During the next few days Spalanzani’s ball was the general topic of conversation. Although the Professor had done everything to make the thing a splendid success, yet certain gay spirits related more than one thing that had occurred which was quite irregular and out of order. They were especially keen in pulling Olimpia to pieces for her taciturnity and rigid stiffness; in spite of her beautiful form they alleged that she was hopelessly stupid, and in this fact they discerned the reason why Spalanzani had so long kept her concealed from publicity. Nathanael heard all this with inward wrath, but nevertheless he held his tongue; for, thought he, would it indeed be worth while to prove to these fellows that it is their own stupidity which prevents them from appreciating Olimpia’s profound and brilliant parts?
One day Siegmund said to him, “Pray, brother, have the kindness to tell me how you, a clever fellow, came to lose your head over that Miss Wax-face—that wooden doll across there?” Nathanael was about to fly into a rage, but he recollected himself and replied, “Tell me, Siegmund, how came it that Olimpia’s divine charms could escape your eye, so keenly alive as it always is to beauty, and your acute perception as well? But Heaven be thanked for it, otherwise I should have had you for a rival, and then the blood of one of us would have had to be spilled.”
Siegmund, perceiving how matters stood with his friend, skillfully changed his tactics and said, after remarking that all argument with one in love about the object of his affections was out of place, “Yet it’s very strange that several of us have formed pretty much the same opinion about Olimpia. We think she is—you won’t take it ill, brother ?—that she is singularly statuesque and soulless. Her figure is regular, and so are her features, that can’t be gainsaid; and if her eyes were not so utterly devoid of life, I may say, of the power of vision, she might pass for a beauty. She is strangely measured in her movements, they all seem as if they were dependent upon some wound-up clockwork. Her playing and singing have the disagreeably perfect, but insensitive timing of a singing machine, and her dancing is the same. We felt quite afraid of this Olimpia, and did not like to have anything to do with her; she seemed to us to be only acting like a living creature, and as if there was some secret at the bottom of it all.”
Nathanael did not give way to the bitter feelings which threatened to master him at these words of Siegmund’s; he fought down and got the better of his displeasure, and merely said, very earnestly, “You cold prosaic fellows may very well be afraid of her. It is only to its like that the poetically organized spirit unfolds itself. Upon me alone did her loving glances fall, and through my mind and thoughts alone did they radiate; and only in her love can I find my own self again. Perhaps, however, she doesn’t do quite right not to jabber a lot of nonsense and stupid talk like other shallow people. It is true, she speaks but few words; but the few words she does speak are genuine hieroglyphs of the inner world of Love and of the higher cognition of the intellectual life revealed in the intuition of the Eternal beyond the grave. But you have no understanding for all these things, and I am only wasting words.”
“God be with you, brother,” said Siegmund very gently, almost sadly, “but it seems to me that you are in a very bad way. You may rely upon me, if all—No, I can’t say any more.” It all at once dawned upon Nathanael that his cold prosaic friend Siegmund really and sincerely wished him well, and so he warmly shook his proffered hand.
Nathanael had completely forgotten that there was a Clara in the world, whom he had once loved—and his mother and Lothair. They had all vanished from his mind; he lived for Olimpia alone. He sat beside her every day for hours together, rhapsodizing about his love and sympathy enkindled into life, and about psychic elective affinity—all of which Olimpia listened to with great reverence.
He fished up from the very bottom of his desk all the things that he had ever written—poems, fancy sketches, visions, romances, tales, and the heap was increased daily with all kinds of aimless sonnets, stanzas, canzonets. All these he read to Olimpia hour after hour without growing tired; but then he had never had such an exemplary listener. She neither embroidered, nor knitted; she did not look out of the window, or feed a bird, or play with a little pet dog or a favourite cat, neither did she twist a piece of paper or anything of that kind round her finger; she did not forcibly convert a yawn into a low affected cough—in short, she sat hour after hour with her eyes bent unchangeably upon her lover’s face, without moving or altering her position, and her gaze grew more ardent and more ardent still. And it was only when at last Nathanael rose and kissed her lips or her hand that she said, “Ah! Ah!” and then “Goodnight, dear.”
Back in his own room, Nathanael would break out with, “Oh! what a brilliant—what a profound mind! Only you—you alone understand me.” And his heart trembled with rapture when he reflected upon the wondrous harmony which daily revealed itself between his own and his Olimpia’s character; for he fancied that she had expressed in respect to his works and his poetic genius the identical sentiments which he himself cherished deep down in his own heart, and even as if it was his own heart’s voice speaking to him. And it must indeed have been so; for Olimpia never uttered any other words than those already mentioned. And when Nathanael himself in his clear and sober moments, as, for instance, directly after waking in a morning, thought about her utter passivity and taciturnity, he only said, “What are words—but words? The glance of her heavenly eyes says more than any tongue. And anyway, how can a child of heaven accustom herself to the narrow circle which the exigencies of a wretched mundane life demand?”
Professor Spalanzani appeared to be greatly pleased at the intimacy that had sprung up between his daughter Olimpia and Nathanael, and showed the young man many unmistakable proofs of his good feeling towards him. When Nathanael ventured at length to hint very delicately at an alliance with Olimpia, the Professor smiled all over his face at once, and said he should allow his daughter to make a perfectly free choice.
Encouraged by these words, and with the fire of desire burning in his heart, Nathanael resolved the very next day to implore Olimpia to tell him frankly, in plain words, what he had long read in her sweet loving glances—that she would be his for ever. He looked for the ring which his mother had given him at parting; he would present it to Olimpia as a symbol of his devotion, and of the happy life he was to lead with her from that time onwards.
While looking for it he came across his letters from Clara and Lothair; he threw them carelessly aside, found the ring, put it in his pocket, and ran across to Olimpia. While still on the stairs, in the entrance passage, he heard an extraordinary hubbub; the noise seemed to proceed from Spalanzani’s study. There was a stamping —a rattling—pushing—knocking against the door, with curses and oaths intermingled. “Leave hold—leave hold—you monster—you rascal—put your life’s work into it?—Ha! ha! ha! ha!—That was not our wager—I, I made the eyes—I the clockwork.—Go to the devil with your clockwork—you damned dog of a watchmaker—be off—Satan—stop—you paltry turner—you infernal beast—stop—begone—let me go.” The voices which were thus making all this racket and rumpus were those of Spalanzani and the fearsome Coppelius.
Nathanael rushed in, impelled by some nameless dread. The Professor was grasping a female figure by the shoulders, the Italian Coppola held her by the feet; and they were pulling and dragging each other backwards and forwards, fighting furiously to get possession of her.
Nathanael recoiled with horror on recognizing that the figure was Olimpia. Boiling with rage, he was about to tear his beloved from the grasp of the madmen, when Coppola by an extraordinary exertion of strength twisted the figure out of the Professor’s hands and gave him such a terrible blow with her, that Spalanzani reeled backwards and fell over the table among the phials and retorts, the bottles and glass cylinders, which covered it: all these things were smashed into a thousand pieces. But Coppola threw the figure across his shoulder, and, laughing shrilly and horribly, ran hastily down the stairs, the figure’s ugly feet hanging d
own and banging and rattling like wood against the steps.
Nathanael was stupefied—he had seen only too distinctly that in Olimpia’s pallid waxed face there were no eyes, merely black holes in their stead; she was an inanimate puppet. Spalanzani was rolling on the floor; the pieces of glass had cut his head and breast and arm; the blood was escaping from him in streams. But he gathered his strength together by an effort.
“After him—after him! What do you stand staring there for? Coppelius—Coppelius—he’s stolen my best automaton—at which I’ve worked for twenty years—my life work—the clockwork—speech—movement—mine—your eyes—stolen your eyes—damn him—curse him—after him—fetch me back Olimpia—there are the eyes.” And now Nathanael saw a pair of bloody eyes lying on the floor staring at him; Spalanzani seized them with his uninjured hand and threw them at him, so that they hit his breast.
Then madness dug her burning talons into Nathanael and swept down into his heart, rending his mind and thoughts to shreds. “Aha! aha! aha! Fire-wheel—fire-wheel! Spin round, fire-wheel! merrily, merrily! Aha! wooden doll! spin round, pretty wooden doll!” and he threw himself upon the Professor, clutching him fast by the throat.
He would certainly have strangled him had not several people, attracted by the noise, rushed in and torn away the madman; and so they saved the Professor, whose wounds were immediately dressed. Siegmund, with all his strength, was not able to subdue the frantic lunatic, who continued to scream in a dreadful way, “Spin round, wooden doll!” and to strike out right and left with his doubled fists. At length the united strength of several succeeded in overpowering him by throwing him on the floor and binding him. His cries passed into a brutish bellow that was awful to hear; and thus raging with the harrowing violence of madness, he was taken away to the madhouse.
Before continuing my narration of what happened further to the unfortunate Nathanael, I will tell you, indulgent reader, in case you take any interest in that skillful mechanician and fabricator of automata, Spalanzani, that he recovered completely from his wounds. He had, however, to leave the university, for Nathanael’s fate had created a great sensation; and the opinion was pretty generally expressed that it was an imposture altogether unpardonable to have smuggled a wooden puppet instead of a living person into intelligent tea-circles—for Olimpia had been present at several with success. Lawyers called it a cunning piece of knavery, and all the harder to punish since it was directed against the public; and it had been so craftily contrived that it had escaped unobserved by all except a few preternaturally acute students, although everybody was very wise now and remembered to have thought of several facts which occurred to them as suspicious. But these latter could not succeed in making out any sort of a consistent tale. For was it, for instance, a thing likely to occur to anyone as suspicious that, according to the declaration of an elegant beau of these tea-parties, Olimpia had, contrary to all good manners, sneezed oftener than she had yawned? The former must have been, in the opinion of this elegant gentleman, the winding up of the concealed clockwork; it had always been accompanied by an observable creaking, and so on.
The Professor of Poetry and Eloquence took a pinch of snuff, and, slapping the lid to and clearing his throat, said solemnly, “My most honourable ladies and gentlemen, don’t you see then where the rub is? The whole thing is an allegory, a continuous metaphor. You understand me? Sapienti sat.”
But several most honourable gentlemen did not rest satisfied with this explanation; the history of this automaton had sunk deeply into their souls, and an absurd mistrust of human figures began to prevail. Several lovers, in order to be fully convinced that they were not paying court to a wooden puppet, required that their mistress should sing and dance a little out of time, should embroider or knit or play with her little pug, & c., when being read to, but above all things else that she should do something more than merely listen—that she should frequently speak in such a way as to really show that her words presupposed as a condition some thinking and feeling. The bonds of love were in many cases drawn closer in consequence, and so of course became more engaging; in other instances they gradually relaxed and fell away. “I cannot really be made responsible for it,” was the remark of more than one young gallant.
At the tea-gatherings everybody, in order to ward off suspicion, yawned to an incredible extent and never sneezed. Spalanzani was obliged, as has been said, to leave the place in order to escape a criminal charge of having fraudulently imposed an automaton upon human society. Coppola, too, had also disappeared.
When Nathanael awoke he felt as if he had been oppressed by a terrible nightmare; he opened his eyes and experienced an indescribable sensation of mental comfort, while a soft and most beautiful sensation of warmth pervaded his body. He lay on his own bed in his own room at home; Clara was bending over him, and at a little distance stood his mother and Lothair. “At last, at last, O my darling Nathanael; now we have you again; now you are cured of your grievous illness, now you are mine again.” And Clara’s words came from the depths of her heart; and she clasped him in her arms. The bright scalding tears streamed from his eyes, he was so overcome with mingled feelings of sorrow and delight; and he gasped forth, “My Clara, my Clara!”
Siegmund, who had staunchly stood by his friend in his hour of need, now came into the room. Nathanael gave him his hand—“My faithful brother, you have not deserted me.” Every trace of insanity had left him, and in the tender hands of his mother and his beloved, and his friends, he quickly recovered his strength again. Good fortune had in the meantime visited the house; a niggardly old uncle, from whom they had never expected to get anything, had died, and left Nathanael’s mother not only a considerable fortune, but also a small estate, pleasantly situated not far from the town. There they resolved to go and live, Nathanael and his mother, and Clara, to whom he was now to be married, and Lothair. Nathanael had become gentler and more childlike than he had ever been before, and now began really to understand Clara’s supremely pure and noble character. None of them ever reminded him, even in the remotest degree, of the past. But when Siegmund took leave of him, Nathanael said, “By heaven, brother! I was in a bad way, but an angel came just at the right moment and led me back upon the path of light. Yes, it was Clara.” Siegmund would not let him speak further, fearing lest the painful recollections of the past might arise too vividly and too intensely in his mind.
The time came for the four happy people to move to their little property. At noon they were going through the streets. After making several purchases they found that the lofty tower of the town hall was throwing its giant shadows across the market place. “Come,” said Clara, “let us go up to the top once more and have a look at the distant hills.” No sooner said than done. Both of them, Nathanael and Clara, went up the tower; their mother, however, went on with the servant-girl to her new home, and Lothair, not feeling inclined to climb up all the many steps, waited below. There the two lovers stood arm in arm on the topmost gallery of the tower, and gazed out into the sweet-scented wooded landscape, beyond which the blue hills rose up like a giant’s city.
“Oh! do look at that strange little gray bush, it looks as if it were actually walking towards us,” said Clara. Mechanically he put his hand into his side pocket; he found Coppola’s perspective and looked for the bush; Clara stood in front of the glass.
Then a convulsive thrill shot through his pulse and veins; pale as a corpse, he fixed his staring eyes upon her; but soon they began to roll, and a fiery current flashed and sparkled in them, and he yelled fearfully, like a hunted animal. Leaping up high in the air and laughing horribly at the same time, he began to shout in a piercing voice, “Spin round, wooden doll! Spin round, wooden doll!” With the strength of a giant he laid hold upon Clara and tried to hurl her over, but in an agony of despair she clutched fast hold of the railing that went round the gallery.
Lothair heard the madman raging and Clara’s scream of terror: a fearful presentiment flashed across his mind. He ran up the
steps; the door of the second flight was locked. Clara’s scream for help rang out more loudly. Mad with rage and fear, he threw himself against the door, which at length gave way. Clara’s cries were growing fainter and fainter—“Help! save me! save me!” and her voice died away in the air. “She is killed—murdered by that madman,” shouted Lothair. The door to the gallery was also locked.
Despair gave him the strength of a giant; he burst the door off its hinges. Good God! there was Clara in the grasp of the madman Nathanael, hanging over the gallery in the air, holding on to the iron bar with only one hand. Quick as lightning, Lothair seized his sister and pulled her back, at the same time dealing the madman a blow in the face with his doubled fist, which sent him reeling backwards, forcing him to let go his victim.
Lothair ran down with his insensible sister in his arms. She was saved. But Nathanael ran round and round the gallery, leaping up in the air and shouting, “Spin round, fire-wheel! Spin round, fire-wheel! ” The people heard the wild shouting, and a crowd began to gather. In the midst of them towered the lawyer Coppelius, like a giant; he had only just arrived in the town, and had gone straight to the market place.
Some were for going up to overpower and take the madman, but Coppelius laughed and said, “Ha! ha! wait a bit; he’ll come down of his own accord;” and he stood gazing up along with the rest.
All at once Nathanael stopped as if spellbound; he bent down over the railing and perceived Coppelius. With a piercing scream, “Eh! Fine eyes-a, fine eyes-a!” he leaped over the railing.
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