Poor Folk Anthology

by Fyodor Dostoyevsky

  For one moment everyone stared at him without a word; and at once everyone felt that something revolting, grotesque, positively scandalous, was about to happen. Miusov passed immediately from the most benevolent frame of mind to the most savage. All the feelings that had subsided and died down in his heart revived instantly.

  "No! this I cannot endure!" he cried. "I absolutely cannot! and… I certainly cannot!"

  The blood rushed to his head. He positively stammered; but he was beyond thinking of style, and he seized his hat.

  "What is it he cannot?" cried Fyodor Pavlovitch, "that he absolutely cannot and certainly cannot? Your reverence, am I to come in or not? Will you receive me as your guest?"

  "You are welcome with all my heart," answered the Superior. "Gentlemen!" he added, "I venture to beg you most earnestly to lay aside your dissensions, and to be united in love and family harmony- with prayer to the Lord at our humble table."

  "No, no, it is impossible!" cried Miusov, beside himself.

  "Well, if it is impossible for Pyotr Alexandrovitch, it is impossible for me, and I won't stop. That is why I came. I will keep with Pyotr Alexandrovitch everywhere now. If you will go away, Pyotr Alexandrovitch, I will go away too, if you remain, I will remain. You stung him by what you said about family harmony, Father Superior, he does not admit he is my relation. That's right, isn't it, von Sohn? Here's von Sohn. How are you, von Sohn?"

  "Do you mean me?" muttered Maximov, puzzled.

  "Of course I mean you," cried Fyodor Pavlovitch. "Who else? The Father Superior could not be von Sohn."

  "But I am not von Sohn either. I am Maximov."

  "No, you are von Sohn. Your reverence, do you know who von Sohn was? It was a famous murder case. He was killed in a house of harlotry- I believe that is what such places are called among you- he was killed and robbed, and in spite of his venerable age, he was nailed up in a box and sent from Petersburg to Moscow in the luggage van, and while they were nailing him up, the harlots sang songs and played the harp, that is to say, the piano. So this is that very von Solin. He has risen from the dead, hasn't he, von Sohn?"

  "What is happening? What's this?" voices were heard in the group of monks.

  "Let us go," cried Miusov, addressing Kalganov.

  "No, excuse me," Fyodor Pavlovitch broke in shrilly, taking another step into the room. "Allow me to finish. There in the cell you blamed me for behaving disrespectfully just because I spoke of eating gudgeon, Pyotr Alexandrovitch. Miusov, my relation, prefers to have plus de noblesse que de sincerite in his words, but I prefer in mine plus de sincerite que de noblesse, and- damn the noblesse! That's right, isn't it, von Sohn? Allow me, Father Superior, though I am a buffoon and play the buffoon, yet I am the soul of honour, and I want to speak my mind. Yes, I am the soul of honour, while in Pyotr Alexandrovitch there is wounded vanity and nothing else. I came here perhaps to have a look and speak my mind. My son, Alexey, is here, being saved. I am his father; I care for his welfare, and it is my duty to care. While I've been playing the fool, I have been listening and having a look on the sly; and now I want to give you the last act of the performance. You know how things are with us? As a thing falls, so it lies. As a thing once has fallen, so it must lie for ever. Not a bit of it! I want to get up again. Holy Father, I am indignant with you. Confession is a great sacrament, before which I am ready to bow down reverently; but there in the cell, they all kneel down and confess aloud. Can it be right to confess aloud? It was ordained by the holy Fathers to confess in secret: then only your confession will be a mystery, and so it was of old. But how can I explain to him before everyone that I did this and that… well, you understand what- sometimes it would not be proper to talk about it- so it is really a scandal! No, Fathers, one might be carried along with you to the Flagellants, I dare say… . at the first opportunity I shall write to the Synod, and I shall take my son, Alexey, home."

  We must note here that Fyodor Pavlovitch knew where to look for the weak spot. There had been at one time malicious rumours which had even reached the Archbishop (not only regarding our monastery, but in others where the institution of elders existed) that too much respect was paid to the elders, even to the detriment of the authority of the Superior, that the elders abused the sacrament of confession and so on and so on- absurd charges which had died away of themselves everywhere. But the spirit of folly, which had caught up Fyodor Pavlovitch and was bearing him on the current of his own nerves into lower and lower depths of ignominy, prompted him with this old slander. Fyodor Pavlovitch did not understand a word of it, and he could not even put it sensibly, for on this occasion no one had been kneeling and confessing aloud in the elder's cell, so that he could not have seen anything of the kind. He was only speaking from confused memory of old slanders. But as soon as he had uttered his foolish tirade, he felt he had been talking absurd nonsense, and at once longed to prove to his audience, and above all to himself, that he had not been talking nonsense. And, though he knew perfectly well that with each word he would be adding more and more absurdity, he could not restrain himself, and plunged forward blindly.

  "How disgraceful!" cried Pyotr Alexandrovitch.

  "Pardon me!" said the Father Superior. "It was said of old, 'Many have begun to speak against me and have uttered evil sayings about me. And hearing it I have said to myself: it is the correction of the Lord and He has sent it to heal my vain soul.' And so we humbly thank you, honoured guest!" and he made Fyodor Pavlovitch a low bow.

  "Tut- tut- tut- sanctimoniousness and stock phrases! Old phrases and old gestures. The old lies and formal prostrations. We know all about them. A kiss on the lips and a dagger in the heart, as in Schiller's Robbers. I don't like falsehood, Fathers, I want the truth. But the truth is not to be found in eating gudgeon and that I proclaim aloud! Father monks, why do you fast? Why do you expect reward in heaven for that? Why, for reward like that I will come and fast too! No, saintly monk, you try being virtuous in the world, do good to society, without shutting yourself up in a monastery at other people's expense, and without expecting a reward up aloft for it- you'll find that a bit harder. I can talk sense, too, Father Superior. What have they got here?" He went up to the table. "Old port wine, mead brewed by the Eliseyev Brothers. Fie, fie, fathers! That is something beyond gudgeon. Look at the bottles the fathers have brought out, he he he! And who has provided it all? The Russian peasant, the labourer, brings here the farthing earned by his horny hand, wringing it from his family and the tax-gatherer! You bleed the people, you know, holy Fathers."

  "This is too disgraceful!" said Father Iosif.

  Father Paissy kept obstinately silent. Miusov rushed from the room, and Kalgonov after him.

  "Well, Father, I will follow Pyotr Alexandrovitch! I am not coming to see you again. You may beg me on your knees, I shan't come. I sent you a thousand roubles, so you have begun to keep your eye on me. He he he! No, I'll say no more. I am taking my revenge for my youth, for all the humiliation I endured." He thumped the table with his fist in a paroxysm of simulated feeling. "This monastery has played a great part in my life! It has cost me many bitter tears. You used to set my wife, the crazy one, against me. You cursed me with bell and book, you spread stories about me all over the place. Enough, fathers! This is the age of Liberalism, the age of steamers and railways. Neither a thousand, nor a hundred roubles, no, nor a hundred farthings will you get out of me!"

  It must be noted again that our monastery never had played any great part in his life, and he never had shed a bitter tear owing to it. But he was so carried away by his simulated emotion, that he was for one moment almost believing it himself. He was so touched he was almost weeping. But at that very instant, he felt that it was time to draw back.

  The Father Superior bowed his head at his malicious lie, and again spoke impressively:

  "It is written again, 'Bear circumspectly and gladly dishonour that cometh upon thee by no act of thine own, be not confounded and hate not him who hath dishonoured thee.' And so will we."
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  "Tut, tut, tut! Bethinking thyself and the rest of the rigmarole. Bethink yourselves Fathers, I will go. But I will take my son, Alexey, away from here for ever, on my parental authority. Ivan Fyodorovitch, my most dutiful son, permit me to order you to follow me. Von Sohn, what have you to stay for? Come and see me now in the town. It is fun there. It is only one short verst; instead of lenten oil, I will give you sucking-pig and kasha. We will have dinner with some brandy and liqueur to it… . I've cloudberry wine. Hey, von Sohn, don't lose your chance." He went out, shouting and gesticulating.

  It was at that moment Rakitin saw him and pointed him out to Alyosha.

  "Alexey!" his father shouted, from far off, catching sight of him. "You come home to me to-day, for good, and bring your pillow and mattress, and leave no trace behind."

  Alyosha stood rooted to the spot, watching the scene in silence. Meanwhile, Fyodor Pavlovitch had got into the carriage, and Ivan was about to follow him in grim silence without even turning to say good-bye to Alyosha. But at this point another almost incredible scene of grotesque buffoonery gave the finishing touch to the episode. Maximov suddenly appeared by the side of the carriage. He ran up, panting, afraid of being too late. Rakitin and Alyosha saw him running. He was in such a hurry that in his impatience he put his foot on the step on which Ivan's left foot was still resting, and clutching the carriage he kept trying to jump in. "I am going with you! " he kept shouting, laughing a thin mirthful laugh with a look of reckless glee in his face. "Take me, too."

  "There!" cried Fyodor Pavlovitch, delighted. "Did I not say he was von Sohn. It is von Sohn himself, risen from the dead. Why, how did you tear yourself away? What did you von Sohn there? And how could you get away from the dinner? You must be a brazen-faced fellow! I am that myself, but I am surprised at you, brother! Jump in, jump in! Let him pass, Ivan. It will be fun. He can lie somewhere at our feet. Will you lie at our feet, von Sohn? Or perch on the box with the coachman. Skip on to the box, von Sohn!"

  But Ivan, who had by now taken his seat, without a word gave Maximov a violent punch in the breast and sent him flying. It was quite by chance he did not fall.

  "Drive on!" Ivan shouted angrily to the coachman.

  "Why, what are you doing, what are you about? Why did you do that?" Fyodor Pavlovitch protested.

  But the carriage had already driven away. Ivan made no reply.

  "Well, you are a fellow," Fyodor Pavlovitch said again.

  After a pause of two minutes, looking askance at his son, "Why, it was you got up all this monastery business. You urged it, you approved of it. Why are you angry now?"

  "You've talked rot enough. You might rest a bit now," Ivan snapped sullenly.

  Fyodor Pavlovitch was silent again for two minutes.

  "A drop of brandy would be nice now," he observed sententiously, but Ivan made no response.

  "You shall have some, too, when we get home."

  Ivan was still silent.

  Fyodor Pavlovitch waited another two minutes.

  "But I shall take Alyosha away from the monastery, though you will dislike it so much, most honoured Karl von Moor."

  Ivan shrugged his shoulders contemptuously, and turning away stared at the road. And they did not speak again all the way home.

  Part 3

  The Sensualists

  Chapter 1 In the Servants' Quarters

  THE Karamazovs' house was far from being in the centre of the town, but it was not quite outside it. It was a pleasant-looking old house of two stories, painted grey, with a red iron roof. It was roomy and snug, and might still last many years. There were all sorts of unexpected little cupboards and closets and staircases. There were rats in it, but Fyodor Pavlovitch did not altogether dislike them. "One doesn't feel so solitary when one's left alone in the evening," he used to say. It was his habit to send the servants away to the lodge for the night and to lock himself up alone. The lodge was a roomy and solid building in the yard. Fyodor Pavlovitch used to have the cooking done there, although there was a kitchen in the house; he did not like the smell of cooking, and, winter and summer alike, the dishes were carried in across the courtyard. The house was built for a large family; there was room for five times as many, with their servants. But at the time of our story there was no one living in the house but Fyodor Pavlovitch and his son Ivan. And in the lodge there were only three servants: old Grigory, and his old wife Marfa, and a young man called Smerdyakov. Of these three we must say a few words. Of old Grigory we have said something already. He was firm and determined and went blindly and obstinately for his object, if once be had been brought by any reasons (and they were often very illogical ones) to believe that it was immutably right. He was honest and incorruptible. His wife, Marfa Ignatyevna, had obeyed her husband's will implicitly all her life, yet she had pestered him terribly after the emancipation of the serfs. She was set on leaving Fyodor Pavlovitch and opening a little shop in Moscow with their small savings. But Grigory decided then, once for all, that "the woman's talking nonsense, for every woman is dishonest," and that they ought not to leave their old master, whatever he might be, for "that was now their duty."

  "Do you understand what duty is?" he asked Marfa Ignatyevna.

  "I understand what duty means, Grigory Vassilyevitch, but why it's our duty to stay here I never shall understand," Marfa answered firmly.

  "Well, don't understand then. But so it shall be. And you hold your tongue."

  And so it was. They did not go away, and Fyodor Pavlovitch promised them a small sum for wages, and paid it regularly. Grigory knew, too, that he had an indisputable influence over his master. It was true, and he was aware of it. Fyodor Pavlovitch was an obstinate and cunning buffoon, yet, though his will was strong enough "in some of the affairs of life," as he expressed it, he found himself, to his surprise, extremely feeble in facing certain other emergencies. He knew his weaknesses and was afraid of them. There are positions in which one has to keep a sharp lookout. And that's not easy without a trustworthy man, and Grigory was a most trustworthy man. Many times in the course of his life Fyodor Pavlovitch had only just escaped a sound thrashing through Grigory's intervention, and on each occasion the old servant gave him a good lecture. But it wasn't only thrashings that Fyodor Pavlovitch was afraid of. There were graver occasions, and very subtle and complicated ones, when Fyodor Pavlovitch could not have explained the extraordinary craving for someone faithful and devoted, which sometimes unaccountably came upon him all in a moment. It was almost a morbid condition. Corrupt and often cruel in his lust, like some noxious insect, Fyodor Pavlovitch was sometimes, in moments of drunkenness, overcome by superstitious terror and a moral convulsion which took an almost physical form. "My soul's simply quaking in my throat at those times," he used to say. At such moments he liked to feel that there was near at hand, in the lodge if not in the room, a strong, faithful man, virtuous and unlike himself, who had seen all his debauchery and knew all his secrets, but was ready in his devotion to overlook all that, not to oppose him, above all, not to reproach him or threaten him with anything, either in this world or in the next, and, in case of need, to defend him- from whom? From somebody unknown, but terrible and dangerous. What he needed was to feel that there was another man, an old and tried friend, that he might call him in his sick moments merely to look at his face, or, perhaps, exchange some quite irrelevant words with him. And if the old servant were not angry, he felt comforted, and if he were angry, he was more dejected. It happened even (very rarely however) that Fyodor Pavlovitch went at night to the lodge to wake Grigory and fetch him for a moment. When the old man came, Fyodor Pavlovitch would begin talking about the most trivial matters, and would soon let him go again, sometimes even with a jest. And after he had gone, Fyodor Pavlovitch would get into bed with a curse and sleep the sleep of the just. Something of the same sort had happened to Fyodor Pavlovitch on Alyosha's arrival. Alyosha "pierced his heart" by "living with him, seeing everything and blaming nothing." Moreover, Alyosha brought with him some
thing his father had never known before: a complete absence of contempt for him and an invariable kindness, a perfectly natural unaffected devotion to the old man who deserved it so little. All this was a complete surprise to the old profligate, who had dropped all family ties. It was a new and surprising experience for him, who had till then loved nothing but "evil." When Alyosha had left him, he confessed to himself that he had learnt something he had not till then been willing to learn.

  I have mentioned already that Grigory had detested Adelaida Ivanovna, the first wife of Fyodor Pavlovitch and the mother of Dmitri, and that he had, on the contrary, protected Sofya Ivanovna, the poor "crazy woman," against his master and anyone who chanced to speak ill or lightly of her. His sympathy for the unhappy wife had become something sacred to him, so that even now, twenty years after, he could not bear a slighting allusion to her from anyone, and would at once check the offender. Externally, Grigory was cold, dignified and taciturn, and spoke, weighing his words, without frivolity. It was impossible to tell at first sight whether he loved his meek, obedient wife; but he really did love her, and she knew it.

  Marfa Ignatyevna was by no means foolish; she was probably, indeed, cleverer than her husband, or, at least, more prudent than he in worldly affairs, and yet she had given in to him in everything without question or complaint ever since her marriage, and respected him for his spiritual superiority. It was remarkable how little they spoke to one another in the course of their lives, and only of the most necessary daily affairs. The grave and dignified Grigory thought over all his cares and duties alone, so that Marfa Ignatyevna had long grown used to knowing that he did not need her advice. She felt that her husband respected her silence, and took it as a sign of her good sense. He had never beaten her but once, and then only slightly. Once during the year after Fyodor Pavlovitch's marriage with Adelaida Ivanovna, the village girls and women- at that time serfs- were called together before the house to sing and dance. They were beginning "In the Green Meadows," when Marfa, at that time a young woman, skipped forward and danced "the Russian Dance," not in the village fashion, but as she had danced it when she was a servant in the service of the rich Miusov family, in their private theatre, where the actors were taught to dance by a dancing master from Moscow. Grigory saw how his wife danced, and, an hour later, at home in their cottage he gave her a lesson, pulling her hair a little. But there it ended: the beating was never repeated, and Marfa Ignatyevna gave up dancing.