Outlander 03 - Voyager

by Diana Gabaldon

  Jamie and I stood close together by the rail, admiring it. It seemed so close that we could make out with ease the dark spots and shadows on its surface.

  “It seems so close ye could speak to the Man in the Moon,” he said, smiling, and waved a hand in greeting to the dreaming golden face above.

  “‘The weeping Pleiads wester / and the moon is under seas,’” I quoted. “And look, it is, down there, too.” I pointed over the rail, to where the trail of moonlight deepened, glowing in the water as though a twin of the moon itself were sunken there.

  “When I left,” I said, “men were getting ready to fly to the moon. I wonder whether they’ll make it.”

  “Do the flying machines go so high, then?” Jamie asked. He squinted at the moon. “I should say it’s a great way, for all it looks so close just now. I read a book by an astronomer—he said it was perhaps three hundred leagues from the earth to the moon. Is he wrong, then, or is it only that the—airplanes, was it?—will fly so far?”

  “It takes a special kind, called a rocket,” I said. “Actually, it’s a lot farther than that to the moon, and once you get far away from the earth, there’s no air to breathe in space. They’ll have to carry air with them on the voyage, like food and water. They put it in sort of canisters.”

  “Really?” He gazed up, face full of light and wonder. “What will it look like there, I wonder?”

  “I know that,” I said. “I’ve seen pictures. It’s rocky, and barren, with no life at all—but very beautiful, with cliffs and mountains and craters—you can see the craters from here; the dark spots.” I nodded toward the smiling moon, then smiled at Jamie myself. “It’s not unlike Scotland—except that it isn’t green.”

  He laughed, then evidently reminded by the word “pictures,” reached into his coat and drew out the little packet of photographs. He was cautious about them, never taking them out where they might be seen by anyone, even Fergus, but we were alone back here, with little chance of interruption.

  The moon was bright enough to see Brianna’s face, glowing and mutable, as he thumbed slowly through the pictures. The edges were becoming frayed, I saw.

  “Will she walk about on the moon, d’ye think?” he asked softly, pausing at a shot of Bree looking out a window, secretly dreaming, unaware of being photographed. He glanced up again at the orb above us, and I realized that for him, a voyage to the moon seemed very little more difficult or farfetched than the one in which we were engaged. The moon, after all, was only another distant, unknown place.

  “I don’t know,” I said, smiling a bit.

  He thumbed through the pictures slowly, absorbed as he always was by the sight of his daughter’s face, so like his own. I watched him quietly, sharing his silent joy at this promise of our immortality.

  I thought briefly of that stone in Scotland, engraved with his name, and took comfort from its distance. Whenever our parting might come, chances were it would not be soon. And even when and where it did—Brianna would still be left of us.

  More of Housman’s lines drifted through my head—Halt by the headstone naming / The heart no longer stirred, / And say the lad that loved you / Was one that kept his word.

  I drew close to him, feeling the heat of his body through coat and shirt, and rested my head against his arm as he turned slowly through the small stack of photographs.

  “She is beautiful,” he murmured, as he did every time he saw the pictures. “And clever, too, did ye not say?”

  “Just like her father,” I told him, and felt him chuckle softly.

  I felt him stiffen slightly as he turned one picture over, and lifted my head to see which one he was looking at. It was one taken at the beach, when Brianna was about sixteen. It showed her standing thigh-deep in the surf, hair in a sandy tangle, kicking water at her friend, a boy named Rodney, who was backing away, laughing too, hands held up against the spray of water.

  Jamie frowned slightly, lips pursed.

  “That—” he began. “Do they—” He paused and cleared his throat. “I wouldna venture to criticize, Claire,” he said, very carefully, “but do ye not think this is a wee bit…indecent?”

  I suppressed an urge to laugh.

  “No,” I said, composedly. “That’s really quite a modest bathing suit—for the time.” While the suit in question was a bikini, it was by no means skimpy, rising to at least an inch below Bree’s navel. “I chose this picture because I thought you’d want to er…see as much of her as possible.”

  He looked mildly scandalized at this thought, but his eyes returned to the picture, drawn irresistibly. His face softened as he looked at her.

  “Aye, well,” he said. “Aye, she’s verra lovely, and I’m glad to know it.” He lifted the picture, studying it carefully. “No, it’s no the thing she’s wearing I meant; most women who bathe outside do it naked, and their skins are no shame to them. It’s only—this lad. Surely she shouldna be standing almost naked before a man?” He scowled at the hapless Rodney, and I bit my lip at the thought of the scrawny little boy, whom I knew very well, as a masculine threat to maidenly purity.

  “Well,” I said, drawing a deep breath. We were on slightly delicate ground here. “No. I mean, boys and girls do play together—like that. You know people dress differently then; I’ve told you. No one’s really covered up a great deal except when the weather’s cold.”

  “Mmphm,” he said. “Aye, ye’ve told me.” He managed to convey the distinct impression that on the basis of what I’d told him, he was not impressed with the moral conditions under which his daughter was living.

  He scowled at the picture again, and I thought it was fortunate that neither Bree nor Rodney was present. I had seen Jamie as lover, husband, brother, uncle, laird, and warrior, but never before in his guise as a ferocious Scottish father. He was quite formidable.

  For the first time, I thought that perhaps it was not altogether a bad thing that he wasn’t able to oversee Bree’s life personally; he would have frightened the living daylights out of any lad bold enough to try to court her.

  Jamie blinked at the picture once or twice, then took a deep breath, and I could feel him brace himself to ask.

  “D’ye think she is—a virgin?” The halt in his voice was barely perceptible, but I caught it.

  “Of course she is,” I said firmly. I thought it very likely, in fact, but this wasn’t a situation in which to admit the possibility of doubt. There were things I could explain to Jamie about my own time, but the idea of sexual freedom wasn’t one of them.

  “Oh.” The relief in his voice was inexpressible, and I bit my lip to keep from laughing. “Aye, well, I was sure of it, only I—that is—” He stopped and swallowed.

  “Bree’s a very good girl,” I said. I squeezed his arm lightly. “Frank and I may not have got on so well together, but we were both good parents to her, if I do say so.”

  “Aye, I know ye were. I didna mean to say otherwise.” He had the grace to look abashed, and tucked the beach picture carefully back into the packet. He put the pictures back into his pocket, patting them to be sure they were safe.

  He stood looking up at the moon, then, his brows drew together in a slight frown. The sea wind lifted strands of his hair, tugging them loose from the ribbon that bound it, and he brushed them back absentmindedly. Clearly there was still something on his mind.

  “Do ye think,” he began slowly, not looking at me. “Do ye think that it was quite wise to come to me now, Claire? Not that I dinna want ye,” he added hastily, feeling me stiffen beside him. He caught my hand, preventing my turning away.

  “No, I didna mean that at all! Christ, I do want ye!” He drew me closer, pressing my hand in his against his heart. “I want ye so badly that sometimes I think my heart will burst wi’ the joy of having ye,” he added more softly. “It’s only—Brianna’s alone now. Frank is gone, and you. She has no husband to protect her, no men of her family to see her safely wed. Will she not have need of ye awhile yet? Should ye no have waited a bi
t, I mean?”

  I paused before answering, trying to get my own feelings under control.

  “I don’t know,” I said at last; my voice quivered, in spite of my struggle to control it. “Look—things aren’t the same then.”

  “I know that!”

  “You don’t!” I pulled my hand loose, and glared at him. “You don’t know, Jamie, and there isn’t any way for me to tell you, because you won’t believe me. But Bree’s a grown woman; she’ll marry when and as she likes, not when someone arranges it for her. She doesn’t need to marry, for that matter. She’s having a good education; she can earn her own living—women do that. She won’t have to have a man to protect her—”

  “And if there’s no need for a man to protect a woman, and care for her, then I think it will be a verra poor time!” He glared back at me.

  I drew a deep breath, trying to be calm.

  “I didn’t say there’s no need for it.” I placed a hand on his shoulder, and spoke in a softer tone. “I said, she can choose. She needn’t take a man out of necessity; she can take one for love.”

  His face began to relax, just slightly.

  “You took me from need,” he said. “When we wed.”

  “And I came back for love,” I said. “Do you think I needed you any less, only because I could feed myself?”

  The lines of his face eased, and the shoulder under my hand relaxed a bit as he searched my face.

  “No,” he said softly. “I dinna think that.”

  He put his arm around me and drew me close. I put my arms around his waist and held him, feeling the small flat patch of Brianna’s pictures in his pocket under my cheek.

  “I did worry about leaving her,” I whispered, a little later. “She made me go; we were afraid that if I waited longer, I might not be able to find you. But I did worry.”

  “I know. I shouldna ha’ said anything.” He brushed my curls away from his chin, smoothing them down.

  “I left her a letter,” I said. “It was all I could think to do—knowing I might…might not see her again.” I pressed my lips tight together and swallowed hard.

  His fingertips stroked my back, very softly.

  “Aye? That was good, Sassenach. What did ye say to her?”

  I laughed, a little shakily.

  “Everything I could think of. Motherly advice and wisdom—what I had of it. All the practical things—where the deed to the house and the family papers were. And everything I knew or could think of, about how to live. I expect she’ll ignore it all, and have a wonderful life—but at least she’ll know I thought about her.”

  It had taken me nearly a week, going through the cupboards and desk drawers of the house in Boston, finding all of the business papers, the bankbooks and mortgage papers and the family things. There were a good many bits and pieces of Frank’s family lying about; huge scrapbooks and dozens of genealogy charts, albums of photographs, cartons of saved letters. My side of the family was a good deal simpler to sum up.

  I lifted down the box I kept on the shelf of my closet. It was a small box. Uncle Lambert was a saver, as all scholars are, but there had been little to save. The essential documents of a small family—birth certificates, mine and my parents’, their marriage lines, the registration for the car that had killed them—what ironic whim had prompted Uncle Lamb to save that? More likely he had never opened the box, but only kept it, in a scholar’s blind faith that information must never be destroyed, for who knew what use it might be, and to whom?

  I had seen its contents before, of course. There had been a period in my teens when I opened it nightly to look at the few photos it contained. I remembered the bone-deep longing for the mother I didn’t remember, and the vain effort to imagine her, to bring her back to life from the small dim images in the box.

  The best of them was a close-up photograph of her, face turned toward the camera, warm eyes and a delicate mouth, smiling under the brim of a felt cloche hat. The photograph had been hand-tinted; the cheeks and lips were an unnatural rose-pink, the eyes soft brown. Uncle Lamb said that that was wrong; her eyes had been gold, he said, like mine.

  I thought perhaps that time of deep need had passed for Brianna, but was not sure. I had had a studio portrait made of myself the week before; I placed it carefully in the box and closed it, and put the box in the center of my desk, where she would find it. Then I sat down to write.

  My dear Bree— I wrote, and stopped. I couldn’t. Couldn’t possibly be contemplating abandoning my child. To see those three black words stark on the page brought the whole mad idea into a cold clarity that struck me to the bone.

  My hand shook, and the tip of the pen made small wavering circles in the air above the paper. I put it down, and clasped my hands between my thighs, eyes closed.

  “Get a grip on yourself, Beauchamp,” I muttered. “Write the bloody thing and have done. If she doesn’t need it, it will do no harm, and if she does, it will be there.” I picked up the pen and began again.

  I don’t know if you will ever read this, but perhaps it’s as well to set it down. This is what I know of your grandparents (your real ones), your great-grandparents, and your medical history…

  I wrote for some time, covering page after page. My mind grew calmer with the effort of recall, and the necessity of setting down the information clearly, and then I stopped, thinking.

  What could I tell her, beyond those few bare bloodless facts? How to impart what sparse wisdom I had gained in forty-eight years of a fairly eventful life? My mouth twisted wryly in consideration of that. Did any daughter listen? Would I, had my mother been there to tell me?

  It made no difference, though; I would just have to set it down, to be of use if it could.

  But what was true, that would last forever, in spite of changing times and ways, what would stand her in good stead? Most of all, how could I tell her just how much I loved her?

  The enormity of what I was about to do gaped before me, and my fingers clenched tight on the pen. I couldn’t think—not and do this. I could only set the pen to the paper and hope.

  Baby—I wrote, and stopped. Then swallowed hard, and started again.

  You are my baby, and always will be. You won’t know what that means until you have a child of your own, but I tell you now, anyway—you’ll always be as much a part of me as when you shared my body and I felt you move inside. Always.

  I can look at you, asleep, and think of all the nights I tucked you in, coming in the dark to listen to your breathing, lay my hand on you and feel your chest rise and fall, knowing that no matter what happens, everything is right with the world because you are alive.

  All the names I’ve called you through the years—my chick, my pumpkin, precious dove, darling, sweetheart, dinky, smudge…I know why the Jews and Muslims have nine hundred names for God; one small word is not enough for love.

  I blinked hard to clear my vision, and went on writing, fast; I didn’t dare take time to choose my words, or I would never write them.

  I remember everything about you, from the tiny line of golden down that zigged across your forehead when you were hours old to the bumpy toenail on the big toe you broke last year, when you had that fight with Jeremy and kicked the door of his pickup truck.

  God, it breaks my heart to think it will stop now—that watching you, seeing all the tiny changes—I won’t know when you stop biting your nails, if you ever do—seeing you grow suddenly taller than I, and your face take its shape. I always will remember, Bree, I always will.

  There’s probably no one else on earth, Bree, who knows what the back of your ears looked like when you were three years old. I used to sit beside you, reading “One Fish, Two Fish, Red Fish, Blue Fish,” or “The Three Billy Goats Gruff,” and see those ears turn pink with happiness. Your skin was so clear and fragile, I thought a touch would leave fingerprints on you.

  You look like Jamie, I told you. You have something from me, too, though—look at the picture of my mother, in the box, and the little
black-and-white one of her mother and grandmother. You have that broad clear brow they have; so do I. I’ve seen a good many of the Frasers, too—I think you’ll age well, if you take care of your skin.

  Take care of everything, Bree—oh, I wish—well, I have wished I could take care of you and protect you from everything all your life, but I can’t, whether I stay or go. Take care of yourself, though—for me.

  The tears were puckering the paper now; I had to stop to blot them, lest they smear the ink beyond reading. I wiped my face, and resumed, slower now.

  You should know, Bree—I don’t regret it. In spite of everything, I don’t regret it. You’ll know something now, of how lonely I was for so long, without Jamie. It doesn’t matter. If the price of that separation was your life, neither Jamie nor I can regret it—I know he wouldn’t mind my speaking for him.

  Bree…you are my joy. You’re perfect, and wonderful—and I hear you saying now, in that tone of exasperation, “But of course you think that—you’re my mother!” Yes, that’s how I know.

  Bree, you are worth everything—and more. I’ve done a great many things in my life so far, but the most important of them all was to love your father and you.

  I blew my nose and reached for another fresh sheet of paper. That was the most important thing; I could never say all I felt, but this was the best I could do. What might I add, to be of aid in living well, in growing up and growing old? What had I learned, that I might pass on to her?

  Choose a man like your father, I wrote. Either of them. I shook my head over that—could there be two men more different?—but left it, thinking of Roger Wakefield. Once you’ve chosen a man, don’t try to change him, I wrote, with more confidence. It can’t be done. More important—don’t let him try to change you. He can’t do it either, but men always try.

  I bit the end of the pen, tasting the bitter tang of India ink. And finally I put down the last and the best advice I knew, on growing older.