The First Book of Lankhmar
Page 37
‘And then when my poor father died, you had the effrontery to buy this house, his house, the house I was born in. You did it to complete my humiliation. To take me back where everybody knew me and could say, “There goes the wife of that utterly impossible moneylender”—if they use such a polite word as wife! All you want is to torture and degrade me, drag me down to your own unutterable level. Oh, you obscene pig!’
And she made a tattoo with her gilded heels on the gleaming parquetry of the floor. Clad in yellow silk tunic and pantaloons, she was very pretty in a small, slight way. Her small-chinned, bright-eyed face was oddly attractive under its canopy of gleamingly smooth black hair. Her swift movements had the quality of restless fluttering. At the moment her every gesture conveyed anger and unbearable irritation, but there was also a kind of studied ease about her manner that suggested to the Mouser, who was hugely enjoying everything, a scene that had been played and replayed many times.
The room suited her well, with its silken hangings and fragile furniture. Low tables, scattered about, were crowded with jars of cosmetics, bowls of sweetmeats, and all sorts of frivolous bric-a-brac. The flames of slim tapers swayed in the warm breeze from the open windows.
On delicate chains were suspended a full dozen cages of canaries, nightingales, love birds, and other tiny warblers, some drowsing, others chirruping sleepily. Here and there were strewn small fluffy rugs. All in all, a very downy nest amidst the stoniness of Lankhmar.
Muulsh was somewhat as she had described him—fat, ugly, and perhaps twenty years older than she. His gaudy tunic fitted him like a sack. The look of mingled apprehension and desire he fixed upon his wife was irresistibly comic.
‘Oh, Atya, my little dove, do not be angry with me. I try so hard to please you, and I love you so very much,’ he cried, and tried to lay his hand on her arm. She eluded him. He hurried clumsily after her, immediately bumping into one of the bird cages, which hung at an inconvenient height. She turned on him in a miniature fury.
‘Disturb my pets, will you, you brute! There, there, my dears, don’t be frightened. It’s just the old she-elephant.’
‘Damn your pets!’ he cursed impulsively, holding his forehead. Then he recollected himself and dodged backward, as if in fear of being thwacked with a slipper.
‘Oh! So in addition to all your other crude affronts, we are also to be damned?’ she said, her voice suddenly icy.
‘No, no, my beloved Atya. I forgot myself. I love you very much, and your feathered pets as well. I meant no harm.’
‘Of course you meant no harm! You merely want to torment us to death. You want to degrade and—’
‘But, Atya,’ he interrupted placatingly, ‘I don’t think I’ve really degraded you. Remember, even before I married you, your family never mingled with Lankhmar society.’
That remark was a mistake, as the eavesdropping Mouser, choking back his laughter, could plainly see. Muulsh must have realized it too, for as Atya went white and reached for a heavy crystal bottle, he retreated and cried out, ‘I’ve brought you a present.’
‘I can imagine what it’s like,’ she sneered disdainfully, relaxing a trifle but still holding the bottle poised. ‘Some trinket a lady would give her maid. Or flashy rags fit only for a harlot.’
‘Oh, no, my dear. This is a gift for an empress.’
‘I don’t believe you. It’s because of your foul taste and filthy manners that Lankhmar won’t accept me.’ Her fine, decadently weak features contracted in a pout, her charming bosom still rising and falling from anger. ‘“She’s the concubine of Muulsh the moneylender,” they say, and snigger at me. Snigger!’
‘They’ve no right to. I can buy the lot of them! Just wait until they see you wearing my gift. It’s a jewel that the wife of the Overlord would give her eyeteeth to possess!’
At mention of the word ‘jewel’ the Mouser sensed a subtle shiver of anticipation run through the room. More than that, he saw one of the silken hangings stir in a way that the lazy breeze could hardly account for.
He edged cautiously forward, craning his neck and peered down sideways into the space between the hangings and the wall. Then slowly a smile of elfish amusement appeared on his compact, snub-nosed face.
Crouched in the faintly amber luminescence that filtered through the draperies were two scrawny men, naked except for dark breechcloths. Each carried a bag big enough to fit loosely over a human head. From these bags leaked a faint soporific scent that the Mouser had noticed before without being able to place.
The Mouser’s smile deepened. Noiselessly he drew forward the slim fishpole at his side and inspected the line and the stickily-smeared claws that served for a hook.
‘Show me the jewel!’ said Atya.
‘I shall, my dear. At once,’ answered Muulsh. ‘But don’t you think we’d first best close the sky-window and the other ones?’
‘We’ll do nothing of the kind!’ snapped Atya. ‘Must I stifle just because a lot of old women have given way to a silly fear?’
‘But, my dove, it’s not a silly fear. All Lankhmar is afraid. And rightly.’
He moved as though to call a slave. Atya stamped her foot pettishly. ‘Stop, you fat coward! I refuse to give way to childish frights. I won’t believe any of those fantastic stories, no matter how many great ladies swear to them. Don’t you dare have the windows closed. Show me the jewel at once, or—or I’ll never be nice to you again.’
She seemed close to hysteria. Muulsh sighed and resigned himself.
‘Very well, my sweet.’
He walked over to an inlaid table by the door, clumsily ducking past several bird cages, and fumbled at a small casket. Four pairs of eyes followed him intently. When he returned there was something in his hand that glittered. He set it down on the center of the table.
‘There,’ he said, stepping back. ‘I told you it was fit for an empress, and it is.’
For a space there was breathless silence in the room. The two thieves behind the draperies edged forward hungrily, quietly loosening the drawstrings of the bags, their feet caressing the polished floor like cats’ paws.
The Mouser slid the slim fishing rod through the sky-window, avoiding the silver chains of the cages, until the pendant claw was poised directly above the center of the table, like a spider preparing to drop on an unsuspecting large red beetle.
Atya stared. A new dignity and self-respect crept into Muulsh’s expression. The jewel gleamed like a fat, lucent, quivering drop of blood.
The two thieves crouched to spring. The Mouser joggled the rod slightly, gauging his aim before he dropped the claw. Atya reached out an eager hand and moved toward the table.
But all these intended actions were simultaneously interrupted.
There was a beat and whirr of powerful wings. An inky bird a little larger than a crow flapped through a side window and skidded down into the room, like a fragment of blackness detached from the outer night. Its talons made arm-long scratches as it hit the table. Then it arched its neck, gave a loud, shuddering squawk, and launched itself toward Atya.
The room whirled with chaotic movements. The gummed claw halted midway in its drop. The two thieves fought ungracefully to keep their balance and avoid being seen. Muulsh waved his arms and shouted, ‘Shoo! Shoo!’ Atya collapsed.
The black bird swept close past Atya, its wings brushing and striking the silver cages, and beat out into the night.
Again there was momentary silence in the room. The gentle songbirds had been quite stilled by the incursion of their raptorial brother. The rod vanished through the sky-window. The two thieves scuttled behind the draperies and noiselessly edged toward a door. Their looks of bafflement and fright were giving way to professional chagrin.
Atya rose to her knees, dainty hands pressed to her face. A shudder tightened around Muulsh’s fleshy neck and he moved toward her.
‘Did it—did it hurt you? Your face. It struck at you.’
Atya dropped her hands, revealing an unmaimed counte
nance. She stared at her husband. Then all at once the stare changed to a glare, like a pot suddenly come to a boil.
‘You big useless hen!’ she cried out. ‘For all you cared, it might have pecked out both my eyes! Why didn’t you do something? Yelling “Shoo! Shoo!” when it struck at me! And the jewel gone forever now! Oh, you miserable capon!’
She rose to her feet, taking off one of her slippers with a wildly determined air. Muulsh retreated, protesting, and bumped into a whole cluster of bird cages.
Only Fafhrd’s tossed-aside cloak marked the spot where the Gray Mouser had left him. Hastening to the roof-edge, he made out Fafhrd’s large form some distance away across the roofs of the adjoining warehouses. The barbarian was staring at the moonlit sky. The Mouser gathered up the cloak, leaped the narrow gap, and followed.
When the Mouser reached him, Fafhrd was grinning with great satisfaction so that his big white teeth showed. The size of his supple, brawny frame and the amount of metal-studded leather he wore in the form of armbands and broad belt were as much out of tune with civilized Lankhmar as were his long, copper hair, handsomely rugged features, and pale Northern skin, ghostly in the moonlight. Firmly clutching his heavy hawking glove at the wrist was a white-capped eagle, which ruffled its feathers and made a disagreeable gargling noise in its throat at the Mouser’s approach.
‘Now tell me I can’t hawk by full moon!’ he cried out in great good humor. ‘I don’t know what happened in the room, or what luck you had, but as for the black bird that went in and came out—Lo! It is here!’
He pushed at a limp bundle of black feathers with his foot.
The Mouser hissed the names of several gods in quick succession, then asked, ‘But the jewel?’
‘I don’t know about that,’ said Fafhrd, brushing the matter aside. ‘Ah, but you should have seen it, little man! A wondrous fight!’ His voice regained its enthusiasm. ‘The other one flew swift and cunningly but Kooskra here rose like the north wind up a mountain pass. For a while I lost them in the fray. There seemed to be something of a fight. Then Kooskra brought him down.’
The Mouser had dropped to his knees and was gingerly examining Kooskra’s quarry. He slipped a small knife from his belt.
‘And to think,’ continued Fafhrd, as he adjusted a leather hood over the eagle’s head, ‘that they told me these birds were demons or fierce phantasms of darkness! Faugh! They’re only ungainly, night-flying crows.’
‘You talk too loudly,’ said the Mouser. Then he looked up. ‘But there’s no gainsaying that tonight the eagle beat the fishpole. See what I found in this one’s gullet. He kept it to the end.’
Fafhrd snatched the ruby from the Mouser with his free hand and held it up to the moon.
‘King’s ransom!’ he cried. ‘Mouser, our fortune’s made! I see it all. We shall follow these birds as they rob and let Kooskra rape them of their booty.’ He laughed aloud.
This time there was no warning beat of wings—only a gliding shadow which grazed Fafhrd’s upraised hand and slid silently away. It almost came to rest on the roof, then flapped powerfully upward.
‘Blood of Kos!’ cursed Fafhrd, waking from his dumbfounded amazement. ‘Mouser, he’s taken it!’ Then, ‘At him, Kooskra! At him!’ as he swiftly unhooded the eagle.
But this time it was apparent from the first that something was wrong. The beat of the eagle’s wings was slow, and he seemed to have difficulty gaining height. Nevertheless he drew near the quarry. The black bird veered suddenly, swooped, and rose again. The eagle followed closely, though his flight was still unsteady.
Wordlessly Fafhrd and the Mouser watched the birds approach the massive, high-reared tower of the deserted temple, until their feathered forms were silhouetted against its palely glowing, ancient surface.
Kooskra seemed then to recover full power. He gained a superior position, hovered while his quarry frantically darted and wheeled, then plummeted down.
‘Got him, by Kos!’ breathed Fafhrd, thumping his knee with his fist.
But it was not so. Kooskra struck at thin air. At the last moment the black bird had slipped aside and taken cover in one of the high-set windows of the tower.
And now it was certain beyond doubt that something was wrong with Kooskra. He sought to beat about the embrasure sheltering his quarry, but lost height. Abruptly he turned and flew out from the wall. His wings moved in an irregular and convulsive way. Fafhrd’s fingers tightened apprehensively on the Mouser’s shoulder.
As Kooskra reached a point above them, he gave a great wild scream that shook the soft Lankhmar night. Then he fell, like a dead leaf, circling and spinning. Only once again did he seem to make an effort to command his wings, and then to no avail.
He landed heavily a short distance from them. When Fafhrd reached the spot, Kooskra was dead.
The barbarian knelt there, absently smoothing the feathers, staring up at the tower. Puzzlement, anger, and some sorrow lined his face.
‘Fly north, old bird,’ he murmured in a deep, small voice. ‘Fly into nothingness, Kooskra.’ Then he spoke to the Mouser. ‘I find no wounds. Nothing touched him on this flight, I’ll swear.’
‘It happened when he brought down the other,’ said the Mouser soberly. ‘You did not look at the talons of that ugly fowl. They were smeared with a greenish stuff. Through some small gouge it entered him. Death was in him while he sat on your wrist, and it worked faster when he flew at the black bird.’
Fafhrd nodded, still staring at the tower. ‘We’ve lost a fortune and a faithful killer, tonight. But the night’s not done. I have a curiosity about these death-dealing shadows.’
‘What are you thinking?’ asked the Mouser.
‘That a man might easily hurl a grapnel and a line over a corner of that tower, and that I have such a line wound around my waist. We used it to mount Muulsh’s roof, and I shall use it again. Don’t waste your words, little man. Muulsh? What have we to fear from him? He saw a bird take the jewel. Why should he send guards to search the roofs?
‘Yes, I know the bird will fly away when I go after him. But he may drop the jewel, or you may get in a lucky cast with your sling. Besides, I have a special notion about these matters. Poison claws? I’ll wear my gloves and cloak, and carry a naked dagger. Come on, little man. We’ll not argue. That corner away from Muulsh’s and the river should do the trick. The one where the tiny broken spire rises. We come, oh tower!’ And he shook his fist.
The Mouser hummed a fragment of song under his breath and kept glancing around apprehensively, as he steadied the line by which Fafhrd was mounting the wall of the tower-temple. He felt decidedly ill at ease, what with Fafhrd on a fool’s errand, and the night’s luck probably run out, and the ancient temple silent and desolate.
It was forbidden on pain of death to enter such places, and no man knew what evil things might lurk there, fattening on loneliness. Besides all that, the moonlight was too revealing; he winced at the thought of what excellent targets he and Fafhrd made against the wall.
In his ears droned the low but mighty clamor of the waters of the Hlal, which swished and eddied past the base of the opposite wall. Once it seemed to him that the temple itself vibrated as though the Hlal were gnawing at its vitals.
Before his feet yawned the dark, six-foot chasm separating the warehouse from the temple. It allowed a sidewise glimpse of the walled temple-garden, overgrown with pale weeds and clogged with decay.
And now as he glanced in that direction he saw something that made him raise his eyebrows and sent a shiver crawling over his scalp. For across the moonlit space stole a manlike but unwholesomely bulky figure.
The Mouser’s impression was that the strange body lacked the characteristic human curves and taperings of limb, that its face lacked features, that it was unpleasantly froglike. It seemed to be colored a uniform dull brown.
It vanished in the direction of the temple. What was it, the Mouser could not for the moment conjecture.
Intent on warning Fafhrd, he loo
ked up, but the barbarian was already swinging into the embrasure at a dizzy height above. Disliking to shout, he paused undecided, half of a mind to skin up the line and join his comrade. All the while he kept humming a fragment of song—one used by thieves and supposed to enforce slumber on the inmates of a house being robbed. He wished fervently that the moon would get under a cloud.
Then, as if his fear had fathered a reality, something roughly grazed his ear and hit with a deadened thump against the temple wall. He knew what that meant—a ball of wet clay projected by a sling.
As he let his body collapse, two similar missiles followed the first. Close range, he could tell from the impact, and designed to kill rather than stun. He scanned the moonlit roof, but could see nothing. Before his knees touched the roof he had decided what he must do if he were to help Fafhrd at all. There was one quick way of retreat and he took it.
He grasped the long slack of the rope and dove into the chasm between the buildings, as three more balls of clay flattened against the wall.
As Fafhrd warily swung into the embrasure and found solid footing, he realized what had been bothering him about the character of the weatherworn carvings on the ancient wall: in one way or another they all seemed to be concerned with birds—raptorial birds in particular—and with human beings having grotesque avian features: beaked heads, batlike wings, and taloned limbs.
There was a whole border of such creatures around the embrasure, and the projecting stone ornament over which the grapnel was caught represented the head of a hawk. This unpleasant coincidence loosened the stout gates of fear within him and a faint sense of awe and horror trickled into his mind, extinguishing a part of his anger at Kooskra’s repellent death. But at the same time it served to confirm certain vague notions that had come to him earlier.
He looked around. The black bird seemed to have retreated into the interior of the tower, where tenuous moonlight revealed an obscurely littered stone floor and a door half open on a rectangle of blackness. Whipping out a long knife, he trod softly inward, shifting his weight slowly from one foot to the other to feel for possible weaknesses in the centuries-old masonry.