Best Minds of My Generation
Page 40
205. Ibid., p. 21.
206. Ibid., p. 27.
207. Ibid., pp. 32–33.
208. Ibid., p. 37.
209. Ibid., p. 41.
210. Ibid., p. 68.
211. Ibid., pp. 69–70.
212. Williams, William Carlos. Paterson, Book 3 (New York: New Directions, 1949), p. 204.
213. Ginsberg, Collected Poems 1947–1997, p. 74.
214. Ibid., p. 23.
215. Ibid., p. 22.
216. Ibid., p. 12.
217. Ibid., p. 72.
218. Ibid., pp. 91–95.
219. Ibid., pp. 98–99.
220. Ibid., pp. 100–101.
221. Ibid., pp. 103–4.
222. Ibid., p. 121.
223. Williams, William Carlos. Pictures from Brueghel and Other Poems (New York: New Directions, 1962), p. 75.
224. Ginsberg, Collected Poems 1947–1997, pp. 132–33.
225. Allen, Donald M., ed.. The New American Poetry 1945–1960 (New York: Grove Press, 1960), p. 414.
226. Spengler, Oswald. The Decline of the West (New York: Modern Library, 1965), p. 251.
227. Ginsberg, Collected Poems 1947–1997, p. 196.
228. Holmes, John Clellon. Go (New York: New American Library, 1980), pp. 80–82.
229. Ibid., pp. 82–84.
230. Ginsberg, Collected Poems 1947–1997, p. 14.
231. Ibid., p. 18.
232. Holmes. “This Is the Beat Generation.”
233. Williams, William Carlos. “Symposium: The Beat Poets,” Wagner Literary Magazine, no. 1 (Spring 1959), p. 24.
234. Kerouac, Jack. Heaven and Other Poems (San Francisco: Grey Fox, 1977)
Credits
“Two Sonnets”, “A Lover’s Garden”, “The Eye Altering Alters All”, “Vision 1948”, “A Western Ballad”, “Sweet Levinsky”, “Pull My Daisy”, “After All, What Else Is There To Say?”, “Metaphysics”, “How Come He Got Canned at the Ribbon Factory”, “The Archetype Poem”, “Marijuana Notation”, “A Meaningless Institution”, “The Trembling of the Veil”, “The Bricklayer’s Lunch Hour”, “A Poem on America”, “The Green Automobile”, “Sakyamuni Coming Out From the Mountain”, “Havana 1953”, “Green Valentine Blues”, “In Back of the Real”, “Dream Record”, “Back on Times Square”, “On Reading William Blake’s ‘The Sick Rose’”, “The Voice of Rock” by Allen Ginsberg, currently collected in COLLECTED POEMS 1947-1997. Copyright © 2006 by the Allen Ginsberg Trust. Reprinted by permission of HarperCollins Publishers.
Excerpts from THE TOWN AND THE CITY by Jack Kerouac. Copyright © 1950 by Jack Kerouac and renewed 1977 by Stella S. Kerouac. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
Selections from ON THE ROAD by Jack Kerouac. Copyright © 1955, 1957 by Jack Kerouac, renewed 1983 by Stella S. Kerouac and 1985 by Stella Kerouac and Jan Kerouac. Reprinted by permission of Viking Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Excerpt from MEXICO CITY BLUES by Jack Kerouac. Copyright © 1959 by Jack Kerouac. Used by permission of Grove/Atlantic, Inc. Any third party use of this material, outside of this publication, is prohibited.
Excerpts from LONESOME TRAVELER by Jack Krouac. Copyright © 1960 by Jack Kerouac, renewed 1988 by Grove Press. Used by permission of Grove/Atlantic, Inc. Any third party use of this material, outside of this publication, is prohibited.
Selections from VANITY OF DULUOZ by Jack Kerouac. Copyright © 1967, 1968 by Jack Kerouac. Reprinted by permission by Sterling Lord Literistic, Inc.
Selections from VISIONS OF CODY by Jack Kerouac. Copyright © 1960 by Jack Kerouac, 1972 by the Estate of Jack Kerouac. Reprinted by permission by Sterling Lord Literistic, Inc.
“The Origins Of The Beat Generation,” by Jack Kerouac, originally published in Playboy, vol. 6, no. 6. Copyright © 1959 by Jack Kerouac. Reprinted by permission by Sterling Lord Literistic, Inc.
“Twilight’s Last Gleamings” from INTERZONE by William S. Burroughs. Copyright © 1989 by William S. Burroughs. Reprinted by permission of Penguin Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC, and the William S. Burroughs Estate. All rights reserved.
Selections from JUNKY by William S. Burroughs. Copyright © 1953, 1977, renewed 1981 by William S. Burroughs, copyright 2003 by the Estate of William S. Burroughs, reprinted by permission of the William S. Burroughs Estate.
Selections from THE YAGE LETTERS by William S. Burroughs. Copyright © 1963, 1975 by William S. Burroughs and Allen Ginsberg. Reprinted by permission of City Lights Books and the William S. Burroughs Estate.
Selections from QUEER by William S. Burroughs. Copyright © 1985 by William S. Burroughs, 2010 by The William S. Burroughs Trust. Reprinted by permission of Penguin Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC, and the William S. Burroughs Estate. All rights reserved.
Selections from EXTERMINATOR! by William S. Burroughs. Copyright © 1966, 1967, 1968, 1969, 1973 by William S. Burroughs. Reprinted by permission of Viking Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC, and the William S. Burroughs Estate. All rights reserved.
Excerpts from THE TICKET THAT EXPLODED by William S. Burroughs. Copyright © 1962, 1964, 1967 by William S. Burroughs. Used by permission of Grove/Atlantic, Inc. Any third party use of this material, outside of this publication, is prohibited.
“The Whole Mess . . . Almost’’ by Gregory Corso, from HERALD OF THE AUTOCHTHONIC SPIRIT. Copyright © 1973, 1975, 1981 by Gregory Corso. Reprinted by permission of New Directions Publishing Corp. and the Gregory Corso Estate.
“Bomb’’, “Discord’’, “How Happy I Used to Be’’, “Poets Hitchhiking on the Highway’’, and “Power’’ by Gregory Corso, from THE HAPPY BIRTHDAY OF DEATH. Copyright © 1960 by New Directions Publishing Corp. Reprinted by permission of New Directions Publishing Corp. and the Gregory Corso Estate.
“You Came Last Season”, “In the Tunnel-Bone of Cambridge”, “In the Early Morning”, “Ode to Coit Tower”, and “The Last Warmth of Arnold”, “Sea Chanty”, “Song”, “Greenwich Village Suicide”, “In the Morgue”, “Requiem for ‘Bird’ Parker, Musician”, “This Was My Meal”, “Don’t Shoot the Warthog”, “Hello”, “Last Night I Drove a Car”, “On the Walls of a Dull Furnished Room”, “Italian Extravaganza”, “Birthplace Revisited”, “The Last Gangster” by Gregory Corso, from GASOLINE & THE VESTAL LADY ON BRATTLE. Copyright © 1955, 1958 by Gregory Corso. Reprinted by permission of City Lights Books and the Gregory Corso Estate.