Poor Folk Anthology

by Fyodor Dostoyevsky

  Stepan Trofimovitch was sitting stretched out on a lounge. He had grown thin and sallow since that Thursday. Pyotr Stepanovitch seated himself beside him with a most familiar air, unceremoniously tucking his legs up under him, and taking up more room on the lounge than deference to his father should have allowed. Stepan Trofimovitch moved aside, in silence, and with dignity.

  On the table lay an open book. It was the novel, "What's to be done?" Alas, I must confess one strange weakness in my friend; the fantasy that he ought to come forth from his solitude and fight a last battle was getting more and more hold upon his deluded imagination. I guessed that he had got the novel and was studying it solely in order that when the inevitable conflict with the "shriekers" came about he might know their methods and arguments beforehand, from their very "catechism," and in that way be prepared to confute them all triumphantly, before her eyes. Oh, how that book tortured him! He sometimes flung it aside in despair, and leaping up, paced about the room almost in a frenzy.

  "I agree that the author's fundamental idea is a true one," he said to me feverishly, "but that only makes it more awful. It's just our idea, exactly ours; we first sowed the seed, nurtured it, prepared the way, and, indeed, what could they say new, after us? But, heavens! How it's all expressed, distorted, mutilated!" he exclaimed, tapping the book with his fingers. "Were these the conclusions we were striving for. Who can understand the original idea in this?"

  "Improving your mind?" sniggered Pyotr Stepanovitch, taking the book from the table and reading the title. "It's high time. I'll bring you better, if you like."

  Stepan Trofimovitch again preserved a dignified silence. I was sitting on a sofa in the corner.

  Pyotr Stepanovitch quickly explained the reason of his coming. Of course, Stepan Trofimovitch was absolutely staggered, and he listened in alarm, which was mixed with extreme indignation.

  "And that Yulia Mihailovna counts on my coming to read for her!"

  "Well, they're by no means in such need of you. On the contrary, it's by way of an attention to you, so as to make up to Varvara Petrovna. But, of course, you won't dare to refuse, and I expect you want to yourself," he added with a grin. "You old fogies are all so devilishly ambitious. But, I say though, you must look out that it's not too boring. What have you got? Spanish history, or what is it? You'd better let me look at it three days beforehand, or else you'll put us to sleep perhaps."

  The hurried and too barefaced coarseness of these thrusts was obviously premeditated. He affected to behave as though it were impossible to talk to Stepan Trofimovitch in different and more delicate language. Stepan Trofimovitch resolutely persisted in ignoring his insults, but what his son told him made a more and more overwhelming impression upon him.

  "And she, she herself sent me this message through you? " he asked, turning pale.

  "Well, you see, she means to fix a time and place for a mutual explanation, the relics of your sentimentalising. You've been coquetting with her for twenty years and have trained her to the most ridiculous habits. But don't trouble yourself, it's quite different now. She keeps saying herself that she's only beginning now to 'have her eyes opened.' I told her in so many words that all this friendship of yours is nothing but a mutual pouring forth of sloppiness. She told me lots, my boy. Foo! what a flunkey's place you've been filling all this time. I positively blushed for you."

  "I filling a flunkey's place?" cried Stepan Trofimovitch, unable to restrain himself.

  "Worse, you've been a parasite, that is, a voluntary flunkey too lazy to work, while you've an appetite for money. She, too, understands all that now. It's awful the things she's been telling me about you, anyway. I did laugh, my boy, over your letters to her; shameful and disgusting. But you're all so depraved, so depraved! There's always something depraving in charity you're a good example of it!"

  "She showed you my letters!"

  "All; though, of course, one couldn't read them all. Foo, what a lot of paper you've covered! I believe there are more than two thousand letters there. And do you know, old chap, I believe there was one moment when she'd have been ready to marry you. You let slip your chance in the silliest way. Of course, I'm speaking from your point of view, though, anyway, it would have been better than now when you've almost been married to 'cover another man's sins,' like a buffoon, for a jest, for money."

  "For money! She, she says it was for money!" Stepan Trofimovitch wailed in anguish.

  "What else, then? But, of course, I stood up for you. That's your only line of defence, you know. She sees for herself that you needed money like every one else, and that from that point of view maybe you were right. I proved to her as clear as twice two makes four that it was a mutual bargain. She was a capitalist and you were a sentimental buffoon in her service. She's not angry about the money, though you have milked her like a goat. She's only in a rage at having believed in you for twenty years, at your having so taken her in over these noble sentiments, and made her tell lies for so long. She never will admit that she told lies of herself, but you'll catch it the more for that. I can't make out how it was you didn't see that you'd have to have a day of reckoning. For after all you had some sense. I advised her yesterday to put you in an almshouse, a genteel one, don't disturb yourself; there'll be nothing humiliating; I believe that's what she'll do. Do you remember your last letter to me, three weeks ago?"

  "Can you have shown her that?" cried Stepan Trofimovitch, leaping up in horror.

  "Rather! First thing. The one in which you told me she was exploiting you, envious of your talent; oh, yes, and that about 'other men's sins.' You have got a conceit though, my boy! How I did laugh. As a rule your letters are very tedious.

  You write a horrible style. I often don't read them at all, and I've one lying about to this day, unopened. I'll send it to you to-morrow. But that one, that last letter of yours was the tiptop of perfection! How I did laugh! Oh, how I laughed!"

  "Monster, monster!" wailed Stepan Trofimovitch.

  "Foo, damn it all, there's no talking to you. I say, you're getting huffy again as you were last Thursday."

  Stepan Trofimovitch drew himself up, menacingly.

  "How dare you speak to me in such language?"

  "What language? It's simple and clear."

  "Tell me, you monster, are you my son or not?"

  "You know that best. To be sure all fathers are disposed to be blind in such cases."

  "Silence! Silence!" cried Stepan Trofimovitch, shaking all over.

  "You see you're screaming and swearing at me as you did last Thursday. You tried to lift your stick against me, but you know, I found that document. I was rummaging all the evening in my trunk from curiosity. It's true there's nothing definite, you can take that comfort. It's only a letter of my mother's to that Pole. But to judge from her character … "

  "Another word and I'll box your ears."

  "What a set of people!" said Pyotr Stepanovitch, suddenly addressing himself to me. "You see, this is how we've been ever since last Thursday. I'm glad you're here this time, anyway, and can judge between us. To begin with, a fact: he reproaches me for speaking like this of my mother, but didn't he egg me on to it? In Petersburg before I left the High School, didn't he wake me twice in the night, to embrace me, and cry like a woman, and what do you suppose he talked to me about at night I Why, the same modest anecdotes about my mother! It was from him I first heard them."

  "Oh, I meant that in a higher sense! Oh, you didn't understand me! You understood nothing, nothing."

  "But, anyway, it was meaner in you than in me, meaner, acknowledge that. You see, it's nothing to me if you like. I'm speaking from your point of view. Don't worry about my point of view. I don't blame my mother; if it's you, then it's you, if it's a Pole, then it's a Pole, it's all the same to me. I'm not to blame because you and she managed so stupidly in Berlin. As though you could have managed things better. Aren't you an .absurd set, after that? And does it matter to you whether I'm your son or not? Listen," he went on, turning
to me again, "he's never spent a penny on me all his life; till I was sixteen he didn't know me at all; afterwards he robbed me here, and now he cries out that his heart has been aching over me all his life, and carries on before me like an actor. I'm not Varvara Petrovna, mind you."

  He got up and took his hat.

  "I curse you henceforth!"

  Stepan Trofimovitch, as pale as death, stretched out his hand above him.

  "Ach, what folly a man will descend to!" cried Pyotr Stepanovitch, actually surprised. "Well, good-bye, old fellow, I shall never come and see you again. Send me the article beforehand, don't forget, and try and let it be free from nonsense. Facts, facts, facts. And above all, let it be short. Good-bye."

  Outside influences, too, had come into play in the matter, however. Pyotr Stepanovitch certainly had some designs on his parent. In my opinion he calculated upon reducing the old man to despair, and so to driving him to some open scandal of a certain sort. This was to serve some remote and quite other object of his own, of which I shall speak hereafter. All sorts of plans and calculations of this kind were swarming in masses in his mind at that time, and almost all, of course, of a fantastic character. He had designs on another victim beside Stepan Trofimovitch. In fact, as appeared afterwards, his victims were not few in number, but this one he reckoned upon particularly, and it was Mr. von Lembke himself.

  Andrey Antonovitch von Lembke belonged to that race, so favoured by nature, which is reckoned by hundreds of thousands at the Russian census, and is perhaps unconscious that it forms throughout its whole mass a strictly organised union. And this union, of course, is not planned and premeditated, but exists spontaneously in the whole race, without words or agreements as a moral obligation consisting in mutual support given by all members of the race to one another, at all times and places, and 'Under all circumstances. Andrey Antonovitch had the honour of being educated in one of those more exalted Russian educational institutions which are filled with the youth from families well provided with wealth or connections. Almost immediately on finishing their studies the pupils were appointed to rather important posts in one of the government departments. Andrey Antonovitch had one uncle a colonel of engineers, and another a baker. But he managed to get into this aristocratic school, and met many of his fellow-countrymen in a similar position. He was a good-humoured companion, was rather stupid at his studies, but always popular. And when many of his companions in the upper formschiefly Russianshad already learnt to discuss the loftiest modern questions, and looked as though they were only waiting to leave school to settle the affairs of the universe, Andrey Antonovitch was still absorbed in the most innocent schoolboy interests. He amused them all, it is true, by his pranks, which were of a very simple character, at the most a little coarse, but he made it his object to be funny. At one time he would blow his nose in a wonderful way when the professor addressed a question to him, thereby making his schoolfellows and the professor laugh. Another time, in the dormitory, he would act some indecent living picture, to the general applause, or he would play the overture to "Fra Diavolo" with his nose rather skilfully. He was distinguished, too, by intentional untidiness, thinking this, for some reason, witty. In his very last year at school he began writing Russian poetry.

  Of his native language he had only an ungrammatical knowledge, like many of his race in Russia. This turn for versifying drew him to a gloomy and depressed schoolfellow, the son of a poor Russian general, who was considered in the school to be a great future light in literature. The latter patronised him. But it happened that three years after leaving school this melancholy schoolfellow, who had flung up his official career for the sake of Russian literature, and was consequently going about in torn boots, with his teeth chattering with cold, wearing a light summer overcoat in the late autumn, met, one day on the Anitchin bridge, his former protege, "Lembka," as he always used to be called at school. And, what do you suppose? He did not at first recognise him, and stood still in surprise. Before him stood an irreproachably dressed young man with wonderfully well-kept whiskers of a reddish hue, with pince-nez, with patent-leather boots, and the freshest of gloves, in a full overcoat from Sharmer's, and with a portfolio under his arm. Lembke was cordial to his old schoolfellow, gave him his address, and begged him to come and see him some evening. It appeared, too, that he was by now not "Lembka" but "Von Lembke." The schoolfellow came to see him, however, simply from malice perhaps. On the staircase, which was covered with red felt and was rather ugly and by no means smart, he was met and questioned by the house-porter. A bell rang loudly upstairs. But instead of the wealth which the visitor expected, he found Lembke in a very little side-room, which had a dark and dilapidated appearance, partitioned into two by a large dark green curtain, and furnished with very old though comfortable furniture, with dark green blinds on high narrow windows. Von Lembke lodged in the house of a very distant relation, a general who was his patron. He met his visitor cordially, was serious and exquisitely polite. They talked of literature, too, but kept within the bounds of decorum. A manservant in a white tie brought them some weak tea and little dry, round biscuits. The schoolfellow, from spite, asked for some seltzer water. It was given him, but after some delays, and Lembke was somewhat embarrassed at having to summon the footman a second time and give him orders. But of himself he asked his visitor whether he would like some supper, and was obviously relieved when he refused and went away. In short, Lembke was making his career, and was living in dependence on his fellow-countryman, the influential general.

  He was at that time sighing for the general's fifth daughter, and it seemed to him that his feeling was reciprocated. But Amalia was none the less married in due time to an elderly factory-owner, a German, and an old comrade of the general's. Andrey Antonovitch did not shed many tears, but made a paper theatre. The curtain drew up, the actors came in, and gesticulated with their arms. There were spectators in the boxes, the orchestra moved their bows across their fiddles by machinery, the conductor waved his baton, and in the stalls officers and dandies clapped their hands. It was all made of cardboard, it was all thought out and executed by Lembke himself. He spent six months over this theatre. The general arranged a friendly party on purpose. The theatre was exhibited, all the general's five daughters, including the newly married Amalia with her factory-owner, numerous fraus and frauleins with their men folk, attentively examined and admired the theatre, after which they danced. Lembke was much gratified and was quickly consoled.

  The years passed by and his career was secured. He always obtained good posts and always under chiefs of his own race; and he worked his way up at last to a very fine position for a man of his age. He had, for a long time, been wishing to marry and looking about him carefully. Without the knowledge of his superiors he had sent a novel to the editor of a magazine, but it had not been accepted. On the other hand, he cut out a complete toy railway, and again his creation was most successful. Passengers came on to the platform with bags and portmanteaux, with dogs and children, and got into the carriages. The guards and porters moved away, the bell was rung, the signal was given, and the train started off. He was a whole year busy over this clever contrivance. But he had to get married all the same. The circle of his acquaintance was fairly wide, chiefly in the world of his compatriots, but his duties brought him into Russian spheres also, of course. Finally, when he was in his thirty-ninth year, he came in for a legacy. His uncle the baker died, and left him thirteen thousand roubles in his will. The one thing needful was a suitable post. In spite of the rather elevated style of his surroundings in the service, Mr. von Lembke was a very modest man. He would have been perfectly satisfied with some independent little government post, with the right to as much government timber as he liked, or something snug of that sort, and he would have been content all his life long. But now, instead of the Minna or Ernestine he had expected, Yulia Mihailovna suddenly appeared on the scene. His career was instantly raised to a more elevated plane. The modest and precise man felt that he too was cap
able of ambition.

  Yulia Mihailovna had a fortune of two hundred serfs, to reckon in the old style, and she had besides powerful friends. On the other hand Lembke was handsome, and she was already over forty. It is remarkable that he fell genuinely in love with her by degrees as he became more used to being betrothed to her. On the morning of his wedding day he sent her a poem. She liked all this very much, even the poem; it's no joke to be forty. He was very quickly raised to a certain grade and received a certain order of distinction, and then was appointed governor of our province.

  Before coming to us Yulia Mihailovna worked hard at moulding her husband. In her opinion he was not without abilities, he knew how to make an entrance and to appear to advantage, he understood how to listen and be silent with profundity, had acquired a quite distinguished deportment, could make a speech, indeed had even some odds and ends of thought, and had caught the necessary gloss of modern liberalism. What worried her, however, was that he was not very open to new ideas, and after the long, everlasting plodding for a career, was unmistakably beginning to feel the need of repose. She tried to infect him with her own ambition, and he suddenly began making a toy church: the pastor came out to preach the sermon, the congregation listened with their hands before them, one lady was drying her tears with her handkerchief, one old gentleman was blowing his nose; finally the organ pealed forth. It had been ordered from Switzerland, and made expressly in spite of all expense. Yulia Mihailovna, in positive alarm, carried off the whole structure as soon as she knew about it, and locked it up in a box in her own room. To make up for it she allowed him to write a novel on condition of its being kept secret. From that time she began to reckon only upon herself. Unhappily there was a good deal of shallowness and lack of judgment in her attitude. Destiny had kept her too long an old maid. Now one idea after another fluttered through her ambitious and rather over-excited brain. She cherished designs, she positively desired to rule the province, dreamed of becoming at once the centre of a circle, adopted political sympathies. Von Lembke was actually a little alarmed, though, with his official tact, he quickly divined that he had no need at all to be uneasy about the government of the province itself. The first two or three months passed indeed very satisfactorily. But now Pyotr Stepanovitch had turned up, and something queer began to happen.