The Collected Short Fiction

by Ramsey Campbell

  As she came in sight of her flat, the ground floor of the last house in the Georgian terrace, she smiled. The empty rooms, the spaces between her posters on the walls, were waiting to be filled with new things: as she was.

  Next morning she found Alastair's note.

  The unstamped envelope lay on the hall floor, on a tray of sunlight. It bore only her name. Should she tear it up unopened? But she was free of him, free enough to be able to read what he'd written. It might give her insights. Insights were what a writer needed.

  She walked upstairs, reading. The stairs shook the page in her hands. Halfway up she halted, mouth open. In her flat she read the note again; phrases were already standing out like clichés. Was it a joke? Was he trying to disturb her?

  I suppose you told the police everything. It doesn't matter if you didn't. I've never seen anyone look with such contempt as you did at me. I don't want anyone to look at me like that again, ever. When you read this I shall be dead.

  What an awful cliché! Betty shook her head, sighing. His note read like an amateur's first story. But did that mean it wasn't true? Could he have killed himself? She wasn't sure. She had realized how little she knew about him when she'd opened the door of his room.

  At first, peering into the small dim cluttered room, she had thought she was looking at a mirror on a table beside the bed: she was there, gazing dimly out of the frame. But it wasn't a mirror; it was a photograph of her, taken without her knowledge.

  Venturing into the room, she had made out diagrams and symbols, painted on the walls. Magic. The unknown. She'd felt the unknown surrounding her dimly, trapping her as she was trapped in the photograph: the many shadows and ambiguous shapes of the room, Alastair looming in the doorway. But she'd strode to the photograph. Herbs were twisted about it; something had been smeared over it. It stank. She swept it to the floor, where it smashed.

  Alastair had cried out like an animal. Turning, she had seen him as though for the first time: long uneven mud-colored hair, a complexion full of holes, a drooping shoulder. All of a sudden he looked ten years older, or more. Had he managed to blind her in some way? When he tried to block the doorway she shoved him aside, unafraid now of him and his furtive room. "Don't you touch me!" She could see him clearly now.

  But could she? Could she tell how true his letter was? Of course she could—if she wanted to; but she wasn't interested. She buried the note beneath her notebooks. It was time she worked on her new book.

  She couldn't. Her notes gave her no sense now of the people she'd talked to. The void of her room surrounded her, snatching her ideas before they formed. One strong emotion remained, where she'd pushed it to the back of her mind. She had to admit it: she was curious. Had Alastair really killed himself?

  To find out she would have to go near his home. That might be what he'd intended. Still, she would be safe in daylight: good Lord, at any time of day—he couldn't harm her. Early that afternoon her curiosity overcame her apprehension.

  Alastair's home was one of a terrace of cottages in central Brichester, washed and dried by April sunlight. Betty ventured along the opposite pavement. A cyclist was bumping over cobbles, a van painted with an American flag stood at the end of the terrace. Sunlight glared squarely from the cottage, making Betty start. But in a moment she was smiling. None of the curtains in the cottage was drawn. Alastair had been bluffing. She'd known that all along, really.

  She was walking past the cottage—it would be silly to turn, as if fleeing—when the door opened.

  She gasped involuntarily. It was as though she'd sprung a trap, snapping the door open, propelling a figure forward into the sunlight. But it wasn't Alastair. It was a tall woman, somewhat past middle age, wearing a flowered flat-chested cotton dress. She gazed across the street and said "You're Betty, aren't you?"

  Betty was still clutching at her poise; she could only nod.

  "You must come in and talk to me," Alastair's mother said.

  Betty was aware of her own feet, pressed together on the pavement, pointing like the needle of a compass—halfway between Alastair's mother and flight. She could feel the effort she would need in order to turn them to flight. Why should she? The woman seemed friendly; it would be rude to walk away, and Betty couldn't think of an excuse.

  "Please," the woman said, smiling bright-eyed; her smile was a gentle plea. "Talk to me."

  Perhaps she wanted Betty to help her understand Alastair. "I can't stay very long," Betty said.

  The front door opened directly into a large room. Last night the room had been dim; blocks of sunlight lay in it now. Brass utensils hung molten on the walls, jars of herbs on shelves were tubes of light, large containers stood in the corners. There was no sign of Alastair.

  Betty sat in a deep armchair; the knees of her jeans tugged at her, as if urging her to rise again. "I'd love to live somewhere like this," she said. Perhaps Alastair's mother meant her to talk without interruption; she nodded, busy with a kettle over the grate.

  Betty chattered on, surrounded by silence. Alastair's mother brewed tea and carried the pot to the table between the chairs. She nodded, smiling gently, as Betty drank; her square plump-nosed face seemed homely. Not until Betty had begun her second cup did the woman speak. "Why did you do it?" she said.

  Betty had become tense, had been sipping her tea more rapidly because there seemed no other way to respond to the gentle smile. Now her heart felt hectic. "Do what?" she said warily.

  The woman's smile became sadder, more gentle. "What you did to my son," she said.

  But what was that? Betty felt heavy with undefined guilt; heat was piling on her, though the day was cool. She was about to demand what she was supposed to have done when the woman said "Seducing him then turning him away."

  Betty had never had sex with him—thank God, she thought, shuddering a little. "Oh really, Mrs.—" (annoyed, she realized that she didn't know the woman's name) "—I didn't seduce him at all."

  "Whatever you choose to call it." The woman's mouth smiled gently, but her eyes gleamed. "It didn't take you long to get him into bed with you," she said.

  An odd taste had accumulated in Betty's mouth. Her tongue felt gluey; she sipped more tea, to loosen her tongue for a denial, but the woman said "Perhaps you didn't appreciate how sensitive he was." She smiled sadly, as if that were the best excuse she could find for Betty.

  "Perhaps you don't realize what he's been up to," Betty said.

  "Oh, I think I know my son."

  There was a tic at the root of Betty's tongue. It made her irritable, made her almost shout "Do you know he practices witchcraft?"

  "Is that what it was. Is that why you turned him away." The woman gazed sadly at her. "Just because of his beliefs. I thought you young ones weren't supposed to believe in persecution."

  "I don't believe in that sort of thing," Betty said furiously. "It's against life. He was trying to trap me with it."

  The woman's voice cut through hers. "His body was good enough for you but not his mind, hey? You should like me less, then. I'd only begun to teach him what I know."

  She was smiling triumphantly, nodding. "Yes, he'd just begun to learn his craft. And just for that, you killed him."

  Betty felt her eyes and mouth spring wide; the odd insistent taste of the tea filled her mouth. "Oh yes, he's dead," the woman said. "But you haven't seen the last of him."

  The teacup clung to Betty; the handle seemed to have twined around her finger like a brittle bony vine. She tugged at it. She must leave hold of it, then she would walk straight out. As the cup rolled in her hands the black mat of tea-leaves seemed for a moment to writhe, to grin, to be a man's wet face.

  Her hand jerked away from her, the cup smashed against the table. She stood up unsteadily, but the woman was already on her feet. "Come and see him now," the woman said.

  She was pulling Betty toward the door to the stairs. The door was ajar on a glimpse of dimness. The dimness was widening, was darkening; it was reaching to pull Betty in. And in
the dimness, lying on the bed, or sitting propped on the stairs, or lying ready for her at the bottom— She dragged herself violently out of the woman's grasp. For a moment fury gleamed in the woman's eyes, as she realized Betty was still stronger. Betty managed to head straight for the front door, although the walls moved like slow waterfalls.

  But the door was retreating, moving faster than she could gain on it. She could feel Alastair's mother behind her, strolling easily to catch her, smiling gently again. Suddenly the door surged toward her; she could touch it now. But it was shrinking. The doorknob was enormous in her hand, yet the door was too small for her even if she stooped. It was no larger than the door of a small animal's cage. The door was edging open. Sunlight fell in, over her head. As she staggered into the street, turning to support herself against the door-frame, she saw that the woman hadn't moved from the stairway door. "Never mind," she called to Betty, smiling. "You'll see him soon."

  Betty squeezed through the shrinking frame. The street dashed sunlight into her face; the frame pressed her shoulders down, toward Alastair. He lay on the pavement, his head twisted up to her over his drooping shoulder, his huge tongue reaching for her through a stiff grin. The frame thrust her down, thrust her face into his.

  It wasn't broad daylight, it was only six o' clock. But as she lay blinking in bed, having fled awake, that did little to rid her of her dream. Her room felt deserted, it offered no defense against the memory. After a while she dressed and went out to the park two streets away.

  The tea had been drugged. Perhaps she wasn't yet free of its effects; she felt a little unreal, gliding lightly through the gradually brightening streets. Never mind. Once the drug had worn off she would be free of Alastair and his mother.

  Mist shortened the streets. It dulled the railings of the park, lay like a ghost of metal on the lake. The colors of the trees were faded, the perennial leaves were glazed; the most distant trees looked like arrested smoke. Betty felt vulnerable. Reality seemed to hold itself aloof, leaving her menaced by her imagination.

  On a rise in the ground within the mist, a sapling moved. It was walking toward her: a slim dark form, swaying a little as it descended the path. It was tall and dim. It was coming leisurely toward her, like Alastair's mother.

  When it stepped from the mist onto the clear path she saw it was a man. Her gasp of relief was so violent that the mist snagged her throat; she was coughing as he neared her. He halted while she spluttered silent, except for the occasional cough which she could make sound like an apologetic laugh. "Are you all right?" he said.

  His voice was light, soft with concern; his long slim face smiled encouragement. "Yes, thank" (cough and smile) "you."

  "Pardon my intrusion. I thought you looked worried."

  His tone was friendly without familiarity; it offered reassurance. Did she look more worried than she realized she felt? "Just preoccupied," she said, thinking of an acceptable excuse. "I'm working on a novel." She always enjoyed saying so.

  His eyes widened, brightening. "Do you write? What do you write about?"

  "People. That's what interests me." She wrote about them well, according to the reviews of her first novel.

  "Yes. People interest me too."

  In what way? But if she asked, she would be interviewing. That was how she'd met Alastair; she had been searching for someone worth interviewing in a cellar disco, where underground lightning made everyone stagger jaggedly. He had watched her searching, had come over to her; he had seemed fascinating, at the time.

  The man—perhaps twenty years older than her, about forty-five—" smiling at her. "What do you do?" she said neutrally.

  "Oh—know about people, mainly."

  She deduced he meant that he had no job. Some of the most interesting people were unemployed, she'd found. "I'm in Brichester to talk to people," she said. "For my new book."

  "That must be interesting. I know some people who might be worth your talking to," he said. "Not the common kind."

  Oh yes? But Alastair and his mother still seemed too close for her to feel quite safe in trusting this man. "Well, thank you," she said. "Perhaps I'll see you again. I must be going now."

  She thought she glimpsed the sign of a twinge of rejection. He must be vulnerable too. Then he was smiling and raising his hand in farewell, and she was walking away, forcing herself to walk away.

  At the gate she glanced back. He was standing as she'd left him, gazing after her. Nearer her, a movement caught her attention: between the trees, against the muted glitter of misty ripples on the lake—a dark figure watching her? There was nothing when she faced it: it must have been the effect of the light. The man waved briefly again as she left the park; he looked small and rather frail and lonely now, on the thin path. She found herself wishing she'd asked his name.

  Brichester was disappointing in the wrong way.

  She had shown it to be disappointing in her first novel, _A Year in the Country__. She'd shown its contemptuous openly reluctant pandering to tourists; the way decay and new estates were dissolving the town's identity; the frustrations of the young and the middle-aged, the young settling for violence or hallucinations while they yearned for London, the middle-aged extending their sexual repertoire in glum desperation. She hadn't called the town Brichester, but the local papers had recognized it: their reviews had been peevishly hostile. That had added to her sense of triumph, for most reviews had been enthusiastic.

  All she'd written had been partly true; the rest of Brichester she'd imagined, for she had been living in Camside. Perhaps she had underrated her imagination. She had moved to Brichester to write her second book, a portrait of the town in all its moods and aspects, based on observation and interviews. But the reality proved to be less interesting than her version of it; it was full of clichés, of anticlimaxes. No wonder Alastair, with his sense of a secret to be revealed, had seemed interesting.

  The more she saw, the more it dulled her. In particular the young people were worse than bored: they were boring. She spent the rest of the day after she'd left the park, and the following day, finding that out. Some trendy phrases she heard a dozen times; if she heard them once more she would scream.

  She walked home through the evening. Unpleasantly, she felt less like an observer than an outsider. She knew nobody in the town. But she wasn't going back to Camside, to her father; that would be admitting defeat. She nodded to herself, pressing her lips together, trying to feel strong.

  Above the roofs the sky was flat; its luminous unrelieved gray was almost white. Its emptiness was somehow disturbing, as though it were a mirror clear of any reflection. The trees that bowed over the pavement, the bricks of the houses, looked thin, brittle, unreal; their colors seemed feeble. All this fed her alienation. The only real thing she could find in her recent memory was the man in the park, and he was distant now. If only she'd talked to him. Dully preoccupied, she took a short cut through an alley behind two streets.

  The walls paced by, half as tall again as she. Their tops were crowded with shards of glass, dull as ice. Old doors went by amid the brick, bolted tight, no doubt on rusty hinges. She made her way between double-parked bins, their lids tilted rakishly. The whitish sky glowed sullenly in everything. Someone was hurrying behind her.

  He wouldn't be able to squeeze past. She could hear his quick footsteps approaching. She began to hurry too, so that she'd be out of the alley before he reached her, so they wouldn't have to squeeze between the bins; that was why she was hurrying. But why couldn't she look back? Wasn't it silly to hurry as if fleeing? The footsteps stopped, leaving abrupt silence at her back.

  He had leapt; he was in the air now, coming down at her. The idea was absurd, but she turned hastily. The alley was deserted.

  She stared along the blank walls. There was nowhere he could have turned. She would have heard if any of the doors had opened. Had he leapt onto a wall? She glimpsed a figure crouched above her, gazing down—except that he couldn't have leapt onto the glass. The dead light an
d the brittle world seemed unnaturally still. Suddenly panic rushed through her; she fled.

  She ran past her street. The building might be empty, her flat would feel all the more unsafe for being on the ground floor. She ran to the park. The man was there, at the lake's edge. She had never been so glad to see anyone in her life.

  He turned as she came near. He was preoccupied; she thought she saw a hint of sorrow. Then he read her face, and frowned. "Is something wrong?" he said.

  What could she say? Only "I think someone was following me."

  He gazed about. "Are they still there? Show me."

  She could feel his calm, the directness of his purpose; they made her feel secure at once. "Oh, they'll have gone," she said. "It's all right now."

  "I hope so." He made that sound like a promise of justice and strength. She was reminded of her father's best qualities; she turned her mind away from that, and said "I'm sorry I interrupted whatever you were thinking."

  "Please don't trouble yourself. I've time enough." But for a moment what he had been thinking was present between them, unspoken and vague: a sense of pain, of grief, perhaps of loss. When she'd said goodbye to her father—Perhaps the man wanted to be alone, to return to his thoughts. "Thank you for looking after me," she said.

  As she made to walk away she sensed that he felt rebuffed. She had had that sense as she'd left her father: the sense of his mute sorrow, the loss of her like a bond she was stretching between them until it snapped. She thought of tomorrow, of talking to people whom she could hardly distinguish from yesterday's batch, of explaining about her new book over and over until it sounded like an old stale joke, of going to her empty room. "You said you could introduce me to some people," she said.

  His name was James; she never tried to call him Jimmy or Jim.

  She had no idea where he lived. They always met at her flat; she suspected he was ashamed of his home. His job, if he had one, remained a mystery. So did his unspoken suffering.