Poor Folk Anthology

by Fyodor Dostoyevsky

  The next day Keller came to visit the prince. He was in a high state of delight with the post of honour assigned to him at the wedding.

  Before entering he stopped on the threshold, raised his hand as if making a solemn vow, and cried:

  "I won't drink!"

  Then he went up to the prince, seized both his hands, shook them warmly, and declared that he had at first felt hostile towards the project of this marriage, and had openly said so in the billiard-rooms, but that the reason simply was that, with the impatience of a friend, he had hoped to see the prince marry at least a Princess de Rohan or de Chabot; but that now he saw that the prince's way of thinking was ten times more noble than that of "all the rest put together." For he desired neither pomp nor wealth nor honour, but only the truth! The sympathies of exalted personages were well known, and the prince was too highly placed by his education, and so on, not to be in some sense an exalted personage!

  "But all the common herd judge 'differently; in the town, at the meetings, in the villas, at the band, in the inns and the billiard-rooms, the coming event has only to be mentioned and there are shouts and cries from everybody. I have even heard talk of getting up a 'charivari' under the windows on the wedding-night. So if 'you have need of the pistol' of an honest man, prince, I am ready to fire half a dozen shots even before you rise from your nuptial couch!"

  Keller also advised, in anticipation of the crowd making a rush after the ceremony, that a fire-hose should be placed at the entrance to the house; but Lebedeff was opposed to this measure, which he said might result in the place being pulled down.

  "I assure you, prince, that Lebedeff is intriguing against you. He wants to put you under control. Imagine that! To take 'from you the use of your free-will and your money—that' is to say, the two things that distinguish us from the animals! I have heard it said positively. It is the sober truth."

  The prince recollected that somebody had told him something of the kind before, and he had, of course, scoffed at it. He only laughed now, and forgot the hint at once.

  Lebedeff really had been busy for some little while; but, as usual, his plans had become too complex to succeed, through sheer excess of ardour. When he came to the prince—the very day before the wedding—to confess (for he always confessed to the persons against whom he intrigued, especially when the plan failed), he informed our hero that he himself was a born Talleyrand, but for some unknown reason had become simple Lebedeff. He then proceeded to explain his whole game to the prince, interesting the latter exceedingly.

  According to Lebedeff's account, he had first tried what he could do with General Epanchin. The latter informed him that he wished well to the unfortunate young man, and would gladly do what he could to "save him," but that he did not think it would be seemly for him to interfere in this matter. Lizabetha Prokofievna would neither hear nor see him. Prince S. and Evgenie Pavlovitch only shrugged their shoulders, and implied that it was no business of theirs. However, Lebedeff had not lost heart, and went off to a clever lawyer,—a worthy and respectable man, whom he knew well. This old gentleman informed him that the thing was perfectly feasible if he could get hold of competent witnesses as to Muishkin's mental incapacity. Then, with the assistance of a few influential persons, he would soon see the matter arranged.

  Lebedeff immediately procured the services of an old doctor, and carried the latter away to Pavlofsk to see the prince, by way of viewing the ground, as it were, and to give him (Lebedeff) counsel as to whether the thing was to be done or not. The visit was not to be official, but merely friendly.

  Muishkin remembered the doctor's visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man.

  The prince had, of course, at once received him, and had plunged into a conversation about Hippolyte. He had given the doctor an account of Hippolyte's attempted suicide; and had proceeded thereafter to talk of his own malady,—of Switzerland, of Schneider, and so on; and so deeply was the old man interested by the prince's conversation and his description of Schneider's system, that he sat on for two hours.

  Muishkin gave him excellent cigars to smoke, and Lebedeff, for his part, regaled him with liqueurs, brought in by Vera, to whom the doctor—a married man and the father of a family—addressed such compliments that she was filled with indignation. They parted friends, and, after leaving the prince, the doctor said to Lebedeff: "If all such people were put under restraint, there would be no one left for keepers." Lebedeff then, in tragic tones, told of the approaching marriage, whereupon the other nodded his head and replied that, after all, marriages like that were not so rare; that he had heard that the lady was very fascinating and of extraordinary beauty, which was enough to explain the infatuation of a wealthy man; that, further, thanks to the liberality of Totski and of Rogojin, she possessed—so he had heard—not only money, but pearls, diamonds, shawls, and furniture, and consequently she could not be considered a bad match. In brief, it seemed to the doctor that the prince's choice, far from being a sign of foolishness, denoted, on the contrary, a shrewd, calculating, and practical mind. Lebedeff had been much struck by this point of view, and he terminated his confession by assuring the prince that he was ready, if need be, to shed his very life's blood for him.

  Hippolyte, too, was a source of some distraction to the prince at this time; he would send for him at any and every hour of the day. They lived,—Hippolyte and his mother and the children,—in a small house not far off, and the little ones were happy, if only because they were able to escape from the invalid into the garden. The prince had enough to do in keeping the peace between the irritable Hippolyte and his mother, and eventually the former became so malicious and sarcastic on the subject of the approaching wedding, that Muishkin took offence at last, and refused to continue his visits.

  A couple of days later, however, Hippolyte's mother came with tears in her eyes, and begged the prince to come back, "or HE would eat her up bodily." She added that Hippolyte had a great secret to disclose. Of course the prince went. There was no secret, however, unless we reckon certain pantings and agitated glances around (probably all put on) as the invalid begged his visitor to "beware of Rogojin."

  "He is the sort of man," he continued, "who won't give up his object, you know; he is not like you and me, prince—he belongs to quite a different order of beings. If he sets his heart on a thing he won't be afraid of anything—" and so on.

  Hippolyte was very ill, and looked as though he could not long survive. He was tearful at first, but grew more and more sarcastic and malicious as the interview proceeded.

  The prince questioned him in detail as to his hints about Rogojin. He was anxious to seize upon some facts which might confirm Hippolyte's vague warnings; but there were none; only Hippolyte's own private impressions and feelings.

  However, the invalid—to his immense satisfaction—ended by seriously alarming the prince.

  At first Muishkin had not cared to make any reply to his sundry questions, and only smiled in response to Hippolyte's advice to "run for his life—abroad, if necessary. There are Russian priests everywhere, and one can get married all over the world."

  But it was Hippolyte's last idea which upset him.

  "What I am really alarmed about, though," he said, "is Aglaya Ivanovna. Rogojin knows how you love her. Love for love. You took Nastasia Philipovna from him. He will murder Aglaya Ivanovna; for though she is not yours, of course, now, still such an act would pain you,—wouldn't it?"

  He had attained his end. The prince left the house beside himself with terror.

  These warnings about Rogojin were expressed on the day before the wedding. That evening the prince saw Nastasia Philipovna for the last time before they were to meet at the altar; but Nastasia was not
in a position to give him any comfort or consolation. On the contrary, she only added to his mental perturbation as the evening went on. Up to this time she had invariably done her best to cheer him—she was afraid of his looking melancholy; she would try singing to him, and telling him every sort of funny story or reminiscence that she could recall. The prince nearly always pretended to be amused, whether he were so actually or no; but often enough he laughed sincerely, delighted by the brilliancy of her wit when she was carried away by her narrative, as she very often was. Nastasia would be wild with joy to see the impression she had made, and to hear his laugh of real amusement; and she would remain the whole evening in a state of pride and happiness. But this evening her melancholy and thoughtfulness grew with every hour.

  The prince had told Evgenie Pavlovitch with perfect sincerity that he loved Nastasia Philipovna with all his soul. In his love for her there was the sort of tenderness one feels for a sick, unhappy child which cannot be left alone. He never spoke of his feelings for Nastasia to anyone, not even to herself. When they were together they never discussed their "feelings," and there was nothing in their cheerful, animated conversation which an outsider could not have heard. Daria Alexeyevna, with whom Nastasia was staying, told afterwards how she had been filled with joy and delight only to look at them, all this time.

  Thanks to the manner in which he regarded Nastasia's mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him—she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! "It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me," he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected—that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer.

  The prince had observed that Nastasia knew well enough what Aglaya was to him. He never spoke of it, but he had seen her face when she had caught him starting off for the Epanchins' house on several occasions. When the Epanchins left Pavlofsk, she had beamed with radiance and happiness. Unsuspicious and unobservant as he was, he had feared at that time that Nastasia might have some scheme in her mind for a scene or scandal which would drive Aglaya out of Pavlofsk. She had encouraged the rumours and excitement among the inhabitants of the place as to her marriage with the prince, in order to annoy her rival; and, finding it difficult to meet the Epanchins anywhere, she had, on one occasion, taken him for a drive past their house. He did not observe what was happening until they were almost passing the windows, when it was too late to do anything. He said nothing, but for two days afterwards he was ill.

  Nastasia did not try that particular experiment again. A few days before that fixed for the wedding, she grew grave and thoughtful. She always ended by getting the better of her melancholy, and becoming merry and cheerful again, but not quite so unaffectedly happy as she had been some days earlier.

  The prince redoubled his attentive study of her symptoms. It was a most curious circumstance, in his opinion, that she never spoke of Rogojin. But once, about five days before the wedding, when the prince was at home, a messenger arrived begging him to come at once, as Nastasia Philipovna was very ill.

  He had found her in a condition approaching to absolute madness. She screamed, and trembled, and cried out that Rogojin was hiding out there in the garden—that she had seen him herself—and that he would murder her in the night—that he would cut her throat. She was terribly agitated all day. But it so happened that the prince called at Hippolyte's house later on, and heard from his mother that she had been in town all day, and had there received a visit from Rogojin, who had made inquiries about Pavlofsk. On inquiry, it turned out that Rogojin visited the old lady in town at almost the same moment when Nastasia declared that she had seen him in the garden; so that the whole thing turned out to be an illusion on her part. Nastasia immediately went across to Hippolyte's to inquire more accurately, and returned immensely relieved and comforted.

  On the day before the wedding, the prince left Nastasia in a state of great animation. Her wedding-dress and all sorts of finery had just arrived from town. Muishkin had not imagined that she would be so excited over it, but he praised everything, and his praise rendered her doubly happy.

  But Nastasia could not hide the cause of her intense interest in her wedding splendour. She had heard of the indignation in the town, and knew that some of the populace was getting up a sort of charivari with music, that verses had been composed for the occasion, and that the rest of Pavlofsk society more or less encouraged these preparations. So, since attempts were being made to humiliate her, she wanted to hold her head even higher than usual, and to overwhelm them all with the beauty and taste of her toilette. "Let them shout and whistle, if they dare!" Her eyes flashed at the thought. But, underneath this, she had another motive, of which she did not speak. She thought that possibly Aglaya, or at any rate someone sent by her, would be present incognito at the ceremony, or in the crowd, and she wished to be prepared for this eventuality.

  The prince left her at eleven, full of these thoughts, and went home. But it was not twelve o'clock when a messenger came to say that Nastasia was very bad, and he must come at once.

  On hurrying back he found his bride locked up in her own room and could hear her hysterical cries and sobs. It was some time before she could be made to hear that the prince had come, and then she opened the door only just sufficiently to let him in, and immediately locked it behind him. She then fell on her knees at his feet. (So at least Dana Alexeyevna reported.)

  "What am I doing? What am I doing to you?" she sobbed convulsively, embracing his knees.

  The prince was a whole hour soothing and comforting her, and left her, at length, pacified and composed. He sent another messenger during the night to inquire after her, and two more next morning. The last brought back a message that Nastasia was surrounded by a whole army of dressmakers and maids, and was as happy and as busy as such a beauty should be on her wedding morning, and that there was not a vestige of yesterday's agitation remaining. The message concluded with the news that at the moment of the bearer's departure there was a great confabulation in progress as to which diamonds were to be worn, and how.

  This message entirely calmed the prince's mind.

  The following report of the proceedings on the wedding day may be depended upon, as coming from eye-witnesses.

  The wedding was fixed for eight o'clock in the evening. Nastasia Philipovna was ready at seven. From six o'clock groups of people began to gather at Nastasia's house, at the prince's, and at the church door, but more especially at the former place. The church began to fill at seven.

  Colia and Vera Lebedeff were very anxious on the prince's account, but they were so busy over the arrangements for receiving the guests after the wedding, that they had not much time for the indulgence of personal feelings.

  There were to be very few guests besides the best men and so on; only Dana Alexeyevna, the Ptitsins, Gania, and the doctor. When the prince asked Lebedeff why he had invited the doctor, who was almost a stranger, Lebedeff replied:

  "Why, he wears an 'order,'
and it looks so well!"

  This idea amused the prince.

  Keller and Burdovsky looked wonderfully correct in their dress-coats and white kid gloves, although Keller caused the bridegroom some alarm by his undisguisedly hostile glances at the gathering crowd of sight-seers outside.

  At about half-past seven the prince started for the church in his carriage.

  We may remark here that he seemed anxious not to omit a single one of the recognized customs and traditions observed at weddings. He wished all to be done as openly as possible, and "in due order."

  Arrived at the church, Muishkin, under Keller's guidance, passed through the crowd of spectators, amid continuous whispering and excited exclamations. The prince stayed near the altar, while Keller made off once more to fetch the bride.

  On reaching the gate of Daria Alexeyevna's house, Keller found a far denser crowd than he had encountered at the prince's. The remarks and exclamations of the spectators here were of so irritating a nature that Keller was very near making them a speech on the impropriety of their conduct, but was luckily caught by Burdovsky, in the act of turning to address them, and hurried indoors.

  Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was "as pale as a corpse." She then bent her head reverently, before the ikon in the corner, and left the room.

  A torrent of voices greeted her appearance at the front door. The crowd whistled, clapped its hands, and laughed and shouted; but in a moment or two isolated voices were distinguishable.

  "What a beauty!" cried one.

  "Well, she isn't the first in the world, nor the last," said another.

  "Marriage covers everything," observed a third.

  "I defy you to find another beauty like that," said a fourth.

  "She's a real princess! I'd sell my soul for such a princess as that!"