An Occurrence at Owl Creek Bridge and Other Stories
Page 35
That group of horsemen is our commander, his staff and escort. He is facing the distant crest, holding his field-glass against his eyes with both hands, his elbows needlessly elevated. It is a fashion; it seems to dignify the act; we are all addicted to it. Suddenly he lowers the glass and says a few words to those about him. Two or three aides detach themselves from the group and canter away into the woods, along the lines in each direction. We did not hear his words, but we know them: "Tell General X. to send forward the skirmish line." Those of us who have been out of place resume our positions; the men resting at ease straighten themselves and the ranks are re-formed without a command. Some of us staff officers dismount and look at our saddle girths; those already on the ground remount.
Galloping rapidly along in the edge of the open ground comes a young officer on a snow-white horse. His saddle blanket is scarlet. What a fool! No one who has ever been in action but remembers how naturally every rifle turns toward the man on a white horse; no one but has observed how a bit of red enrages the bull of battle. That such colors are fashionable in military life must be accepted as the most astonishing of all the phenomena of human vanity. They would seem to have been devised to increase the death-rate.
This young officer is in full uniform, as if on parade. He is all agleam with bullion--a blue-and-gold edition of the Poetry of War. A wave of derisive laughter runs abreast of him all along the line. But how handsome he is!--with what careless grace he sits his horse!
He reins up within a respectful distance of the corps commander and salutes. The old soldier nods familiarly; he evidently knows him. A brief colloquy between them is going on; the young man seems to be preferring some request which the elder one is indisposed to grant. Let us ride a little nearer. Ah! too late--it is ended. The young officer salutes again, wheels his horse, and rides straight toward the crest of the hill!
A thin line of skirmishers, the men deployed at six paces or so apart, now pushes from the wood into the open. The commander speaks to his bugler, who claps his instrument to his lips. Tra-la-la! Tra-la-la! The skirmishers halt in their tracks.
Meantime the young horseman has advanced a hundred yards. He is riding at a walk, straight up the long slope, with never a turn of the head. How glorious! Gods! what would we not give to be in his place--with his soul! He does not draw a sabre; his right hand hangs easily at his side. The breeze catches the plume in his hat and flutters it smartly. The sunshine rests upon his shoulder-straps, lovingly, like a visible benediction. Straight on he rides. Ten thousand pairs of eyes are fixed upon him with an intensity that he can hardly fail to feel; ten thousand hearts keep quick time to the inaudible hoof-beats of his snowy steed. He is not alone--he draws all souls after him. But we remember that we laughed! On and on, straight for the hedge-lined wall, he rides. Not a look backward. O, if he would but turn--if he could but see the love, the adoration, the atonement!
Not a word is spoken; the populous depths of the forest still murmur with their unseen and unseeing swarm, but all along the fringe is silence. The burly commander is an equestrian statue of himself. The mounted staff officers, their field glasses up, are motionless all. The line of battle in the edge of the wood stands at a new kind of "attention," each man in the attitude in which he was caught by the consciousness of what is going on. All these hardened and impenitent man-killers, to whom death in its awfulest forms is a fact familiar to their every-day observation; who sleep on hills trembling with the thunder of great guns, dine in the midst of streaming missiles, and play cards among the dead faces of their dearest friends--all are watching with suspended breath and beating hearts the outcome of an act involving the life of one man. Such is the magnetism of courage and devotion.
If now you should turn your head you would see a simultaneous movement among the spectators--a start, as if they had received an electric shock--and looking forward again to the now distant horseman you would see that he has in that instant altered his direction and is riding at an angle to his former course. The spectators suppose the sudden deflection to be caused by a shot, perhaps a wound; but take this field-glass and you will observe that he is riding toward a break in the wall and hedge. He means, if not killed, to ride through and overlook the country beyond.
You are not to forget the nature of this man's act; it is not permitted to you to think of it as an instance of bravado, nor, on the other hand, a needless sacrifice of self. If the enemy has not retreated he is in force on that ridge. The investigator will encounter nothing less than a line-of-battle; there is no need of pickets, videttes, skirmishers, to give warning of our approach; our attacking lines will be visible, conspicuous, exposed to an artillery fire that will shave the ground the moment they break from cover, and for half the distance to a sheet of rifle bullets in which nothing can live. In short, if the enemy is there, it would be madness to attack him in front; he must be manoeuvred out by the immemorial plan of threatening his line of communication, as necessary to his existence as to the diver at the bottom of the sea his air tube. But how ascertain if the enemy is there? There is but one way,--somebody must go and see. The natural and customary thing to do is to send forward a line of skirmishers. But in this case they will answer in the affirmative with all their lives; the enemy, crouching double ranks behind the stone wall and in cover of the hedge, will wait until it is possible to count each assailant's teeth. At the first volley a half of the questioning line will fall, the other half before it can accomplish the predestined retreat. What a price to pay for gratified curiosity! At what a dear rate an army must sometimes purchase knowledge! "Let me pay all," says this gallant man--this military Christ!
There is no hope except the hope against hope that the crest is clear. True, he might prefer capture to death. So long as he advances, the lines will not fire--why should it? He can safely ride into the hostile ranks and become a prisoner of war. But this would defeat his object. It would not answer our question; it is necessary either that he return unharmed or be shot to death before our eyes. Only so shall we know how to act. If captured--why, that might have been done by a half-dozen stragglers.
Now begins an extraordinary contest of intellect between a man and an army. Our horseman, now within a quarter of a mile of the crest, suddenly wheels to the left and gallops in a direction parallel to it. He has caught sight of his antagonist; he knows all. Some slight advantage of ground has enabled him to overlook a part of the line. If he were here he could tell us in words. But that is now hopeless; he must make the best use of the few minutes of life remaining to him, by compelling the enemy himself to tell us as much and as plainly as possible--which, naturally, that discreet power is reluctant to do. Not a rifleman in those crouching ranks, not a cannoneer at those masked and shotted guns, but knows the needs of the situation, the imperative duty for forbearance. Besides, there has been time enough to forbid them all to fire. True, a single rifle-shot might drop him and be no great disclosure. But firing is infectious--and see how rapidly he moves, with never a pause except as he whirls his horse about to take a new direction, never directly backward toward us, never directly forward toward his executioners. All this is visible through the glass; it seems occurring within pistol-shot; we see all but the enemy, whose presence, whose thoughts, whose motives we infer. To the unaided eye there is nothing but a black figure on a white horse, tracing slow zigzags against the slope of a distant hill--so slowly they seem almost to creep.
Now--the glass again--he has tired of his failure, or sees his error, or has gone mad; he is dashing directly forward at the wall, as if to take it at a leap, hedge and all! One moment only and he wheels right about and is speeding like the wind straight down the slope--toward his friends, toward his death! Instantly the wall is topped with a fierce roll of smoke for a distance of hundreds of yards to right and left. This is as instantly dissipated by the wind, and before the rattle of the rifles reaches us he is down. No, he recovers his seat; he has but pulled his horse upon its haunches. They are up and away! A tremendous ch
eer bursts from our ranks, relieving the insupportable tension of our feelings. And the horse and its rider? Yes, they are up and away. Away, indeed--they are making directly to our left, parallel to the now steadily blazing and smoking wall. The rattle of the musketry is continuous, and every bullet's target is that courageous heart.
Suddenly a great bank of white smoke pushes upward from behind the wall. Another and another--a dozen roll up before the thunder of the explosions and the humming of the missiles reach our ears and the missiles themselves come bounding through clouds of dust into our covert, knocking over here and there a man and causing a temporary distraction, a passing thought of self.
The dust drifts away. Incredible!--that enchanted horse and rider have passed a ravine and are climbing another slope to unveil another conspiracy of silence, to thwart the will of another armed host. Another moment and that crest too is in eruption. The horse rears and strikes the air with its forefeet. They are down at last. But look again--the man has detached himself from the dead animal. He stands erect, motionless, holding his sabre in his right hand straight above his head. His face is toward us. Now he lowers his hand to a level with his face and moves it outward, the blade of the sabre describing a downward curve. It is a sign to us, to the world, to posterity. It is a hero's salute to death and history.
Again the spell is broken; our men attempt to cheer; they are choking with emotion; they utter hoarse, discordant cries; they clutch their weapons and press tumultuously forward into the open. The skirmishers, without orders, against orders, are going forward at a keen run, like hounds unleashed. Our cannon speak and the enemy's now open in full chorus; to right and left as far as we can see, the distant crest, seeming now so near, erects its towers of cloud and the great shot pitch roaring down among our moving masses. Flag after flag of ours emerges from the wood, line after line sweeps forth, catching the sunlight on its burnished arms. The rear battalions along are in obedience; they preserve their proper distance from the insurgent front.
The commander has not moved. He now removes his field-glass from his eyes and glances to the right and left. He sees the human current flowing on either side of him and his huddled escort, like tide waves parted by a rock. Not a sign of feeling in his face; he is thinking. Again he directs his eyes forward; they slowly traverse that malign and awful crest. He address a calm word to his bugler. Tra-la-la! Tra-la-la! The injunction has an imperiousness which enforces it. It is repeated by all the bugles of all the subordinate commanders; the sharp metallic notes assert themselves above the hum of the advance and penetrate the sound of the cannon. To halt is to withdraw. The colors move slowly back; the lines face about and sullenly follow, bearing their wounded; the skirmishers return, gathering up the dead.
Ah, those many, many needless dead! That great soul whose beautiful body is lying over yonder, so conspicuous against the sere hillside--could it not have been spared the bitter consciousness of a vain devotion? Would one exception have marred too much the pitiless perfection of the divine, eternal plan?
Staley Fleming's Hallucination
Of two men who were talking one was a physician.
'I sent for you, Doctor,' said the other, 'but I don't think you can do me any good. Maybe you can recommend a specialist in psychopathy. I fancy I'm a bit loony.'
'You look all right,' the physician said.
'You shall judge -- I have hallucinations. I wake every night and see in my room, intently watching me, a big black Newfoundland dog with a white forefoot.'
'You say you wake; are you sure about that? "Hallucinations" are sometimes only dreams.'
'Oh, I wake all right. Sometimes I lie still a long time, looking at the dog as earnestly as the dog looks at me -- I always leave the light going. When I can't endure it any longer I sit up in bed -- and nothing is there!
''M, 'm -- what is the beast's expression?'
'It seems to me sinister. Of course I know that, except in art, an animal's face in repose has always the same expression. But this is not a real animal. Newfoundland dogs are pretty mild looking, you know; what's the matter with this one?"
'Really, my diagnosis would have no value: I am not going to treat the dog.'
The physician laughed at his own pleasantry, but narrowly watched his patient from the corner of his eye. Presently he said: 'Fleming, your description of the beast fits the dog of the late Atwell Barton.'
Fleming half rose from his chair, sat again and made a visible attempt at indifference. 'I remember Barton,' he said; 'I believe he was -- it was reported that -- wasn't there something suspicious in his death?'
Looking squarely now into the eyes of his patient, the physician said: 'Three years ago the body of your old enemy, Atwell Barton, was found in the woods near his house and yours. He had been stabbed to death. There have been no arrests; there was no clue. Some of us had "theories." I had one. Have you?"
'I? Why, bless your soul, what could I know about it? You remember that I left for Europe almost immediately afterward -- a considerable time afterward. In the few weeks since my return you could not expect me to construct a "theory." In fact, I have not given the matter a thought. What about his dog?"
'It was first to find the body. It died of starvation on his grave.'
We do not know the inexorable law underlying coincidences. Staley Fleming did not, or he would perhaps not have sprung to his feet as the night wind brought in through the open window the long wailing howl of a distant dog. He strode several times across the room in the steadfast gaze of the physician; then, abruptly confronting him, almost shouted: 'What has all this to do with my trouble, Dr. Halderman? You forget why you were sent for.'
Rising, the physician laid his hand upon his patient's arm and said, gently: 'Pardon me. I cannot diagnose your disorder offhand -- to-morrow, perhaps. Please go to bed, leaving your door unlocked; I will pass the night here with your books. Can you call me without rising?"
'Yes, there is an electric bell.'
'Good. If anything disturbs you push the button without sitting up. Good night.'
Comfortably installed in an arm-chair the man of medicine stared into the glowing coals and thought deeply and long, but apparently to little purpose, for he frequently rose and opening a door leading to the staircase, listened intently; then resumed his seat. Presently, however, he fell asleep, and when he woke it was past midnight. He stirred the failing fire, lifted a book from the table at his side and looked at the title. It was Denneker's Meditations. He opened it at random and began to read:
'Forasmuch as it is ordained of God that all flesh hath spirit and thereby taketh on spiritual powers, so, also, the spirit hath powers of the flesh, even when it is gone out of the flesh and liveth as a thing apart, as many a violence performed by wraith and lemure sheweth. And there be who say that man is not single in this, but the beasts have the like evil inducement, and -- '
The reading was interrupted by a shaking of the house, as by the fall of a heavy object. The reader flung down the book, rushed from the room and mounted the stairs to Fleming's bed-chamber. He tried the door, but contrary to his instructions it was locked. He set his shoulder against it with such force that it gave way. On the floor near the disordered bed, in his night-clothes, lay Fleming, gasping away his life.
The physician raised the dying man's head from the floor and observed a wound in the throat. 'I should have thought of this,' he said, believing it suicide.
When the man was dead an examination disclosed the unmistakable marks of an animal's fangs deeply sunken into the jugular vein.
But there was no animal.
The Story of a Conscience
I
Captain Parrol Hartroy stood at the advanced post of his picket-guard, talking in low tones with the sentinel. This post was on a turnpike which bisected the captain's camp, a half-mile in rear, though the camp was not in sight from that point. The officer was apparently giving the soldier certain instructions--was perhaps merely inquiring if all were quiet in
front. As the two stood talking a man approached them from the direction of the camp, carelessly whistling, and was promptly halted by the soldier. He was evidently a civilian--a tall person, coarsely clad in the home-made stuff of yellow gray, called "butternut," which was men's only wear in the latter days of the Confederacy. On his head was a slouch felt hat, once white, from beneath which hung masses of uneven hair, seemingly unacquainted with either scissors or comb. The man's face was rather striking; a broad forehead, high nose, and thin cheeks, the mouth invisible in the full dark beard, which seemed as neglected as the hair. The eyes were large and had that steadiness and fixity of attention which so frequently mark a considering intelligence and a will not easily turned from its purpose--so say those physiognomists who have that kind of eyes. On the whole, this was a man whom one would be likely to observe and be observed by. He carried a walking-stick freshly cut from the forest and his ailing cowskin boots were white with dust.
"Show your pass," said the Federal soldier, a trifle more imperiously perhaps than he would have thought necessary if he had not been under the eye of his commander, who with folded arms looked on from the roadside.
"'Lowed you'd rec'lect me, Gineral," said the wayfarer tranquilly, while producing the paper from the pocket of his coat. There was something in his tone--perhaps a faint suggestion of irony--which made his elevation of his obstructor to exalted rank less agreeable to that worthy warrior than promotion is commonly found to be. "You-all have to be purty pertickler, I reckon," he added, in a more conciliatory tone, as if in half-apology for being halted.
Having read the pass, with his rifle resting on the ground, the soldier handed the document back without a word, shouldered his weapon, and returned to his commander. The civilian passed on in the middle of the road, and when he had penetrated the circumjacent Confederacy a few yards resumed his whistling and was soon out of sight beyond an angle in the road, which at that point entered a thin forest. Suddenly the officer undid his arms from his breast, drew a revolver from his belt and sprang forward at a run in the same direction, leaving his sentinel in gaping astonishment at his post. After making to the various visible forms of nature a solemn promise to be damned, that gentleman resumed the air of stolidity which is supposed to be appropriate to a state of alert military attention.