Notes on a Foreign Country

by Suzy Hansen

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  A Note About the Author

  Copyright Page

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  To my family, who let me go, and to P & M, who told me to write

  The pretensions of virtue are as offensive to God as the pretensions of power.

  —REINHOLD NIEBUHR

  A woman—the statue of a woman

  lifting in one hand a rag called liberty by

  a document called history, and with the other

  hand suffocating a child called Earth.

  —ADONIS, “A GRAVE FOR NEW YORK” (1971), TRANSLATED BY SALMA KHADRA JAYYUSI

  Some are guilty, while all are responsible.

  —ABRAHAM JOSHUA HESCHEL

  INTRODUCTION

  It is still not clear if the United States—a country formed in great measure by those who have themselves escaped vast catastrophes, famines, dictatorships, persecution—it is far from certain that the men and women of this nation so full of hope and tolerance, will be able to feel that same empathy towards the other outcast members of our species.

  —ARIEL DORFMAN

  AFTER I HAD LIVED in Turkey for seven years, I visited a town called Soma, where two months earlier, a coal-mine fire had killed 301 men. Soma was located in western Turkey, slightly inland from the coastal city of Izmir, and to get there, my friend and I took a ferry from Istanbul to a town across the Sea of Marmara and rented a car. It was Ramadan then, and summer, and the townspeople, most of them observant and fasting for the holiday, moved slowly, as if they had been drugged. We stopped to eat cheese pide on benches by the seaside and watched shipping tankers as big and menacing as mountains glide too close to the shore. Women in head scarves strolled along the water, their children spinning away from and back to them like boomerangs skirting the pavement. I remembered how, when I first moved to the country, I had been surprised that someone wearing a head scarf would want to hang out at the beach. Everything surprised me then.

  Turkey was a pleasant place to drive, its smooth roads lined with honey stands and olive oil kiosks and extremely tempting signs for Kangal puppy farms. (Kangals, native to Turkey, were sheep-guarding dogs that fought off wolves, so seeing them in innocent puppy form was like seeing a child before a lifetime of hard labor.) The Turkish highways, and the factories and depots that dominated them, always felt strangely like the East Coast of the United States. The entire country—even Istanbul—was not nearly as exotic as most people expected; it was not exotic anymore to me at all. By then I would also wonder whether the western Anatolian roads might have looked familiar because the Americans funded much of Turkey’s postwar reconstruction with Marshall Plan money, everything from its roads to its schools to its military bases. As we drove, I had that disconcerting sense of déjà vu that I often had when traveling through foreign countries, as if I had been there before.

  We were heading to Soma to research an article for a magazine, but the catastrophe disturbed me for reasons beyond journalistic curiosity. After the fire, the prime minister, Recep Tayyip Erdoğan, had visited Soma, and many townspeople protested in the streets because they blamed his government for the mine’s dilapidated condition. One of the prime minister’s men, wearing a dark, expensive suit, was photographed kicking a protestor on the ground. I remember thinking, The government is kicking a citizen in the town where 301 men have just been killed and families are mourning. The horror of Soma somehow seemed connected to the larger disintegration of the Middle East: the jihadists passing through Turkey on their way to Syria, the daily reports of terror, the disappearance of national borders. The question in my mind had stopped being how did it all fall apart, but when did it all begin.

  Around that time, 2014, I noticed that both Western and Turkish friends had begun debating whether life had gotten better or worse. Terrorism, the refugee crisis, economic inequality, and climate change prompted these discussions, but sometimes the question came up around subjects more personal, such as the decision to have children. “Before, people had to worry about the bomb,” a friend argued. “It was much worse fifty years ago.” But I had the feeling now that our fears had become more personal, not of collective annihilation but of being torn limb from limb. Earlier that year, my friend, a photographer, offered me a print from her vast archive. There were photos of women in brightly printed dresses in Kenya, of teak trees in Bhutan, of a wedding couple dancing in India, and many were stunning, the sort of thing you might want on your wall. Yet I chose the stark, colorless desert photo of hundreds of tiny, faceless refugees sprawled across a hillside, crossing from Syria to Iraq, because in 2014, what other photo could you choose? It wasn’t a time of dancing.

  In Turkey, one of those still-modernizing, ascendant countries, life was supposed to have gotten better. The Soma accident—in which it became clear that human life in Turkey had been substantially devalued—was the moment, for me, when this myth of progress collapsed. Is there life after Soma? someone spray-painted on the sidewalk outside my apartment window. Like my photograph, the phrase captured the mood. I went to Soma because, like everyone, I wanted to understand how it happened. I was interested in all the gory technical aspects: the methane gases and the way coal burned and the standard safety rules for coal mining. I expected the reasons to be specific to Turkey, specific to that company and to that coal mine. I had in mind a scientific excavation, and instead, as seemed to be common in the years I lived abroad, the excavation I ended up with was historical.

  * * *

  WHEN WE ARRIVED, Soma was still heavy with tragedy. Signs hung from the buildings that said OUR PAIN IS IMMENSE. The hotel clerk at the Linyit Otel eyed us warily, frowning when we said we were journalists. He, like many shop owners and businessmen in Soma, didn’t like the arrival of the foreigners, or the out-of-town activists, or the labor union radicals. “Don’t get mixed up in this stuff,” people would say to us, to one another. “Don’t cause trouble.”

  My companion, Caner (pronounced Jahn-ehr), my oldest friend in Turkey, made my coming to Soma much easier—not only because he was a man but because he was Turkish. Caner could also see things in Turkey that I could not; often he could see things about the world that I could not. After I wrote the story about Soma, for example, Caner helped with the fact-checking, which for this magazine, The New York Times Magazine, was especially rigorous, if not, at times, insane. (A fact-checker and I once spent a half hour debating the difference between clubhouse and playhouse.) Caner joked with some wonder about the zeal of American journalism and I explained that the obsessiveness was not only about legal issues but about maintaining a kind of objectivity. In other words, I said, the truth. He laughed at me: “But that attitude about your objectivity is political in and of itself.”

  Soma’s main street looked like many Turkish towns: well maintained and orderly. Freshly tended flower beds flanked the roads, World War I memorials—good old Atatürk in bronze—shone as if newly polished, people scrubbed the pavement outside their shops. During the summer evenings in Soma, me
n, and sometimes women, gathered in one part of the central tea garden, and women and children, and sometimes men, gathered in the section called the family salon, and everyone would sit for hours smoking and gossiping past midnight. Soma wasn’t a place where people went to bars, or rarely even out for dinner, but it had one fancy coffee shop with plush gray chairs, and one relatively expensive chain restaurant called Köfteci Ramiz. In these poor communities, there wasn’t money for much else beyond the home, but Turkish families supported one another reflexively; a miner would work his whole life just to build two-room houses for his three sons. I was a thirty-six-year-old unmarried childless woman living thousands of miles away from her family, and had long subscribed to typical Western ideals of individualism. But with seven years of distance from New York I had come to believe that it was the Turkish family that held Turkey together, it was the strongest thing. Soma had a wholesome Mayberry quality to it, a sense of conservatism and distaste for provocation. All around the main square the watchful pillars of the community stood at the ready: the mosques, the men’s teahouses, the mining company offices, the police, the ruling government’s AK Party office, the mayor’s hall, and, in the center of it all, in a large, black-reflector-windowed building, Türk-İş, the union that represented the coal miners of Soma.

  We headed toward a narrow, pedestrianized street that was draped overhead with grapevines, which protected us from the miserable Aegean summer sun. A group of men gathered outside the office of DISK, a small, leftist labor union founded in the 1960s—one to which none of the miners belonged—that had set up shop in the aftermath of the disaster to teach the miners their rights. The union reps offered us plastic chairs, and some tea, and within minutes men began to sit down all around us, as if my appearance had been scheduled, which it had not.

  Some of these men were the miners themselves. They had wizened faces, scrawny bodies as if undernourished, and bad teeth. I could tell which miners had been in the mine that day because they blinked constantly, as if unsure of where the next blow might come from. Turkey is a country where men are more important than women; sons more important than daughters; husbands more important than wives. In Turkey men were the warriors, the ones who had liberated the nation. It seemed suddenly that Turkey’s men had been defeated, and if the state treated even the men this way, I thought, then everyone had been flayed of whatever had once protected them from the elements.

  * * *

  A MINER NAMED AHMET told me the story of what happened on May 13, 2014, the worst industrial accident in Turkey’s ninety-year history. He and his wife, Tuğba, lived in a three-room stone house in a village of Soma called Kayrakaltı that was nestled amid cypress trees, fresh streams, and gentle, golden hills. Most of the 350 people of Kayrakaltı used to farm Turkey’s famous Oriental tobacco, but around fifteen years ago, small farmers began to struggle, and so Ahmet went to work as a shearer-machine operator at a mine called Eynez, owned by Soma Holding.

  When he arrived there that morning, Ahmet changed at his locker and put on his miner’s coat and boots lined with iron, and then he and seven hundred men began their descent into the mine. “Hadi! Hadi!” (Come on! Come on!) the supervisors yelled, always with an eye to speed, to production. When the men changed shifts, they said to one another, geçmiş olsun, or get well soon, even hakkını helal et, which is a way Turks forgive one another, if they fear it is the last chance to do so. Ahmet’s gallery was in one of the deepest parts of the mine, where the coal was extracted by a giant shearer machine manned by forty men. Ahmet worked all day, until suddenly, around 3:10 p.m., the shearer machine stopped working. The coal conveyor belts stopped working; the electricity stopped working; everything stopped working. The power had gone out. Only the lights on the miners’ yellow helmets shone in the dark. Some electricians wearing gas masks arrived to tell them a cable exploded and a small fire had broken out. The miners in Ahmet’s gallery figured it would take only half an hour before someone signaled it was safe to leave.

  After the first hour passed, they began to worry. Why hadn’t anyone come to talk to them? What was taking so long? Some of the men went to investigate what was happening, but they didn’t come back. There were no safe rooms in the mine, so instead the miners began to pray. Black smoke was being pushed into their gallery, from both ends. All the miners had masks attached to their belts, but few had faith in them. The masks were old, and they were encrusted with coal dust. Some miners put them on and breathed in dirt. Some masks did not work at all.

  The smoke began to burn the men’s faces. Ahmet felt light-headed. Some knelt to the ground and stuck their faces in the mud, rubbing it over their skin, breathing it, slapping it into their mouths. They crouched and coughed, breathing that filthy coal-mine mud. Then men started to run, just to run anywhere. Ahmet saw Ibrahim, a portly engineer, sitting on the ground, his gas mask slung around his neck. He was breathing, but blood was coming out of his nose. A man named Ali sat under an old, useless conveyor belt. His body was cold. Ahmet realized what was happening: the miners were dying. He had no choice but to put on his mask and try to escape. As he passed, some of his friends turned toward him, arms stretched up, as if reaching for his hand.

  When Ahmet climbed up a ladder to a second level, he saw bodies on a conveyer belt, as if the men had believed it would eventually carry them out. Other men lay on the ground. And near to them, also on the dirt floor, Ahmet saw dozens of rats that he knew were dead because their fangs were showing, their jaws open and stiff. Here we are, he thought, the brotherhood of rats and men.

  Ahmet survived, eventually stumbling out of the mine into the klieg lights of rescue workers above. This was the image the country saw on television that day: thousands of families—fathers, mothers, wives, children, grandmothers—gendarmerie, state NGO rescue teams, police, and ambulance workers swarming around the entrances to the mine. People were screaming, pushing, crying, demanding answers. Every time a man emerged alive, coughing and black-faced, the crowd applauded. Every time a body was clumsily brought out on a stretcher, the great crowd wrenched and lurched forward, trying to see whether they could recognize anything at all: the cut of the hair, the curve of an eyebrow, the bend of a nose.

  * * *

  A MAN IN HIS SIXTIES named Tayfun, a representative from DISK, began telling the history of Soma. Most of the men had been tobacco farmers subsidized by and in service of the state-run company Tekel, which produced cigarettes popular among domestic consumers. For decades, Tekel sustained the farms of three million men and their families. Then, about forty years ago, the country opened its markets to foreign goods, including cigarettes. “We started to see on the streets your Parliaments there,” said a miner, smirking and pointing at the Parliament in my hand.

  In the 2000s, at the behest of the IMF, and in line with the ethos of privatization at the time, the Erdoğan government broke up Tekel, as they did so many state-run firms. The farmers lost their protection, and their jobs. “It happened step-by-step, it was slow,” Tayfun said. “The farmers had hopes. They tried tomatoes. They tried cucumbers. But it wasn’t enough. So the children of the farmers went into the mines.”

  In Soma, as in many places, the mines were run by a private company that sold all of its coal to the government for a low price. The government was also responsible for monitoring the mines’ safety conditions. This codependent system made for zero accountability. The companies didn’t care much when the ceilings of the mines had shoddy supports, or when the gas sensors, meant to detect methane and carbon monoxide, didn’t work. Electric cables were old and hung haphazardly. There was no escape plan, or accident protocol, in the event of a fire.

  The miners’ working conditions were terrible, too. Their bosses punished them with enthusiasm, insulted them, yelled at them, even cursed their mothers and sisters. It was always those same words, Hadi, hadi, hadi. Come on, come on, come on. All day long, hadi, hadi, hadi. If a miner rested, he’d hear it again. If something went wrong, hadi, hadi, hadi, back to
work. The bosses would do whatever it took to get the most production out of the miners, and production stopped for nothing.

  “So the first two pillars of the tragedy were the state and the company,” Tayfun continued, “and the triangle was completed with the union.”

  I was startled by this. “The union?”

  Other men joined in enthusiastically.

  “I bet they already know you are here!” one said.

  “They have spies everywhere. If we talk to you, they will tell,” said another.

  “What do you mean they ‘will tell’?” I asked. “Who will they tell?”

  “They will tell the union.”

  “Not the company?”

  “They are the same.”

  The miners’ union with the black reflector windows, Türk-İş, had never advocated for better working conditions, or better pay, or even paid sick days for their miners. The miners were now convinced that everyone in the town was controlled by the union, which in turn meant the company, which in turn meant the government. The men called this thing the octopus.

  “How did this union become this way?” I asked. “Was it always close to the state?”

  “Of course,” one man named Aydın said. Aydın had the manner of a historian. “It was an American-style union. It was founded in the early years of the Turkish Republic”—in the 1950s—“with the help of the United States.” In other words, he suggested, this American influence, and America’s own labor history, had helped to create a union that did not protect Turkish workers and whose negligence had led to the deaths of 301 men.

  Aydın told me this and, later on that day, the entire history of the United States’ and Turkey’s workers, in a matter-of-fact tone. American influence usually was not invoked with particular venom or outrage, but merely as a fact of history. Most foreigners were not emotional about it. The only person suddenly emotional was the American, me, because of course for the American nothing about this was matter-of-fact. Americans are surprised by the direct relationship between their country and foreign ones because we don’t acknowledge that America is an empire; it is impossible to understand a relationship if you are not aware you are in one. Those weeks in Soma, I heard about the way the United States had governed the world during the Cold War and after, and how its foreign policy shaped a course of history for Turkey that, even in small ways, led to the Soma tragedy. But of all the things I had discovered those days in that humble Turkish town, the resilience of my own innocence was the most terrifying.