Neutron Solstice d-3

by James Axler

  The sun shone through the long branches of the whitebeam trees that lined the dappled suburban streets. Intermittently they came upon the rotting remnants of automobiles, their tires long gone, settled on their hubs. They were overwhelmed by the visible tragedy of the Big Chill of 2001. It wasn't like just reading about it, or hearing from some old tapes. This was nowand this was real.

  The Holiday Inn stood on a slight mound in the center of a maze of small waterways. Some had silted up; some had dried to lush valleys of moss; some still flowed with gurgling muddy water. The motel itself was a sprawling single-story structure, originally painted white and built with central pillars and columns in the American Colonial style. On its western flank a tall sycamore had died and fallen, breaking three windows. The flowering shrubs that once bad been carefully tended now ran wild, with azaleas and bougainvillea rampant, clear across the circular drive and parking spaces, flooding into the railed swimming pool with its turquoise slide. The permanently green Astroturf was covered with lichen.

  The six of them stood and stared. Finn spat onto the dusty road, then started and peered down by his boots. "Fucking tracks, Ryan."

  Ryan mentally cursed himself for being so careless. He'd been so interested in seeing this motel, preserved like a fly trapped forever in yellow amber, that he'd been ignoring basic safety. Like keeping his eyes open.

  Finnegan was correct. The thick dust on the blacktop was overlaid with the familiar tracks of the swampwags. He knelt down to run his fingers lightly over the marks, then stood and scrutinized them from a different angle. He walked a few paces toward the imposing bulk of the motel, looking back at the tracks.

  "They all turned here, J.B.," he said. "They come this far, then they go right around and head back toward the main part of the ville."

  "Yeah. I read it that way."

  "Mebbe this Holiday Inn place marks the edge of Baron Tourment's secure territory."

  Ryan looked at Krysty. "Could be, lover. This gang runs part of West Lowellton. This baron maybe hasn't enough sec men to come clear out the nest of rats." That made sense.

  They could imagine no other reason why the tire tracks should stop so abruptly about a hundred paces before the tangled skein of waterways and narrow bridges that circled the building.

  From the south came the sullen rumbling of thunder. A deep purple cloud moved menacingly along the southern fringe of the sky, its upper edge touched with vermilion.

  "Nuke storm on the way," said Finn.

  "No," said Doc.

  "What?"

  "Not a nuke storm. I spent a summer here, way back in... my mind sort of trembles when I try and recall dates and places. I spent a vacation with Emily... Was that her name? Emily?"

  Only once since Ryan Cawdor had met Doc Tanner had the old man mentioned Emily. It was just another ill-shaped piece in the jigsaw puzzle of the man's mysterious past.

  "Go on, Doc," urged Lori. "Please."

  "It was out near Baton Rouge. Rained, so we got busted flat, roads turned to rivers. Dark at noon, so's you couldn't see a hand before your face. Lord, but that was a time. Emily cried on my shoulder, and she lost her kerchief that day. Lace-trimmed. Sky like this. But there was a pool of clear gold light, straight over our heads Ч we saw it. Looking up, like a road to the throne of the Lord Himself. Emily wasn't much on religion.... She... seen an eagle in that light."

  The voice was fading, as it often, did during Doc's recollections. This one had gone on longer than most. Ryan prompted him gently.

  "And the sky was like that? Purple and red at the edges?"

  "All around. This eagle. Emily... was it with her? Or later, after I'd... they trawled and... I recall a line or two of verse by..." The brow furrowed with the effort of concentration. "By Oliver Makin. 'The bird that flies above the clouds knows only the sun, and his storms are sun-storms'. Yes, that was it, I believe. I always thought that a pretty conceit. I'm sorry, I fail to remember why..."

  Lori squeezed his hand. Ryan was struck by the way Doc Tanner mixed moments of the highest intelligence with long hours of near senile meanderings.

  "So, it's not a fucking nuke storm," said Finn. "Least that's good news. But it still looks like the skies are going to fucking piss all over us."

  "Best get inside the building," said Ryan. "I'll go first. J.B.?"

  "Yeah?"

  "Bring up..."

  "The rear. I got it, Ryan."

  * * *

  The relics of several automobiles were parked in the overgrown lot at the side of the building. Over the main doorway there was a kind of archway. Beyond it was a pair of double doors, one with the glass cracked clean across from corner to corner. Ryan, the G-12 at the ready, stepped lightly toward the entrance, sniffing the air like a prowling panther. The green scent of the luxurious vegetation filled his nostrils.

  "Should we go in, Ryan?" asked Finnegan.

  "Fireblast! Why not?"

  The door was stiff, creaking on dry hinges. Ryan kicked away a pile of desiccated leaves heaped in the entrance; they rustled loudly. With the sun behind them, the group filed through the door one by one into the cool dark vestibule; the air felt almost clammy on the skin. Last to enter, J.B. pulled the door shut.

  "Shall I stay here and cover our asses?"

  "No. If'n there's hunters after us, this place is too big to cover until we've checked it out. Safer to keep together."

  The Armorer nodded.

  "Be quicker if we split up," suggested Finn. "Mebbe me, J.B., Doc 'n' Lori could go one way, you 'n' Krysty go the other, and meet up back here in the... what the fuck is this big room?"

  "Called the lobby, my dear Mr. Finnegan," replied Doc Tanner. "By the three Kennedys! This place brings back such a flood of memories."

  "Tell us 'bout them, Doc," said Ryan, but the old man was already going on ahead, pushing through a second set of glass doors, with ornate brass handles shaped like the heads of twining alligators.

  The rest of the group followed him into the cavernous lobby. It was a place of deep and swimming shadows, with large chairs and sofas set about circular tables. The walls had paintings of the bayous, streaked with dark and light greens. To one side was a long desk marked Registration; across the lobby two passages led off to the left and to the right. The one on the left carried a sign in a sinuous gold script: Cajuns' Bar & Atchafalaya Dining.

  Ryan inhaled deeply, tasting the old, old dust, stale and flat. He closed his eyes and licked his dry lips, savoring the feeling of being inside a creature dead a hundred years. It was a feeling he had known before, when he and the Trader had first discovered the sealed entrances to a redoubt, locked away since before the big winter. But this was different. This was not an arid military storehouse but something that had lived and bustled with activity.

  "Okay, Finn. Krysty and me'll go left. Rest of you go right. Meet back here in..." he glanced down at his chron, "...in 'bout an hour. Watch your triggers. Don't want to chill each other."

  Their boot heels muffled by the thick pile carpets, four of them went cautiously off, vanishing around a corner. Ryan turned and grinned wolfishly at Krysty, noticing that her long scarlet hair was shimmering and moving gently on its own, though there was no draft to stir it.

  "Hear anything? Feel anything?" he asked.

  "Just a lot of love for you," she whispered, her voice almost vanishing before it reached him.

  "Nothing living?"

  She shook her head slowly. "Smell reminds me of how Mother Sonja used to take out our winter clothes, back in Harmony. She'd open up the closets that had been shut tight all summer, and the smell... it was kind of like this. Dry and musty."

  Ryan walked to the long desk. There was a notice neatly printed on a board. "Jerry Suster call home soonest." Under it, hastily chalked, was the single word: "No-show."

  The place showed every sign of a rapid and disorganized withdrawal, with clipboards, pens, cards and small change scattered everywhere. At the far end of the desk Krysty found a round
metal drum, with a printed label behind clear plastic. "How far to your next Holiday Inn destination? Allow us to make your reservation."

  "See how far we come from Alaska," said Ryan.

  Krysty flipped open a slot on the front of the drum, revealing hundreds of alphabetically arranged rectangular cards. As she began to turn the drum, the cards quivered and began to collapse into tiny shards of dry paper, disintegrating in her fingers. "By Gaia!" she exclaimed. "All rotted away."

  "Figure there'll be a lot of that. We found that natural materials like wool and cotton all rot in a few years, and artificial materials like plastic last longer."

  УLook.Ф She pointed to a rack of colored cards with shiny, laminated faces, hanging on the wall.

  They carefully inspected the curling pieces, feeling how brittle and fragile they were, like some ancient manuscript discovered in a cave. These were brochures that described tourists attractions within a reasonable drive from the motel. Ryan had actually heard of some of them, like Disney World and Epcot. Many featured smiling families on holiday, wearing bright shirts and shorts.

  УBayou buggy trips,Ф said Krysty. УIn swampwags.Ф

  Another card showed some caves, eerie and dank, with an official of some sort in a buff uniform and wide brimmed hat pointing out a massive stalactite. УTuckaluckahoochy Caverns, only thirty miles from Lafayette, first discovered in 1996,Ф read the caption.

  УMebbe food in the kitchens,Ф suggested Ryan. УWe found lots still usable. IfТn its tinned or freeze-sealed, its edible.Ф

  They found a corpse in the Atchafalaya Dining Room.

  Sinews of gristle still held most of the skeleton together. It sat at a table near the door, the skull rolled forward, resting against an overturned green bottle. The left leg had become detached, and the left are was loose, the fingers stiffly penetrating the maroon carpet. The right arm was on the table, the calcified fingers clutching a shot glass with a dried brown smear at its bottom. There was nothing apparent to indicate how the person had died.

  A long plastic-coated menu rested against a glass candlestick, and Krysty picked it up. Angling it to catch what little light there was, she showed it to Ryan.

  " 'A prime rib of beef, one of our forever and a day favorites, with choice of rice or potato, our crisp'n fresh house salad, bakery rolls and whipped butter.' Sound good, lover? Guess I'll have that. Or maybe, 'the shrimp platter, out of the bay yesterday, served with toasted almonds and pineapple rings.'"

  Ryan looked over her shoulder. "I'll take the deep-fried breaded cheese sticks for a starter, or the egg rolls and mustard sauce. The chef's salad with... what the fuck's a julienne of ham? And what are olives? Never heard of 'em. A stuffed flounder and crab meat stuffing. Heard of a crab but not a flounder."

  "It's a fish, I think."

  "Right now I'd settle for anything."

  "How 'bout bird shit on rye?" asked Krysty.

  "Sure. As long as it's goodbird shit."

  "Let's go look in the kitchen."

  They couldn't believe their luck in the back. Right by the bat-wing doors was an open closet door. Inside, a dozen hand-torches hung, on hooks next to a push-button power pack, Ryan pressed the red switch a few times, and the bulbs began to glow, brighter and brighter.

  "Solves a problem. Take one, and we can come back for the others."

  The torches threw a bright narrow beam that lasted about ten minutes before needing recharging. The light was reflected off the polished metal of pots and pans sitting neatly in racks. The shelves at the far end of the kitchen were stacked with all kinds of tins and packets. Krysty let her light explore them.

  "The packets have probably gone off, but there's plenty of tins. Ready meals in sealed cartons. Gumbo... what's that?" She peered at the label. "Oh, yeah. Freeze-dried collard greens, fatback and chili. Irradiated and reconstituted pulk salad. Sounds like enough. What d'you say, lover?"

  Ryan shone the torch on his own face, the harsh beam highlighting the sharp contours of his cheeks and mouth. "Don't you see my tongue hanging out? We'll look round some, then meet up with the others. Bring a spare light with you."

  * * *

  Many of the drapes were still drawn, letting in only a murky, filtered sunlight. Here and there doors to rooms stood open, with sharp-edged bars of brightness thrown across the corridors.

  "Why the dead not smell? Quint chilled the dead. Some days he did not, and the dead smell." Lori wrinkled up her nose in disgust at the memory.

  "Too long a time has passed, dearest," replied Doc Tanner. "The flesh rots slowly, and mortifies. Gradually it all dries, and the maggots feed on it. After a few years slip by, there is nothing left for the maggots, and they too die and rot slowly and very quietly the corpse becomes sinew and bone. Nothing else remains. Nothing to smell anymore."

  "Guess for a few weeks West Lowellton sure must have fucking stank like a summer slaughterhouse," added the sweating Finnegan.

  J. B. Dix, hefting the Mini-Uzi, stepped into one of the rooms on the right of the corridor. The drapes were half open, and the waves of light illuminated countless motes of dust suspended in the air. Beyond the window, greenery was pressed against the glass. In a corner, termites had evidently worked their way in, destroying some wood at floor level.

  He looked around. Two double beds, huge by comparison with all the other beds the Armorer had ever seen. It looked like neither of them had been used, the covers as tight and square as when they had last been made up in January 2001, probably by some Puerto Rican maid. There were lights mounted on the wall above each bed, and a painting of a cowboy riding a spirited Appaloosa stallion. A low bureau faced the beds, with a polished black vid set upon it. A round table with two chairs in dark plastic hide stood against the window in an ugly little grouping with a spidery lamp. J.B. walked over the carpet, breathing slow and easy, seeing his reflection approach a massive mirror screwed over a washbasin in pastel pink. Glancing around to make sure the others hadn't followed him in, the Armorer winked at himself and tipped his fedora. There was a long pink bath and a pink toilet, sealed in some kind of clear plastic. A small label pasted to it read, "Sanitized for your protection". Beneath it the water was long gone.

  Drinking glasses on the basin were also sealed tight. J.B. reached over and turned one of the chromed taps, not surprised to see that nothing happened. No leaking drops of rusty water. No hissing and gurgling in the pipes. No skittering insects.

  "J.B., come look in here!"

  Quick and light as a cat, the Armorer darted across the corridor. Finn was in the doorway of an identical room, with Lori and Doc at his elbow.

  "What?"

  "Couple of chills. In the bed."

  J.B. stepped past him, his eyes surveying the place. The thick shades were down almost to the bottom, letting in little light. But there was enough to see the two leering skeletons in the bed on the right. There were a couple of open valises on the floor and several empty bottles on the table, two glasses next to them.

  Doc pushed past the Armorer, straight to the smaller table at the head of the bed. He picked up a white plastic container and shook it to show it was empty. Peering at the label, he replaced it where it was.

  "What is it?" asked Lori.

  "Morphine derivative. Very strong sleeping tablets. There were some fifty or so, I would hazard a guess. Now there are none."

  "They chilled themselves?"

  "Yes."

  Finnegan whistled. "I can't ever figure someone doing that."

  The old man patted him gently on the shoulder. "That is a sad comment on the times in which we live and the life that you must lead, my dear young friend. You must be aware that when civilization ended, it was not utterly unexpected. There was a time of warning for some. Only for some."

  "Some ran," said J.B.

  "One day, Mr. Dix, I shall entertain you with the tale of the man who had an appointment in Samarra. You can run faster than the wind, but Death will always o'ertake you. These two had warning, and they c
hose to die together, in each other's arms, perhaps with some good corn liquor to warm their passing. It was a more dignified departure from life than many enjoyed."

  "That is sad," Lori said quietly.

  "Yeah. Let's leave 'em," agreed Finnegan, leading them out of the suite of death.

  * * *

  Ryan and Krysty found bodies in half a dozen rooms in the Holiday Inn of West Lowellton. Most were in the beds.

  Not all.

  One skeleton was in the bathtub. The pale pearlized sides were streaked with clotted black marks, thick around the top. In the bottom, almost hidden by the slumped pelvis, was a slim razor blade, its edges dulled with the long-dried blood. The skull hung forward, drooping in a final disconsolate slump. Shreds of long gray hair were still pasted to the ridges of the head.

  The right hand, which had been dangling outside the tub, had become detached and lay in an untidy heap of carpals and phalanges on top of an open book.

  "What is it?" asked Ryan.

  Krysty stooped to pick it up, keeping her finger between the open pages. "The Bible. Whoever it was got in a warm tub and opened up his or her veins. Uncle Tyas McNann told me it was how the old Greeks and Romans used to take their lives."

  "What chapter was he or she reading?"

  Krysty examined the heading that the dead fingers had marked, stumbling over some of the unfamiliar language. "It's from the New Testament Ч the First Epistle of Paul the Apostle to the Corinthians."

  "Who were they?"

  "Some old Romans or Greeks, I guess, lover. It's open at chapter thirteen."

  "Read a little, Krysty."

  The girl began, her voice rising with the mouth-filling phrases of the King James text. "But when that which is perfect is come, then that which is in part shall be done away. When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man I put away childish things. For now we see through a glass, darkly."