The burning wire lr-9

by Jeffery Deaver

  He'd caught her gazing out the window, her face still.

  "I got it wrong, Rhyme. I wasted time evacuating the construction site and missed the real target completely."

  She explained that it had been Bob Cavanaugh who figured out that the target was the hotel. She was sighing. "If I'd thought it out better, I might've saved them." She walked to a whiteboard and with a firm hand wrote, "Battery Park Hotel," at the top and just below that the names of the deceased victims, apparently a husband and wife, a businessman from Scottsdale, Arizona, a waiter and an advertising executive from Germany.

  "It could've been a lot more. I heard you took out the windows and got people out that way."

  Her response was a shrug.

  Rhyme felt that "what if" had no part in the policing business. You did the best you could, you played the odds.

  Though he too was feeling what Sachs was, angry that, despite their race against the clock and their correct deduction about the general locale where the attack would be, not only had they failed to save victims but they'd missed their chance to collar Galt.

  But he wasn't as upset as she was. However many people were at fault and whatever their degree of blame, Sachs was always hardest on herself. He could have told her that undoubtedly more people would have died if she hadn't been there, and that Galt now knew that he'd been identified and nearly outthought. He might very well stop the attacks altogether and give up. But saying this to her would smack of condescension and, had it been directed at Rhyme himself, he wouldn't even have listened.

  Besides, the stark truth was, yes, the perp got away because they'd got it wrong.

  Sachs returned to assembling the evidence on the examining table.

  Her face was paler than normal; she was a minimalist when it came to makeup. And Rhyme could see that this crime scene too had affected her. The bus incident had spooked her-and some of that was still in her eyes, a patina of ill ease. But this was a different horror, the residue of the image of the people in the hotel dying in such terrible ways. "They were… it was like they were dancing while they died, Rhyme," she'd described it to him.

  She'd collected Galt's Algonquin overalls and hard hat, the gear bag containing tools and supplies, another of the heavy-duty cables, identical to the one Galt had used for the arc flash yesterday morning. There were also several bags of trace. Another item, too, in a thick plastic bag: connecting the cable to the main line involved something different from what Galt had used at the Algonquin substation on Fifty-seventh Street, she explained. He'd used split bolts but between the two wires was a plastic box, about the size of a hard-cover book.

  Cooper scanned it for explosives and then opened it up. "Looks homemade but I have no idea what it is."

  Sachs said, "Let's talk to Charlie Sommers."

  In five minutes they were on a conference call with the inventor from Algonquin. Sachs described the attack at the hotel.

  "I didn't know it was that bad," he said in a soft voice.

  Rhyme said, "Appreciate your advice earlier-how he'd be rigging the current like he did, instead of the arc."

  "Didn't help much, though," the man muttered.

  "Can you look over this box we recovered?" Sachs asked. "It was connecting the Algonquin line to the one he ran to the hotel."

  "Of course."

  Cooper gave Sommers a URL for a secure streaming video and then turned the high-def camera over the guts of the box.

  "Got it. Let me take a look… Go back to the other side… Interesting. Not commercial. Made by hand."

  "That's what it looks like to us," Rhyme said.

  "I've never seen anything like it. Not this compact. It's switchgear. That's our term for the switches in substations and on transmission systems."

  "Just shuts a circuit on and off?"

  "Yep. Like a wall switch, except I'd say it could handle a hundred thousand volts easy. A built-in fan, a solenoid and a receiver. Remote control."

  "So he hooked the wires together without transferring any current, then when he was safely away he hit the switch. Andi Jessen said he might try something like that."

  "Did she? Hm. Interesting." Then Sommers added, "But I don't think the issue is safety. Any troubleman knows how to splice wires safely. He did this for another reason."

  Rhyme understood. "To time the attack-he'd turn on the juice the moment when most victims were exposed."

  "I think that's it, yes."

  Sachs added, "One of the workers who saw him said he was watching the scene on his laptop-it was probably hooked into a nearby security camera. I couldn't find where he cut in, though."

  "Maybe that's why he hit the switch a few minutes early," Rhyme said. "He had the chance to get the most victims, and he knew Algonquin wasn't going to give in to his demand at that point anyway."

  Sommers sounded impressed when he said, "He's talented. That's a clever piece of work. The switch seems simple but it was a lot harder to make than you'd think. There's a lot of electromagnetic power in voltage lines that big and he'd have to shield the electronics. He's smart. Which, I guess, is bad news."

  "Where could he get the parts, the solenoid, the receiver, the fan?"

  "In any one of a hundred electrical supply stores in the area. Two hundred… Any serial numbers?"

  Cooper examined them carefully. "No. Model numbers, that's all."

  "Then you're out of luck."

  Rhyme and Sachs thanked Sommers and they hung up.

  Sachs and Cooper examined Galt's gear kit and the Algonquin overalls and hard hat. No notes or maps, nothing to indicate where he might be hiding out or what his next target might be. That didn't surprise them, since Galt had intentionally ditched the items and would know they'd been discovered.

  Detective Gretchen Sahloff, from Crime Scene HQ, had collected samplars of Galt's fingerprints from his office and a thumbprint on file from Algonquin Human Resources. Cooper now examined all of the items collected, against these prints. He found only Galt's on the collected evidence. Rhyme was frustrated at this. Had they found others, that could have led them to a friend of Galt's or an accomplice or someone in the Justice For cell, if it was involved in the attacks.

  Also Rhyme noted that the hacksaw and bolt cutter weren't in the bag, but this didn't surprise him. The kit was for smaller hand tools.

  The wrench, however, was, and it had tool marks that were identical to those on the bolts at the substation on Fifty-seventh Street.

  The crime scene team from the arson incident at the substation in Harlem arrived. They had very little. Galt had used a simple Molotov cocktail-a glass bottle filled with gasoline and a cloth rag stuck into the top. It had been thrown against the barred but open window and the burning gas had flowed inside, igniting rubber and plastic insulation. The bottle was for wine-there were no threads for a screw-top cap-and was manufactured by a glassworks that sold to dozens of wineries, which in turn sold to thousands of retail outlets. The label had been soaked off. Untraceable.

  The gasoline was BP, regular grade, and the cloth was from a T-shirt. None of these items could be traced to a specific location, though a rat-tail file was found in Galt's gear bag with glass dust that could be associated with the bottle-from scoring it, so that it would be certain to break.

  There was no security camera outside or in the substation.

  A knock on the door sounded.

  Thom went to open it and a moment later Ron Pulaski entered, with the evidence he'd gathered at Galt's apartment, several milk crates full of items, the bolt cutter and the hacksaw, along with a pair of boots.

  Well, at last, Rhyme thought, irritated at the delay, though pleased at the arrival of the evidence.

  Unsmiling, Pulaski looked at no one as he stacked up the evidence on the table. Then Rhyme noticed that his hand was shaking.

  "Rookie, you all right?"

  The young man, his back to them all, paused, looking down, hands on the table in front of him. Then he turned. Took a breath. "There was an acci
dent at the scene. I hit somebody with my car. Somebody innocent, just happened to be there. He's in a coma. They think he might die."

  Chapter 42

  THE YOUNG OFFICER told them what had happened.

  "I just wasn't thinking. Or maybe I was thinking too much. I got spooked. I was worried Galt might've gotten to my car and rigged a trap or something."

  "How could he have done that?" Rhyme asked.

  "I don't know," Pulaski said emotionally. "I didn't remember I'd already started the engine. I turned the key again and the noise… well, it scared me. I guess my foot slipped off the brake."

  "Who was he?"

  "Just some guy, Palmer's his name. Works nights at a trucking company. He was taking a shortcut back from a grocery store… I hit him pretty hard."

  Rhyme thought about the head injury that Pulaski himself had suffered. He'd be troubled by the fact that his carelessness had now seriously injured someone else.

  "Internal Affairs's going to talk to me. They said the city'll probably be sued. They told me to contact the PBA about a lawyer. I…" Words failed him. Finally he repeated a bit manically, "My foot slipped off the brake. I didn't even remember putting the car in gear or starting it."

  "Well, Rookie, blame yourself or not, but the point is, this Palmer's not a player in the Galt case, is he?"

  "No."

  "So deal with it after hours," Rhyme said firmly.

  "Yessir, sure. I will. I'm sorry."

  "So, what'd you find?"

  He explained about the sheets he'd managed to tease out of Galt's printer. Rhyme complimented him on that-it was a good save-but the officer didn't even seem to hear. Pulaski continued, explaining about Galt's cancer and the high-tension wires.

  "Revenge," Rhyme mused. "The old standby. An okay motive. Not one of my favorites. Yours?" He glanced at Sachs.

  "No," she replied seriously. "Greed and lust're mine. Revenge's usually an antisocial personality disorder thing. But this could be more than revenge, Rhyme. From the demand note he's on a crusade. Saving the people from the evil energy company. A fanatic. And I still think we may find a terrorist connection."

  Apart from the motive, though, and the evidence tying Galt to the crime scenes, Pulaski had found nothing that suggested his present whereabouts or where he might be going to attack next. This was disappointing but didn't surprise Rhyme; the attacks were obviously well planned and Galt was smart. He'd have known from the start that his identity might be learned and he would have made arrangements for a hideout.

  Rhyme scrolled through numbers and placed a call.

  "Andi Jessen's office," came the weary voice through the speakerphone.

  Rhyme identified himself and a moment later was talking to the CEO of the power company. She said, "I just talked to Gary Noble and Agent McDaniel. There're five people dead, I heard. And more in the hospital."

  "That's right."

  "I'm so sorry. How awful. I've been looking at Ray Galt's employee file. His picture's up in front of me right now. He doesn't look like the kind of person who'd do something like this."

  They never do.

  Rhyme explained, "He's convinced he got cancer from working on the electric lines."

  "Is that why he's doing this?"

  "It seems. He's crusading. He thinks working on high-power lines is a big risk."

  She sighed. "We've got a half dozen suits pending on the issue. High-voltage cables give off EMFs-electromagnetic fields. Insulation and walls shield the electrical field, but not the magnetic. There're arguments that that can cause leukemia."

  Reading over the pages from Galt's printer, now scanned and up on the monitor in front of him, Rhyme said, "He also talks about the lines attracting airborne particles that can cause lung cancer."

  "None of that's ever been proven. I dispute it. I dispute the leukemia thing too."

  "Well, Galt doesn't."

  "What does he want us to do?"

  "I guess we won't know that until we get another demand note or he contacts you some other way."

  "I'll make a statement, ask him to give himself up."

  "It couldn't hurt." Though Rhyme was thinking that Galt had come too far simply to make a point and surrender. He had more retribution in mind, they had to assume.

  Seventy-five feet of cable and a dozen split bolts. So far he'd used about thirty feet of the stolen wire.

  As he disconnected, Rhyme noticed that Pulaski was on the phone, head down. The officer looked up and met his boss's eyes. He ended his call quickly-and guiltily-and walked over to the evidence table. He started to reach for one of the tools he'd collected and then froze, realizing he didn't have latex gloves on. He pulled on a pair, cleaned the rubber fingers and palm with the dog-hair roller. Then he picked up the bolt cutter.

  A comparison of the tool marks showed that both it and the hacksaw were the same tools used to create the trap at the bus stop, and the boots were the same brand and size too.

  But that just confirmed what they already knew: Raymond Galt was the perp.

  They took a look at the paper and the pens the young officer had collected from Galt's apartment. They could determine no source, but the paper and the ink in the Bics were virtually the same as had been used in the demand note.

  What they discovered next was much more disturbing.

  Cooper was studying the results from the gas chromatograph/mass spectrometer. He said, "Got some trace here. Found it in two separate locations: the lace of the boots and the handle of the bolt cutter in Galt's apartment. And then the sleeve of the worker who'd been attacked by Galt in the tunnel downtown, Joey Barzan."

  "And?" Rhyme asked.

  "It's a kerosene derivative, with minute amounts of phenol and dinonylnaphthylsulfonic acid added."

  Rhyme said, "It's standard jet A fuel. The phenol is an antigumming substance and the acid is an antistatic agent."

  "But there's more," Cooper continued. "Something odd, a form of natural gas. Liquefied, but stable across a wide range of temperatures. And… get this, traces of biodiesel."

  "Check the fuel database, Mel."

  A moment later the tech said, "Got it. It's an alternative aviation fuel that's being tested now. Mostly in military fighters. It's cleaner and it cuts down on fossil-fuel use. They say it'll be the wave of the future."

  "Alternative energy," Rhyme mused, wondering how this piece of the puzzle fit. But one thing he knew. "Sachs, call Homeland Security and the Department of Defense. FAA too. Tell them our boy may have been checking out fuel depos or air bases."

  An arc flash was bad enough. Combined with jet propellant, Rhyme couldn't even imagine the devastation.

  CRIME SCENE: BATTERY PARK HOTEL

  AND SURROUNDINGS

  – Victims (deceased): -Linda Kepler, Oklahoma City, tourist. -Morris Kepler, Oklahoma City, tourist. -Samuel Vetter, Scottsdale, businessman. -Ali Mamrud, New York City, waiter. -Gerhart Schiller, Frankfurt, Germany, advertising executive. -Remote control switch for turning on current. -Components not traceable. -Bennington cable and split bolts, identical to first attack. -Galt's Algonquin uniform, hardhat and gearbag with his friction ridge prints, no others. -Wrench with tool marks that can be associated with tool marks on bolts at first crime scene. -Rat-tail file with glass dust that can be associated with glass from bottle found at substation scene in Harlem. -Probably working alone. -Trace from Algonquin worker Joey Barzan, assault victim of Galt. -Alternative jet fuel. -Attack at military base?

  CRIME SCENE: GALT'S APARTMENT,

  227 SUFFOLK ST., LOWER EAST SIDE

  – Bic SoftFeel fine-point pens, blue ink, associated with ink used in demand letter. -Generic 81/2? 11 white computer paper, associated with demand letter. -Generic No. 10 size envelope, associated with envelope containing demand letter. -Bolt cutter, hacksaw with tool marks matching those at initial scene. -Computer printouts: -Articles about medical research on cancer linked to high-power electric lines. -Blog postings by Galt Re: same. -Albertson-Fenwick Mo
del E-20 boots for electrical work, size 11, with treads the same as prints at initial scene. -Additional traces of alternative jet fuel. -Attack at military base? -No obvious leads as to where he might be hiding, or location of future attacks.

  CRIME SCENE: ALGONQUIN SUBSTATION MH-7,

  E. 119TH STREET, HARLEM

  – Molotov cocktail: 750-ml wine bottle, no source. -BP gas used as accelerant. -Cotton cloth strips, probably white T-shirt, used as fuse, no source determined.

  PROFILE

  – Identified as Raymond Galt, 40, single, living in Manhattan, 227 Suffolk St. -Terrorist connection? Relation to Justice For [unknown]? Terror group? Individual named Rahman involved? References to monetary disbursements, personnel movements and something "big." -Algonquin security breach in Philadelphia might be related. -SIGINT hits: code word reference to weapons, "paper and supplies" (guns, explosives?). -Personnel include man and woman. -Galt's involvement unknown. -Cancer patient; presence of vinblastine and prednisone in significant quantities, traces of etoposide. Leukemia.

  Chapter 43

  LINCOLN RHYME'S MAIN phone trilled.

  The caller ID registered a number he'd been hoping to see, though not at this particular moment. Still he immediately clicked ANSWER.

  "Kathryn, what do you have?"

  No time for pleasantries at the moment. But Dance would understand. She was the same way when it came to a case.

  "The DEA guys in Mexico City got the worker to talk-the man who gave the package to Logan just after he slipped into the country. He did take a look at what was inside, like we thought. I'm not sure it's helpful but here it is: a dark blue booklet with lettering on it. He didn't remember the words. Two letter C's, he thought. A logo of a company maybe. Then a sheet of paper that had a capital letter I followed by five or six lines. Like blanks to be filled in."