Lying in vait jpb-12

by J. A. Jance

  "Anyway, this one time, Barney got away. Brett saw him go. He ran inside to get the leash. By the time he came back outside, Barney was across the street, leaving a doggy calling card in Gunter Gebhardt's precious front lawn. I came home a few minutes later. I had just run up to the store to pick up a couple of things for dinner. Brett's old enough to leave alone every once in a while, for a few minutes at a time, anyway. It never occurred to me that anyone here in the neighborhood would think of hurting the dog or deliberately scaring my child."

  "What happened when you came home?"

  "Brett and Barney were both inside. Brett was scared to death and crying. He told me Mr. Gebhardt told him that if he ever caught Barney in his yard again, he was going to get rid of him. My first thought was that Brett was making a big deal out of something that wasn't all that serious. My son has a very active imagination. But he wasn't making it up, Detective Beaumont. Not at all.

  "After I put the groceries away, I left Brett where he was, and I went across the street to clean up the mess and see what I could do to straighten things out. The mess was already gone, of course. Gunter had evidently taken care of that himself. I rang the bell. When he came to the door, he yelled at me. Told me the same thing he'd said to Brett. That if Barney ever came in his yard again, he might just disappear."

  "How long ago was this?" I asked.

  "Right at the beginning of the summer. Just after school got out. It's almost six months ago now, because I marked it on the calendar. Now I'm replacing the batteries every three months, just to be on the safe side. I'm supposed to put in a new set next week."

  "I can see this is all very troubling for you, Mrs. Miller," I said sympathetically. "But what you've told me so far is a long-standing problem. I don't think you've been here since six-twenty this morning waiting to tell me about Gunter Gebhardt threatening your dog."

  "No," she agreed. "You're right. I came because of Lorenzo. I would have come anyway, but when I realized it was over that worthless man-over Gunter-I had to do something about it, something to help."

  I'm the kind of person who doesn't sort through his pocket debris on a regular basis. Stuff I remove from pockets one night when I'm on my way to bed tends to be reloaded, as is, when I dress the next morning.

  Reaching into my jacket pocket, I pulled out my copy of Bonnie Elgin's Identi-Kit sketch and placed it on the table in front of June Miller.

  "Is this your friend Lorenzo?" I asked.

  June nodded. "Not exactly, but close."

  "You know why we're looking for him?"

  "Not really."

  "Because he was seen running through the neighborhood adjacent to Fishermen's Terminal a few minutes before the fire was discovered on Gunter Gebhardt's boat. He ran into the street and was hit by a passing vehicle."

  "I know some of that. I read the newspaper while I was waiting. But I knew about it before then, too. I heard about it last night."

  "How?"

  "From Maria. Lorenzo's sister. She came to Beso del Sol looking for me. Lorenzo sent her to find me and to ask me to help."

  I had seen Beso del Sol in the Wallingford district. It looked to me like an ordinary Mexican-food joint. My first thought was that maybe the Millers were Mexican-food junkies and went there often enough to be considered regulars, but June Miller soon disabused me of that notion.

  "I go there once a week for the salsa dancing."

  "Salsa dancing?" I asked, still wondering if this had something to do with food. "What's that?"

  For the first time since we'd started talking, the woman actually smiled-a dazzling, white-toothed smile.

  "It's a hobby of mine," she said. "I walk around Green Lake in the morning, and I salsa dance three or four nights a week. Some people jog. I dance."

  "You and your husband both?"

  She shook her head. Her hair, free of any noticeable layers of spray or goo, shimmered and then settled softly back around her face without a single strand out of place. "John doesn't go," she said. "At least not often. He stays home with Brett."

  Typical male, I couldn't help wondering if former Congressman Miller wasn't riding for a fall. My face must have given my dirty mind away.

  "It's not like that," June Miller said quickly. "People really do go there to dance, nothing else. It's not a pickup joint."

  "You go dancing at Beso del Sol three or four nights a week, and that's where you met this Lorenzo person?"

  "I don't go there every night," June Miller corrected. "The dancing moves from place to place. Sometimes it's at the New World. Sometimes Latitude Forty-seven. Sometimes at the Ballard Fire House. And yes, Beso is where I first met Lorenzo. He's a very good dancer."

  "What else can you tell me about him?"

  "He's scared, Detective Beaumont. Maria told me he's scared to death. I'm sure he ought to have his leg sewn up, but he refuses to go to the doctor."

  "If he didn't do anything, why's he scared?" I asked. "What's he scared of?"

  "The police."

  "Why?"

  "He's from Guatemala."

  "So?"

  "Do you know anything about human-rights violations? Amnesty International?"

  I'm always so caught up in that home-grown variety of human-rights violation known as murder that I don't have to go looking for it beyond our borders.

  "It's not top on my list of interests," I admitted.

  "When it comes to police brutality-to police operating out of control-Guatemala used to take the prize. That's why Lorenzo's family came here in the first place. His older brother was killed by two policemen. Lorenzo was in the room when it happened. He's scared the same thing will happen to him here."

  "This is Seattle," I said.

  "I know," she agreed. "I went to see him last night. Maria took me to their apartment. I talked to him and tried to explain all that. But he was so upset by what he had seen and heard that he could barely talk. Even to me. It really shook him up."

  "What did?"

  June Miller took a deep breath. "Lorenzo's brother was tortured to death," she said softly. "By two police officers. Lorenzo works two jobs these days-one as a gardener. But he's also a trained mechanic. He was helping Gunter Gebhardt do some work on his boat. On the side. For cash. But when he came to work that morning…"

  She paused, then stopped altogether.

  "What?" I urged impatiently.

  June Miller took yet another deep breath. "I don't know what he heard or saw because he won't tell me. But it must have been awful."

  As far as I knew, no mention of Gunter Gebhardt's mutilation had appeared in any of the local media. This wasn't something June Miller had heard from Bonnie Elgin or from Maxwell Cole, either. The room grew silent.

  "You're telling me Lorenzo saw Gunter Gebhardt being tortured?"

  "He didn't say that to me," June Miller answered. "But he must have seen something."

  "Why do you say that?"

  "Because of what Maria told me. She says that ever since, whenever he falls asleep, even for a few minutes, the nightmares start up again. The same nightmares that kept him awake for years after his brother died."

  "You have to take me to see him," I said softly.

  "Yes," June Miller agreed. "I know I do. But you can see why I don't want to."

  And indeed I could.

  "When can I talk to him?"

  "Tonight. Maria said she'll try to bring him to the Ballard Fire House. That's where the salsa dancing is tonight. I told her I'd try to make arrangements to bring you there as well."

  Salsa dancing in Ballard? Not the Ballard I knew-or used to know. "What do I do?" I asked.

  "Just show up around ten o'clock or so. Pay the cover charge. I'll meet you inside. There's a band. The dancing doesn't really get under way until around eleven."

  "What do I wear?"

  "What you have on is fine."

  "I have a partner, you know. Her name's Sue Danielson. Is it all right if she comes along?"

  I knew I'd be in a
whole lot of trouble if she couldn't.

  "Do you dance?" June Miller asked.

  "Not me."

  "How about your partner?"

  "We work the Homicide Squad," I said. "The subject of dancing has never come up."

  "You can bring her along," June agreed. "But it'll be better if she knows how to dance."

  16

  After my interview with June Miller ended, I escorted her as far as the elevator lobby. Leaving her there, I jogged down the stairway to the fifth floor.

  "See me," said the yellow Post-it note pasted at eye level on the doorway to my cubicle. It was signed with the scrawled initials of Captain L. Powell.

  See me, I thought, heading for the Homicide Squad's command post. Words to live by.

  Years ago, that kind of summons would have struck terror in my heart, especially if I knew that the reason behind it was a screwup of my own making. But things have changed since then. The truth is, I no longer need this job. I work because I want to. That kind of economic freedom does put a slightly different spin on things when the boss comes around chewing ass.

  When I first heard Johnny Paycheck sing his trademark song "Take This Job and Shove It," it seemed like an impossible dream. It's reality now-for me anyway. Anne Corley's generous legacy made that possible. And now that I have a choice, I find it's a whole lot easier to be forgiving of Captain Powell's occasional foibles, to say nothing of my own.

  On the fifth floor, we refer to Captain Powell's fully windowed interior office as "the fishbowl." I went straight there, carrying the still-smoldering Post-it with me. I could see from outside that the captain was busy on the phone, so I meandered over to the desk where Sergeant Watkins had assumed his usual position.

  "Did Sue Danielson find you?" Watty asked. "She was by looking for you a few minutes ago. I told her Chuck Grayson said you were around-upstairs somewhere-but I couldn't be any more specific than that."

  "Did she say what she wanted?"

  Watty shook his head. "Last thing I heard, I think she was headed downstairs to the crime lab."

  I nodded in the direction of the Fishbowl. "What's he want?" I asked.

  "I wouldn't know," Watty answered.

  Since Sergeant Watkins is Captain Powell's right-hand man, that seemed unlikely, but I didn't argue the point.

  About that time, Captain Powell put down the phone. Then he sat there frowning with his hands steepled under his chin, staring at the molded black plastic instrument as though it had just delivered news of the end of the world. The grim set to his jaw boded ill for my coming interview, but I figured I could just as well get it over with. As I started toward the Fishbowl's perpetually open door, Watty gave me a cheery thumbs-up sign.

  As a high school student, I earned spending money by hawking popcorn and sodas in Ballard's now-defunct Baghdad Theater. Watty's gesture reminded me of some of those old gladiator films. There was always a scene in the dusty amphitheater when the doomed gladiators clapped themselves on their armored chests and announced ever-so-solemnly, "We who are about to die salute you."

  Watty and I are about the same age, and most likely he grew up watching the same movies I did. I took heart from his raised thumb. After all, in the movies a thumbs-up from Caesar meant the bloodied gladiator lived. Maybe there was hope for me.

  I tapped lightly on the doorjamb.

  "Come," Powell called out.

  Being summoned to Captain Powell's Fishbowl bears an uncommon resemblance to being called to the principal's office back in grade school. My instincts then, as now, were to get my licks in first, to hurry and blurt out my side of the story before anyone else could get a word in edgewise.

  "Sorry, Captain, but it's all my fault," I said, not giving him an opportunity to take the first shot. "I tracked down the leak on the story in the paper, and it turns out to be me. I didn't realize it, but at the time I called to discuss the Identi-Kit sketch with Bonnie Elgin, she and her husband had a houseful of company-including Maxwell Cole himself. I made the mistake of not warning Bonnie to keep a lid on…"

  "Forget it, Beau," Captain Powell interrupted. "Those things happen. That's not why I called you in here. I need your help. Have a chair."

  I shut up and sat.

  "I guess you know what they say about shit-that it rolls downhill?"

  After twenty-some years on the force, this was not news. "So I've noticed," I said.

  Captain Powell nodded gloomily. "Me, too." He plucked a single piece of paper off the morass on top of his desk. "No doubt you've seen this?"

  I glanced at the memo. The bar at the top said it came from the office of Kenneth Rankin, Chief of Police, Seattle P.D. It was addressed "To all Squad Leaders," of which Captain Powell is one.

  Seattle's recently appointed police chief, Kenneth Rankin, is on a one-man campaign to get cops out of their patrol cars and into the community. To that end, the chief's staff has generated a steady flurry of printed pages that gradually filter across desks and down channels to the men in blue-something that also may change if Rankin's radical proposal to get police officers out of uniform gains approval.

  To be honest, there have been so many memos flying around that most people have developed a certain immunity. I, for one, had just about given up bothering to read them.

  The piece of paper in my hand was some long, wordy dissertation on the value of police-officer visibility and volunteerism in the community. The general gist of the memo was that Seattle Police Department officers were being asked to use their off-duty hours-whenever those might be-to take part in community-service activities and projects.

  I suppose the basic philosophy behind all this is the idea that if a punk and a police officer work side by side cleaning up garbage out of a park or off a beach one weekend, they're not quite so likely to shoot one another the next time they meet on the street. The concept sounds fine on paper, but it doesn't translate all that well into practice.

  For one thing, it wasn't at all popular with the rank and file. Seattle's finest-those public servants sworn to serve and protect-weren't exactly running over each other in their eagerness to give up their off-duty time. Neither were their wives and families. Furthermore, the punks of this world-the real baddies-were far too busy selling drugs or shooting one another to be bothered with cleaning up garbage-strewn parks.

  I handed the paper back to Powell. "What about it?"

  "The chief's riding the individual squad leaders pretty hard about this. In fact, that was his second-in-command on the phone just now, calling to ask for a progress report. By Monday, each individual squad is supposed to come up with some game plan for that squad's community participation."

  "What does all this have to do with me?"

  "Watty and I were talking it over a little while ago. He said you might be able to help."

  "How?"

  "You're involved in things like this, aren't you, Beau? Don't I remember you donating a car or something to one of the charity auctions?"

  Not the damned Bentley again, I thought, but Powell continued without detouring off into any specifics. "Watty said he thought you might know some of the people who are involved in this kind of do-gooder crap-someone who could point us in the right direction."

  "What exactly did you have in mind?"

  "Well," Captain Powell said, "we need to come up with something that will actually do some good, won't take up too much time, and will get the chief off my back. Do you have any ideas?"

  It took some time, but I did come up with one. The idea, when it came, was almost blinding in its sheer brilliance.

  "Captain Powell," I said, barely concealing the smirk that wanted to leak out the corners of my mouth. "This is one time when you've come to the right place at the right time."

  "How so?"

  "I happen to know just the person you need to talk to-one who can put you in touch with all the movers and shakers around town. She'll hook you up with one of the charity auctions for an item like ‘Coffee-with-a-cop' so fast it'll
make your head spin."

  Captain Powell frowned. "Are you kidding? Coffee with a cop?"

  "It would probably sell like hotcakes."

  Powell picked up his pen and held it at the ready. "All right," he said. "Who is she? What's her name?"

  "Bonnie Elgin," I answered triumphantly, dragging my ragged notepad out of my pocket. "I have her number right here. You can tell her I suggested that you call."

  It must have sounded do-able, because Captain Powell was looking almost cheerful when I left his office. As for me, I was still grinning when I made it back to my cubicle.

  There were two messages on the voice mail-one from Kari Gebhardt and one from Sue Danielson telling me she was on her way down to the crime lab. I returned Kari's call first. Sounding young and uncertain, she was the one who answered the phone.

  "This is Detective Beaumont," I told her.

  "Oh, right," she said. "My grandmother told me to call you. What do you want?"

  "I'm a member of the team investigating this incident with your father. Is there a time when my partner and I could get together with you to talk?"

  "I don't know. I'm awfully busy. And I don't know how much help I could be, either," Kari answered evasively. "I wasn't even in town when it happened."

  "It's just routine," I assured her. "And it shouldn't take too long. We're gathering background information-that kind of thing."

  "I can't do it this morning," Kari said. "Mother and I are leaving in a few minutes to go to the mortuary."

  "Early this afternoon is fine, if that would be more convenient."

  "Where?" Kari Gebhardt asked.

  "Detective Danielson and I could come there to the house, if you'd like," I offered.

  "No. Not here," Kari said quickly. "I'd rather meet you somewhere away from the house. And not in Ballard, either. Everyone here knows…"

  "Would you like to come to my office down here at the department?"

  "No," Kari said. "Not that. How about Caffe Minnie's at First and Denny up in the Regrade. Michael and I go there sometimes when we're in town. Michael's my boyfriend."