The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle

by Marcel Proust

  It was also something less, perhaps. As a young man on the day of an examination or of a duel feels the question that he has been asked, the shot that he has fired, to be very insignificant when he thinks of the reserves of knowledge and of valour that he would like to have displayed, so my mind, which had lifted the Virgin of the Porch far above the reproductions that I had had before my eyes, invulnerable to the vicissitudes which might threaten them, intact even if they were destroyed, ideal, endowed with a universal value, was astonished to see the statue which it had carved a thousand times, reduced now to its own stone semblance, occupying, in relation to the reach of my arm, a place in which it had for rivals an election poster and the point of my stick, fettered to the square, inseparable from the opening of the main street, powerless to hide from the gaze of the café and of the omnibus office, receiving on its face half of the ray of the setting sun (and presently, in a few hours’ time, of the light of the street lamp) of which the savings bank received the other half, invaded simultaneously with that branch office of a loan society by the smells from the pastry-cook’s oven, subjected to the tyranny of the Particular to such a point that, if I had chosen to scribble my name upon that stone, it was she, the illustrious Virgin whom until then I had endowed with a general existence and an intangible beauty, the Virgin of Balbec, the unique (which meant, alas, the only one), who, on her body coated with the same soot as defiled the neighbouring houses, would have displayed—powerless to rid herself of them—to all the admiring strangers come there to gaze upon her, the marks of my piece of chalk and the letters of my name, and it was she, finally, the immortal work of art so long desired, whom I found transformed, as was the church itself, into a little old woman in stone whose height I could measure and whose wrinkles I could count. But time was passing; I must return to the station, where I was to wait for my grandmother and Françoise, so that we should all go on to Balbec-Plage together. I reminded myself of what I had read about Balbec, of Swann’s saying: “It’s exquisite; as beautiful as Siena.” And casting the blame for my disappointment upon various accidental causes, such as the state of my health, my exhaustion after the journey, my incapacity for looking at things properly, I endeavoured to console myself with the thought that other towns still remained intact for me, that I might soon, perhaps, be making my way, as into a shower of pearls, into the cool babbling murmur of watery Quimperlé, or traversing the roseate glow in which verdant Pont-Aven was bathed; but as for Balbec, no sooner had I set foot in it than it was as though I had broken open a name which ought to have been kept hermetically closed, and into which, seizing at once the opportunity that I had imprudently given them, expelling all the images that had lived in it until then, a tramway, a café, people crossing the square, the branch of the savings bank, irresistibly propelled by some external pressure, by a pneumatic force, had come surging into the interior of those two syllables which, closing over them, now let them frame the porch of the Persian church and would henceforth never cease to contain them.

  I found my grandmother in the little train of the local railway which was to take us to Balbec-Plage, but found her alone—for she had had the idea of sending Françoise on ahead of her, so that everything should be ready before we arrived, but having given her the wrong instructions, had succeeded only in sending her off in the wrong direction, so that Françoise at that moment was being carried down all unsuspectingly at full speed to Nantes, and would probably wake up next morning at Bordeaux. No sooner had I taken my seat in the carriage, which was filled with the fleeting light of sunset and with the lingering heat of the afternoon (the former enabling me, alas, to see written clearly upon my grandmother’s face how much the latter had tired her), than she began: “Well, and Balbec?” with a smile so brightly illuminated by her expectation of the great pleasure which she supposed me to have experienced that I dared not at once confess to her my disappointment. Besides, the impression which my mind had been seeking occupied it steadily less as the place to which my body would have to become accustomed drew nearer. At the end—still more than an hour away—of this journey I was trying to form a picture of the manager of the hotel at Balbec, for whom I, at that moment, did not exist, and I should have liked to be presenting myself to him in more impressive company than that of my grandmother, who would be certain to ask for a reduction of his terms. He appeared to me to be endowed with an indubitable haughtiness, but its contours were very vague.

  Every few minutes the little train brought us to a standstill at one of the stations which came before Balbec-Plage, stations the mere names of which (Incarville, Marcouville, Douville, Pont-à-Couleuvre, Arambouville, Saint-Mars-le-Vieux, Hermonville, Maineville) seemed to me outlandish, whereas if I had come upon them in a book I should at once have been struck by their affinity to the names of certain places in the neighbourhood of Combray. But to the ear of a musician two themes, substantially composed of the same notes, will present no similarity whatever if they differ in the colour of their harmony and orchestration. In the same way, nothing could have reminded me less than these dreary names, redolent of sand, of space too airy and empty, and of salt, out of which the suffix “ville” emerged like “fly” in “butterfly”—nothing could have reminded me less of those other names, Roussainville or Martinville, which, because I had heard them pronounced so often by my great-aunt at table, in the dining-room, had acquired a certain sombre charm in which were blended perhaps extracts of the flavour of preserves, the smell of the log fire and of the pages of one of Bergotte’s books, or the colour of the sandstone front of the house opposite, and which even today, when they rise like a gaseous bubble from the depths of my memory, preserve their own specific virtue through all the successive layers of different environments which they must traverse before reaching the surface.

  Overlooking the distant sea from the crests of their dunes or already settling down for the night at the foot of hills of a harsh green and a disagreeable shape, like that of the sofa in one’s bedroom in an hotel at which one has just arrived, each composed of a cluster of villas whose line was extended to include a tennis court and occasionally a casino over which a flag flapped in the freshening, hollow, uneasy wind, they were a series of little watering-places which now showed me for the first time their denizens, but showed them only through their habitual exterior—tennis players in white hats, the station-master living there on the spot among his tamarisks and roses, a lady in a straw “boater” who, following the everyday routine of an existence which I should never know, was calling to her dog which had stopped to examine something in the road before going in to her bungalow where the lamp was already lighted—and which with these strangely ordinary and disdainfully familiar sights cruelly stung my unconsidered eyes and stabbed my homesick heart. But how much more were my sufferings increased when we had finally landed in the hall of the Grand Hotel at Balbec, and I stood there in front of the monumental staircase of imitation marble, while my grandmother, regardless of the growing hostility and contempt of the strangers among whom we were about to live, discussed “terms” with the manager, a pot-bellied figure with a face and a voice alike covered with scars (left by the excision of countless pustules from the one, and from the other of the divers accents acquired from an alien ancestry and a cosmopolitan upbringing), a smart dinner-jacket, and the air of a psychologist who, whenever the “omnibus” discharged a fresh load, invariably took the grandees for haggling skinflints and the flashy crooks for grandees! Forgetting, doubtless, that he himself was not drawing five hundred francs a month, he had a profound contempt for people to whom five hundred francs—or, as he preferred to put it, “twenty-five louis”—was “a lot of money,” and regarded them as belonging to a race of pariahs for whom the Grand Hotel was certainly not intended. It is true that even within its walls there were people who did not pay very much and yet had not forfeited the manager’s esteem, provided that he was assured that they were watching their expenditure not from poverty so much as from avarice. For this could in
no way lower their standing, since it is a vice and may consequently be found at every grade in the social hierarchy. Social position was the one thing by which the manager was impressed—social position, or rather the signs which seemed to him to imply that it was exalted, such as not taking one’s hat off when one came into the hall, wearing knickerbockers or an overcoat with a waist, and taking a cigar with a band of purple and gold out of a crushed morocco case—to none of which advantages could I, alas, lay claim. He would also adorn his business conversation with choice expressions, to which, as a rule, he gave the wrong meaning.

  While I heard my grandmother, who betrayed no sign of annoyance at his listening to her with his hat on his head and whistling through his teeth, ask him in an artificial tone of voice “And what are … your charges? … Oh! far too high for my little budget,” waiting on a bench, I took refuge in the innermost depths of my being, strove to migrate to a plane of eternal thoughts, to leave nothing of myself, nothing living, on the surface of my body—anaesthetised like those of certain animals, which, by inhibition, feign death when they are wounded—so as not to suffer too keenly in this place, my total unfamiliarity with which was impressed upon me all the more forcibly by the familiarity with it that seemed to be evinced at the same moment by a smartly dressed lady to whom the manager showed his respect by taking liberties with the little dog that followed her across the hall, the young dandy with a feather in his hat who came in asking if there were “any letters,” all these people for whom climbing those imitation marble stairs meant going home. And at the same time the triple stare of Minos, Aeacus and Rhadamanthus (into which I plunged my naked soul as into an unknown element where there was nothing now to protect it) was bent sternly upon me by a group of gentlemen who, though little versed perhaps in the art of receiving, yet bore the title “reception clerks,” while beyond them again, behind a glass partition, were people sitting in a reading-room for the description of which I should have had to borrow from Dante alternately the colours in which he paints Paradise and Hell, according as I was thinking of the happiness of the elect who had the right to sit and read there undisturbed, or of the terror which my grandmother would have inspired in me if, in her insensibility to this sort of impression, she had asked me to go in there.

  My sense of loneliness was further increased a moment later. When I had confessed to my grandmother that I did not feel well, that I thought that we should be obliged to return to Paris, she had offered no protest, saying merely that she was going out to buy a few things which would be equally useful whether we left or stayed (and which, I afterwards learned, were all intended for me, Françoise having gone off with certain articles which I might need). While I waited for her I had taken a turn through the streets, which were packed with a crowd of people who imparted to them a sort of indoor warmth, and in which the hairdresser’s shop and the pastry-cook’s were still open, the latter filled with customers eating ices opposite the statue of Duguay-Trouin. This crowd gave me just about as much pleasure as a photograph of it in one of the “illustrateds” might give a patient who was turning its pages in the surgeon’s waiting-room. I was astonished to find that there were people so different from myself that this stroll through the town had actually been recommended to me by the manager as a diversion, and also that the torture chamber which a new place of residence is could appear to some people a “delightful abode,” to quote the hotel prospectus, which might perhaps exaggerate but was none the less addressed to a whole army of clients to whose tastes it must appeal. True, it invoked, to make them come to the Grand Hotel, Balbec, not only the “exquisite fare” and the “magical view across the Casino gardens,” but also the “ordinances of Her Majesty Queen Fashion, which no one may violate with impunity without being taken for a philistine, a charge that no well-bred man would willingly incur.”

  The need that I now felt for my grandmother was enhanced by my fear that I had shattered another of her illusions. She must be feeling discouraged, feeling that if I could not stand the fatigue of this journey there was no hope that any change of air could ever do me good. I decided to return to the hotel and to wait for her there; the manager himself came forward and pressed a button, whereupon a personage whose acquaintance I had not yet made, known as “lift” (who at the highest point in the building, where the skylight would be in a Norman church, was installed like a photographer behind his curtain or an organist in his loft) began to descend towards me with the agility of a domestic, industrious and captive squirrel. Then, gliding upwards again along a steel pillar, he bore me aloft in his wake towards the dome of this temple of Mammon. On each floor, on either side of a narrow communicating stair, a range of shadowy galleries opened out fanwise, along one of which came a chambermaid carrying a bolster. I applied to her face, which was blurred in the twilight, the mask of my most impassioned dreams, but read in her eyes as they turned towards me the horror of my own nonentity. Meanwhile, to dissipate, in the course of this interminable ascent, the mortal anguish which I felt in traversing in silence the mystery of this chiaroscuro so devoid of poetry, lighted by a single vertical line of little windows which were those of the solitary water-closet on each landing, I addressed a few words to the young organist, artificer of my journey and my partner in captivity, who continued to manipulate the registers of his instrument and to finger the stops. I apologised for taking up so much room, for giving him so much trouble, and asked whether I was not obstructing him in the practice of an art in regard to which, in order to flatter the virtuoso, more than displaying curiosity, I confessed my strong attachment. But he vouchsafed no answer, whether from astonishment at my words, preoccupation with his work, regard for etiquette, hardness of hearing, respect for holy ground, fear of danger, slowness of understanding, or the manager’s orders.

  There is perhaps nothing that gives us so strong an impression of the reality of the external world as the difference in the position, relative to ourselves, of even a quite unimportant person before we have met him and after. I was the same man who had taken, that afternoon, the little train from Balbec to the coast; I carried in my body the same consciousness. But on that consciousness, in the place where at six o’clock there had been, together with the impossibility of forming any idea of the manager, the Grand Hotel or its staff, a vague and timorous anticipation of the moment at which I should reach my destination, were to be found now the pustules excised from the face of the cosmopolitan manager (he was, in fact, a naturalised Monegasque, although—as he himself put it, for he was always using expressions which he thought distinguished without noticing that they were incorrect—“of Romanian originality”), his action in ringing for the lift, the lift-boy himself, a whole frieze of puppet-show characters issuing from that Pandora’s box which was the Grand Hotel, undeniable, irremovable, and, like everything that is realised, jejune. But at least this change which I had done nothing to bring about proved to me that something had happened which was external to myself—however devoid of interest that thing might be in itself—and I was like a traveller who, having had the sun in his face when he started, concludes that he has been for so many hours on the road when he finds the sun behind him. I was half dead with exhaustion, I was burning with fever; I would gladly have gone to bed, but I had no night-things. I should have liked at least to lie down for a little while on the bed, but to what purpose, since I should not have been able to procure any rest for that mass of sensations which is for each of us his conscious if not his physical body, and since the unfamiliar objects which encircled that body, forcing it to place its perceptions on the permanent footing of a vigilant defensive, would have kept my sight, my hearing, all my senses in a position as cramped and uncomfortable (even if I had stretched out my legs) as that of Cardinal La Balue in the cage in which he could neither stand nor sit? It is our noticing them that puts things in a room, our growing used to them that takes them away again and clears a space for us. Space there was none for me in my bedroom (mine in name only) at Balbec; it was full
of things which did not know me, which flung back at me the distrustful glance I cast at them, and, without taking any heed of my existence, showed that I was interrupting the humdrum course of theirs. The clock—whereas at home I heard mine tick only a few seconds in a week, when I was coming out of some profound meditation—continued without a moment’s interruption to utter, in an unknown tongue, a series of observations which must have been most uncomplimentary to myself, for the violet curtains listened to them without replying, but in an attitude such as people adopt who shrug their shoulders to indicate that the sight of a third person irritates them. They gave to this room with its lofty ceiling a quasi-historical character which might have made it a suitable place for the assassination of the Duc de Guise, and afterwards for parties of tourists personally conducted by one of Thomas Cook’s guides, but for me to sleep in—no. I was tormented by the presence of some little bookcases with glass fronts which ran along the walls, but especially by a large cheval-glass which stood across one corner and before the departure of which I felt there could be no possibility of rest for me there. I kept raising my eyes—which the things in my room in Paris disturbed no more than did my eyelids themselves, for they were merely extensions of my organs, an enlargement of myself—towards the high ceiling of this belvedere planted upon the summit of the hotel which my grandmother had chosen for me; and deep down in that region more intimate than that in which we see and hear, in that region where we experience the quality of smells, almost in the very heart of my inmost self, the scent of flowering grasses next launched its offensive against my last feeble line of trenches, an offensive against which I opposed, not without exhausting myself still further, the futile and unremitting riposte of an alarmed sniffling. Having no world, no room, no body now that was not menaced by the enemies thronging round me, penetrated to the very bones by fever, I was alone, and longed to die. Then my grandmother came in, and to the expansion of my constricted heart there opened at once an infinity of space.