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Auguries of Innocence

Page 3

by Patti Smith


  arms.

  Oh

  to be

  so small.

  MARIGOLD

  He had a face of long ago

  Driven and strange with sad, sad eyes

  And a smile to raise paradise

  She tended her flock upon a hill

  Observed him from a place above

  Obscured by light, blushing gold

  He traced the path of star and sun

  A nature torn as prudence spun

  Beheld the eyes of the beguiled one

  Through field and fell she swiftly fled

  Unveiling air, her bonnet slid

  Tossed to the shallow divining good

  As faith a flower where he stood

  Providence speaks another tongue

  He traced the path of star and sun

  He smoothed it with his healing hand

  And made his way into the cold, cold wind

  And the heart is its own

  Yet not as God plans

  And n’ere will she know

  So fine a man

  TARA

  She stood by the door

  of her Virginia farm

  pulling a sweater on

  the branches

  of the dogwood

  were bowed

  blossoms tossed

  in sudden snow

  the deer stood

  in mute wonder

  at the garden’s edge

  she slipped the phone

  in her pocket

  her daughter

  unharmed

  amongst

  petals gone

  she snapped

  a branch

  a tempest stalled

  she felt the boy

  she felt the dead

  she felt the families

  she felt the wind

  the deer don’t do that

  she said

  the deer don’t do that

  TO HIS DAUGHTER

  What is the heart but a small hand

  of agonies? What is the immobile

  stag, but a blessing disguised

  within the pages of a book?

  Little one, set down your hymnal,

  rest it upon your knee. Tears

  may stain the fragile leaf,

  let them fall, let them fall.

  Your father has rushed forth

  in a column of mist. Now you seek

  him in columns of words, water

  and stone. He is here little heart.

  The stag fell under the stroke

  and into a blackness

  so bright as to fold

  light. Here. Pressed between

  hymn and hymn a perfect thorn,

  the spear of your father’s love.

  The hart faltered and fell.

  The red-skinned hart.

  He is the gust that lifts a bit of sail

  to press your cheek, wipe the tears.

  A bit of sail without moral, turning

  like an apron upon a cloud.

  THE PRIDE MOVES SLOWLY

  I heard you crying in your sleep

  and stood above your contour there.

  I saw the moon behind your ear,

  wrists as mine, my mother’s hair.

  I saw you with your father’s arms

  and so possess his blades,

  protruding like small wings

  I thought I’d never see again.

  The lamp of his boyhood glows,

  the pride moves slowly

  as in a dream. Circling

  the shade ’s lucent plain.

  Bequeathed with certain calm,

  the outline of their forms

  diffuse as memories stream,

  sown in sadness, sleep.

  THE LEAVES ARE LATE FALLING

  The leaves are late falling, the plane trees

  gowned as to partner air.

  Star to star, they hold fast in the cold

  light filtering music.

  Two hands ago these fingers were yours,

  folding a guitar placed by our son

  closing his eyes, a metronome pacing

  the percussion of an errant wind

  as the lid fastened, marking time,

  year’s mind and mind’s end.

  In a circle, on a rise, currents waltz

  the restive plane,

  their gowns loosening, they fall

  one by one shimmering,

  signing as their word

  that somewhere you are good.

  WILDERNESS

  Do animals make a human cry

  when their loved one staggers

  fowled dragged down

  the blue veined river

  Does the female wail

  miming the wolf of suffering

  do lilies trumpet the pup

  plucked for skin and skein

  Do animals cry like humans

  as I having lost you

  yowled flagged

  curled in a ball

  This is how

  we beat the icy field

  shoeless and empty handed

  hardly human at all

  Negotiating a wilderness

  we have yet to know

  this is where time stops

  and we have none to go

  THE GEOMETRY BLINKED RUIN UNIMAGINABLE

  She clawed through the rubble of her world

  head covered a scrupulous maid searching for gems

  a necklace mislaid by her mistress on the marble floor

  of a ballroom set against the battered sky

  She crawled with her babe limp as a doll in floral crayon

  fleeing hell straight into the light of her ancestors

  She crawled through arches suspended

  wrapped her babe in the shawl she had worn

  to market no more than a scar on the face of a hill

  hair ribbons fluttering girders blood silk

  oozing the wounded sky shot with holes

  foxes scuttling crackling wires

  patches of honey colored coats shivering

  down mixed with bits of calico and flesh

  She crawled a chessboard a cage of gold

  scaffolding she crawled with her face oblique

  placed her babe before the altar of the Art of War

  She picked through the remnants of the Basque

  countryside a cockeyed dress-maker

  piecing a pattern gone awry

  Through the rubble she crawled

  with one shoe the other foot gone

  a trail sticky and warm

  She crept into the belly of a fallen horse

  drawing its life into her mouth

  covering her doll with kisses

  she knelt entreating her god

  an immense crucifix swathed

  in telegraph wire that spun

  like a bottle in the center of a circle

  She made a sign over her breast

  and stuffed her mouth with biscuits

  Body of Christ…Body of Christ

  Horses wept jewels the size of fists

  swept by scholars with a mind

  to twist and level facets

  of each plane to be raffled

  when the bombing ceased

  Before the Art of War she laid her babe

  To be raffled with the heart of the artist

  bulldozed crucified then razed again

  to house an outstretched arm

  hoof and thigh reins that ran scarlet

  streaming the horse ’s knotted mane

  dripping blood from the wounds of Christ

  dripping blood from the wounds of Spain

  Black and white blood dripping

  The ghost of Sophia pranced in her rag dress

  through walls of glass—the unspeakable

  The hairs on his forearms bristled the sense

  of her pressing in like a dosed handkerchief

  He picked up a stick and covered fresh sheetsr />
  Dripping the hardened horn

  Dripping the indignant ring

  Slaughter flower dead child hoof capacious eye

  lighting the halls of the Spanish pavilion

  He bore down on the stick to canvas spent

  and on the seventh day he wept

  FENOMENICO

  The music of the spheres knew not of what it sang.

  The flame of love mounts quicker than the flame of sacrifice.

  This flame burns slow and the body consumed holds its form

  a small slumping figure stripped and shorn

  mouthing the words: “Jesus, Jesus.”

  She reached, not with her bound hands, but with her eyes.

  The sacrifice made on the cross harmonized with her own.

  Her banner, intact, hung from the arches of the sky.

  I sat in a square humming a song of the shepherd girl

  who rose above her station to liberate her king.

  Yet he abandoned her to secular authority

  and she languished in chains

  a daughter of deep neglect.

  Her harnois blanc lay upon the altar

  Her difformitate habitus shredded immaculate

  Her broken sword, an ex-voto, caught in the bramble

  the sweetbriar enmeshed in sad soldier thread.

  I reached to touch but was moved by the rustling gowns

  of the conclave; the lapping of the Apostolic See.

  A moat encircled the Duomo and I noticed a small boat

  laden with bread and fishes.

  I reached for the oar but was suddenly drawn by the

  geometric design paving the wide quadrangle of the piazza.

  The mosaic sang beneath my feet as I entered an ancient

  garden winding the heart of the perennial cycle.

  A long-stemmed boccolo with magnificent thorns appeared

  before me. I knelt to claim it when I saw you standing by

  the column of the winged lion in your overcoat, smiling.

  A golden ball balanced above the tumulus

  like a small planet eaten away by a spiral mist.

  The music of the spheres knew not of what it sang yet

  filled the heavens with a bold and jubilant silence.

  I felt the lantern of your arm

  the pageantry of your breath

  the source of an exquisite wound.

  THREE WINDOWS

  In the garden of the fugitive

  he knelt singing

  I am with thee

  In his white cassock he cried

  I pray for that brother

  who shot me

  A black crucifix appeared

  as he lay dying

  forgive me

  I am one

  Crepe streamed from three windows

  a flag dropped bound in mourning

  these words entered the heart

  You have come

  the door is open

  you will not find me

  you will find my love

  OUR JARGON MUFFLES THE DRUM

  Children marching scraps of humanity beating their drum of blood rushing streets buried alive on the moral high ground burned in their beds in the name of crusades not sanctioned by law any savior at all small limbs severed in the name of gods fleeing holocaust streets of the wrong dawn blighted angels swarming burrows wading sewage sleep of the ragged caged glue sniffing packs of the dogged pinned and glazed and bound by fashion rubber shoes stitched by child hands and where shall they dream dancing splintered streets naked feet with none to remove slivers of fiery ice to warn hearts underfoot to wash the tears of children streaming by twos and tens and tens of thou sands with small hands open to fallout follies frozen embryo stem cells blown promises lowered into plundered shafts and children are swarming mounting refrigerators no more cookie jar just rounds of ammo to pump into their pals by the grace of our stupidity they say we have your guns your lack of recognition that we are children and we mimic like parrots and we are going to play you taking down all in our wake in a pink buzz on the way of swollen bellies enslaved ignored skewered abhorred embedded in the new century that has abandoned their hands prayer common mind signs worth deciphering code worth dying words worth living force fed fast food educated by tube entertained with sex scandal serial killer white supremacists and gaudy rappers spoiled like carcasses of studded beef swinging in the sun shot by princess deprived paparazzi grieving images icons blown by fame by their own silver hand jobs presidential blow job mourning the death of stars while babes are left in swaddling heaps babes to languish in streets of blurring mists not parted nor blessed and the children coming with their hands outstretched and we fill them with stinging amendments material rites non patriot acts to play entrap avenge revenge yet there is a higher flower waiting to be plucked a recompense worthy of their pure palm and it contains nothing but itself to raise the head of the son to bathe in lucid milk drink the radiance within the stream and the children are racing streets with no name besieged streets of the veil of the blue mosque streets of the jubilant damned street of the nailed the pawned profiteer street of the prophet hanged man rapist priest amorphous children glowing from dark to dark to dark and the way of the bread and the empty hand of innocence transfusing street of the sorrows and children of the wood hounded shredding all veils unwinding all sheets of the dead world droning overturning tables laden with silver sacrificial birds beating goatskin drums advancing with hands outstretched and we keep filling them with mercury nitrate asbestos baby bombs blasting blue scavengers picking through the ashes of city of the dead exploited raging children of the mills children of the junkyard malls trafficked children high risk asylum children orphaned abused shining children damned and gifted blind scorned and beautiful toughs funneling traumatized hungry for lullabies sucked through the shafts sleepy illiterate fuzzy little rats haunted paint snuffers stoned out of their shaved heads forgotten foraging sex slaves sleeping urine and excrement gutter saints mystical children foul mouth glassy eyed hallucinating hallowed nameless soldier blitzing the pure street of the numb with outstretched hands and children are raging like packs of dogs and who shall feed them shall serve up centuries of love lost as they squat in our shit unable to comprehend their own beneath constellations of fear as we wield vanities gesturing extinction and the children are mouthing natures small agonies and fish are writhing in the desert and the sea no longer shining sea and mountains shall be razed erupting small fingers tracing the end of things and children are marching beating their drums of blood joined by ghosts offering sweet cornflowers to fold and stuff the cheek of the future tiny fists signaling take heed thee guardian for none shall be first and none shall be last and who shall greet the sun if the air be pink with folly and who shall remain save the children of the game and they shall be as bread upon the earth and they shall build monuments to the saints of their day and they shall shed all veils unwind all flags and hail their mother who found them naked abandoned in coffin shaped baskets and lifted them bathed and clothed them in the finery of her love and they shall remember her in cloth of blue dawn anchored in faith bathed in hope with charity unfurled as they rebuild our world.

  DEATH OF A TRAMP

  The hills were green and so were we

  but not in the way men talk about

  we had not known death

  nor walked with stain

  for all was bright about the hand

  We had not known death

  yet the sparrows ring

  set like a wreath upon the marsh

  marked for all that shivered cross

  in cast-off clothes himself cast-off

  In sun and wind his tramping drum

  the high grass knew his shuffling

  kindness wrapped his being mild

  his countenance moved the brethren

  The stench and sense of aimless wrath

  now we know death not so the man

  a wildflower stowed in ragged breast

>   the hills are grieved their innocence

  MUMMER LOVE

  Come in lovely Mummers don’t bother the snow

  We can wipe up the water sure after you go

  Sit if you can or on some Mummer’s knee

  Let’s see if we know who ya be

  TRADITIONAL

  A face pressed to mine. A black hole planting a kiss, an uproarious cry. It was not cruelty, not even insult, but a quirky form of universal love. An impulse of great narcotic joy. One of the lower orders, a lone mummer from Conception Bay, engaging in horseplay far from home. He pressed his face to mine, then staggered away, howling, while I, small and reproachful, tried to wipe away the smear of a vague initiation into the festival of life.

  I fled the masquerade through ranks of grotesque string bands shaking down Market Street. Through the heart of Philadelphia I ran, toward City Hall, topped with the imposing figure of William Penn breathing upon my startled being.

  Brothers in blackface splendidly clad chasing small boys and whipping their legs. Gaudy tattlers parading the streets and performing rude dances. Strays dragging plumes in the slush splashing as little ice crystals formed in my socks.

  I did not join the other children throwing pennies on Ben Franklin’s grave, crying good luck, good luck. But something struck me as I scraped the clover from my shoes. Why should there be clover? I was driven to the snow. Why should there be clover—each one four leaved, boasting the luck of his caste?

 

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