Around the World With Auntie Mame
Page 1
Table of Contents
Title Page
Dedication
Auntie Mame and Posterity
Auntie Mame and the City of Light
Auntie Mame in Court Circles
Auntie Mame and the Fortune Hunter
Auntie Mame and a Family Affair
Auntie Mame in Her Mountain Retreat
Auntie Mame and Mother Russia
Auntie Mame and the Middle Eastern Powder Keg
Auntie Mame and the Long Voyage Home
Auntie Mame and Home-coming
About the Author
ALSO BY PATRICK DENNIS
Copyright Page
To the one and only
ROSALIND RUSSELL
Auntie Mame and Posterity
CHRISTMAS IS NEARLY HERE AND I LOOK FORWARD to it more and more with loathing. All the shops that didn’t have their holiday decorations up by Michaelmas made up for it with sheer ostentation by Halloween. Canned carols bleat from every corner. The clerks at Saks are surlier, the ones at Lord & Taylor lordlier, the ones at Bergdorf’s bitchier than at any other season.
All about me I see children being led by the hand to wheedle toy department Santa Clauses out of the most ruinous remembrances. On the commuters’ train each night I see fathers, burdened with bulky packages, discussing not taxes, not politics, not the market, but the complexities of assembling electric trains and English bicycles.
I hate to go to my office each day because all that awaits me is nothing—a message from that pompous young ass in the State Department saying that no reliable information has been uncovered as yet, but every effort is being made; a cable from the Countess of Upshot (the former Vera Charles) saying that she just missed making contact at the Aga Khan’s funeral in July, but thought she saw them at the Copenhagen airport in September; a rambling letter from my London operative, Percy (“Peek-a-boo”) Pankhurst, announcing that his detective agency is still hot on the trail and asking for yet another hundred pounds.
Even more, I hate to go home at night. Home is a Georgian-type house in Verdant Greens, a community of two hundred houses in four styles just over an hour from New York, if the train is on time. My wife and I hate the house. We also hate Verdant Greens. We only moved there when our son was born so that he could have grass beneath his feet, fresh air, and rather mediocre schooling under the collective gimlet eye of a meddlesome group of Verdant Greens mothers who have a smattering of psychiatric jargon. And now my wife and I have even come to hate each other. Our overpriced, ill-built little house—seven rooms, two-and-a-half baths, expansion attic—has become an empty echoing shell, the prison of two lonely, silent, frustrated people. The son, for whose well-being the house was bought, is no longer here. He was kidnapped in 1954.
When I say kidnapped I don’t mean to imply anything like ransom notes and a ladder against the wall. He went away just after his seventh birthday with our kisses and our blessings. We even waved him off at Idlewild as the big Pan-American plane carried him off to India. But we have never seen him— and rarely heard of him—since. That was June of 1954. He was supposed to be back by Labor Day in time for school. Two and a half years have passed, and now we face another melancholy Christmas without Michael in the house. And all because Auntie Mame fancied the child and wanted to take him off on a little outing!
MY AUNTIE MAME IS A MOST UNUSUAL WOMAN. SHE raised me from the time I was orphaned at ten. Not because anyone wanted her to—far from it—or because she herself had any desire to take on a lonely only child during her heyday in 1929. It was simply that she was my only living relative. We were stuck with each other and we had to make the best of it.
But raise me she did in her own helter-skelter fashion, to the horror of my trustee, Mr. Dwight Babcock of the Knickerbocker Trust Company, to the horror of the masters at St. Boniface Academy in Apathy, Massachusetts (where Mr. Babcock finally put me after Auntie Mame’s forays into progressive education), and sometimes even to the horror of me.
We lived in many places together, Auntie Mame and I. We lived in a duplex in Beekman Place during the twenties when Auntie Mame was still Miss Dennis, still rich, and still in her Japanese phase. We lived in a carriage house in Murray Hill during the Depression before Auntie Mame found love and marriage and even more riches as Mrs. Beauregard Jackson Pickett Burnside. For a while we lived on a plantation in Georgia with Uncle Beau. Then, when Auntie Mame became the ninth-richest widow in New York, we lived in a big town house in Washington Square. We also lived in various other places around the world until I grew up and got married. After that, Auntie Mame’s address—whenever she stayed still long enough to have one—was the St. Regis Hotel. Today I don’t know where Auntie Mame is living. I wish I did, because that’s where my son Michael is living, too. Assuming, of course, that the boy is still alive.
But as unorthodox and eccentric—her detractors have even used such adjectives as depraved and lunatic—as Auntie Mame’s methods of child care may have been, I don’t think that any of the unusual things she did ever hurt me.
This, however, is not the opinion of my wife, Pegeen. When I got home to Verdant Greens last night, Pegeen was waiting at the door.
“Chilly out, dear,” I said, kissing her. “Anything in the mail? I mean like especially terrible Christmas cards.”
Pegeen knew perfectly well what I meant and went on to say so. “I know perfectly well what you mean. You mean is there some word from our child or from that madwoman who carried him off. And the answer is No. Just as it’s been every day for the last four months. No! No! No! My God, Patrick, I can’t eat, I can’t sleep, I can’t even think, worrying about my baby in the hands of that old maniac. For all we know, poor little Michael may be dead and buried.”
“Oh, I scarcely think so. We’d have heard, surely.”
“Heard? What have we heard? Six cables, a few miserable scribbled post cards—the Taj Mahal, a bathhouse in Tokyo, a lamasery in Tibet, an apartment house in Tel Aviv that looked like a dresser with all the drawers open, the Istanbul Hilton, the Mozart Festival, Animation sur la Plage from Cap d’Antibes; those and about a dozen more and not one more word about our child in two and a half years!”
“That’s not quite true, Pegeen. Both Michael and Auntie Mame have been very good about remembering our birthdays, our anniversary, Christmas—and very handsomely, too. I still wear that mandarin . . .”
“Christmas. How can you say the word? This will be our third Christmas without a child in the house. Don’t you think everyone in Verdant Greens is talking?”
“I’m certain they’re talking but it’s rarely interesting enough to . . .”
“That boy’s almost ten years old. I haven’t seen him since he was seven. He’ll never be a cub scout and I’ll never be a den mother.”
“Not if I have anything to say about it you won’t.”
“Well, I grant that it sounds dismal. But think of the other things our baby is missing. Proper schooling. The companionship of children his own age. Sports. Sunday school. Christmas.”
“Nonsense,” I said, trying to be as bland and offhand as possible because I was just as worried about Auntie Mame and Michael as Pegeen, only I didn’t want her to know it. “As Auntie Mame always said, I could learn more in ten minutes in her drawing room than I could in ten years at school. She was right, too. I saw more of children my own age than I wanted to. As for Christmas, she gave me some damned nice things.”
“Such as what?”
All I could remember, offhand, was a list of items that would hardly have comforted a worried mother—a live alligator, a samurai sword, a chimpanzee that promptly died, and a lifetime course at Arthur Murray’s. “Oh, nothin
g. Just some very nice things.”
“But don’t you realize that she’s simply stolen our child away from us? If he were to march into this room right now he wouldn’t recognize his own parents. Oh, I know her game. I’m a woman, too. She plans to take over our child entirely, to twist him around her finger, to teach him life on her terms— life as Mame Dennis Burnside sees it—so that he’ll end up just as scatterbrained and eccentric as she is.”
“If you please,” I said. “She raised me from the time I was ten until I escaped—that is, until I met you. Do you find me so odd? Don’t I manage to shower every day, hold down a decent job with a reputable firm? Do I keep a collection of boots and whips in the cellar? Don’t I pay my taxes and come home every night on the six-oh-three? Sometimes I even wish I were a little more colorful—a little less dull.”
“So do I. But that’s beside the point. The point is that your aunt took our child away two and a half years ago. She promised that he’d be home by Labor Day, and here it is 1957 and . . .”
“Do be fair, Pegeen. Auntie Mame didn’t say which Labor Day.”
“Don’t interrupt! Bit by bit she’s taken over. First a cable begging to let him stay until Christmas. I never should have consented, but I did. Then a long letter telling me how good he was at skiing and how wonderful the snow was at Chamonix and what an aptitude Michael had for French. It was the French that did it. She knew what a pushover I was for Racine.”
“I’ve always found him rather tiresome.”
“The next thing, we heard Lady Bountiful had our little boy in an Aqualung down with sharks and barracuda and I-don’t-know-what.”
“Well, you were complaining about his having no sports.”
“And then that wonderful opportunity to get into the Forbidden City, play with the Dalai Lama. Next it was a papal audience. Then the Red Dean of . . .”
“And you were complaining about religion.”
“I’m complaining about everything. It was bad enough when we knew where they were. But for the last four months there hasn’t been one word—not a letter, not a cable, not so much as a line scrawled on a post card. That mad aunt of yours has probably got that innocent child smoking, drinking, taking dope. . . .”
“Now don’t be ridiculous! He was sneaking cigarettes by the time he was six. You’ve always let him sniff away at that stuff you use to remove nail enamel. And that old father of yours had him swilling beer in his bassinet. Auntie Mame may be unorthodox, but she’s not unreliable. I’m not in the least concerned myself,” I lied.
“You see! She’s reared you to be an unnatural father. Well, I’m plenty worried. Sick with worry! He’s too young and she’s too old.”
“She’d scratch your eyes out if she heard you say it. Besides, she makes a most colorful traveling companion. I can attest to that. She took me around the world, and where am I now? Verdant Greens. Gaining weight, losing hair, married, settled, and middle aged.”
“When did she take you around the world?”
“Oh, a long time ago. Before the war.”
“Why didn’t you ever tell me?”
“Didn’t I? Well, if I didn’t it was probably because there wasn’t much to tell. You know, Pegeen, just tourist stuff.”
“Well, we have all night. You can start telling me now. Just when was this grand tour?”
“Oh, a long time back. Ten, fifteen, twenty years ago. It was in 1937, right after I was kicked—right after I finished at St. Boniface Academy; before I went to college.”
“How long were you gone?” Pegeen asked.
“Well, it was for an indefinite stay. Almost all of Auntie Mame’s visits are indefinite and she’s rarely any place on time. That may account for Michael’s being so late in getting home.”
“Two and a half years?”
“Why don’t we have a drink, dear?”
“Sit right there and start talking. I can hear you while I mix them. Now commence.”
“Well, there’s nothing to tell, really. Michael went to India and started from there. We went the other way.”
“What other way?”
“Well, we set out in May of 1937 on the old Normandie. What a ship that was!”
“I’ve seen it,” Pegeen said, handing me a drink. “Go on.”
“Well, we weren’t going to take Ito. . . .”
“You mean that inane, giggling, Japanese houseman of hers?”
“Ito has always been a very good friend,” I said with dignity. “Both to Auntie Mame and to me. He did join us later, but we set off alone—in the Deauville Suite of the Normandie, the Captain’s table, and all the pomp and circumstance in the world. Well, that’s about all.”
“Go on,” Pegeen said in an I-mean-business tone of voice.
“Well, if memory serves, the Normandie used to land in France.”
“And so?”
“And so we went to Paris . . .”
Auntie Mame and the City of Light
“YOU’RE BEING RIDICULOUS TO WORRY THIS WAY,” I told Pegeen, trying hard to conceal the concern I felt. “How could the boy get into any trouble traveling around the world with his great aunt? An elderly woman, actually, and hardly likely to debauch a ten-year-old child.”
“She certainly tried hard enough with you,” Pegeen said.
“Why, that’s outrageous,” I sputtered. “She did no such thing. Take Paris, for example. Now what do most people bring back from Paris?”
“A social disease?”
“Certainly not! They bring back memories—the Eiffel Tower, the Louvre, Versailles—you know, things like that.”
“And what did you do when she took you to Paris?”
“Why, nothing much. I mean we went to the usual places— Notre Dame, the Bon Marché, Maxim’s. We did all the museums and galleries and churches and . . .”
“And?”
“Oh, yes, once we even attended the French National Theatre.”
“So?”
“So that was all.”
That wasn’t all, but I’d rather be hung by my thumbs than tell poor Pegeen about Auntie Mame in Paris.
AH, PATRICK, my little love,” Auntie Mame said, squeezing my hand, “don’t you feel the magic of Paris? Paris mon coeur! La ville lumière!” The taxicab swung off the Rue St. Honoré with a suddenness that threw Auntie Mame to the floor. “Merde!” she said.
I said yes, I did feel the magic of Paris and didn’t Auntie Mame think she’d feel a whole lot better if she just sat back and relaxed until we got to the hotel. She was still adjusting her rakish off-the-face hat as the taxi, somewhat more sedately, circled the Place Vendôme and pulled up at the Ritz.
Paris was to Auntie Mame more a Macy’s than a metropolis, and the Ritz was within spitting distance of Schiaparelli and Chanel and Elizabeth Arden and Cartier and most of the other departments that Auntie Mame liked to patronize. And she was enchanted to see a huge bouquet from César Ritz himself waiting in her sitting room.
“Ah, dear old M. Ritz,” she said wistfully. “He never forgets me.”
“Few do,” I said, casing the Louis Seize splendor of the suite.
Auntie Mame drew off her gloves, overtipped the men with the luggage, and gazed dreamily out of the window in the general direction of Schiaparelli’s.
“Ah, Patrick, my little love,” she said once again. “ Paris mon coeur! To see this fabulous, civilized city again through your young, blue eyes. Heaven! Now be a lamb and order me a nice sidecar—and something for yourself, of course—while I get organized and call Vera. She’s staying here, too.”
The Ritz telephone operator was just recovering from the impact of my St. Boniface Academy irregular French verbs when Auntie Mame swept back into the sitting room and took over the telephone. After a couple of severe electric shocks and a lot of static Auntie Mame was connected with Vera Charles and there was a very brief burst of mellifluous French. “Vera, chérie!” Auntie Mame cried. “C’est moi! Je suis ici . . . . I said, Vera,” Auntie Mame translated
impatiently, “it’s Mame. I’m here in the Ritz. So’s Patrick. Come right down. A bientôt! . . . No, silly, that means I’ll see you in a moment.”
Auntie Mame rang off and spread her arms dramatically. “Ah, my little love, isn’t it divine! Here I have you and all of Europe to show you before you go off to college—an aware, attractive young escort with whom I can share the more gracious culture of an older and wiser civilization. You and Europe and Vera, too. Oh, Patrick, I simply feel it in my bones—this is going to be the most wonderful summer of my whole life! Now where in hell is the waiter with my drink and what’s keeping Vera?”
There was a tap at the door and both Vera and the waiter entered, although Vera had managed to sweep Auntie Mame’s sidecar off the tray and had half finished it.
“Darling!” Auntie Mame said.
“Dulling!” Vera said.
Vera Charles needs no introduction to anyone who ever went to the theater between the Civil and Korean wars. She was a fabulous clothes horse, an absolute star, and is said to have killed off more producers than alcohol, heart disease, and suicide put together. She was also my Auntie Mame’s best friend most of the time. Today she was looking very Parisian in a Molyneux suit, pearls, fox furs, a hennaed upsweep, and a face that was at least ten years younger than the one I’d seen her wearing two years earlier.
“Mame, dulling,” Vera said dramatically, “what a pity you missed my conquest of London, but now yoah heah in Peddiss to see me wow these frogs.” Vera was born and brought up in Pittsburgh, but she spoke with such a determined Mayfair elegance that not even the English could understand much of what she was saying. This may or may not have accounted for her enormous success on the London stage. The ladies embraced once more and rubbed their cheeks together and then Vera got down to cases.
By cases I mean that Vera talked exclusively about Vera for the next half hour. She told us how she had been a sensation in London and the darling of Palace circles; how they had begged her to come to Paris as a special feature of the Exposition Summer, presumably to add a little luster to such unknown performers as Noël Coward, Yvonne Printemps, Sacha Guitry, Maurice Chevalier, and Josephine Baker, who were all playing in Paris that season. The waiter reappeared with a tray covered with sidecars and as the ladies drank, Vera grew more and more expansive.