Waking the Witch

by Kelley Armstrong

  The articles on the murders had given me a good image of Columbus. Your typical small town struggling to survive, the kids shipping out to Seattle or Portland as soon as they could. There would be a subdivision for commuters, but mostly you'd see streets of small postwar homes fronted by tidy postage-stamp lawns. The downtown would be a patchwork of basic-service businesses that had been there for three generations.

  As I drove into town, though, I joined every local kid in chomping at the bit to be someplace else, anyplace else. Ghost town was too fanciful a term for Columbus, conjuring up visions of porch swings creaking in the breeze and tattered vintage Coke signs flapping. This place was a zombie, rotting before my eyes, dead but still somehow functioning.

  The population sign looked as if it had recently been reduced from four digits to three, even that estimate bearing an air of desperate optimism. I drove past three businesses on the outskirts of town--a boarded-up bowling alley, a used-car lot with three mud-mired clunkers, and a darkened gas station.

  The residential streets came next, if one can still call them that when there's little sign of actual residents. Maybe a quarter of the lots bore the kind of tidy postwar homes I'd envisioned. Almost half, though, had For Sale signs, most faded or fallen, all hope abandoned. As for the others, it seemed the homeowners hadn't even been able to work up the confidence to put their house on the market, the yards overgrown, windows boarded up or broken, as if the residents were resigned to the fact they were stuck here, but resentfully, refusing even to do basic maintenance.

  I didn't need magical powers to cast my mind's eye out to the other edge of town and see a closed sawmill or factory along the rail tracks. Columbus was the kind of place that wouldn't have anything to recommend it except good-paying industrial jobs. It was an ugly town in a beautiful state. Portland was close enough for commuting, but so were lots of other, better places, with highway access.

  As I rode down Main Street, I started wishing I'd rented a car-something old and rusty, something that would fit in. Normally, I'm all about the attention, but the heads turning my way, the eyes narrowing, the lips tightening, wasn't the kind of attention I needed if I was about to poke my nose into local murders. Everything about me screamed big city, proof that the world was chugging along in relative ease outside the town limits.

  I rode down a quiet secondary road where the only business still operating was a pawnshop. Finally, I spotted the building where Brandi, Ginny, and Claire had died. According to my notes, it used to be an office. I couldn't tell--it looked like it'd been closed for a decade. It'd probably been the town eyesore for years. Now it fit right in.

  I parked in the lot across the road. The only other car there was a BMW. An older model but in AI shape. I wasn't surprised to see an out-of-state plate on it. Texas.

  As I got off my bike, I could see the driver in my mirror, checking me out as he climbed from the car. Even though my back was to him, it was a discreet ogle, almost reluctant. I played to my audience, tugging my helmet free, giving my long dark hair a toss as it fell over my back. Yes, I'm an attention whore. It didn't hurt that the guy was worth checking out himself.

  He looked taller than me, which was always a bonus. A lean build. Wearing a suit that straddled the line between department store and designer. Short dark hair. Chiseled face. Glasses, maybe worn for effect; a guy who wanted to be taken seriously and hoped the glasses would help.

  I considered introducing myself, making some wry comment about a fellow out-of-towner. I have no problem approaching guys. I figure if they're intimidated by a woman who makes the first move, then I'm not the girl for them. Before I made up my mind, though, he headed toward Main Street.

  I left my bike secured with a perimeter spell. It sucked as a long-distance alarm, but nothing was better for close range.

  In case anyone was watching me, I headed for the pawnshop, then zipped back to the old office under cover of a blur spell. Lucas and Paige always say never to use it in a public place during daylight. While seeing a blur might make someone rub his eyes, I figure it's safer than seeing a stranger breaking into a crime scene.

  Another spell opened the locked front door, and I slipped inside. The place was cool and damp, reeking of mildew. I spell-locked the door behind me and cast a sensing spell. It came back negative. I recited another incantation and a ball of light appeared, hovering in my path.

  Yep, that's a lot of spells in a short period of time, but that's what life is like for a witch. We can go days without exercising our powers, then we'll encounter a situation--usually involving the words threat and danger--and it's a regular paranormal power fest.

  With the light ball illuminating my way, I searched for the basement stairs, weaving past the occasional piece of office furniture that people deemed too crappy to steal. I tried to picture what had happened here, with Ginny and Brandi and then Claire. Lucas would say trying to visualize what happened to a victim was yet another way to leap to unwarranted conclusions, and Paige would agree.

  But they aren't me, and imagining the crime helps me see the victim as a person, not just a problem to be solved. For Paige and Lucas, empathy is never a problem--they're bursting with it. Me? Not so much.

  The articles hadn't speculated whether the women had died here, but having seen the blood pools under them I was going to take the leap and say yes.

  I tried to imagine what might draw me here. For Ginny and Brandi, the possibilities were endless--anything from a drug deal to a party to a hookup. If they were willing to trade a blow job for a hit, this would be a good place to do it.

  The problem was Claire Kennedy. A college student on summer break, according to the paper. Honors student. Arts major. Wrote for the college paper. Quiet and straitlaced was the impression I got from the account. Looking around, I couldn't imagine anything that would bring me to this place--and straitlaced has never been an adjective applied to me. So what brought Claire?

  That led to the bigger question. What brought a girl like Claire to Columbus at all? According to the article, she'd been here two weeks, coming right after her finals. Short of two broken legs, nothing would keep me here that long. Hell, with two broken legs I'd drag myself the twenty miles to the highway and hitch a ride.

  I took out the crime-scene photos. Unlike the other two, Claire wasn't lying in her own blood. So shot and moved seemed a reasonable assumption for her. If she'd been killed elsewhere in the building, there would be blood trace--I couldn't imagine the owner had sprung for much in the way of cleaning afterward. I could search, but the cops would have already done that. I'd get the details from them.

  When I finally located the basement door, I cast the sensing spell again. There was no sign the cops were still securing the scene. Jesse said they'd been here only yesterday, though.

  My spell did detect small presences, but that was to be expected in a rat hotel like this. I searched for the big "ping" that said human and ignored the rest.

  At the bottom of the stairs, I realized that finding the basement didn't mean finding the crime scene. I should have stopped at the police station first to let them know I was in town, so I could have sweet-talked some cop into telling me exactly where in this basement the bodies had been found.

  I took out the photos. Concrete floor. Concrete wall. Yeah, that narrowed it down.

  I started walking, the light ball illuminating the photos as I compared them to my surroundings, as if I were a TV detective, able to identify a speck of Flora whateveris on the photo and match it to one on the floor. I scanned the floor, searching for ... oh, I don't know, matching dirt patterns? Then I caught sight of a torn piece of yellow plastic taped to a pillar.

  "Or you could just look for crime-scene tape, stupid."

  As I spoke, something scuttled to my left. I wheeled, hands poised to launch an energy bolt. I peered into the darkness, but couldn't see very far. I listened for the chattering of rats. Instead, I heard breathing.

  I took a step. The breathing stopped. A long
pause, then a gasp, like he couldn't hold his breath anymore. I murmured the sensing spell under my breath. It agreed something was there, but not a human-sized something.

  I took another sliding step. The breathing came faster, as if in fear. I cast again, to be sure, and this time when I got the same result, I realized it was sensing a human, just a smaller one than I expected. I extinguished my light ball and walked toward the breathing sounds.

  "Okay, kid," I said. "I know you're there, so--"

  A flash blinded me.

  "Don't move," said a girl's voice, squeaky with fear. A pale arm reached from the darkness, clutching a cell phone, finger over a button. "Take another step and I'll send your picture to the cops."

  Smart kid. Bluffing, I was sure, but smart nonetheless.

  "You've got a cell phone?" I rolled my eyes. "Kids these days. I wasn't allowed one until I was sixteen, and then I had to pay for my own plan."

  The girl turned on a plastic flashlight, stepped out, and gave me a look that said she wasn't lowering her guard, no matter how friendly I seemed. Yep, smart kid.

  Tiny kid, too, which explained the spell feedback. I'd put her around eight, maybe nine, probably the smallest in her class. She was skinny, with a thin face and twiglike arms, but not undernourished--her eyes were bright and her freckled face glowed. Her hair was her best feature, gleaming blond and tied back with a strip of pink lace that hung over one shoulder. She wore faded jeans and a sweatshirt with a worn decal. Hand-me-downs, but clean, the jeans patched with a rainbow on one knee and a skull and crossbones on the other. Interesting ...

  "So did you do it?" she asked, her gaze holding mine.

  "Do what?"

  She waved at the crime-scene photos clearly displayed in my hand.

  "Shit! I mean ..." A better choice of language escaped me and I flipped the photos over fast and tried to shove them back in the envelope.

  "I read somewhere that killers sometimes come back to the scene," the girl said, matter-of-factly, like she was telling me that elephants are the largest land mammal.

  I kept fumbling to get the pictures in the envelope.

  "It's okay," she said. "I've seen them. Tim Bruyn from school showed me. His grandpa is the police chief. He's investigating the murders. Or he's supposed to be, but he's doing a lousy job."

  "Is he?"

  She nodded solemnly. "Everybody says so. Even Grandma. Not in front of me, of course, but I heard her say it on the phone, and she never says bad stuff about anyone."

  "A good policy." I smiled, but she only stared at me, as if she could tell I didn't mean it.

  "So that's your cell phone?" I said, pointing to it. "Pretty cool. Mine doesn't have a flash."

  "It's my mom's."

  "And she lets you use it? Very cool."

  Again, she just stared at me with those appraising eyes. Come on, kid. Help me out here.

  "Well, I'm not going to ask how you got in here," I said. "But it isn't the kind of place for kids to hang out, so I'll walk you upstairs--"

  "I'm not hanging out. I'm investigating."

  She tugged a backpack off her shoulder, reached in, and pulled out a pad of paper. She flipped to a page, then, pen poised, looked up at me. "Your name, please."

  "Savannah Levine. Private investigator."

  "License?"

  I started pulling out my ID. She gave me a look that called me a moron.

  "Private investigator's license?"

  Damn, she was good. What did they teach kids in this town? Fortunately, I had one--two, actually, for both Oregon and Washington. I gave her both. She wasn't impressed; just jotted details down and handed them back.

  "So you're an investigator, too," I said.

  "No, I'm a kid."

  "So how come you're here?"

  "Because the police aren't."

  "Ah. So you're investigating because you want to grow up to be a detective?"

  "No." Her gaze lifted to mine. "I'm investigating because I want to know who killed my mother."

  four

  It wasn't that I didn't know what to say--it was that I knew from experience that almost anything I did say would be wrong. After my mom died, I wanted to plug my ears every time someone found out ... or zap them with an energy bolt before they could speak.

  It was always the same empty words. I'm sorry for your loss, from people who didn't give a shit about me or my loss. Deep down, your mom was a good person, from people who, deep down, thought she was an evil bitch. She's gone to a better place. That one killed me. Like any twelve-year-old gives a damn where her dead mother went--all that matters is that she's not with you.

  The only thing I liked to hear was stories about her--something cool or funny she'd done. But I'd never met this girl's mother, so I couldn't offer anything there. After fumbling around, I said the obvious--you must be Ginny's daughter--which was obvious because only Ginny Thompson had a child.

  She nodded. "Her real name was Genevieve, but the newspapers didn't say that because the reporters were too lazy to ask."

  Stupid cops. Lazy reporters. A girl after my own heart.

  "They didn't mention your name either."

  "Kayla Thompson." She extended her hand.

  I shook it. "Shouldn't you be in school?"

  "I'm homeschooled. Grandma didn't like the way the other kids acted after my mom died." After what she'd said about the chief's grandson, I didn't blame her grandmother. I'd like to have a chat with the little ghoul's parents myself. "Grandma's at work today, so I'm staying with Aunt Rose. She thinks I'm at the library."

  "Well, then, Kayla, since it seems we're both investigating this crime, we'd better get to work."

  KAYLA WAS NOT impressed by my lack of fingerprint powder and evidence bags. I tried to explain that wasn't how private investigators worked, but she clearly considered that a pathetic excuse. She had powder and plastic zip bags from her Junior Detective kit.

  I did manage to redeem myself a bit by teaching her the proper way to use the powder. Then I left her to her work while I did mine. She was so quiet I'd almost forgotten she was there until she announced she had to go--her aunt was picking her up at the library and she needed to check out some books to show for her visit.

  We went out the back door, then around the building together.

  "Is he with you?" she asked, pointing. It was the guy from earlier, now standing in front of his BMW, hood open, scowling down as if he could shame the motor into turning over.

  "Nope. Think I should offer to help?"

  "You can fix cars?" Her look said she was mildly impressed.

  "Cars, bikes ... That's my motorcycle over there." I hoped to win some cool points for the bike, too, but she only glanced at it, then back to the guy with the BMW.

  "I bet he can't fix it," she said. "I bet he can't even pump his own gas."

  "You're probably right."

  "You should see if you can help."

  "Nah, I'll walk you to--"

  "I've got a few minutes."

  She started across the road and I hurried to catch up.

  "Hey, there," I called. "Having trouble getting her running?"

  He turned. He blinked, as if seeing a mirage, then turned back to glare at the misbehaving engine again.

  "Transmission, I think," he said, with the air of a man who couldn't find the transmission on a dare, but wants to sound like he could reassemble one with his eyes shut.

  "You're in luck. Transmissions are my specialty."

  He eyed me, clearly torn between not really wanting to tell an attractive young woman to get lost, but not wanting her mucking about with his luxury car either.

  "I'm going to call for a tow," he said.

  Kayla snorted. "From where? Nearest tow truck is in Battle Ground." She gave him that same critical look I'd gotten earlier. "You don't think she can do it because she's a girl."

  "Of course not. I just don't want to bother--"

  "No bother," I said.

  I walked over to my s
addlebags and got out my tools. Then I set to work. It wasn't the transmission. I could have figured out what was wrong, but after a few minutes of hovering anxiously, the guy insisted I give up.

  I wish I could say I was gracious about the blow-off. I wasn't. But he wasn't gracious either. All the more reason, I say, not to do favors, even for hot guys.

  "Jerk," Kayla muttered as we walked away. "Real estate vulture, I bet. They've been hovering, picking at the corpse of this town."

  A line obviously picked up from eavesdropping on an adult conversation. I had a feeling Kayla did a lot of that. An only child, homeschooled, mother dead, no father in the picture, an off-kilter personality that would make most other kids steer clear. She'd spend a lot of time around adults. Probably, in some ways, thought of herself as one. A feeling I remembered well.

  AS I WALKED her to the library, there were a dozen questions I longed to ask--about her mother, about the investigation--but I suspected that if I started treating her as a witness, she'd shut down. Just another adult playing nice to get something in return. I'd see her around and maybe, if she decided I was up to the job, she'd share her thoughts on her own.

  Before we parted, I asked where to find the police station and she directed me to a tiny house on Main Street, just past the downtown. When I walked in, two guys were standing in front of a huge desk, dwarfing an elderly receptionist. One man was in his early forties, his belly straining the buttons on his uniform. The other was in his twenties and would be a whole lot cuter if he cultivated a beard to hide a weak chin and golf-ball-size Adam's apple. The younger one was hamming it up for his fellow employees, telling them about a call from the night before.

  "So Mel was cowering in the corner, Leslie waving around her big old frying pan, telling him if he's late again, she's gonna bash his damn brains in with it. He tried to explain--you know Mel, always got an excuse. So she swings that pan and he puts his arms up and, wham. He starts screaming about breaking his arm and you know what she says?"

  The other officer answered in a falsetto. "Keep it up and I'll bust the other one."

  The two guffawed, and the receptionist chimed in with creaky titters.