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Robert B. Parker: The Spencer Novels 1?6

Page 80

by Robert B. Parker


  “I’ve got to find out how he does that,” I said to Susan on the ride home.

  “Well, you’re a detective.”

  “And how complicated a recipe can it be?” I said.

  “Vodka and vermouth?”

  “Yeah.”

  “Sounds complicated to me,” Susan said.

  “Recipes are not the best thing you do,” I said.

  We were on Memorial Drive. Across the river the Boston skyline looked like a contrivance. The State House stood on its low hill, the downtown skyscrapers loomed behind it. And strung out along the flatness of the Back Bay, with the insurance towers in the background, the apartment houses were soft with the glow of lighted living rooms. It was Friday night. I was going to stay with Susan.

  “Why do you want to know about Mildred Cockburn?” Susan said.

  “Saw her name in Loudon Tripp’s checkbook, ‘Dr. Mildred Cockburn,’ every month, checks for five hundred dollars. So I looked her up in the phone book. She’s listed as a therapist with an office on Hilliard Street in Cambridge.”

  “Odd,” Susan said.

  “You’d expect to know her?”

  “Yes.”

  “When I talk with her, what is it reasonable to expect her to tell me?” I said.

  “Ethically?” Susan said.

  “Yes.”

  “I can’t say in the abstract,” Susan said. “She should be guided by the best interests of her patient.”

  On our left, the surface of the river had a quick-silver gloss in the moonlight. A small cabin cruiser with its running lights on moved silently upstream, passing under the barrel-arched bridges, its wake a glassy furrow in the surface. Susan’s street was silent, the buildings dark, the trees, half unleaved, made spectral by the street lamps shining through them.

  Susan lived in an ornate Victorian house. On the first floor her office was on one side of the front hall, and her big waiting room was on the other. We went up the curving staircase to the second floor where she lived. When we opened the door, Pearl dashed at us, and jumped up, and tore Susan’s hose, and lapped our faces, and ran to the couch and got a pillow and shook it violently until it was dead, and came back to show us.

  “Cute,” Susan said.

  We took Pearl down and let her out into the fenced-in backyard. It was shadowy in the moonlight, but not dark, and we could watch her as she hurried about the yard, looking for the proper spot.

  Later we lay in bed, the three of us, and talked, looking up at the ceiling in the moon-bright darkness. Pearl had little to say, but she compensated by taking up the most room in the bed.

  “Is this Olivia Nelson thing making you crazy?” Susan said. We were holding hands under the covers, across Pearl’s back.

  “Nothing is turning out to be the way it appeared to be,” I said.

  “Things do that,” Susan said.

  “Wow,” I said.

  “I’m a graduate of Harvard University,” Susan said.

  thirty-two

  * * *

  DR. MILDRED COCKBURN had office space in a tired-looking, brown-shingled house on Hilliard Street, down from the American Repertory Theater. There was a low wrought-iron fence with some rust spots around the yard. The fence had shifted over the years as the ground froze each winter and melted each spring, and it was now canted out toward the sidewalk. There was some grass in the yard, and a lot of hard-packed dirt. The front walk was brick, which had heaved with the fence. The bricks were skewed and weeds had grown up among them. Many of the brown shingles had cracked, and a couple had split on through, and the front door had been inadequately scraped before being painted over. Cambridge was not a hotbed of pretentious neatness.

  A sign said Enter, which I did, and took a seat in a narrow foyer with doors leading out of it through each wall. I had an eleven o’clock appointment, and it was five of. The walls of the foyer were cream colored, though once they might have been white. There were a couple of travel posters on the walls, and an inexpensive print of one of Monet’s paintings of his garden. There was also the insistent odor of cat. The low deal table beside the one straight chair had two recent copies of Psychology Today, and a copy of The Chronicle of Higher Education from last May.

  At 11:06, the office door opened and a pale woman with a thin face, and her gray-streaked hair in a bun, came out of the office. She did not look at me. She took a long tweed coat from the coatrack, and put it on, and buttoned it carefully, and went out the door, maneuvering in the mailbox-sized foyer without ever acknowledging another presence.

  There was a three- or four-minute wait thereafter, and then the office door opened again and Dr. Cockburn said, “Mr. Spenser?”

  She wore a black turban and a large flowing black garment which I couldn’t quite identify, something between a housecoat and an open parachute. She was obviously heavy, though the extent of her garment left the exact heaviness in doubt. Her skin was pale. She wore a lot of eye makeup and no lipstick.

  I stood, and she ushered me past her into the office. The office was draped in maroon fabric. The window had louvered blinds, opened over the top half, closed on the bottom. There was a Victorian sofa, upholstered in dark green velvet, against the wall to the right of the door, and a high-backed mahogany chair with ugly wooden arms, facing a wing chair upholstered in the same green. She sat across from me in the wing chair. She made a barely visible affirmative movement with her head, and then waited, her hands folded in her lap.

  “This is not a therapeutic visit,” I said. “I’m a private detective, and I’ve been employed by Loudon Tripp to investigate the murder of his wife, Olivia Nelson.”

  Again the barely visible nod.

  “In the course of investigating, I came across your name.”

  Nod.

  “I’m wondering if you could tell me anything about either of them,” I said.

  “That is unlikely,” she said. She had a deep voice and she knew it. She liked having a deep voice.

  “I realize,” I said, “that there are questions of confidentiality here, but your patient’s best interest might well be served by helping me find his wife’s killer.”

  “Loudon Tripp is not my patient,” she said.

  Nothing moved when she spoke, except her lips. In her dark clothes and her deep stillness, she seemed theatrically inaccessible.

  “Olivia Nelson,” I said.

  She remained motionless. I glanced around the room.

  “You are a psychotherapist,” I said.

  Nod.

  “Are you an M.D.?” I said.

  She made the tiniest head shake.

  “Ph.D.?”

  Again, the tiny head shake.

  “What?” I said.

  “I am a Doctor of Human Arts.”

  “Of course,” I said. “And the conferring institution?”

  “University of the Southern Pacific.”

  “In L.A., I bet.”

  Nod.

  “They give academic credit for life experience.”

  “That’s quite enough, Mr. Spenser.”

  I nodded and smiled at her.

  “Sure it is,” I said. “So tell me about Olivia Nelson.”

  She paused for a long time. We both knew she was a fraud. And we both knew that if I were motivated, I could cause her a lot of aggravation with the state licensing board. And we both knew it. She shook her head ponderously.

  “Troubled,” she said, “terribly troubled.”

  I did a barely visible nod.

  “And like a lot of women, terribly victimized,” she said.

  Her deep voice was slow. Her manner was ponderous. When she wasn’t speaking, she remained entirely still. She knew I knew, but she wasn’t letting down. She was going to stay in character.

>   I nodded.

  “At the heart of things was the fact that her father rejected her.”

  “Original,” I said.

  “And so she sought him symbolically over and over in other men.”

  “She was promiscuous,” I said.

  “That is a masculine word. It is the product of masculine culture, judgmental and pejorative.”

  “Of course,” I said.

  “When she came to me for help, she had already tried the route of Freudian, which is to say, masculine, psychotherapy. The failure was predictable. I was able to offer her a feminist perspective. And understanding herself, for the first time, in that perspective, she began finally to get in touch with her stifled self, the woman-child within.”

  “And she slept around,” I said.

  “She gave herself permission to discover her sexuality. And to do so for its own sake, rather than in the service of a thwarted father love.”

  “Do you know the names of any other men she gave herself permission to discover her sexuality with?”

  “Really, Mr. Spenser. That is privileged communication between patient and therapist.”

  “And one of them might have killed her,” I said.

  She chewed on that for a little bit.

  “I would think it would be in her best interest for you to name them,” I said. “I’ll bet that in your studies at USP you learned that your patients’ best interest was the ethical rule of thumb in difficult circumstances.”

  She chewed on that a little bit more.

  “I don’t make notes,” she said finally. “I believe it inhibits the life force spontaneity necessary to a successful therapy.”

  “Of course,” I said.

  She allowed me to watch her think.

  “And she never used names. She referred to the men in her life in various ways—the news anchor, for instance, and the judge, the broker, that sort of thing. There was an important clergyman, I know. But I don’t know who he was.”

  “Denomination?” I said.

  She shook her head. “Not even that,” she said. “She always referred to him as the Holy Man. I think it pleased her to experience a man of the cloth.”

  I pressed her a little, but there was no more. I moved on.

  “Did she tell you her real name?” I said.

  “I was not aware that she had another,” Cockburn said.

  “What was her father’s name?”

  “I don’t know. I had assumed it was Nelson.”

  “She ever mention the name Rankin?”

  “No.”

  “Cheryl Anne?”

  “No.”

  We were quiet. Dr. Cockburn maintained her ponderous certitude even in silence. The way she sat bespoke rectitude.

  “She did say that she used another identity to get into graduate school, someone else’s records and such,” Cockburn said finally. “She herself had not finished high school. She left home at seventeen and went to Atlanta, and made a living as best she could, she said, including prostitution. At some point she came to Boston, motivated, I think, by some childhood impression of gentility, became a graduate student, made a point of frequenting the Harvard-MIT social events and met her current husband.”

  “She didn’t say whose identity she used.”

  “No, but if in fact she is not Olivia Nelson, as you imply, then one might assume she used that one.”

  “One might,” I said. “How did her father’s rejection manifest itself?” I said.

  “He failed entirely to acknowledge her.”

  “Tell me about that,” I said. “How does that work? Did he pretend she wasn’t there? Did he refuse to talk to her when she came home?”

  Dr. Cockburn gazed ponderously at me. She let the silence linger, as if to underline her seriousness. Finally she spoke.

  “He was not married to her mother. The lack of acknowledgement was literal.”

  I sat in the heavily draped room feeling like Newton must have when the apple hit him on the head. Dr. Cockburn looked at me with heavy satisfaction.

  “Goddamn,” I said.

  “WAS THAT ALL?” Susan asked later.

  “Everything essential,” I said. “I used my full fifty minutes, but the rest of it was just her doing Orson Welles.”

  We were having a drink at the Charles Hotel, which was an easy walk from Susan’s home. Susan had developed a passion for warm peppered vodka, olives on the side. In an evening she would often polish off nearly half a glass.

  “She did say that Olivia was obsessed with money, and that apparently the family business was slipping.”

  “That would support the bounced check and the checkbook with no running balance,” Susan said.

  “Yeah. Cockburn said she had some sort of desperate plan, but Olivia wouldn’t tell her what it was.”

  “Plan to get money?”

  “Apparently. Cockburn doesn’t know, or won’t say.”

  “Dr. Cockburn has, in effect, waived her patient-therapist privilege already. I assume she’d have no reason to withhold that.”

  “Agreed,” I said. “What do you think?”

  “Dr. Cockburn’s theory about Olivia Nelson is probably accurate. It doesn’t require a great deal of psychological training to notice that many young people attempt to reclaim a parent’s love by sleeping with surrogates. Often the objects of that claim are in some way authority figures.”

  “Like a U.S. Senator,” I said.

  “Sure,” Susan said. “Sometimes it’s apparent power like that, sometimes it’s more indirect. Money maybe, or size and strength.”

  “Does this explain our relationship?” I said.

  “No,” Susan said. “Ours is based, I think, on undisguised lust.”

  “Only that?” I said.

  “Yes,” Susan said and guzzled half a gram of her peppered vodka. “I always wanted to boff a big goy.”

  “Anyone would,” I said.

  “Why,” Susan said, “if she were sleeping with all these prominent men, would the police not discover it?”

  “Partly because they were prominent,” I said. “The affairs were adulterous, and prominent people don’t wish to be implicated in adulterous affairs.”

  Susan was nodding her head.

  “And because they were prominent,” she said, “they had the wherewithal to keep the event covered up.”

  “She wasn’t telling,” I said, “and they weren’t telling, and apparently they were discreet.”

  I shrugged, and spread my hands.

  “What’s a cop to do?” Susan said.

  “Especially when the cop is being told by everyone involved that the victim was Little Mary Sunshine.”

  “So they weren’t looking for infidelity,” Susan said.

  “Cops are simple people, and overworked. Most times the obvious answer is the right answer. Even, occasionally, when it’s not the right answer, it’s the easy one. Especially in a case like this where a lot of prominent people seem to be pushing you toward the easy answer.”

  “Even Martin?” Susan said.

  “You can’t push Quirk, but he’s a career cop. It’s his nationality—cop. If the chain of command limits him, he’ll stay inside those limits.”

  “And not say so?”

  “And not even think there are limits,” I said.

  “But he sent Loudon Tripp to you.”

  “There’s that,” I said.

  “But could Tripp really have been so oblivious?” Susan said.

  “And if he wasn’t, why did he hire me?”

  Susan sampled a bit of olive, and washed it down with a sip of peppered vodka. She seemed to like it.

  “It is, as you know, one of the truisms of the shrink
business that people are often several things at the same time. Yes, Tripp probably is as oblivious as it seems, and no, he wasn’t. Part of him perhaps feared what the rest of him denied and he wanted to hire you to prove that she was what he needed to think she was.”

  “So, in effect, he didn’t really hire me to find out who killed her. He hired me to prove she was perfect.”

  “Perhaps,” Susan said.

  “Perhaps?” I said. “Don’t you shrinks ever say anything absolutely?”

  “Certainly not,” Susan said.

  “So maybe the murder was the excuse, so to speak, for him to finally put his fears to rest, even if retrospectively.”

  Susan nodded.

  “He would have a more pressing need, in fact, once she was dead,” she said. “Because there was no chance to fix it, now. What it was, was all that he had left.”

  The bar was almost empty on a mid-week night. The waitress came by and took my empty glass and looked at me. I shook my head and she went away. The other couple in the bar got up. The man helped the woman on with her coat, and they went out. In the courtyard outside the hotel, a college-age couple went by holding hands, with their heads ducked into the wind.

  “He doesn’t want the truth,” I said.

  “Probably not,” Susan said. “He has probably hired you to support his denial.”

  “Maybe he should get the truth anyway.”

  “Maybe,” Susan said.

  “Or maybe not?” I said.

  “Hard to say in the abstract.”

  Susan smiled at me. There was compassion and intelligence in the smile, and sadness.

  “On the other hand, you have to do what you do, which may not be what he wants you to do.”

  I stared out at the courtyard some more. It was empty now, with a few dead leaves being tumbled along by the wind.

  “Swell,” I said.

  thirty-three

  * * *

  FARRELL CAME INTO my office in the late afternoon, after his shift.

  “You got a drink?” he said.

 

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