The Second R. Austin Freeman Megapack

by R. Austin Freeman

  His labours had consumed the best part of the morning, but, in any case, he was in no mood for his ordinary work. Opening the window a little wider to let the fumes escape, he took his hat from the peg and went forth, turning his steps in the direction of Regent’s Park.

  CHAPTER VII

  The Flash Note Factory

  To the lover of quiet and the admirer of urban comeliness, the ever-increasing noise and turmoil of London and its ever-decreasing architectural interest and charm give daily an added value to the Inns of Court, in whose peaceful precincts quiet and comeliness yet survive. And of the Inns of Court, if we except Old Buildings, Lincoln’s Inn, the Temple with its cloisters, its fountain, and its ancient church, makes the strongest appeal to the affections of that almost extinct creature the Londoner; of which class the last surviving genuine specimens are to be found in its obsolete chambers, living on amidst the amenities of a bygone age.

  But it was neither the quiet nor the architectural charm of the old domestic buildings that had caused Mr. Superintendent Miller, of the Criminal Investigation Department, to take the Temple on his way from Scotland Yard to Fleet Street (though it was as short a way as any); nor was it a desire to contemplate the houses attributed to Wren that made him slow down when he reached King’s Bench Walk and glance hesitatingly up and down that pleasant thoroughfare—if a thoroughfare it can be called. The fact is that Mr. Miller was engaged in certain investigations, which had led him, as investigations sometimes do, into a blind alley; and it was in his mind to see if the keen vision of Dr. John Thorndyke could detect a way out. But he did not want a formal consultation. Rather, he desired to let the matter arise, as it were, by chance, and he did not quite see how to manage it.

  Here, as he stood hesitating opposite Thorndyke’s chambers, Providence came to his aid; for at this moment a tall figure emerged from the shadow of the covered passage from Mitre Court and came with an easy, long-legged swing down the tree-shaded footway. Instantly the Superintendent strode forward to intercept the newcomer, and the two met halfway up the Walk.

  “You were not coming to see me, by any chance?” Thorndyke asked, when the preliminary greetings had been exchanged.

  “No,” replied Miller, “though I had half a mind to look in on you, just to pass the time of day. I am on my way to Clifford’s Inn to look into a rather queer discovery that has been made there.”

  Here the Superintendent paused with an attentive eye on Thorndyke’s face, though experience should have told him that he might as well study the expression of a wigmaker’s block. As Thorndyke showed no sign of rising to the bait, he continued:

  “A remarkably queer affair. Mysterious, in fact. Our people are rather stuck, so I am going to have a look round the chambers to see if I can pick up any traces.”

  “That is always a useful thing to do,” said Thorndyke. “Rooms, like clothes, tend to take certain impressions from those who live in them. Careful inspection, eked out by some imagination, will usually yield something of interest.”

  “Precisely,” agreed Miller. “I realized that long ago from watching your own methods. You were always rather fond of poking about in empty houses and abandoned premises. By the way,” he added, forced into the open by Thorndyke’s impassiveness, “I wonder if you would care to stroll up with me and have a look at these chambers?”

  “Are the facts of the case available?” asked Thorndyke.

  “Certainly,” replied Miller, “to you—so far as they are known. If you care to walk up with me, I’ll tell you about the case as we go along.”

  Thereupon Thorndyke (to whom the insoluble mystery and especially the untenanted chambers were as a hot scent to an eager fox-hound) turned and retraced his steps in company with the Supertendent.

  “The history of the affair,” the latter began, “is this: At No. 92, Clifford’s Inn a man named Bromeswell had chambers on the second floor. He had been there several years, and was an excellent tenant, paying his rent and other liabilities with clock work regularity on, or immediately after, quarter day. He had never been known to be even a week in arrear with rent, gas, or anything else. But at Midsummer he failed to pay up in his usual prompt manner, and, after a fortnight had passed, a polite reminder was dropped into his letter-box. But still nothing was done beyond dropping in another reminder. Once or twice the porter went to the door of the chambers but he always found the “oak” shut, and when he hammered on it with a stick, he got no answer.

  “Well, the time ran on, and the porter began to think that things looked a bit queer, but still nothing was done. Then one day the postman brought a batch of letters, or, rather, circulars, to the lodge addressed to Bromeswell. He had tried to get them into Bromeswell’s letter-box, but couldn’t get them in, as the box was choke-full. Now this made it pretty clear that Bromeswell had not been in his chambers for some considerable time, unless he was dead and his body shut up in them, so the porter acquainted the treasurer with the state of affairs and consulted with him as to what was to be done. There were no means of getting into the chambers without breaking in, for the tenant had at some time fixed a new patent lock on the outer door, and the porter had no duplicate key. But the chambers couldn’t be left indefinitely, especially at there was possibly a dead man inside, so the treasurer decided to send a man up a ladder to break a window and let himself in. As a matter of fact, the porter went up himself, and as soon as he got into the chambers and had a look round, he began to smell a rat.

  “The appearance of the place, and especially the even coating of dust that covered everything, showed that no one had been in those rooms for two or three months at least; but what particularly attracted the attention of the porter, who is a retired police sergeant, was a rather queer-looking set of apparatus that suggested to him the outfit of a maker of flash notes. On this he began to make some inquiries, and then it transpired that nobody knew anything about Bromeswell. Mr. Duskin, the late porter, must have known him, since he must have let him the chambers; but Duskin left the Inn some years ago, and the present porter has never met this tenant. It seems an incredible thing, but it appears to be a fact that no one even knows Bromeswell by sight.”

  “That does really seem incredible,” said Thorndyke, “in the case of a man living in a place like Clifford’s Inn.”

  “Ah, but he wasn’t really living there. That was known, because no milk or bread was ever left there and no laundress ever called for washing. There are no resident chambers in No. 92. The porter had an idea that Bromeswell was a press artist or something of that kind, and used the premises to work in. But of course it wasn’t any concern of his.”

  “How was the rent paid?”

  “By post, in notes and cash. And the gas was paid in the same way; never by cheque. But to go on with the history: The porter’s suspicions were aroused, and he communicated them to the treasurer, who agreed with him that the police ought to be informed. Accordingly, they sent us a note, and we instructed Inspector Monk, who is a first-class expert on flash notes, to go to Clifford’s Inn and investigate, but to leave things undisturbed as far as possible. So Monk went to the chambers and had a look at the apparatus, and what he saw made him pretty certain that the porter was right. The apparatus was a complete paper-maker’s plant in miniature, all except the moulds. There were no moulds to be seen, and until they were found it was impossible to say that the paper was not being made for some lawful purpose, though the size of the pressing plates—eighteen inches by seven—gave a pretty broad hint. However, there was an iron safe in the room, one of Wilkins’ make, and Monk decided that the moulds were probably locked up in it. He also guessed what the moulds were like. You may have heard of a long series of most excellent forgeries of Bank of England notes.”

  “I have,” said Thorndyke. “They were five-pound and twenty-pound notes, mostly passed in France, Belgium, Switzerland and Holland.”

  “That’s the lot,” said Miller, “and first-class forgeries they were; and for a very good reason. T
hey were made with the genuine moulds. Some six years ago two moulds were lost or stolen from the works at Maidstone, where the Bank of England makes its paper. They were the moulds for five-pound and twenty-pound notes respectively, and each mould would make a sheet that would cut into two notes—a long narrow sheet sixteen and three-quarter inches by five and five thirty-seconds in the case of a five-pound note. Well, we have been on the lookout for those forgers for years, but, naturally, they were difficult to trace, for the forgeries were so good that no one could tell them from the real thing but the experts at the Bank. You see, it is the paper that the forger usually comes a cropper over. The engraving is much easier to imitate. But this paper was not only made in the proper moulds with all the proper water-marks, but it seemed to be made by a man who knew his job. So you can reckon that Monk was as keen as mustard on getting those moulds.

  “And get them he did. On our authority Wilkins made him a duplicate key—as we didn’t want to blow the safe open—and sure enough, as soon as he opened the door, there were the two moulds. So that’s that. There is an end of those forgeries. But the question is, Who and where the devil is this fellow Bromeswell? And there is another question. This only accounts for the paper. The engraving and printing were done somewhere else and by some other artist. We should like to find out who he is. But, for the present, he is a bird in the bush. Bromeswell is our immediate quarry.”

  “He seems to be pretty much in the bush, too,” remarked Thorndyke. “Is there no trace of him at all? What about his agreement and his references?”

  “Gone,” replied Miller. “When the Inn was sold most of the old papers were destroyed. They were of no use.”

  “It is astonishing,” said Thorndyke, “that a man should have been in occupation of those chambers for years and remain completely unknown. And yet one sees how it can have happened with the change of porters. Duskin was the only link that we have with Bromeswell, and Duskin is gone. As to his not being known by sight, he probably came to the chambers only occasionally to make a batch of paper, and if there were no residents in his block, no one would be likely to notice him.”

  “No,” Miller agreed; “Londoners are not inquisitive about their neighbours, especially in a business quarter. This is the place, and those are his rooms on the second floor.”

  As he paused by an ancient lamp-post near the postern gate that opens on Fetter Lane, the Superintendent indicated a small, dark entry, and then nodded at a range of dull windows at the top of the old house. Then he crossed a tiny courtyard, plunged into the dark entry, and led the way up the narrow stairs, groping with his hands along the unseen handrail, and closely followed by Thorndyke.

  At the first floor they emerged for a moment into modified daylight, and then ascended another flight of dark and narrow stairs, which opened on a grimy landing, whose only ornaments were an iron dust-bin and a gas-meter, and which displayed a single iron-bound door, above which appeared in faded white lettering the inscription “Mr. Bromeswell.”

  The Superintendent unlocked the massive outer door, which opened with a rusty creak, revealing an inner door fitted with a knocker. This Miller pushed open, and the two men entered the outer room of the “set” of chambers, halting just inside the door to make a general survey of the room, of which the most striking feature was its bareness. And this was really a remarkable feature when the duration of the tenancy was considered. In the course of some years of occupation the mysterious tenant had accumulated no more furniture than a small kitchen table, a Windsor chair, a canvas seated camp armchair, a military camp bedstead with a sleeping-bag, and a couple of rugs and a small iron safe.

  “It is obvious,” said Thorndyke, “that Bromeswell never lived here. Apparently he visited the place only at intervals, but when he came he stayed until he had finished what he had come to do. Probably he brought a supply of food, and never went out between his arrival and departure.”

  He strolled into the tiny kitchen, where a gas ring, a teapot, a cup and saucer, one or two plates, a tin of milk-powder, one of sugar, another of tea, and a biscuit-tin containing an unrecognizable mildewy mass, bore out his suggestion. With a glance at the loaded letter-box, he crossed the room, and, opening the door, entered what was intended to be the bedroom, but had been made into a workshop. And very complete it was, being fitted with a roomy sink and tap, a small boiler—apparently a dentist’s vulcanizer—and a mixer or beater worked by a little electric motor, driven by a bichromate battery, there being no electric light in the premises. By the window was a strong bench, on which was a powerful office press, a stack of long, narrow copper plates, and a pile of pieces of felt of a similar shape but somewhat larger. Close to the bench was a trough made from a stout wooden box, lined with zinc and mounted on four legs, in which was a folded newspaper containing a number of neat coils of cow-hair cord, each coil having an eye-splice at either end, evidently to fit on the hooks which had been fixed in the walls.

  “Those cords,” Miller explained, as Thorndyke took them from the paper to examine them, “were used as drying lines to hang the damp sheets of paper on. They are always made of cow hair, because that is the only material that doesn’t mark the paper. But I expect you know all about that. Is there anything that catches your eye in particular? You seem interested in those cords.”

  “I was looking at these two,” said Thorndyke, holding out two cords which he had uncoiled. “This one, you see, was too long; it had been cut the wrong length, or, more probably, was the remainder of a long piece. But instead of cutting off the excess, our friend has thriftily shortened this rather expensive cord by working a sheep-shank on it. Now it isn’t everyone who knows how to make a sheep-shank, and the persons who do are not usually papermakers.”

  “That’s perfectly true, Doctor,” assented Miller. “I’m one of the people who don’t know how to make that particular kind of knot. What is the other point?”

  “This other cord,” replied Thorndyke, “which looks new, has an eye-splice at one end only, but it is, as you see, about five inches longer than the other; just about the amount that would be taken up by working the eye-splice. That looks as if Bromeswell had worked the splices himself, and if you consider the matter you will see that is probably the case. The length of these cords is roughly the width of this room. They have been cut to a particular measure, but the cord was most probably bought in a single length, as this extra long piece suggests.”

  “Yes,” agreed Miller. “They wouldn’t have been sold with the eye-splices worked on them, and, in fact, I don’t see what he wanted with the eye-splices at all. A simple knotted loop would have answered the purpose quite as well.”

  “Exactly,” said Thorndyke. “They were not necessary. They were a luxury, a refinement; and that emphasizes the point that they suggest, which is that Bromeswell is a man who has some technical knowledge of cordage, is probably a sailor, or in some way connected with the sea. As you say, a common knotted loop, such as a bowline knot, would have answered the purpose perfectly. But that is true of most of the cases in which a sailor uses an eye-splice. Then why does he take the trouble to work the splice? Principally for the sake of neatness of appearance, because, to an expert eye, a tied loop with its projecting end looks slovenly.

  Now this man will have had quite a lot of time on his hands. He will have had to wait about for hours while the pulp was boiling and while it was being beaten up. A sailor would very naturally spend a part of his idle time in tidying up the cordage.”

  The Superintendent nodded reflectively. “Yes,” he said, “I think you are right, Doctor, and it is an important point. This fellow was a fairly expert papermaker. He wasn’t a mere amateur, like most of the note forgers. If he was some kind of sailor man as well, that would make him a lot easier to identify if we should get on his track. But that is just what we can’t do. There is nothing to start from. He is a mere name, and pretty certainly a false name at that.”

  As he spoke, Miller looked about him discontentedly, run
ning his eye over the bench and its contents. Suddenly he stepped over to the press, and, diving into the shadowed space between it and the wall, brought up his hand grasping a silver-mounted briar pipe.

  “Now, Doctor,” he said with a grin, handing it to Thorndyke when he had inspected it, “here is something in your line. Just run your eye over that pipe and tell me what the man is like.”

  Thorndyke laughed as he took the pipe in his hand. “You are thinking of the mythical anatomist and the fossil bone,” said he. “I am afraid this relic will not tell us much. It is a good pipe; it must have cost half a guinea, which would have meant more if its owner had been honest. The maker’s name tells us that it was bought in Cheapside, near the Bank, its weight and the marks on the mouthpiece tell us that the owner has a strong jaw and a good set of teeth; its good condition suggests a careful, orderly man, and its presence here makes it likely that the owner was Mr. Bromeswell. That isn’t much, but it confirms the other appearances.”

  “What other appearances?” demanded Miller.

  “Those of the bed, the chair, the bench, the hooks, and the trough. They all point to a big, heavy man. The bedstead is about six feet six inches long, but the heel-marks are near the foot and the pillow is right at the head. This bench and the trough have been put up for this man’s use—they were apparently knocked up by himself—and they are both of a suitable height for you or me. A short man couldn’t work at either. The hooks are over seven feet from the floor. The canvas seat of the chair is deeply sagged, although the woodwork looks in nearly new condition, and the canvas of the bed is in the same condition. Add this massive, hard-bitten pipe to those indications, and you have the picture of a tall, burly, powerful man. We must have a look at his pillow and rugs to see if we can pick up a stray hair or two and get an idea of his complexion. What did he make the pulp from? I don’t see any traces of rags.”