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The Cat Who Saw Red

Page 6

by Lilian Jackson Braun


  From there a gravel path led down to the river, where two weathered benches stood on a rotting boardwalk. The water — brown as gravy in daylight and with an indefinable stench — riffled sluggishly against the old piling.

  Koko did not care for it. He wanted nothing to do i with the river. He pulled away from the boardwalk and stayed on the wet grass until they started back up the path. Once he stopped to sniff a bright blue-green object on the edge of the gravel, and Qwilleran picked it up — a small glazed ceramic piece the size and shape of a beetle. Scratched on the underside were the initials J.G. He dropped it in his pocket, tugged on the leash, and led Koko back toward the house.

  From the rear, the misshapen building looked like a grotesque bird with a topknot of chimneys, its carport and garage like awkward wings, its fire escapes and ledges like ruffled feathers. For eyes there were the two large staring windows of the Grahams' loft, and as Qwilleran looked up at them, he saw a figure inside move hastily away.

  Coming to the three-stall garage, he opened the lift doors. Only one of them creaked, and only one of the stalls was occupied. The car was a light blue convertible. Closing the garage door, Qwilleran examined the car carefully, inside and out-the floor, the upholstery, the instrument panel. It was very clean.

  "What about this, Koko?" he muttered. "It's almost too clean."

  Koko was busy sniffing oil stains on the concrete floor.

  When the two returned to Number Six, Koko allowed Yum Yum to wash his face and ears, and Qwilleran paced the floor, wondering where Joy had gone, whether she had gone alone, when (if ever) she would get in touch with him, and whether he would ever see his money again. He had been unemployed for so long, before being hired by the Daily Fluxion, that $750 was a small fortune.

  He wondered if Kipper and Fine had started alterations on his new suit, and he was tempted to call them and cancel the order. Today he felt no desire for a new suit. It had been a short spring. And now — added to his mental discomforts — he realized that he was desperately hungry.

  There was a sudden disturbance on the desk — a shuffling of papers, a clicking of typewriter keys, some skidding of pencils and pens, and then a light clatter as Qwilleran's new reading glasses fell to the floor.

  Qwilleran sprang to the desk as Koko made a headlong dive into the big chair. "Bad cat!" The man shouted at him. Fortunately the glasses had been saved by their heavy frames. But Qwilleran felt a tremor in the roots of his mustache when he noticed the sheet of paper in the typewriter. He put on his glasses and looked more closely.

  Koko had discovered the top row of keys. He had put one paw on the numeral three and the other on zero.

  6

  Shortly after noon Qwilleran hurried into the Press Club and joined Arch Riker at a table for two, where the feature editor was passing the time with a martini.

  "Sorry to be late," Qwilleran said. "I had to rush Koko to the vet."

  "What happened?"

  "I had him out in the backyard at Maus Haus, and he ate a lot of grass. When we got back to the apartment, he threw up, and I thought he'd eaten something poisonous."

  "All cats eat grass and throw up," said Riker. "That's how they get rid of hair balls."

  "Now I know. They told me at the pet hospital. But I wasn't taking any chances. Too bad he had to select my new shoes as a receptacle. Both shoes!"

  "You should brush the cats. The kids brush ours every day, and we never have any trouble."

  "Why don't people tell me these things? I just paid fifteen dollars for an office call." Qwilleran lighted a pipeful of tobacco and signaled the waitress for coffee.

  "Well, what's the big news you mentioned on the phone?" Riker asked.

  Qwilleran puffed his pipe intently and took his time about answering. "History repeats itself. Joy has disappeared — again."

  "You're kidding!"

  "I'm not kidding."

  "So she's up to her old tricks."

  "I don't know what to believe," Qwilleran said. He told Riker about Joy's visit to his apartment and her plans for a divorce, but not about the $750 check.

  Riker said: "Rosie was going to call her up and invite her over for some girl talk. She thought it might help."

  "Too late now."

  "What does her husband say about it?"

  "He says she's done it before. He says she always comes back. But he doesn't know what I know."

  "What does he look like, anyway? Rosie told me to find out. You know how women are."

  "He looks and talks like a hayseed. Not Joy's type at all. Tall and gangling. Washed-out red hair and freckles. Talks like a hayseed, too. He thinks he's got such a colorful vocabulary, but his cliches are pathetic, and his slang is out of date by about thirty years. If you ask me, he's a guy who wants desperately to be somebody and never will."

  "The man who loses the girl never thinks highly of the winner, I might point out," said Riker, looking smug and enjoying his own trenchant observation.

  "Joy said it herself. She said he's no crashing success as a potter."

  "Why would a classy girl like Joy pick someone like that?"

  "Who knows? She always liked tall men. Maybe he's a great lover. Maybe his freckles appealed to her maternal instinct."

  Riker ordered another martini, and Qwilleran went on: "Now that you've had a drink, I'll tell you the rest of the story. I lent Joy some money just before she vanished."

  The editor choked on an olive. "Oh, no! How much?"

  "Seven-fifty."

  "Seven hundred and fifty? Your prize money?"

  Qwilleran nodded sheepishly.

  "What a pushover! Cash?"

  "I wrote a check."

  "Stop payment, Qwill."

  "She may need it — badly — wherever she is. On the other hand," he said reluctantly, "she may have run off with another guy. Or . . . something may have happened to her."

  "Like what? Where did you get that idea?" Riker was familiar with Qwilleran's hunches; they were always totally correct — or totally unfounded.

  "Last night I heard a scream — a woman's scream — and shortly afterward a car pulled out of the garage." He tamped his mustache nervously.

  Riker recognized the gesture. It meant that his friend was on the scent of another misdeed, great or small, real or imagined. Qwilleran's early years on the police beat had given him a sixth sense about crime. What Riker did not know — and would not have believed — was the unique sensitivity in that oversized mustache. Qwilleran's hunches were usually accompanied by a prickling sensation on the upper lip, and when this happened he was never wrong.

  Riker said, "Got any theories?"

  Qwilleran shook his head. He said nothing about the numbers that Koko had typed, although the recollection made his hair stand on end. "I told Dan about hearing the scream, and he had an explanation. He said Joy got her long hair caught in the wheel."

  "What wheel?"

  "The potter's wheel. They use it to throw pots. Dan says she screamed and he came to the rescue. I don't know whether to believe it or not."

  "I think you're worrying without any cause. She's probably on her way to Chicago to see her aunt, if the old lady's still living."

  Qwilleran persisted. "At dinner last night Joy was snapping at everyone. There was something in the air."

  "Who else lives in that weird establishment?"

  "There's Robert Maus, the lawyer, who owns the place. He can't make a statement on any subject, including the weather, without first considering the pros, cons, legal implications, and tax advantages. Very dignified gent. But here's a curious development: This morning he was nursing a black eye. . . Then there's Max Sorrel, who owns the Golden Lamb Chop. He comes on strong as a ladies' man, and it was his car that drove out of the garage shortly after I heard the scream."

  "But you aren't positive he was in it," Riker said. "Joy may have been driving."

  "If she was, she gave the car a pat on the rump and sent it home again: it was back in the garage this mornin
g. Dan said she probably went on the River Road bus. If so, she picked a fine time; it was pouring rain."

  "Who else lives there?"

  "Three women. And a houseboy who's nosy but likable. And a housekeeper." Qwilleran leaned his elbows on the table and massaged his mustache. He remembered Joy's remark about a "discreet" extortion scheme and decided not to mention it.

  Riker said, "You're letting your imagination run away with you, Qwill. Nothing's happened to Joy. You wait and see."

  "I wish I could believe it."

  "Well, anyway, I've got to eat and get back to the office. A syndicate salesman's coming in with some comic strips at two o'clock." He hailed a waitress. "Bowl of bean soup, meatballs and noodles, salad with Roquefort, and let's have some more butter at this table."

  "And what'll you have, Skinny?" she asked Qwilleran. "You want cottage cheese again?"

  "I'm starving. Quips are not appreciated."

  "You want a cheeseburger with french fries? Macaroni and cheese? Ham and sweets?"

  "No, I'll have a poached egg," he decided with firm resolve, "and all the celery they've got in the kitchen. I can burn up more calories chewing celery than I get from eating the damn stuff."

  "Where are you eating tonight?" Riker asked.

  "I've invited Maus to go with me to the Toledo Tombs, and it's going to be a heroic test of willpower on my part. I hear the food's the best in town."

  "That's the place where you get a fresh napkin every five minutes. Rosie and I went there for our anniversary, and the waiters made me nervous. After they brought the seventeenth clean ashtray, I started flicking my ashes on the floor under the table."

  That afternoon Qwilleran went to the public library to get a book on French food. He also picked up a book on the art of ceramics, without knowing exactly why. At the liquor store he bought a bottle of sherry and some bourbon in preparation for possible visitors to his apartment. He bought a brush at the pet shop. Finally he stopped at a supermarket to buy food for the cats. Goaded by his own unsatisfied appetite and his financial setback, he was hardly in a generous mood.

  They're spoiled brats, he told himself. Lobster — red salmon — boned chicken! Other cats eat cat food, and it's about time they faced reality.

  He bought a can of Kitty Delight (on sale), some Pussy Pate (two for the price of one), and a jumbo-size box of Fishy Fritters (with a free offer on the back).

  When he arrived home, Koko and Yum Yum were sitting in compact bundles on the windowsill, and their behavior indicated that they sensed the nature of the situation. Instead of chirping and crowing a welcome, they sat motionless and gazed through Qwilleran as if he were invisible.

  "Soup's on!" he announced, after smearing a dime's worth of Pussy Pate on a plate and placing it on the floor.

  Neither of the cats moved a whisker.

  "Try it! The label says it's delicious."

  They seemed totally deaf. There was not even the flicker of an ear. Qwilleran picked Koko up bodily and plumped him down in front of the pate, and Koko stood there with legs splayed, frozen in the position in which he had landed, glaring at the evil-looking purple smear on the plate. Then he shuddered exquisitely and walked away.

  Later that evening Qwilleran described the incident to Robert Maus. "I'm convinced they can read price tags," he said, "but they'll eat the stuff if they get hungry enough."

  Maus deliberated a few seconds. "A bearnaise sauce might make it more palatable," he suggested, "or a sprinkling of freshly grated Romano."

  The two men had met in the lobby of a downtown building, where an elevator descended to unknown depths and deposited them in a cellar. The subterranean restaurant consisted of a series of cavernous rooms, long and narrow, vaulted in somber black masonry. It had been a sewer before the city installed the new disposal system.

  The attorney was greeted with deference, and the two men were conducted to a table resplendent with white napery. Seven wineglasses and fourteen pieces of flat silver glittered at each plate. Two waiters draped napkins, lightly scented with orange flower water, across the guests' knees. A captain presented menus bound in gold-tooled Florentine leather, and three busboys officiated at the filling of two water glasses.

  Maus waved the chlorinated product away with an imperious gesture. "We drink only bottled water," he said, "and we wish to consult the sommelier."

  The wine steward arrived, wearing chains and keys and a properly pompous air, and Maus selected a champagne. Then the two diners perused the menu, which was only slightly smaller than the Sunday edition of the Fluxion, offering everything from aquavit to zabaglione, and from avocado supreme remoulade to zucchini saute avec hollandaise.

  "I might note, in passing," said the attorney sadly, "that the late Mrs. Maus inevitably ordered chopped sirloin when we dined here."

  Qwilleran had not realized that Maus was widowed. "Didn't your wife share your interest in haute cuisine?"

  After some studied breathing Maus replied: "Not that I can, with any good conscience, admit. She once used my best omelet pan for, I regret to say, liver and onions."

  Qwilleran clucked his sympathy.

  "I suggest we start, if it meets with your approval, Mr. Qwilleran, with the 'French bunion soup,' as it was called in our menage. Mrs. Maus, as it happened, was a chiropodist by profession, and she had the. . . unfortunate habit of discussing her practice at the dinner table."

  Onion soup was served, crusted with melted cheese, and Qwilleran manfully limited himself to three sips. "How did you happen to buy the pottery?" he inquired.

  Maus considered his answer carefully. "It was an inheritance," he said at length. "The building was a bequest from my wife's uncle, Hugh Penniman, a patron of the arts and collector of ceramics in particular, who conceived the building as an art center. . . in which capacity it functioned — at great expense to the philanthropist himself — until his death. . . after which it passed to his two sons, who declined the bequest, considering it a white elephant (under the terms imposed by the will) . . . whereupon it fell to my wife and subsequently to me."

  "What were the terms of the will?"

  "The old gentleman stipulated that the building must continue to serve the arts, as it were — a proviso synonymous with economic folly in the opinion of my wife's cousins, and not without reason, artists being largely insolvent, as you must be aware. However, I devised the. . . not uninspired expedient of renting the studios to gourmets (since gastronomy is viewed, in the eyes of its practitioners, as an art). At the same time I chose to . . . reactivate the pottery operation, which — I surmised — would prove to be a financial liability with favorable tax consequences, if you follow me."

  This recital of facts was terminated by the arrival of the eels in green sauce.

  "I've been hearing about a drowning scandal in connection with the pottery," Qwilleran remarked. "When did it happen?"

  The attorney drew a slow breath of exasperation. "That unhappy incident is, I assure you, ancient history. Yet time and time again your newspaper — a publication for which I entertain only limited admiration, if you will pardon my candor — your newspaper disinters the episode and publishes unsavory headlines designed, one can only infer, to titillate a readership of less than average intellect. Now that the building has fallen under my aegis, it is to be hoped there will be no further publicity on the subject. If you are in a position to exert any influence to this end, I shall be indeed. . . grateful."

  "By the way," Qwilleran said, "I don't think you should lock the door between the pottery and the apartments. The fire marshal would take a dim view of that."

  "The fire door has not, to my knowledge, been locked at any time."

  "It was locked this morning-from the inside." Maus, intent on savoring a morsel of eel, made no reply.

  "Is Graham considered a good potter?" Qwilleran asked.

  "He is, I am inclined to believe, an excellent technician, with a thorough knowledge of materials, equipment, and the operation of a pottery. The c
reative talent belongs chiefly, it appears to me, on the distaff side of the family."

  "You may not have heard the news," Qwilleran said, "but Mrs. Graham has left her husband. I believe she consulted you about getting a divorce. Well, last night — in the small hours — she cleared out."

  Maus continued chewing thoughtfully and then said, "Unfortunate, to say the least."

  Qwilleran searched the attorney's face for some revealing reaction but saw only an imperturbable countenance and preoccupied eyes, one of them ringed with a bruise, now turning purple.

  The distinguished epicure was engrossed in evaluating the green sauce. He said, "The parsley, it is safe to say, was added a trifle too soon. . . although, as you must know, much controversy can be generated on the subject of herbs. At the Meritorious Society of Gastronomes last evening we enjoyed a stimulating symposium on oregano. The discussion, it eventuated, grew quite. . . stormy."

  "Is that how you got that mouse?" Qwilleran asked.

  The attorney tenderly touched his left eye. "In the heat of argument, I regret to report, one of our members — an impetuous individual — thrust his fist in my direction at an inopportune time."

  The main course and a bottle of white wine were now served in a flurry of excitement by seven members of the restaurant staff. Maus tasted the wine and sent it back, complained about a cigar at the next table, and detected a soupcon too much tarragon in the sauce.

  Qwilleran viewed with mounting hunger the dish of veal and mushrooms, aswim in delicate juices. He determined, however, to adhere to his regimen: three bites and quit. After the first bite he said to Maus, "Do you think Max Sorrel would make a good personality story for my column?"

  The attorney sagely nodded approval. "His restaurant is experiencing certain — shall we say? — difficulties at this time, and it is undoubtedly true that some manner of . . . favorable comment in the press would not go unappreciated. I deem it inadvisable to elucidate, but Mr. Sorrel, I am sure, will be happy to discuss the matter with you, if you so . . . desire."

  "And what about Charlotte Roop?"

 

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