelve-hour period.”

  Gilligan seems to have been a very talented man, for as long as he was to last. On most nights, he preferred to perform with the lights on and the shades up in a front room of the second floor. The Bliss sisters, with that wonderful show going on, lost so much sleep that they were seldom awake during the day. Every month or so, in the middle of the night, there would be a change of scene: that hearse.

  It hadn’t taken Gilligan long, of course, to become some-thing of a fixture at Paddy’s saloon. Being a boastful man, he regaled Paddy and some of the barflies of stories of why Big Jim Archer had failed as a husband and why he himself was such a success, going into all the details.

  Then one night, some three years after his marriage to Sister Amy, Gilligan walked into Paddy’s a man with terror in his face.

  “Good God, Mike,” said Paddy, “you look like you’ve seen a ghost.”

  “It’s worse than that, Paddy. I’ve just seen somebody makin’ a ghost.”

  “Whadda you mean?”

  Gilligan had been hitting it up before he came into Paddy’s and was about two sheets to the ozone. Now, though, as if suddenly realizing that he had let out something that should never have been mentioned, he clammed up. Looking at a shot Paddy had poured for him, he shoved it back, without a word, and hustled out of the joint.

  “I wonder what he meant by what he just said?” one of the barflies could hear Paddy muttering to himself. Paddy thought for a while, then shrugged and went back to pouring booze for the customers.

  Two nights later, that hearse was at Sister Amy’s again. When Paddy’s opened in the morning, the word was there be-fore the first spigot was turned on: Brother Gilligan had conked out during the night. Heart attack.

  Sister Amy, always a lady who looked ahead, had Gilligan’s successor all lined up, a classy-looking gentleman answering to the name of Harold Q. Knight, who had been in residence for several months now.

  Knight was a smallish man of about fifty, with very white skin, very red lips, and jet black hair that the other residents were certain had been dyed. Nobody knew where he had come from and, as he passed the other residents at any hour of the day or night, he was always quot-ing to himself from a book of poetr
y he carried.

  On the night of the day that Sister Amy’s seventh husband had been buried, one of the residents, a new arrival named Charles W. Andrews, happened to be passing Sister Amy’s bedroom when he heard the voices of Sister Amy and Harold Q. Knight.

  “Why I asked you to come into my room,” Andrews could hear Sister Amy saying to Knight, “was I thought maybe we could get together.”

  “I don’t quite understand,” Knight replied. There was silence, then Andrews heard Knight saying: “But why are you taking your nightgown off?”

  “Can’t you guess, Mr. Knight?”

  “Why, no.”

  “I’m a woman,” Sister Amy was saying, “and I no longer have a husband. You are a man and you do not have a wife. We can have a lot of fun together.”

  “Sister Amy,” Knight said, “I thought you knew.”

  “Knew what?”

  “That I prefer men to women.” There was a stony silence. Then Andrews heard Sister Amy say in the terminology of the day,

  “You mean you’re a fairy?”

  “Well,” replied Knight, “I guess you can call it that.”

  It wasn’t long afterward when Knight left in the night.

  All this time, of course, Mike Toughy had been biting his nails and tearing out his hair because The Hartford Courant, not want-ing to find itself without a press to print on, had admonished him to lay off Sister Amy. Sister Amy had, of course, cut down on that one-a-month hearse call. But the old boys and girls were still going away in the night.

  Sister Amy, who had, up to now, as she began her seventh year operating The Home, always appeared in The Home starched out in a nurse’s white uniform and appeared on the street in regular pedestrian attire. Now, though, for street wear, she appeared in the semi-religious garb of the Quaker, flowing gray cape and little gray bonnet. As she minced along the streets of Windsor, out purely for exercise and air, she was never without her Bible, glancing at it as she walked, then quoting it as she looked skyward with a holy light in her eyes.

  Our girl sure knew what she was doing. Some citizens re-garded her as something of a nut. Others respected her as a devout little character. But nobody, nobody but Mike Toughy, had the slightest idea that she was one of the great killers of criminal history.

  It was along about now that Sister Amy, in her middle forties, entered that phase that women call change of life. With the normal woman, sex becomes pretty important. With Sister Amy, the demand was out of this world. To make matters worse, there wasn’t a stalwart male on the premises. So Sister began to pay for it. Windsor was filled with stalwart young workmen, plumbers and carpenters and jacks of all trades. So now there was always a leak that developed some-where in The Home, after dark, and a plumber called to plug it up.

  One day, Mike Toughy happened to be lifting a few in Paddy’s saloon when who walked in but Charley Andrews, the old boy who had heard that dialogue between Sister Amy and the gay resident. Toughy and Andrews happened to fall into conversation and when Mike heard the story of how Knight had conked out so quickly after not being able to rise to Sister’s demands, he began to throb with suspicion again.

  So Mike Toughy, without his paper being any the wiser, decided to play for all or nothing. He scouted around Hart-ford until he found an old couple, smart folks in their sixties named Flanagan, and he coached them in the part they were to play in a lethal plot.

  A few days later, then, Mr. and Mrs. Michael Flanagan appeared at the front door of The Archer Home.

  “We’re from Massachusetts,” Flanagan said to Sister Amy, “and we’ve heard about your wonderful home.”

  “Come in,” said Sister Amy. The Flanagans looked like prosperous people and Sister Amy sat there for quite a while, sizing them up and feeling them out. The Home, she divulged, was all filled but she’d be glad to put them on the waiting list.

  “Oh,” said Flanagan, uttering words that Toughy had put in his mouth, “isn’t that too bad you can’t take us right away. Now we’ll have to hunt around for someplace else because we want to get into a Home somewhere right away.”

  “Yes,” piped up Mrs. Flanagan. “And money is no object.”

  The Flanagans were to say later that that crack of the little woman’s was like throwing fuel on a dying fire.

  “Oh,” said Sister Amy, “I just remembered: there will be two vacancies here in a week or so.”

  “Oh? You have residents who are very ill?”

  “Yes. Two cases of heart trouble, poor souls.”

  “Are they very ill?”

  “They’re unaware of what’s wrong with them, God bless them.”

  “We’ll be back,” said Flanagan. “We’re staying with relatives down in New York.”

  When the Flanagans told Toughy about the vacancies, Mike was afraid he’d have two murders on his conscience. So he had the Flanagans go right back and tell Sister Amy they’d changed their minds.

  Unbeknown to Mike, though, there was another couple, people named the Chester Watsons, who had popped up at the Bliss home, of all places, asking the two old maids what they knew about the Archer place

  “We’re looking for some place to spend our last years,” Mrs. Watson told Mabel Bliss, “and we’ve heard a lot about the Archer Home.”

  Mabel Bliss, having been told by Mike Toughy that Sister Amy would have the law on anybody who said a bad word about her, was afraid, unfortunately, as it turned out, to open her mouth. And so she and her sister saw the Chester Watsons walking across the street, rapping on the front door of The Home, and being graciously received by Sister Amy.

  Two nights later, not one but two residents of The Archer Home left in boxes. One dead one was an old lady; the other was Brother Andrews.

  And that did it, the double departure in the gloom of the night. There was room now for the Watsons. When the Bliss sisters dropped the word to Mike Toughy, he got busy. Toughy had always thought that Sister Amy had learned about those four bodies he had had dug up by spotting him when he had visited the Bliss home originally and somehow having him shadowed when he went to the cemetery at nights. Now, though, he to take his chances.

  The body that Toughy had disinterred this time, long enough to get out of the cemetery with the stomach, was that of Charley Andrews. Toughy was in better luck this time. Andrews had been poisoned.

  The next day Mike Toughy was sitting in the office of State’s Attorney Hugh M. Alcorn. Toughy had, while the state toxi-cologist had been analyzing Andrews’ stomach, been doing some fast poking around the region. He learned that Sister Amy had insured Andrews for $4,000. He learned that on the occasion that he had had the actuary look into the insurance records for him that the actuary had not looked far enough.

  True, Sister Amy had not at that time been carrying in-surance on any of the departed ones. Not that she hadn’t tried. She had tried to take out policies on most of them but they had all failed to pass their medical tests.

  But Toughy had discovered something even more vital to the future of The Archer Home. In digging into the poison books of the drugstores, which he had done previously without results, it occurred to him that Sister Amy might not have used her own name when buying arsenic. And he struck luck there, too. A little woman answering Sister Amy’s description had, over a period of years, put in occasional ap-pearances at a drug store in Hartford. And when Mike Toughy sneaked the druggist around to the Bliss house under cover of night and had him get a gander at Sister Amy when she came out the front door next morning, the druggist just nodded.

  Now Toughy sat there telling State’s Attorney Alcorn the whole lethal story of Sister Amy’s seven years of bad luck for Windsor. Alcorn saw the black light. But, to make as-surance doubly sure, he had the bodies of four of Sister’s most recent victims dug up. Two of them were filled with arsenic. Two of them had been smothered. That answered a lot, that smothering; it explained why most of Sister Amy’s victims were walking around after supper and leaving in a box a few hours later. And a smothering job d
idn’t leave any trace in a victim’s stomach.

  Finally, The Hartford Courant ran the big story.

  Sister Amy was charged with the murder-for-profit of Brother Andrews. A bad case of “prison psychosis” made it seem unlikely that she’d come to trial, but on June 18, 1917, the woman suspected of at least a score of murders faced the jury. After a four-week trial and four hours of deliberation, they found her guilty and sentenced her to die on the gallows in November. But State’s Attorney Alcorn, in his enthusiasm, had made a slip in the first trial and had told the jury about twenty-three other arsenic jobs that the State had linked to Sister Amy. That got her a new trial in June 1919.

  At the second trial, a curious thing was noticeable. Sister Amy, though only in her forties, had suddenly lost her re-markable youth. At the first trial, where she had appeared with a daughter from one of the five marriages she had gone through before darkening the Connecticut landscape, she had retained her remarkable youth.

  Now, though, she had sud-denly become an old woman, with evil written all over her face. She reminded some court observers of a female Jekyll-Hyde. All through the seven years while she was writing criminal history she had kept her innocent, youthful face. Now, overnight, it seemed, the evil and age had wiped out the innocence and the youth.

  Insanity was her defense the second time around, with defense lawyers declaring her crazy. Her 19-year-old daughter, Mary E. Archer, testified that her mother was a morphine addict. The second trial ended on July 1, 1919, with a plea of guilty of murder in the second degree, which carried a life sentence. She was a model prisoner until 1924, when she was declared hopelessly insane and transferred to a mental hospital.

  End of story? Not quite.

  An aspiring young writer heard of Amy’s story in the 1930’s and wrote it up as a stage play. His name was Joseph Otto Kesselring, and the original title of his word was Bodies in Our Cellar. The title changed, however, and the play found its way to Broadway as Arsenic and Old Lace.

  Written in 1939, it opened on Broadway at the Fulton Theater, on January 10, 1941, to rave reviews. The original production featured Boris Karloff playing a killer who looked like the Boris Karloff of Frankenstein fame and made the idea of wholesale slaughter simply hilarious.