Passion and the Prince

by Penny Jordan

  Abruptly he released her, thrusting her from him, turning away from her towards the stairs and taking them two at a time, whilst she gasped for air and tried to turn the handle of the door to the studio with trembling fingers.

  She was back—safe in the studio. Only Lily knew that she could never be completely safe with herself ever again. In a handful of seconds and with one automatic and instinctive male movement the protective bubble in which she had wrapped herself to defend herself against his sex had been torn from her. In his hold she had experienced an awareness of him as a man that had struck right at the core of everything she believed about herself, revealing to her a vulnerability she had promised herself she would never know. How could it have happened so quickly and so unexpectedly? So unacceptably? Like lightning striking out of nowhere? She didn’t know, and she didn’t want to know. She just wanted to ignore it and forget about it.

  Numbly, she forced herself to go through the motions of getting back to work.

  ‘What was all that about?’ the stylist asked her curiously.

  ‘Nothing. Just a bit of a mistake, that’s all.’

  A mistake it certainly had been—and the real mistake had been hers.

  Her hands trembled as she adjusted the camera. Her very first memories included the feeling of being able to make herself feel safe behind a camera as she played with the equipment in her father’s studio, where she had been left so often as a young child, by parents too involved in their own lives to care about hers. Her camera represented security in so many different ways. It was the magic cloak behind which she could conceal and protect herself. But not today. Not now. When she looked through her camera, instead of seeing a model posing, ready for her to photograph, all she could see was an image of the man who had just ripped the security of her self protection from her.

  She closed her eyes and then opened them again. Nothing had really happened to alter her life in any way. She might feel as though she had been dragged through the eye of a storm, but that storm had gone now and she was safe.

  Was she? Was she really? Or was that just what she wanted—no, needed to believe?

  Her mobile beeped to warn her of an incoming text.

  Automatically she pressed to read it, scrolling down its length with a jerky uncoordinated touch that betrayed the effect he had had on her nervous system.

  It was from Rick, telling her that he’d got wind of a terrific opportunity and was flying out to New York to follow up on it.

  PS, he’d texted, bkd studio in yr name. Can u pay the bill for me?

  Lily straightened her body, pushing her hair back off her face. This was reality—the reality of her life and her relationships. What had just happened was nothing—and meant nothing. It should be forgotten—treated as though it had never happened.

  It didn’t matter. It couldn’t matter. For some reason a gap had opened up in the protection she had woven around herself and she had slipped into it. Slipped into it—that was all. Not fallen through it, not become lost for ever in it, spellbound by the dark magic of an unknown man’s touch.

  She had work to do, she reminded herself. Proper work—not stepping in to do Rick’s work for him. Her real purpose in being here in Milan had nothing to do with models, or fashion, or anything that belonged to the world that had been her father’s. She had her own world and her own place in it. Her world. Her safe, protected and protective world—and that world would never admit into it a man who could bewilder her senses to the point where he might take them prisoner.

  Marco nodded to his PA, handing over to him the documents he had just signed, his mind on the rather trying and over-emotional phone call he’d just had from his sister. She was hoping, he knew, that he would take her son Pietro onto his personal staff once he had completed his university education, with a view to Pietro eventually being appointed to the board of the family business, which comprised a vast empire of various interests built up by successive generations of Lombardy nobles and merchants.

  Marco’s own contribution to those assets had been the acquisition of a merchant bank which had turned him into a billionaire by the time he was thirty.

  Now, at thirty-three, he had turned his attention and his razor-sharp intellect away from the future to focus it instead on the past, and in particular on the artistic legacy originally created by members of his own family and those like it in financing and sponsoring artists as their protégés.

  Marco had never been able to understand quite where his older sister got her emotional intensity from. Their now dead parents had after all been rather distant figures to them, aristocratic and stiffly formal in the way they’d lived their lives. The upbringing of their two children had been left in the hands of nannies and then good schools. Their mother hadn’t been the type to fuss over her children in any way, but especially not physically. She had been the opposite of the normal conception of Italian mothers—proud of them both, Marco knew, but never one to hug or kiss them. Not that Marco looked back on his childhood with any sense of deprivation. His personal space, his personal distance from other people, was important to him.

  However, he could and did understand the concern his sister had about Pietro—even if his keenly logical brain was not able to accept her defence of her son’s reasons for accepting money in return for a so-called ‘modelling’ assignment. Her poor son needed a more generous allowance, she had told him, adding that it was Marco’s fault that Pietro had felt the need to take such a risk, because Marco insisted on Pietro managing on a ridiculously small amount of money. Of course his sister has been quick to assure him that she was grateful to Marco for intervening and going to see the wicked person who had approached her precious son. After all, they both knew what could happen to young innocents who found themselves caught up in the sordid side of modelling.

  Marco’s gaze fell on the silver-framed photograph on his desk. Olivia, the girl in it, looked very young. The photograph had been taken just after her sixteenth birthday. Her pretty face was wreathed in a shy smile, her dark hair curling down onto her shoulders. She looked innocent and malleable, incapable of deceiving or betraying anyone. Her beauty was the beauty of a still unopened rose—there to be seen, but not yet fully mature. Olivia had never reached that maturity. Anger burned inside him—an anger that grew in intensity as out of nowhere he felt an unwanted echo of the electrical jolt of sexual awareness that had shocked through him earlier in the day, for a woman who should have been the last kind of woman on earth who could affect him like that. It had been a momentary failing, that was all, he assured himself. A consequence, no doubt, of the fact that his bed had been empty for the best part of a year, following his refusal to give in to his mistress’s pleas for commitment.

  He stood up and walked over to the window. He didn’t particularly care for city living—or Milan. But for business reasons it made sense to keep an apartment and an office here. It was only one of several properties in his portfolio—some bought by him and some family properties inherited by him.

  If he ever had to choose only one property from that portfolio it would be a magnificent castle built for one of his ancestors who himself had been a collector of the finest works of art.

  Marco had been wary at first when he had been approached by Britain’s Historical Preservation Trust, with a view to his helping with an exhibition being mounted in an Italian inspired English stately home that would chart the history of the British love of Italian paintings, sculpture and architecture via various loaned artefacts, including plans, drawings and artworks. But the assurances he had received from them about the way in which the whole project would be set up and handled had persuaded him to become involved. Indeed he had become involved with it to such an extent that he had volunteered to escort the archivist the trust were sending to Italy on a preliminary tour of the Italian properties it had been decided would best fit with what the exhibition wanted to achieve.

  Dr Wrightington, who had been appointed by the Historical Preservation Trust
, would be touring a selection of properties selected by Marco and the trust, and Marco would be accompanying her. Her tour was to begin with a reception in Milan, after which they would visit the first properties on Marco’s list—several villas on the banks of Lake Como to the North of Milan. He knew very little about Dr Wrightington other than the fact that the thesis for her doctorate had been based on the long-running historical connection between the world of Italian art and its artists, and the British patrons who had travelled to the great art studios of Rome and Florence to buy their work, returning home not just with what they had bought but also with a desire to recreate Italian architecture and design in their own homes. The tour would end at one of his own homes, the Castello di Lucchesi in Lombardy.

  Marco looked at his watch, plain and without any discernible logo to proclaim its origins. Its elegance was all that was needed to declare its design status—for those rich enough to recognise it.

  He had an hour before he needed to welcome Dr Wrightington to Milan at the reception he had organised for her in a castle that had originally been the home of the Sforza family—the Dukes of Milan—and what was now a public building, housing a series of art galleries. His own family had been allies of the Sforzas in earlier centuries—a relationship which had benefited both families.

  CHAPTER TWO

  LILY looked round her small anonymous hotel bedroom. Her bag was packed and she was ready to leave, even though it would be half an hour before the taxi would arrive.

  The label on her laptop case caught her eye: Dr Lillian Wrightington. She had changed her surname just after her eighteenth birthday, to avoid association with her famous parents, taking on her maternal grandmother’s maiden name.

  Even now, over a year after she had been awarded her PhD, it still gave her a small thrill to see that title in front of her name.

  Rick couldn’t understand why she had chosen the life she had—but then how could he? His memories of their father were so different from hers.

  She had had the dream again last night, for the first time in ages, knowing that she was dreaming but powerless to wake herself up from it. It always followed the same course. Her father called her into the studio, telling her that she must stand in for a model who had not turned up. The thought of being photographed brought on her familiar fear. She looked for her own camera, wanting to hold it and hide behind it. Then the door to the studio opened and a man came in. His features were obscured, but Lily still knew him—and feared him. As he came towards her she tried to escape from him, calling out to her father as she did so, but he was too busy to pay her any attention. The man reached for her …

  That part of the dream had been completely familiar to her. She had dreamed it a thousand times and more, after all. But then something odd had happened—something new and unfamiliar. As the horror and revulsion had risen up inside her, accompanied by anguish that her father couldn’t see she needed help, the door to the studio had opened again, admitting someone else, and when she’d seen the newcomer she had been filled with relief, running to him, welcoming the feel of his fingers on her arms, knowing that despite the anger she could feel burning in him his presence would protect her and save her.

  Why had she turned the man who had come to the studio Rick had hired and berated her so furiously into her rescuer? It must be because he himself felt contempt for the seedier side of modelling, and therefore at some deep level of her subconscious she had assessed him as a safe haven from those that she herself had learned so very young to fear. And was that the only reason? Lily gave a small mental shrug. What other reason could there be? What other reason did there need to be. Sometimes it was a mistake to dwell on things too deeply and to over-analyse them.

  What mattered more was why she had had the dream again, after nearly three years without having it. She suspected she knew the answer to that particular question. The whole ambience of that studio had aroused too many painful unwanted memories. Memories that belonged in her past, she reminded herself determinedly. She was another person now—a person of her own creation and in her own right. Dr Lillian Wrightington, with a doctorate in the influence of Italian art and architecture on the British grand house.

  Reception finally called to say her taxi was outside, and she went down to the lobby, wheeling her suitcase behind her. She was, she admitted, slightly apprehensive about meeting the Prince di Lucchesi—but only slightly. Her job as a freelancer archivist connected to the Historical Preservation Trust meant that she had attended enough fundraising events not to feel intimidated at the thought of mingling with the rich and titled. Besides in many cases, thanks to the research for her doctorate, she knew as much about the centuries of skeletons in their family cupboards as they did themselves, she reminded herself wryly.

  Other academics might focus on the life of an artist responsible for certain works. She had focused instead on the patrons. Initially that had simply been so she could establish which patrons had been drawn to and bought which artist’s work, but then she had found herself becoming increasingly curious about why a certain person had been drawn to a certain piece of art—or a certain artist. Human relationships were at the same time both very simple and very complicated because of the emotions that drove them—because of the mazes and minefields of problems people themselves created to control the lives of others.

  She could have researched the Prince online, of course, but Lily was far more interested in men and women who inhabited the past rather than those who lived in the present. The Prince was merely someone she had to deal with in order to achieve the goal she shared with the Trust.

  She had still dressed appropriately for the reception, though. First impressions mattered—especially in the world of art and money. Whilst Lily had no interest in fashion per se, it would have been impossible for her to have grown up the way she had without absorbing a certain sense of style. Modestly she considered that she was helped in that by her height and her slenderness. At five nine she wasn’t particularly tall, but she was tall enough to carry her clothes well. Although normally when she was working she preferred to wear a tee shirt and jeans—a polo neck and jeans if it was cold, along with a fine wool long-line cardigan—for more formal public occasions such as this one she kept a wardrobe of simple good-quality outfits.

  For today’s reception she was wearing a caramel-coloured dress. Sleeveless, with a high slashed neckline, it skimmed the curves of her body rather than clung to them. Round her neck she was wearing the rope of pearls that been handed down to her from her great-grandmother on her mother’s side. The only other jewellery she was wearing was the Cartier watch that had been her mother’s, and a pair of diamond ear-studs which she had had made from the two diamonds in her mother’s engagement ring.

  After her mother’s suicide her father had given her all her mother’s jewellery. She had sold it all, apart from the watch and the engagement ring, giving the money to a charity that helped the homeless. Somehow it had seemed fitting. After all her mother’s heart had become homeless, thanks to her father’s affairs.

  She had toned her dress with plain black accessories: good leather shoes and an equally good leather bag. Good quality, but not designer. In her case she had one of her favourite black cashmere long-line cardigans to wear later in the day for the journey from Milan to the world-famous luxurious Villa d’Este Hotel on Lake Como, where the Prince was going to escort her on a tour of some of the wonderful privately owned villas of the region at the invitation of their owners.

  It was entirely due to the Prince that she was being given such a rare opportunity to see the interiors of those villas, her employer at the trust had told her, adding that it had been at the Prince’s suggestion and his own expense that she was to stay at the exclusive Ville d’Este, which itself had originally been privately owned.

  There was no sunshine quite like the sunshine of late September and early October, Lily thought as the taxi negotiated the streets of Milan. Fashion week was almost over, but she still loo
ked over when they passed the Quadrilatero d’Oro—the area that housed some of the world’s most famous designer shops—before heading for the Castello Sforzesco palace.

  The reception she was attending was being held within the castle, which now housed several galleries containing works of art by Italy’s most famous artists. Lily was familiar with the layout of the building, having visited it whilst she had been studying for her doctorate and writing her thesis, and was a great admirer of its collections. However, after the taxi had dropped her off and she had made her way to her destination, it wasn’t either the Sforza family’s history or its art collections that brought her to a stunned halt in front of the double doors behind which the reception was to be held.

  It was the man waiting for her there that brought a shocked, ‘You!’ to her lips.

  She couldn’t believe it. She didn’t want to believe it but it was true. He, the man from the studio who had already harangued and insulted her once, was regarding her with an expression that said just how unwelcome to him her presence was as he announced grimly, ‘I don’t know what you think you are doing here.’

  Was he daring to suggest that he thought she was pursuing him? Fortunately, before she could give vent to her feelings, Lily realised that he was staring at the suitcase in front of her, where her name was written plainly on the address label.

  Focusing on it, Marco read the label in growing disbelief. Dr Lillian Wrightington.

  Removing his gaze from the label, he looked up at Lily, demanding, ‘You are Dr Wrightington?’

  Lily supposed that by rights she should feel a certain sense of satisfaction at his obvious disbelief, but the reality was that it was hard for her to feel anything other than a stomach churning, knee-knocking despair. Not that she was going to let him see that. Not for one minute.