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Once Upon a Curse

Page 6

by Peter Beagle


  When her friends came they passed the little card excitedly from hand to hand, until it had gotten quite smudged and bent from their fingers. But they all admitted that, beyond its message, there was nothing particularly unusual about it. It was neither hot nor cold to the touch, and what little odor clung to it was rather pleasant. Everyone said that it was a very familiar smell, but no one could give it a name. The poet said that it reminded him of lilacs but not exactly.

  It was Captain Compson, however, who pointed out the one thing that no one else had noticed. “Look at the handwriting itself,” he said. “Have you ever seen anything more graceful? The letters seem as light as birds. I think we have wasted our time speaking of Death as His This and His That. A woman wrote his note.”

  Then there was an uproar and a great babble, and the card had to be handed around again so that everyone could exclaim, “Yes, by God!” over it. The voice of the poet rose out the hubbub saying, “It is very natural, when you come to think of it. After all, the French say la mort. Lady Death. I should much prefer Death to be a woman.”

  “Death rides a great black horse,” said Captain Compson firmly, “and wears armor of the same color. Death is very tall, taller than anyone. It was no woman I saw on the battlefield, striking right and left like any soldier. Perhaps the hairdresser wrote it himself, or the hairdresser’s wife.”

  But the hairdresser refused to speak, though they gathered around him and begged him to say who had given him the note. At first they promised him all sorts of rewards, and later they threatened to do terrible things to him. “Did you write this card?” he was asked, and “Who wrote it, then? Was it a living woman? Was it really Death? Did Death say anything to you? How did you know it was Death? Is Death a woman? Are you trying to make fools of us all?”

  Not a word from the hairdresser, not one word, and finally Lady Neville called her servants to have him whipped and thrown into the street. He did not look at her as they took him away, or utter a sound.

  Silencing her friends with a wave of her hand, Lady Neville said, “The ball will take place two weeks from tonight. Let Death come as Death pleases, whether as a man or woman or strange, sexless creature.” She smiled calmly. “Death may well be a woman,” she said. “I am less certain of Death’s form than I was, but I am also less frightened of Death. I am too old to be afraid of anything that can use a quill pen to write me a letter. Go home now, and as you make your preparations for the ball see that you speak of it to your servants, that they may spread the news all over London. Let it be known that on this one night no one in the world will die, for Death will be dancing at Lady Neville’s ball.”

  For the next two weeks Lady Neville’s great house shook and groaned and creaked like an old tree in a gale as the servants hammered and scrubbed, polished and painted, making ready for the ball. Lady Neville had always been very proud of her house, but as the ball drew near she began to be afraid that it would not be nearly grand enough for Death, who was surely accustomed to visiting in the homes of richer, mightier people than herself. Fearing the scorn of Death, she worked night and day supervising her servants’ preparations. Curtains and carpets had to be cleaned, goldwork and silverware polished until they gleamed by themselves in the dark. The grand staircase that rushed down into the ballroom like a waterfall was washed and rubbed so often that it was almost impossible to walk on it without slipping. As for the ballroom itself, it took thirty-two servants working at once to clean it properly, not counting those who were polishing the glass chandelier that was taller than a man and the fourteen smaller lamps. And when they were done she made them do it all over, not because she saw any dust or dirt anywhere, but because she was sure that Death would.

  As for herself, she chose her finest gown and saw to the laundering personally. She called in another hairdresser and had him put up her hair in the style of an earlier time, wanting to show Death that she was a woman who enjoyed her age and did not find it necessary to ape the young and beautiful. All the day of the ball she sat before her mirror, not making herself up much beyond the normal touches of rouge and eye shadow and fine rice powder, but staring at the lean old face she had been born with, wondering how it would appear to Death. Her steward asked her to approve his wine selection, but she sent him away and stayed at her mirror until it was time to dress and go downstairs to meet her guests.

  Everyone arrived early. When she looked out of a window, Lady Neville saw that the driveway of her home was choked with carriages and fine horses. “It all looks like a funeral procession,” she said. The footman cried the names of her guests to the echoing ballroom. “Captain Henry Compson, His Majesty’s Household Cavalry! Mr. David Lorimond! Lord and Lady Torrance!!” (They were the youngest couple there, having been married only three months before.) “Sir Roger Harbison! The Contessa della Candini!” Lady Neville permitted them all to kiss her hand and made them welcome.

  She had engaged the finest musicians she could find to play for the dancing, but though they began to play at her signal, not one couple stepped out on the floor, nor did one young lord approach her to request the honor of the first dance, as was proper. They milled together, shining and murmuring, their eyes fixed on the ballroom door. Every time they heard a carriage clatter up the driveway they seemed to flinch a little and draw closer together; every time the footman announced the arrival of another guest, they all sighed softly and swayed a little on their feet with relief.

  “Why did they come to my party if they were afraid?” Lady Neville muttered scornfully to herself. “I am not afraid of meeting Death. I ask only that Death may be impressed by the magnificence of my house and the flavor of my wines. I will die sooner than anyone here, but I am not afraid.”

  Certain that Death would not arrive until midnight, she moved among her guests, attempting to calm them, not with her words, which she knew they would not hear, but with the tone of her voice as if they were so many frightened horses. But little by little, she herself was infected by their nervousness: whenever she sat down she stood up again immediately, she tasted a dozen glasses of wine without finishing any of them, and she glanced constantly at her jeweled watch, at first wanting to hurry the midnight along and end the waiting, later scratching at the watch face with her forefinger, as if she would push away the night and drag the sun backward into the sky. When midnight came, she was standing with the rest of them, breathing through her mouth, shifting from foot to foot, listening for the sound of carriage wheels turning in gravel.

  When the clock began to strike midnight, everyone, even Lady Neville and the brave Captain Compson, gave one startled little cry and then was silent again, listening to the tolling of the clock. The smaller clocks upstairs began to chime. Lady Neville’s ears hurt. She caught sight of herself in the ballroom mirror, one gray face turned up toward the ceiling as if she were gasping for air, and she thought, “Death will be a woman, a hideous, filthy old crone as tall and strong as a man. And the most terrible thing of all will be that she will have my face.” All the clocks stopped striking, and Lady Neville closed her eyes.

  She opened them again only when she heard the whispering around her take on a different tone, one in which fear was fused with relief and a certain chagrin. For no new carriage stood in the driveway. Death had not come.

  The noise grew slowly louder; here and there people were beginning to laugh. Near her, Lady Neville heard young Lord Torrance say to his wife, “There, my darling, I told you there was nothing to be afraid of. It was all a joke.”

  “I am ruined,” Lady Neville thought. The laughter was increasing; it pounded against her ears in strokes, like the chiming of the clocks. “I wanted to give a ball so grand that those who were not invited would be shamed in front of the whole city, and this is my reward. I am ruined, and I deserve it.”

  Turning to the poet Lorimond, she said, “Dance with me, David.” She signaled to the musicians, who at once began to play. When Lorimond hesitated, she said, “Dance with me now. You will not have a
nother chance. I shall never give a party again.”

  Lorimond bowed and led her onto the dance floor. The guests parted for them, and the laughter died down for a moment, but Lady Neville knew that it would soon begin again. “Well, let them laugh,” she thought. “I did not fear Death when they were all trembling. Why should I fear their laughter?” but she could feel a stinging at the thin lids of her eyes, and she closed them once more as she began to dance with Lorimond.

  And then, quite suddenly, all the carriage horses outside the house whinnied loudly, just once, as the guests had cried out at midnight. There were a great many horses, and their one salute was so loud that everyone in the room became instantly silent. They heard the heavy steps of the footman as he went to open the door, and they shivered as if they felt the cool breeze that drifted into the house. Then they heard a light voice saying, “Am I late? Oh, I am so sorry. The horses were tired,” and before the footman could re-enter to announce her, a lovely young girl in a white dress stepped gracefully into the ballroom doorway and stood there smiling.

  She could not have been more than nineteen. Her hair was yellow, and she wore it long. It fell thickly upon her bare shoulders that gleamed warmly through it, two limestone islands rising out of a dark golden sea. Her face was wide at the forehead and cheekbones, and narrow at the chin, and her skin was so clear that many of the ladies there—Lady Neville among them—touched their own faces wonderingly, and instantly drew their hands away as though their own skin had rasped their fingers. Her mouth was pale, where the mouths of other women were red and orange and even purple. Her eyebrows, thicker and straighter than was fashionable, met over dark, calm eyes that were set so deep in her young face and were so black, so uncompromisingly black, that the middle-aged wife of a middle-aged lord murmured, “Touch of a gypsy there, I think.”

  “Or something worse,” suggested her husband’s mistress.

  “Be silent!” Lady Neville spoke louder than she had intended, and the girl turned to look at her. She smiled, and Lady Neville tried to smile back, but her mouth seemed very stiff. “Welcome,” she said. “Welcome, my lady Death.”

  A sigh rustled among the lords and ladies as the girl took the old woman’s hand and curtsied to her, sinking and rising in one motion, like a wave. “You are Lady Neville,” she said. “Thank you so much for inviting me.” Her accent was as faint and almost familiar as her perfume.

  “Please excuse me for being late,” she said earnestly. “I had to come from a long way off, and my horses are so tired.”

  “The groom will rub them down,” Lady Neville said, “and feed them if you wish.”

  “Oh, no,” the girl answered quickly. “Tell him not to go near the horses, please. They are not really horses, and they are very fierce.”

  She accepted a glass of wine from a servant and drank it slowly, sighing softly and contentedly. “What good wine,” she said. “And what a beautiful house you have.”

  “Thank you,” said Lady Neville. Without turning, she could feel every woman in the room envying her, sensing it as she could always sense the approach of rain.

  “I wish I lived here,” Death said in her low, sweet voice. “I will, one day.”

  Then, seeing Lady Neville become as still as if she had turned to ice, she put her hand on the old woman’s arm and said, “Oh, I’m sorry, I’m so sorry. I am so cruel, but I never mean to be. Please forgive me, Lady Neville. I am not used to company, and I do such stupid things. Please forgive me.”

  Her hand felt as light and warm on Lady Neville’s arm as the hand of any other young girl, and her eyes were so appealing that Lady Neville replied, “You have said nothing wrong. While you are my guest, my house is yours.”

  “Thank you,” said Death, and she smiled so radiantly that the musicians began to play quite by themselves, and with no sign from Lady Neville. She would have stopped them, but Death said, “Oh, what lovely music! Let them play, please.”

  So the musicians played a gavotte, and Death, unabashed by eyes that stared at her in greedy terror, sang softly to herself without words, lifted her white gown slightly with both hands, and made hesitant little patting steps with her small feet. “I have not danced in so long,” she said wistfully. “I’m quite sure I’ve forgotten how.”

  She was shy; she would not look up to embarrass the young lords, not one of whom stepped forward to dance with her. Lady Neville felt a flood of shame and sympathy, emotions she thought had withered in her years ago. “Is she to be humiliated at my own ball?” she thought angrily. “It is because she is Death; if she were the ugliest, foulest hag in all the world they would clamor to dance with her, because they are gentlemen and they know what is expected of them. But no gentleman will dance with Death, no matter how beautiful she is.” She glance sideways at David Lorimond. His face was flushed, and his hands were clasped so tightly as he stared at Death that his fingers were like glass, but when Lady Neville touched his arm he did not turn, and when she hissed, “David!” he pretended not to hear her.

  Then Captain Compson, gray-haired and handsome in his uniform, stepped out of the crowd and bowed gracefully before Death. “If I may have the honor,” he said.

  “Captain Compson,” said Death, smiling. She put her arm in his. “I was hoping you would ask me.”

  This brought a frown from the older women, who did not consider it a proper thing to say, but for that Death cared not a rap. Captain Compson led her to the center of the floor, and there they danced. Death was curiously graceless at first—she was too anxious to please her partner, and she seemed to have no notion of rhythm. The Captain himself moved with the mixture of dignity and humor that Lady Neville had never seen in another man, but when he looked at her over Death’s shoulder, she saw something that no one else appeared to notice: that his face and eyes were immobile with fear, and that, though he offered Death his hand with easy gallantry, he flinched slightly when she took it. And yet he danced as well as Lady Neville had ever seen him.

  “Ah, that’s what comes of having a reputation to maintain,” she thought. “Captain Compson too must do what is expected of him. I hope someone else will dance with her soon.”

  But no one did. Little by little, other couples overcame their fear and slipped hurriedly out on the floor when Death was looking the other way, but nobody sought to relieve Captain Compson of his beautiful partner. They danced every dance together. In time, some of the men present began to look at her with more appreciation than terror, but when she returned their glances and smiled at them, they clung to their partners as if a cold wind were threatening to blow them away.

  One of the few who stared at her frankly and with pleasure was young Lord Torrance, who usually danced only with his wife. Another was the poet Lorimond. Dancing with Lady Neville, he remarked to her, “If she is Death, what do these frightened fools think they are? If she is ugliness, what must they be? I hate their fear. It is obscene.”

  Death and the Captain danced past them at that moment, and they heard him say to her, “But if that was truly you that I saw in the battle, how can you have changed so? How can you have become so lovely?”

  Death’s laughter was gay and soft. “I thought that among so many beautiful people it might be better to be beautiful. I was afraid of frightening everyone and spoiling the party.”

  “They all thought she would be ugly,” said Lorimond to Lady Neville. “I—I knew she would be beautiful.”

  “Then why have you not danced with her?” Lady Neville asked him. “Are you also afraid?”

  “No, oh, no,” the poet answered quickly and passionately. “I will ask her to dance very soon. I only want to look at her a little longer.”

  The musicians played on and on. The dancing wore away the night as slowly as falling water wears down a cliff. It seemed to Lady Neville that no night had ever endured longer, and yet she was neither tired nor bored. She danced with every man there, except with Lord Torrance, who was dancing with his wife as if they had just met that night
, and, of course, with Captain Compson. Once he lifted his hand and touched Death’s golden hair very lightly. He was a striking man still, a fit partner for so beautiful a girl, but Lady Neville looked at his face each time she passed him and realized that he was older than anyone knew.

  Death herself seemed younger than the youngest there. No woman at the ball danced better than she now, though it was hard for Lady Neville to remember at what point her awkwardness had given way to the liquid sweetness of her movements. She smiled and called to everyone who caught her eye—and she knew them all by name; she sang constantly, making up words to the dance tunes, nonsense words, sounds without meaning, and yet everyone strained to hear her soft voice without knowing why. And when, during a waltz, she caught up the trailing end of her gown to give her more freedom as she danced, she seemed to Lady Neville to move like a little sailing boat over a still evening sea.

  Lady Neville heard Lady Torrance arguing angrily with the Contessa della Candini. “I don’t care if she is Death, she’s no older than I am, she can’t be!”

  “Nonsense,” said the Contessa, who could not afford to be generous to any other woman. “She is twenty-eight, thirty, if she is an hour. And that dress, that bridal gown she wears—really!”

  “Vile,” said the woman who had come to the ball as Captain Compson’s freely acknowledged mistress. “Tasteless. But one should know better than to expect taste from Death, I suppose.” Lady Torrance looked as if she were going to cry.

  “They are jealous of Death,” Lady Neville said to herself. “How strange. I am not jealous of her, not in the least. And I do not fear her at all.” She was very proud of herself.

  Then, as unbiddenly as they had begun to play, the musicians stopped. They began to put away their instruments. In the sudden shrill silence, Death pulled away from Captain Compson and ran to look out of one of the tall windows, pushing the curtains apart with both hands. “Look!” she said, with her back turned to them. “Come and look. The night is almost gone.”

 

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