Delphi Complete Works of Pliny the Elder

by Pliny the Elder

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  CHAP. 60. (25.)

  PAVEMENTS. THE ASAROTOS ŒCOS.

  Pavements are an invention of the Greeks, who also practised the art of painting them, till they were superseded by mosaics. In this last branch of art, the highest excellence has been attained by Sosus, who laid, at Pergamus, the mosaic pavement known as the “Asarotos œcos;” from the fact that he there represented, in small squares of different colours, the remnants of a banquet lying upon the pavement, and other things which are usually swept away with the broom, they having all the appearance of being left there by accident. There is a dove also, greatly admired, in the act of drinking, and throwing the shadow of its head upon the water; while other birds are to be seen sunning and pluming themselves, on the margin of a drinking-bowl.

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  CHAP. 61.

  THE FIRST PAVEMENTS IN USE AT ROME.

  The first pavements, in my opinion, were those now known to us as barbaric and subtegulan pavements, a kind of work that was beaten down with the rammer: at least if we may form a judgment from the name that has been given to them. The first diamonded pavement at Rome was laid in the Temple of Jupiter Capitolinus, after the commencement of the Third Punic War. That pavements had come into common use before the Cimbric War, and that a taste for them was very prevalent, is evident from the line of Lucilius —

  “With checquered emblems like a pavement marked.”

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  CHAP. 62.

  TERRACE-ROOF PAVEMENTS.

  The Greeks have also invented terrace-roof pavements, and have covered their houses with them; a thing that may easily be done in the hotter climates, but a great mistake in countries where the rain is apt to become congealed. In making these pavements, the proper plan is to begin with two layers of boards, running different ways, and nailed at the extremities, to prevent them from warping. Upon this planking a rough-work must be laid, one-fourth of which consists of pounded pottery: and upon this, another bed of rough-work, two-fifths composed of lime, a foot in thickness, and well beaten down with the rammer. The nucleus is then laid down, a bed six fingers in depth; and upon that, large square stones, not less than a couple of fingers in thickness; an inclination being carefully observed, of an inch and a half to every ten feet. This done, the surface is well rubbed down with a polishing stone. The general opinion is, that oak should never be used for the planking, it being so very liable to warp; and it is considered a good plan to cover the boards with a layer of fern or chaff, that they may be the better able to resist the action of the lime. It is necessary, too, before putting down the planking, to underset it with a bed of round pebbles. Wheat-ear tesselated pavements are laid down in a similar manner.

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  CHAP. 63.

  GRÆCANIC PAVEMENTS.

  We must not omit here one other kind of pavement, that known as the “Græcanic.” The ground is well rammed down, and a bed of rough work, or else broken pottery, is then laid upon it. Upon the top of this, a layer of charcoal is placed, well trodden down with a mixture of sand, lime, and ashes; care being taken, by line and rule, to give it a uniform thickness of half a foot. The surface then presents the ordinary appearance of the ground; but if it is well rubbed with the polishing-stone, it will have all the appearance of a black pavement.

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  CHAP. 64.

  AT WHAT PERIOD MOSAIC PAVEMENTS WERE FIRST INVENTED. AT WHAT PERIOD ARCHED ROOFS WERE FIRST DECORATED WITH GLASS.

  Mosaic pavements were first introduced in the time of Sylla; at all events, there is still in existence a pavement, formed of small segments, which he ordered to be laid down in the Temple of Fortune, at Præneste. Since his time, these mosaics have left the ground for the arched roofs of houses, and they are now made of glass. This, however, is but a recent invention; for there can be no doubt that, when Agrippa ordered the earthenware walls of the hot baths, in the Thermæ which he was building at Rome, to be painted in encaustic, and had the other parts coated with pargetting, he would have had the arches decorated with mosaics in glass, if the use of them had been known; or, at all events, if from the walls of the Theatre of Scaurus, where it figured, as already stated, glass had by that time come to be used for the arched roofs of apartments. It will be as well, therefore, to give some account, also, of glass.

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  CHAP. 65. (26.)

  THE ORIGIN OF GLASS.

  In Syria there is a region known as Phœnice, adjoining to Judæa, and enclosing, between the lower ridges of Mount Carmelus, a marshy district known by the name of Cendebia. In this district, it is supposed, rises the river Belus, which, after a course of five miles, empties itself into the sea near the colony of Ptolemaïs. The tide of this river is sluggish, and the water unwholesome to drink, but held sacred for the observance of certain religious ceremonials. Full of slimy deposits, and very deep, it is only at the reflux of the tide that the river discloses its sands; which, agitated by the waves, separate themselves from their impurities, and so become cleansed. It is generally thought that it is the acridity of the sea-water that has this purgative effect upon the sand, and that without this action no use could be made of it. The shore upon which this sand is gathered is not more than half a mile in extent; and yet, for many ages, this was the only spot that afforded the material for making glass.

  The story is, that a ship, laden with nitre, being moored upon this spot, the merchants, while preparing their repast upon the sea-shore, finding no stones at hand for supporting their cauldrons, employed for the purpose some lumps of nitre which they had taken from the vessel. Upon its being subjected to the action of the fire, in combination with the sand of the sea-shore, they beheld transparent streams flowing forth of a liquid hitherto unknown: this, it is said, was the origin of glass.

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  CHAP. 66.

  THE VARIOUS KINDS OF GLASS, AND THE MODE OF MAKING IT.

  In process of time, as human industry is ingenious in discovering, it was not content with the combination of nitre, but magnet-stone began to be added as well; from the impression that it attracts liquefied glass as well as iron. In a similar manner, too, brilliant stones of various descriptions came to be added in the melting, and, at last, shells and fossil sand. Some authors tell us, that the glass of India is made of broken crystal, and that, in consequence, there is none that can be compared to it.

  In fusing it, light and dry wood is used for fuel, Cyprian copper and nitre being added to the melting, nitre of Ophir more particularly. It is melted, like copper, in contiguous furnaces, and a swarthy mass of an unctuous appearance is the result. Of such a penetrating nature is the molten glass, that it will cut to the very bone any part of the body which it may come near, and that, too, before it is even felt. This mass is again subjected to fusion in the furnace, for the purpose of colouring it; after which, the glass is either blown into various forms, turned in a lathe, or engraved like silver. Sidon was formerly famous for its glass-houses, for it was this place that first invented mirrors.

  Such was the ancient method of making glass: but, at the present day, there is found a very white sand for the purpose, at the mouth of the river Volturnus, in Italy. It spreads over an extent of six miles, upon the sea-shore that lies between Cumæ and Liternum, and is prepared for use by pounding it with a pestle and mortar; which done, it is mixed with three parts of nitre, either by weight or measure, and, when fused, is transferred to another furnace. Here it forms a mass of what is called “hammonitrum;” which is again submitted to fusion, and becomes a mass of pure, white, glass. Indeed, at the present day, throughout the Gallic and Spanish provinces even, we find sand subjected to a similar process. In the reign of Tiberius, it is said, a combination was devised which produced a flexible glass; but the manufactory of the artist was totally destroyed, we are told, in order to prevent the value of copper, silver, and gold, fr
om becoming depreciated. This story, however, was, for a long time, more widely spread than well authentieated. But be it as it may, it is of little consequence; for, in the time of the Emperor Nero, there was a process discovered, by which two small glass cups were made, of the kind called “petroti,” the price of which was no less than six thousand sesterces!

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  CHAP. 67.

  OBSIAN GLASS AND OBSIAN STONE.

  Among the various kinds of glass, we may also reckon Obsian glass, a substance very similar to the stone which Obsius discovered in Æthiopia. This stone is of a very dark colour, and sometimes transparent; but it is dull to the sight, and reflects, when attached as a mirror to walls, the shadow of the object rather than the image. Many persons use it for jewellery, and I myself have seen solid statues in this material of the late Emperor Augustus, of very considerable thickness. That prince consecrated, in the Temple of Concord, as something marvellous, four figures of elephants made of Obsian stone. Tiberius Cæsar, too, restored to the people of Heliopolis, as an object of ceremonial worship, an image in this stone, which had been found among the property left by one of the præfects of Egypt. It was a figure of Menelaüs; a circumstance which goes far towards proving that the use of this material is of more ancient date than is generally supposed, confounded as it is at the present day with glass, by reason of its resemblance. Xenocrates says that Obsian stone is found in India also, and in Samnium in Italy; and that it is a natural product of Spain, upon the coasts which border on the Ocean.

  There is an artificial Obsian stone, made of coloured glass for services for the table; and there is also a glass that is red all through, and opaque, known as “hæmatinum.” A dead white glass, too, is made, as also other kinds in imitation of murrhine colour, hyacinthine, sapphire, and every other tint: indeed, there is no material of a more pliable nature than this, or better suited for colouring. Still, however, the highest value is set upon glass that is entirely colourless and transparent, as nearly as possible resembling crystal, in fact. For drinking-vessels, glass has quite superseded the use of silver and gold; but it is unable to stand heat unless a cold liquid is poured in first. And yet, we find that globular glass vessels, filled with water, when brought in contact with the rays of the sun, become heated to such a degree as to cause articles of clothing to ignite. When broken, too, glass admits of being joined by the agency of heat; but it cannot be wholly fused without being pulverized into small fragments, as we see done in the process of making the small checquers, known as “abaculi,” for mosaic work; some of which are of variegated colours, and of different shapes. If glass is fused with sulphur, it will become as hard as stone.

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  CHAP. 68. (27.)

  MARVELLOUS FACTS CONNECTED WITH FIRE.

  Having now described all the creations of human ingenuity, reproductions, in fact, of Nature by the agency of art, it cannot but recur to us, with a feeling of admiration, that there is hardly any process which is not perfected through the intervention of fire. Submit to its action some sandy soil, and in one place it will yield glass, in another silver, in another minium, and in others, again, lead and its several varieties, pigments, and numerous medicaments. It is through the agency of fire that stones are melted into copper; by fire that iron is produced, and subdued to our purposes; by fire that gold is purified; by fire, too, that the stone is calcined, which is to hold together the walls of our houses.

  Some materials, again, are all the better for being repeatedly submitted to the action of fire; and the same substance will yield one product at the first fusion, another at the second, and another at the third. Charcoal, when it has passed through fire and has been quenched, only begins to assume its active properties; and, when it might be supposed to have been reduced to annihilation, it is then that it has its greatest energies. An element this, of immense, of boundless power, and, as to which, it is a matter of doubt whether it does not create even more than it destroys!

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  CHAP. 69.

  THREE REMEDIES DERIVED FROM FIRE AND FROM ASHES.

  Fire even has certain medicinal virtues of its own. When pestilences prevail, in consequence of the obscuration of the sun, it is a well-known fact, that if fires are lighted, they are productive of beneficial results in numerous ways. Empedocles and Hippocrates have proved this in several passages.

  “For convulsions or contusions of the viscera,” says M. Varro — for it is his own words that I use— “let the hearth be your medicine-box; for lie of ashes, taken from thence, mixed with your drink, will effect a cure. Witness the gladiators, for example, who, when disabled at the Games, refresh themselves with this drink.” Carbuncle too, a kind of disease which, as already stated, has recently carried off two persons of consular rank, admits of being successfully treated with oak-charcoal, triturated with honey. So true is it that things which are despised even, and looked upon as so utterly destitute of all virtues, have still their own remedial properties, charcoal and ashes for example.

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  CHAP. 70.

  PRODIGIES CONNECTED WITH THE HEARTH.

  I must not omit too, one portentous fact connected with the hearth, and famous in Roman history. In the reign of Tarquinius Priscus, it is said, there appeared upon his hearth a resemblance of the male generative organ in the midst of the ashes. The captive Ocrisia, a servant of Queen Tanaquil, who happened to be sitting there, arose from her seat in a state of pregnancy, and became the mother of Servius Tullius, who eventually succeeded to the throne. It is stated, too, that while the child was sleeping in the palace, a flame was seen playing round his head; the consequence of which was, that it was believed that the Lar of the household was his progenitor. It was owing to this circumstance, we are informed, that the Compitalia, games in honour of the Lares, were instituted.

  SUMMARY. — Remedies mentioned, eighty-nine. Facts and narratives, four hundred and thirty-four.

  ROMAN AUTHORS QUOTED. — M. Varro, Cælius, Galba, Cincius, Mucianus, Nepos Cornelius, L. Piso, Q. Tubero, Fabius Vestalis, Annius Fetialis, Fabianus, Seneca, Cato the Censor, Vitruvius.

  FOREIGN AUTHORS QUOTED. — Theophrastus, Pasiteles, King Juba, Nicander, Sotacus, Sudines, Alexander Polyhistor, Apion, Plistonicus, Duris, Herodotus, Euhemerus, Aristagoras, Dionysius, Artemidorus, Butoridas, Antisthenes, Demetrius, Demoteles, Lyceas.

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  BOOK XXXVII. THE NATURAL HISTORY OF PRECIOUS STONES.

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  CHAP. 1. (1.)

  THE FIRST USE OF PRECIOUS STONES.

  THAT nothing may be wanting to the work which I have undertaken, it still remains for me to speak of precious stones: a subject in which the majestic might of Nature presents itself to us, contracted within a very limited space, though, in the opinion of many, nowhere displayed in a more admirable form. So great is the value that men attach to the multiplied varieties of these gems, their numerous colours, their constituent parts, and their singular beauty, that, in the case of some of them, it is looked upon as no less than sacrilege to engrave them, for signets even, the very purpose for which, in reality, they were made. Others, again, are regarded as beyond all price, and could not be valued at any known amount of human wealth; so much so that, in the case of many, it is quite sufficient to have some single gem or other before the eyes, there to behold the supreme and absolute perfection of Nature’s work.

  We have already stated, to some extent, when speaking on the subject of gold and rings, how the use of precious stones first originated, and from what beginnings this admiration of them has now increased to such an universal passion. According to fabulous lore, the first use of them was suggested by the rocks of Caucasus, in consequence of an unhappy interpretation which was given to the story of the chains of Prometheus: for we are told by tradition, that he enclosed a fragment of this stone in iron, and wore it upon his finger; such being the first ring
and the first jewel known.

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  CHAP. 2.

  THE JEWEL OF POLYCRATES.

  With a beginning such as this, the value set upon precious stones increased to such a boundless extent, that Polycrates, the tyrant of Samos, who ruled over the islands and the adjacent shores, when he admitted that his good fortune had been too great, deemed it a sufficient expiation for all this enjoyment of happiness, to make a voluntary sacrifice of a single precious stone; thinking thereby to balance accounts with the inconstancy of fortune, and, by this single cause for regret, abundantly to buy off every ill-will she might entertain. Weary, therefore, of his continued prosperity, he embarked on board a ship, and, putting out to sea, threw the ring which he wore into the waves. It so happened, however, that a fish of remarkable size, one destined for the table of a king, swallowed the jewel, as it would have done a bait; and then, to complete the portentous omen, restored it again to the owner in the royal kitchen, by the ruling hand of a treacherous fortune.

  The stone in this ring, it is generally agreed, was a sardonyx, and they still show one at Rome, which, if we believe the story, was this identical stone. It is enclosed in a horn of gold, and was deposited, by the Emperor Augustus, in the Temple of Concord, where it holds pretty nearly the lowest rank among a multitude of other jewels that are preferable to it.