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Beneath Ceaseless Skies #193

Page 3

by Dean Wells


  “Cats killed everything,” Mitchell said. “They’ll probably start feeding on each other.”

  Heath strutted toward the well. His gloved hands were full of malformed kittens. Bent ears and ruptured eyes. Skin grew over some of their blank sockets. They licked and pawed at each other in his hands. He raised them up above his head before dropping them down inside the well. The splashes took a while to register. More followed. Blind and ruptured kittens tumbled down into the wet and the cold. They could not see the darkness. They could not see us above them.

  “This is what happens in isolation—when things are left to run their course. I want you and Mitchell to go through the houses. See if anyone is home. Someone’s been feeding these things.”

  Most of the shanties appeared empty. Mitchell and I kicked through mattresses made from hay and straw. We upended stoves and tore through walls. Dead coals and dirty clothes were all we found. It was in the third house that we found the cellar door, locked tightly from within. Mitchell blew the lock open with his pistol. I left mine holstered at my waist. There was a moan from down below—a chorus speaking in one voice, hiding from the judgment of the sun. I clutched my broken cross against my chest, and warned myself about Cain’s children.

  Without a torch, we were spared from seeing these people as they were. Bent and twisted, some slid across the floor toward us. Mitchell flattened a hand beneath his boot. He said it came apart like dough. The shadows covered rotting faces, but the smell embedded itself in our clothes and rooted its way deep inside our noses. It burrowed into our faces and filled our mouths with heavy froth. I coughed and swiped away cobwebs dangling from the ceiling. They were all leaking puss from eyes and mouths, whispering to each other. One small child lay on the floor—its tiny teeth penetrated its lips. It was biting back some larger pain. The leaking folk around us gestured toward the child. Mitchell fired his pistol again into the air to silence them. They began their moaning once again when the echo dissipated. Those that moved toward the light began to shrivel, their skin receding from red and spotted flesh. Mitchell turned to climb back up.

  “Some disease spreading from the cats—something has worked its way into their blood,” he said. “They worshipped at the wrong altar. I’ve seen this before on the Isle of Man and in Malta. Lepers have lasted longer. Heath will want it to burn. Let’s go. There is nothing to save.”

  I could see Mitchell’s tail pulse against his jacket as he climbed the ladder. It moved separately from his body, following its own path down the bottom of his spine. It beckoned toward me like a hand. I turned away. The child on the floor continued to bite through its lips. Its flesh was blackened, cracked and fissured along the joints. Slits in the skin wept some yellow oil. Younger than the ones we drowned, but its face still looked the same. Another face to ask me why in my sleep. I moved forward to relieve its unholy pain. I grabbed it with my hands to carry it up into the light and felt fluid burn my palms. Snaking lines of acid coursed down my forearms. I dropped the festering creature. Its skull split open like old fruit, but no fluid poured forth. The brain was blackened by its own cooked juices. The moans did not change.

  I followed Mitchell up into house and tried to hide my hands. Blisters began to form along my thumbs. When I popped them, some thick yellow pus lingered on my palms. I wiped it on the thatched walls and tried to forget the twisted forms below. Mitchell only shook his head.

  “Gloves, Dennis. Always gloves.”

  Outside, Heath had encircled this fallen house with a heavy ring of salt. He only glanced at my rupturing hands. His own gray scales remained concealed beneath his gloves. A few healthy cats remained; their eyes were clear and open. Heath had removed all their feeble children.

  “Now there is no one left to feed them.”

  He did not bother to diagnose me; the ointment he rubbed into the wounds stank much like the living corpses in that basement. It pushed its way beneath my skin and I could feel its cold touch seep into my bones. Mitchell’s boot was still covered in doughy flesh. It refused to separate from the leather. We waited until it was dark before lighting the flame. No sounds came from the house, but the rising cloud of smoke was tinged with some deeper green. It hung above us without the wind. The remaining cats had vanished—we saw no winking eyes.

  That night Mitchell claimed he could hear something shrieking from the newly poisoned well. I clutched my broken cross and dreamed of nothing but water and the blessing of an undertow. When I awoke sweating, I heard Mitchell’s tail rustling as he slept beside me.

  The green cloud remained above us all until the sun arrived.

  * * *

  The third village lies ahead of us. Heath points to the desiccated trees fanning out from its center. The bare branches caress each other in the wind. Dust follows us in a cloud, hiding the flies that pursue us from one village to the next. My hands are still wrapped in rags. They are too swollen for my gloves. I am getting used to the pain. We were all designed as martyrs anyway.

  “When no one is watching, that is when they strike,” Heath murmurs. Back on the island, we were warned of the evils we might find in the blandest places. It was not the ancient cemeteries or the sacred monuments we would have to defend. The old ones told us to follow one simple truth about evil’s seed—it does not look like anything. We find it, not in the sewers or the alleys, but in the desolate places. Places without timekeepers or bell towers. Places without signs or ledgers, without coins or recorded pasts. In these places, they claim, it is always the present.

  There is no hierarchy. No direction. There is only now.

  Heath says there is a coven in this village. He warns us we may not be able to undo its dark works ourselves. We are here to observe whatever we can. There are no pigs or dogs on these streets. There are no children I can see. No ponds or rivers. We will have to burn everything eventually. I always prefer the water treatment. It is quieter. There are only bubbles.

  They saw our cloud coming from miles away. Our entrances are rarely subtle. The churches here still stand tall. There are no marks on their doors. There aren’t even any cats. They might not all be corrupted, but we have no use for trials. It will come down to Heath’s discretion.

  “I want you two to examine the Quakers’ houses. There is no need to knock.”

  I dismount and follow Mitchell down the road. There are no human voices. Even the flies refuse to follow us. No rats or manure in the streets. The stones seem too clean. No puddles of piss. Our horses huddle together in the main square behind us. They are the only living things around. Mitchell opens doors, but the kitchens and bedrooms remain empty. There are no cellars we can find and the glass in every window is clear. No dust settles on the sills.

  There are no Quakers here.

  We find hats and clothes in closets, but they appear new and unworn. The boots are still polished. Even our dusty feet leave no footprints behind. Our path seems to come undone behind us, but we continue forward into the streets.

  Mitchell says all he can smell is my flesh.

  I ask him to wave his tail at me.

  He declines.

  It’s the horses we hear first. They are shrieking, shrieking like that mare in Philadelphia. We run towards them, but there are no people around. The horses’ hooves lash at one another. Their eyes are pure white. Mitchell and I circle them, but the hooves swing wildly in our direction. They pull at their reins tied to the fence posts. Mitchell’s tail twitches back and forth. Over the noise, the church doors open, beckoning us forward. Mitchell clutches the broken cross around his neck.

  The pews are polished. Each window sends radiant, colored beams down toward the altar. The village folk sit with perfect posture. They line every pew in well-ordered families. They are all naked. Their flesh glows white in this light. They make no sound. No one seems to be breathing. Each body has been stripped of its hair. Eyelashes and eyebrows have disappeared. Everything hangs in this light. The dust is trapped above us. It spins, but does not descend.

&nb
sp; There is a line of salt down the center aisle leading towards Heath’s crumpled form beside the altar. His gloves hide the gray scales of his fists. We inch toward him along the line of salt, averting our eyes from the families, their open eyes watching us and seeing nothing. The altar itself is empty. We can finally hear Heath’s breath, but when I roll his heavy body over, there is no light inside his eyes. The lids are peeled back, but the pupils do not respond. They are black holes drilled within his face. The broken cross around his neck has become undone from its chain. An empty cup lies beneath his body. There is no fluid within it. I don’t think there ever was. I realize there are no wells in this town. There is no water anywhere.

  “Mitchell, grab his legs.”

  We pull him down the aisle, along the line of salt, waiting for these hairless bodies to rise up around us. Fire will not swallow these stones. This place no longer wants us here.

  The horses are still shrieking at one another when we exit. Mitchell has lost his patience. He leaves me to drag Heath’s husk and wades into the hooves, slapping the animals across their long and sweaty faces. Somehow, we strap Heath onto the back of his beast. We lead the terrified creature between us, our own animals following behind.

  Mitchell will not speak. I stare ahead toward the woods and all the things waiting for us in the dark. Heath chose us to follow him here, to this new land. He never told us how to get home.

  This place was prepared for our arrival. It was a test. An empty altar Heath could not resist, like a place set for him at the head of the table. He could rule over the inhabitants here, beyond any claim of time. There are no clocks on their towers. A space for a corrupted faith to begin. A new seed freshly planted. We refuse to turn when we hear the buildings begin to crumble.

  I refuse to become another pillar of salt.

  * * *

  After the third village, I try to sleep. Our fresh salt circle holds at bay what horrors it can. Mitchell heaves about in his sleep. He refuses to discuss the village. He will not speak of the hairless bodies, all their hidden pieces displayed openly in that light. They will not linger for him. Mitchell’s tail grows while he dreams. Soon, it will reach his knees. It will become him.

  Heath is gone. Nothing remains. Nothing remains but flesh. We carry his body with us, but it has already begun to smell. I remain unable to sleep. My hands drip. The wet children ask me why and I tell them I don’t know. They circle me and begin drifting down toward a bottom I can’t see. They hold out small hands I can’t hold. I ask if I can follow them. It is cold and empty down here. In this new dark, I am alone. As they sink past me, I ask where they are going.

  They tell me I should know.

  Copyright © 2016 Andrew F. Sullivan

  Read Comments on this Story on the BCS Website

  Andrew F. Sullivan is the author of the novel WASTE (forthcoming from Dzanc Books, March 2016) and the short story collection All We Want is Everything (ARP Books, 2013), a Globe & Mail Best Book. He no longer works in a warehouse.

  Read more Beneath Ceaseless Skies

  COVER ART

  “Plains of Another World,” by Leon Tukker

  Leon Tukker is a student based in the Netherlands, self-taught in 3D software and digital painting. After graduating a game design course, he plans to start freelancing or join a company. He has always been a big fan of fantasy and science fiction, and most of his paintings are about those subjects. He has a fascination for all natural things on earth that have an alien feel about them. See more of his artwork in his gallery on deviantArt.com.

  Beneath Ceaseless Skies

  ISSN: 1946-1076

  Published by Firkin Press,

  a 501(c)3 Non-Profit Literary Organization

  Compilation Copyright © 2016 Firkin Press

  This file is distributed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 U.S. license. You may copy the file so long as you retain the attribution to the authors, but you may not sell it and you may not alter it or partition it or transcribe it.

 

 

 


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