Afraid Of A Gun and Other Stories

by Unknown

  "Well, there we were. I was married to her. She had a couple of million coming when her uncle's affairs were straightened out. She couldn't possibly, it seemed, escape arrest and conviction. Even if no one had seen her entering or leaving her uncle's flat, everything still pointed to her guilt, and the foolish course I had persuaded her to follow would simply ruin her chance of pleading self-defence. If they hanged her, the two million would come to me. If she got a long term in prison, I'd have the handling of the money at least."

  Landow dropped and crushed his second cigarette and stared for a moment straight ahead into distance.

  "Do you believe in God, or Providence, or Fate, or any of that, Rush?" he asked. "Well, some believe in one thing and some in another, but listen. Sara was never arrested, never even really suspected. It seems there was some sort of Finn or Swede who had had a run-in with Jerome and threatened him. I suppose he couldn't account for his whereabouts the night of the killing, so he went into hiding when he heard of Jerome's murder. The police suspicion settled on him. They looked Sara up, of course, but not very thoroughly. No one seems to have seen her in the street, and the people in her apartment house, having seen her come in at six o'clock with me, and not having seen her—or not remembering if they did—go out or in again, told the police she had been in all evening. The police were too much interested in the missing Finn, or whatever he was, to look any further into Sara's affairs.

  "So there we were again. I was married into the money, but I wasn't fixed so I could hand Madeline her cut. Madeline said we'd let things run along as they were until the estate was settled up, and then we could tip Sara off to the police. But by the time the money was settled up there was another hitch. This one was my doing. I—I—well, I wanted to go on just as we were. Conscience had nothing to do with it, you understand? It was simply that— well—that living on with Sara was the only thing I wanted. I wasn't even sorry for what I'd done, because if it hadn't been for that I would never have had her.

  "I don't know whether I can make this clear to you, Rush, but even now I don't regret any of it. If it could have been different—but it couldn't. It had to be this way or none. And I've had those six months. I can see that I've been a chump. Sara was never for me. I got her by a crime and a trick, and while I held on to a silly hope that some day she'd—she'd look at me as I did at her, I knew in my heart all the time it was no use. There had been a man— your Millar. She's free now that it's out about my being married to Polly, and I hope she— I hope—Well, Madeline began to howl for action. I told Sara that Madeline had had a child by Jerome, and Sara agreed to settle some money on her. But that didn't satisfy Madeline. It wasn't sentiment with her. I mean, it wasn't any feeling for me, it was just the money. She wanted every cent she could get, and she couldn't get enough to satisfy her in a settlement of the kind Sara wanted to make.

  "With Polly, it was that too, but maybe a little more. She's fond of me, I think. I don't know how she traced me here after she got out of the Wisconsin big house, but I can see how she figured things. I was married to a wealthy woman. If the woman died—shot by a bandit in a hold-up attempt—then I'd have money, and Polly would have both me and money. I haven't seen her, wouldn't know she was in Baltimore if you hadn't told me, but that's the way it would work out in her mind. The killing idea would have occurred just as easily to Madeline. I had told her I wouldn't stand for pushing the game through on Sara. Madeline knew that if she went ahead on her own hook and hung the Falsoner murder on Sara I'd blow up the whole racket. But if Sara died, then I'd have the money and Madeline would draw her cut. So that was it.

  "I didn't know that until you told me, Rush. I don't give a damn for your opinion of me, but it's God's truth that I didn't know that either Polly or Madeline was trying to have Sara killed. Well, that's about all. Were you shadowing me when I went to the hotel?"

  "Yeah."

  "I thought so. That letter I wrote and sent home told just about what I've told you, spilled the whole story. I was going to run for it, leaving Sara in the clear. She's clear, all right, but now I'll have to face it. But I don't want to see her again, Rush."

  "I wouldn't think you would," the detective agreed. "Not after making a killer of her."

  "But I didn't," Landow protested. "She isn't. I forgot to tell you that, but I put it in the letter. Jerome Falsoner was not dead, not even dying, when I went past her into the flat. The knife was too high in his chest. I killed him, driving the knife into the same wound again, but downward. That's what I went in for, to make sure he was finished!"

  Alec Rush screwed up his savage bloodshot eyes, looked long into the confessed murderer's face.

  "That's a lie," he croaked at last, "but a decent one. Are you sure you want to stick to it? The truth will be enough to clear the girl, and maybe won't swing you."

  "What difference does it make?" the younger man asked. "I'm a gone baby anyhow. And I might as well put Sara in the clear with herself as well as with the law. I'm caught to rights and another rap won't hurt. I told you Madeline had brains. I was afraid of them. She'd have had something up her sleeve to spring on us—to ruin Sara with. She could out-smart me without trying. I couldn't take any chances."

  He laughed into Alec Rush's ugly face and, with a somewhat theatrical gesture, jerked one cuff an inch or two out of his coat-sleeve. The cuff was still damp with a maroon stain.

  "I killed Madeline an hour ago," said Henry Bangs, alias Hubert Landow.

  — End—

  THE MAN WHO KILLED DAN ODAMS

  When the light that came through the barred square foot of the cell's one high window had dwindled until he could no longer clearly make out the symbols and initials his predecessors had scratched and pencilled on the opposite wall, the man who had killed Dan Odams got up from the cot and went to the steel-slatted door.

  "Hey, chief!" he called, his voice rumbling within the narrow walls.

  A chair scraped across a floor in the front of the building, deliberate footsteps approached, and the marshal of Jingo came into the passage between his office and the cell.

  "I got something I want to tell you," the man in the cell said.

  Then the marshal was near enough to see in the dim light the shiny muzzle of a short, heavy revolver threatening him from just in front of the prisoner's right hip.

  Without waiting for the time-honoured order the marshal raised his hands until their palms were level with his ears.

  The man behind the bars spoke in a curt whisper.

  "Turn around! Push your back against the door!"

  When the marshal's back pressed against the bars a hand came up under his left armpit, pulled aside his unbuttoned vest, and plucked his revolver from its holster. "Now unlock this here door!"

  The prisoner's own weapon had disappeared and the captured one had taken its place. The marshal turned around, lowered one hand, keys jingled in it, and the cell door swung open.

  The prisoner backed across the cell, inviting the other in with a beckoning flip of the gun in his hand. "Flop on the bunk, face-down."

  In silence the marshal obeyed. The man who had killed Dan Odams bent over him. The long black revolver swept down in a swift arc that ended at the base of the prone official's head.

  His legs jerked once, and he lay still.

  With unhurried deftness the prisoner's fingers explored the other's pockets, appropriating money, tobacco, and cigarette papers. He removed the holster from the marshal's shoulder and adjusted it to his own. He locked the cell door behind him when he left.

  The marshal's office was unoccupied. Its desk gave up two sacks of tobacco, matches, an automatic pistol, and a double handful of cartridges. The wall yielded a hat that sat far down on the prisoner's ears, and a too-tight, too-long, black rubber slicker.

  Wearing them, he essayed the street.

  The rain, after three days of uninterrupted sovereignty, had stopped for the time. But Jingo's principal thoroughfare was deserted—Jingo ate between five and six in
the evening.

  His deep-set maroon eyes—their animality emphasised by the absence of lashes—scanned the four blocks of wooden-sidewalked street. A dozen automobiles were to be seen, but no horses.

  At the first corner he left the street and half a block below turned into a muddy alley that paralleled it. Under a shed in the rear of a poolroom he found four horses, their saddles and bridles hanging near by. He selected a chunky, well-muscled roan—the race is not to the swift through the mud of Montana—saddled it, and led it to the end of the alley.

  Then he climbed into the saddle and turned his back on the awakening lights of Jingo.

  Presently he fumbled beneath the slicker and took from his hip pocket the weapon with which he had held up the marshal: a dummy pistol of moulded soap, covered with tinfoil from cigarette packages. He tore off the wrapping, squeezed the soap into a shapeless handful, and threw it away.

  The sky cleared after a while and the stars came out. He found that the road he was travelling led south. He rode all night, pushing the roan unrelentingly through the soft, viscid footing.

  At daylight the horse could go no farther without rest. The man led it up a coulee— safely away from the road—and hobbled it beneath a clump of cottonwoods.

  Then he climbed a hill and sprawled on the soggy ground, his lashless red eyes on the country through which he had come: rolling hills of black and green and gray, where wet soil, young grass, and dirty snow divided dominion—the triple rule trespassed here and there by the sepia ribbon of county road winding into and out of sight.

  He saw no man while he lay there, but the landscape was too filled with the marks of man's proximity to bring any feeling of security. Shoulder-high wire fencing edged the road, a footpath cut the side of a near-by hill, telephone poles held their short arms stiffly against the gray sky.

  At noon he saddled the roan again and rode on along the coulee. Several miles up he came to a row of small poles bearing a line of telephone wire. He left the coulee bottom, found the ranch house to which the wire ran, circled it, and went on.

  Late in the afternoon he was not so fortunate.

  With lessening caution—he had seen no wires for more than an hour—he rode across a hill to stumble almost into the centre of a cluster of buildings. Into the group, from the other side, ran a line of wire.

  The man who had killed Dan Odams retreated, crossed to another hill, and as he dropped down, on the far side, a rifle snapped from the slope he had just quit.

  He bent forward until his nose was deep in the roan's mane, and worked upon the horse with hand and foot. The rifle snapped again.

  He rolled clear of the horse as it fell, and continued to roll until bunch grass and sagebrush screened him from behind. Then he crawled straight away, rounded the flank of a hill, and went on.

  The rifle did not snap again. He did not try to find it.

  He turned from the south now, toward the west, his short, heavy legs pushing him on toward where Tiger Butte bulked against the leaden sky like a great crouching cat of black and green, with dirty white stripes where snow lay in coulee and fissure.

  His left shoulder was numb for a while, and then the numbness was replaced by a searing ache. Blood trickled down his arm, staining his mud-caked hand. He stopped to open coat and shirt and readjust the bandage over the wound in his shoulder—the fall from the horse had broken it open and started it bleeding again. Then he went on.

  The first road he came to bent up toward Tiger Butte. He followed it, ploughing heavily through the sticky, clinging mud.

  Only once did he break the silence he had maintained since his escape from the Jingo jail. He stopped in the middle of the road and stood with legs far apart, turned his bloodshot eyes from right to left and from ground to sky, and without emotion but with utter finality cursed the mud, the fence, the telephone wires, the man whose rifle had set him afoot, and the meadow larks whose taunting flutelike notes mocked him always from just ahead.

  Then he went on, pausing after each few miles to scrape the ever-accumulating mud from his boots, using each hilltop to search the country behind for signs of pursuit.

  The rain came down again, matting his thin, clay-plastered hair—his hat had gone with his mount. The ill-fitting slicker restricted his body and flapped about his ankles, impeding his progress, but his wounded shoulder needed its protection from the rain.

  Twice he left the road to let vehicles pass—once a steaming Ford, once a half-load of hay creeping along behind four straining horses.

  His way was still through fenced land that offered scant concealment. Houses dotted the country, with few miles between them; and the loss of his horse was ample evidence that the telephone wires had not been idle. He had not eaten since noon of the previous day but— notwithstanding the absence of visible pursuit—he could not forage here.

  Night was falling as he left the road for the slope of Tiger Butte. When it was quite dark he stopped. The rain kept up all night. He sat through it—his back against a boulder, the slicker over his head.

  The shack, unpainted and ramshackle, grovelled in a fork of the coulee. Smoke hung soddenly, lifelessly above its roof, not trying to rise, until beaten into nothingness by the rain. The structures around the chimneyed shack were even less lovely. The group seemed asprawl in utter terror of the great cat upon whose flank it found itself.

  But to the red eyes of the man who had killed Dan Odams—he lay on his belly on the crest of the hill around which the coulee split—the lack of telephone wires gave this shabby homestead a wealth of beauty beyond reach of architect or painter.

  Twice within the morning hour that he lay there a woman came into view. Once she left the shack, went to one of the other sheds, and then returned. The other time she came to the door, to stand a while looking down the coulee. She was a small woman, of age and complexion indeterminable through the rain, in a limp, grayish dress.

  Later, a boy of ten or twelve came from the rear of the house, his arms piled high with kindling, and passed out of sight.

  Presently the watcher withdrew from his hill, swung off in a circle, and came within sight of the shack again from the rear.

  Half an hour passed. He saw the boy carrying water from a spring below, but he did not see the woman again.

  The fugitive approached the building stealthily, his legs carrying him stiffly, their elasticity gone. Now and then his feet faltered under him. But under its layers of clay and three-day beard his jaw jutted with nothing of weakness.

  Keeping beyond them, he explored the outbuildings—wretched, flimsy structures, offering insincere pretences of protection to an abject sorrel mare and a miscellaneous assortment of farm implements, all of which had come off second-best in their struggle with the earth. Only the generous, though not especially skilful, application of the material which has given to establishments of this sort the local sobriquet 'hay-wire outfit' held the tools from frank admission of defeat.

  Nowhere did the ground hold the impression of feet larger than a small woman's or a ten— or twelve—year-old boy's.

  The fugitive crossed the yard to the dwelling, moving with wide-spread legs to offset the unsteadiness of his gait. With the unhurried, unresting spacing of clock-ticks, fat drops of blood fell from the fingers of his limp left hand to be hammered by the rain into the soggy earth.

  Through the dirty pane of a window he saw the woman and boy, sitting together on a cot, facing the door.

  The boy's face was white when the man threw the door open and came into the unpartitioned interior, and his mouth trembled; but the woman's thin, sallow face showed nothing—except, by its lack of surprise, that she had seen him approaching. She sat stiffly on the cot, her hands empty and motionless in her lap, neither fear nor interest in her faded eyes.

  The man stood for a time where he had halted—just within the door to one side—a grotesque statue modelled of mud. Short, sturdy-bodied, with massive sagging shoulders. Nothing of clothing or hair showed through his husk of
clay, and little of face and hands. The marshal's revolver in his hand, clean and dry, took on by virtue of that discordant immaculateness an exaggerated deadliness.

  His eyes swept the room: two cots against the undressed board side walls, a plain deal table in the centre, rickety kitchen chairs here and there, a battered and scratched bureau, a trunk, a row of hooks holding an indiscriminate assembly of masculine and feminine clothing, a pile of shoes in a corner, an open door giving access to a lean-to kitchen.

  He crossed to the kitchen door, the woman's face turning to follow.

  The lean-to was empty. He confronted the woman.

  "Where's your man?"

  "Gone."

  "When'll he be back?"

  "Ain't coming back."

  The flat, expressionless voice of the woman seemed to puzzle the fugitive, as had her lack of emotion at his entrance. He scowled, and turned his eyes—now redder than ever with flecks of blood—from her face to the boy's and back to hers.

  "Meaning what?" he demanded.

  "Meaning he got tired of homesteading."

  He pursed his lips thoughtfully. Then he went to the corner where the shoes were piled. Two pairs of men's worn shoes were there—dry and without fresh mud.

  He straightened, slipped the revolver back into its holster, and awkwardly took off the slicker. "Get me some grub."