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A Sourcebook on Naturalist Theatre

Page 36

by Christopher Innes (ed)


  Haugen, Einar. Ibsen’s Drama: Author to Audience. Minneapolis: University of Minneapolis Press, 1979.

  McFarlane, James, ed. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press, 1994.

  Marker, Frederick J. and Lise-Lone. Ibsen’s Lively Art. New York: Cambridge University Press, 1989.

  May, Keith M. Ibsen and Shaw. New York: St. Martin’s Press, 1985.

  Meyer, Michael. Ibsen: A Biography. Harmondsworth: Penguin, 1974.

  Northam, John. Ibsen: A Critical Study. London: Cambridge University Press, 1973.

  —— Ibsen’s Dramatic Method: A Study of the Prose Dramas. Oslo: Universitetsforlaget, 1971.

  Templeton, Joan. Ibsen’s Women. Cambridge: Cambridge University Press, 1997.

  Theoharis, Constantine. Ibsen’s Drama: Right Action and Tragic Joy. New York: St. Martin’s Press, 1996.

  Anton Chekhov

  Carlile, Cynthia and Sharon McKee, trans. Anton Chekhov and His Times. Andrei Turkov, ed. Fayetteville: University of Arkansas, 1995.

  Gilles, Daniel. Chekhov: Observer Without Illusion. New York: Funk & Wagnalls, 1968.

  Gillman, Richard. Chekhov’s Plays: An Opening into Eternity. New Haven, CT: Yale University Press, 1995.

  Koteliansky, S.S., trans, and ed. Anton Chekhov: Literary and Theatrical Reminiscences. New York: Blom, 1968.

  Magarshack, David. Chekhov the Dramatist. London: Eyre Methuen, 1952.

  Miles, Patrick, ed. Chekhov on the British Stage. Cambridge: Cambridge University Press, 1993.

  Peace, Richard. Chekhov: A Study of the Four Major Plays. New Haven, CT: Yale University Press, 1983.

  Rayfield, Donald. Chekhov: The Evolution of His Art. New York: Harper, 1975.

  Senelick, Laurence. The Chekhov Theatre: A Century of Plays in Performance. Cambridge: Cambridge University Press, 1997.

  Styan, J.L. Chekhov in Performance. Cambridge: Cambridge University Press, 1971.

  Valency, Maurice. The Breaking String: The Plays of Anton Chekhov. New York: Schocken, 1983.

  Bernard Shaw

  Berst, Charles A. Bernard Shaw and the Art of Drama. Urbana: University of Illinois Press, 1973.

  Dukore, Bernard F. Bernard Shaw, Director. Seattle: University of Washington Press, 1971.

  Crompton, Louis. Shaw the Dramatist. Lincoln: University of Nebraska Press, 1969.

  Gainor, J. Ellen. Shaw’s Daughters: Dramatic and Narrative Constructions of Gender. Ann Arbor: University of Michigan Press, 1991.

  Holroyd, Michael. Bernard Shaw. New York: Random House, 1988.

  Innes, Christopher, ed. The Cambridge Companion to George Bernard Shaw. Cambridge: Cambridge University Press, 1998.

  Lorichs, Sonja. The Unwomanly Woman in Bernard Shaw’s Drama and Her Social and Political Background. Uppsala: University of Uppsala, 1973.

  May, Keith M. Ibsen and Shaw. New York: St. Martin’s Press, 1985.

  Meisel, Martin. Shaw and the Nineteenth-Century Theatre. Princeton: Princeton University Press, 1969.

  Peters, Margot. Bernard Shaw and the Actresses. Garden City, NY: Doubleday, 1980.

  Peters, Sally. Bernard Shaw: The Ascent of the Superman. New Haven, CT: Yale University Press, 1996.

  Weintraub, Stanley. Journey to Heartbreak: The Crucible Tears of Bernard Shaw, 1914–1918. New York: Weybright and Talley, 1971.

  Wisenthal, J. L. The Marriage of Contraries: Bernard Shaw’s Middle Plays. Cambridge: Harvard University Press, 1974.

  INDEX

  Bold numbers indicate extracts

  5th Avenue Theatre: 112

  Abbey Theatre: 38

  Abel, Walter: 145

  Achurch, Janet: 19, 37, 78, 82, 87, 88, 89, 90, 92, 112

  An Actor Prepares: 22, 56–59

  The Actor’s Studio: 22

  The Actresses’ Franchise League: 39, 216–217

  Adelphi Play Society: 145, 164

  Adelphi Theatre: 112

  Adlersparre, Sophie: 75, 83

  Admission of Women to Electorial Franchise: 33

  Adrienne Lecouvreur: 18,31

  Aesthetic Studies: 33

  Agate, James: 244

  Alan’s Wife: 18, 36

  Aldwych Theatre: 174

  Alekseiev, Konstantin, see Stanislavsky

  Alexander III: 130

  Alexandrinsky Theatre: 142, 144, 146,

  Alexeyeva, M.P., see Lilina

  Alexis, Paul: 47

  Alfred: 10

  All My Sons: 22

  Allen, Grant: 119

  L’Ami Fritz: 48

  Ancey, Georges: 47

  Andersen, Hans Christian: 30

  Andreeva, Maria F.: 112

  Andreyevna, Olga: 54

  Andromaque: 18

  Anthony, Susan B.: 33

  Antoine, André: 4, 10, 11, 13, 14, 16, 21, 26, 27, 35, 39, 46, 47, 52–53, 54, 87, 184, 218

  Apollonsky, Roman: 144

  Appia, Adolphe: 37

  Archer, Charles: 88, 121

  Archer, William: 7, 23, 26, 40, 78, 84, 87, 88–90, 91–96, 112–113, 115–117, 118, 121–122, 163, 212, 214

  Arkhangelsky, Pavel: 125

  Der arme Heinrich: 179

  L’Art du comédien: 36

  The Art of the Theatre: 4, 38

  As Tou Like It 239

  Asbjornsen, P.C.: 30, 67

  Ashwell, Lena: 232, 243

  L’Assommoir: 34

  At the Hawk’s Well: 40

  Auerbach, Erich: 4

  Augier, Emile: 8, 11, 31, 34, 44, 52

  Aveling, Edward: 84

  L’Aventurière: 31

  Avenue Theatre: 82

  Axël: 138

  Ayliff, H.K.: 232, 237

  Baal: 41

  Baker, George Pierce: 7, 41

  Bakunin, Mikhil Aleksandrovich: 128

  Balzac, Honoré de: 14, 47, 48, 49, 51

  Bancroft, George: 215

  Bandbox Theatre: 145

  Barrie, James: 38, 121

  Barrymore, Ethel: 82

  Bateman, Leah: 215

  Bayreuth Festspielhaus: 34

  Beckett, Samuel: 188

  Becque, Henry (also Henri): 12, 18, 34, 111, 181

  Before Dawn: 21, 35

  Beggar’s Opera: 239

  Behn, Aphra: 18

  Belasco, David: 32, 38

  Beidon, Eileen: 237

  Bell, Florence (Lady): 18, 36, 117, 119

  Bell, Vanessa: 233

  Belloc, Marie: 46

  The Beils: 33

  Ben–Ami, Jacob: 145

  Bennett, Arnold: 180, 181, 239

  Bentham, Jeremy: 192

  Bérénice’: 18

  Bergen Theatre (Norske Theater): 11, 65

  Berlin Volksbühne: 239

  Berlyn, Ivan: 174

  Bernard, Claude: 6, 32

  Bernhardt, Sarah: 32, 35, 41

  Berstein, Aline: 145

  Besant, Annie: 190, 191, 192–195

  Beyond the Horizon: 41

  Bibilin, Viktor: 146

  Bijou Theatre: 175

  Billy Rose theatre: 248

  Birkeland, Mikael: 69

  Birth of Tragedy: 34

  Bizet, Georges: 146

  Bjørnson, Bjørnsterne: 38, 66, 70, 73, 114, 115

  Blake, William: 190

  Blanchette: 18

  Blaschko, Alfred: 201

  The Blind: 36

  Bloomsbury Group (see also Vanessa Bell, Virginia Woolf): 233, 238

  The Blue Bird: 38

  Bobo, Pierre: 54

  Boris Godunov: 123

  Boucicault, Dion: 32

  Bound East for Cardiff: 21, 40

  Bourget, Paul: 117

  Brahm, Otto: 14, 22, 35, 82

  Brandes, Edvard: 76

  Brandes, Georg: 33, 43, 44–46, 60

  Brandès, Marthe: 112

  Brando, Marlon: 22

  Breaking a Butterfly: 78, 84, 87

  Brecht, Bertolt: 16, 41, 212, 217

  Brieux, Eugène: 9, 13, 14, 18, 23, 38, 1
89, 209, 210, 211, 214, 230

  Brook, Peter: 15

  Brooke, Rupert: 232

  The Brothers Karamozov: 34, 58

  Brough, Fanny: 215, 216

  Browning, Robert: 30

  Bruford, W.H.: 25

  Bruun, Constance: 106, 114, 115

  Büchner, Georg: 30, 40

  Buist, Scott: 115

  Bulgakov, Leo: 145

  Bulgakova, Barbara: 145

  Buchanan, Robert: 117

  Bunin, Ivan: 172

  Burgtheater: 242

  Butler, Samuel: 190

  Byron, Lord George Gordon: 44

  Bystrom, Ebba: 242

  Cady, Elizabeth: 33

  Calderon, George: 161, 164, 174, 175, 180

  Campbell, Mrs Patrick: 37, 112

  Capuana, Luigi: 86, 87

  Carlyle, Thomas: 207

  Carmen: 146

  Carré, Michel: 47

  Cathleen ni Houlihan: 38

  Caste: 9, 11, 33

  Céard, Henri: 47

  Charcot, Jean Martin: 6, 36

  Charrington, Charles: 82, 89, 90

  Chatwin, Margaret: 237

  Chekhov, Alexander: 140

  Chekhov, Anton: 3, 16, 17, 18, 21, 22, 23, 25, 26, 27, 32, 34, 35, 37, 38, 46, 53–56, 58, 123–188, 189, 202, 210, 218, 232, 237, 238, 247

  PLAYS

  The Bear: 141

  The Cherry Orchard: 21, 25, 38, 125, 126, 128, 129, 135, 136, 138, 139, 140, 141, 164, 165–188, 189, 217, 232, 237, 238

  Ivanov: 35, 129, 140, 144

  On the High Road: 22, 35

  Platonov: 34, 165

  The Seagull: 3, 18, 21, 22, 25, 37, 54, 138, 139, 140, 141, 142–165, 168, 176, 217

  The Swan Song: 35

  The Three Sisters: 18, 25, 38, 129, 135, 138, 140, 143, 165, 168, 169, 184

  Uncle Vanya: 25, 37, 165, 169

  The Wood Demon: 35, 129, 144, 165

  Chekhov, Michael: 146

  Chekhova, Maria: 151

  Chernov, Viktor: 129

  Christiana Theater (Kristiana Norske Theater see also Norwegian Theatre): 82, 107, 114

  Christians, Mady: 237

  Cibber, Colley: 63

  Civic Repertory Theatre: 145, 175

  Clark, Alfred: 236

  Clonabraney, Oliver: 174

  Clurman, Harold: 248

  The Colleen Bawn: 32

  Collett, Camilla: 69, 70, 72, 73, 97

  Collett, John: 73

  The Collier’s Friday Night: 39

  Comédie Française: 32, 46, 48, 185

  Comedy Theater: 145, 215

  The Communist Manifesto: 31

  Companie Pitoëf: 83

  Companions of New Drama: 174

  Comte, Auguste: 93

  The Condition of the Working Class in England: 30

  Conrad–Ramlo, Marie: 112

  A Co-operative Company: 145

  Copeau, Jacque: 40, 184

  Coquelin, Benoit–Constant: 36

  Corneille, Pierre: 49, 50

  The Corsican Brothers: 11, 34

  Coulouris, George: 237

  The Country Wife: 18

  Court Theatre (London): 26, 53, 112, 217, 218, 236, 246, 247

  Covent Garden: 10, 30

  Craig, Gordon: 4, 38, 40

  Crime and Punishment: 32

  Critique of Political Economy: 32

  Crøger, Olea: 67

  The Crows (Les Corbeaux): 12, 34, 111

  The Crucible: 22

  Dahl, Vladimir: 32

  Daily Life in Russia: 125, 126–128

  Daly, Arnold: 215, 224, 225, 226, 227, 229

  Damaged Goods: 230

  Dante: 38

  Danton’s Death: 30

  Darwin, Charles: 3, 6, 32

  The Daughter–in–Law: 18

  Dean, Basil: 3

  de Curel, Francois: 47

  Defoe, Daniel: 6

  de Goncourt, Edmond: 5, 14, 46

  de Goncourt, Jules: 5, 14

  Dehellyjean: 185

  de L’Isle–Adam, Villiers: 138

  de Loutherbourg, Philip: 10

  Le Demi–Monde: 8, 31

  Denham, Reginald: 232

  Deutsches Theater: 34, 82, 179

  de Vega, Lope (Vega Carpio): 54

  The Development of Capitalism in Russia: 129

  Devonport, Lord : 236, 238

  Dictionary of the Living Russian Tongue: 32

  Diderot, Denis: 6, 7

  Dietrichson, Lorentz: 68

  Digges, Dudley: 236, 239

  Dignam, Mark: 237

  Donat, Robert: 248

  Dostoyevsky, Fydor Mikhailovich: 31, 32, 33, 34, 58, 186

  Dr. Strangelove: 248

  Dramatic Technique: 7, 41

  Dublin English Stage Society: 38

  Dumas fits (Alexandre): 8, 31, 52, 95

  Duse, Eleonora: 26, 33, 82, 87, 88, 112

  Dyer, Alfreds.: 197

  Efros, Nfickolai] E: 26, 161, 166, 168, 173

  Ellis, Havelock: 201, 202

  Elvey, Maurice: 145, 164

  The Emperor Jones: 41

  Engels, Friedrich: 30, 31, 189

  English Repertory Theatre: 39

  Enright, Florence: 145

  Erewhon: 190

  Ervine, St John: 235, 239

  Essay on Liberty: 32

  Essays on Some Unsettled Questions of Political Economy: 30

  L’Ètranger: 143

  Euripides: 108

  The European Slave Trade in English Girls: 196, 197–199

  Evans, Edith: 236, 237

  Everyman: 40

  Exiles: 41

  The Experimental Novel: 46

  Fabian Society: 35, 190, 191–195, 203, 232–233

  Fagan, Gemma: 175

  Fagan, James B.: 175, 181, 188, 236, 239

  Farrel, Paul: 174

  Fashion; or, Life in New York: 30

  Fassbinder, Werner: 16

  Fay, Frank: 26

  Fédora: 34

  Fell, Marian: 145

  Fergusson, Francis: 25

  Ferréol: 7, 33

  Feuerbach, Ludwig: 44

  Fielding, Henry: 6

  Fiske, Minnie Maddern: 112

  Fitzgerald, Geraldine: 237

  Flaubert, Gustav: 14, 21

  Fletcher, Constance: 18, 36

  The Forest 33

  Les Fourchambeault: 34

  Freie Bühne: 14, 22, 35, 36

  Freud, Sigmund: 6, 36, 37, 38,

  From the Camp of the Dumb (Fra de Stummes Lejr): 69–70

  Fuchs, Georg: 38

  Fuller, Margaret: 30

  Le Gallienne, Eva: 145, 175

  Galsworthy, John: 18, 39, 60, 218

  Gapon, Father George: 133–135

  Garnett, Constance: 145, 180

  Garrick, David: 63

  Garrick Theatre: 215, 225, 226, 227, 228, 236, 244

  Garvey, Maire: 26

  Gassner, John: 26

  Gauss, K.F.: 30

  Gay, John: 239

  Geobel, Heinrich: 31

  Germinal: 35

  Girl of the Golden West: 38

  Globe Theatre: 82

  Godwin, Mary: 71

  Goethe, Johann Wolfgang von: 117

  Gogol, Nikolai: 30, 123, 173

  The Golden Fleece’: 39

  Goldman, Emma: 60, 197, 200–202, 214

  Goodheart, Charles: 216

  Gordon, Ruth: 83

  Gorky, Maxim: 21, 22, 38, 54, 129, 173

  Gosse, Edmund: 59, 75, 108–112

  Grand, Sarah: 20

  Grand Opera House: 227

  Granville Barker, Harley: 18, 26, 38, 39, 215, 216, 217, 218, 223, 237

  Greer, Germaine: 197, 214

  Grein, J[ohn] T.: 14, 36, 214

  Grev, Mary: 175

  Grey, Mary: 236, 237

  Griffies, Ethel: 175

  Grosses Schauspielhaus: 41

  Guthrie, Tyrone: 188

  Hagen, Uta: 145

  La Haine (Hatred):
7, 33

  Hall, E.: 20

  Hamlet: 40

  Hansson, Olaf: 114

  Hardwicke, Cedric: 237

  Harris, Jed: 83

  Hassan: 3

  Hauptmann, Gerhart: 14, 21, 22, 23, 35, 36, 38, 40, 54, 60, 179

  Haverland, Anna: 112

  Hebbel, Friedrich: 30

  Hedberg, Karl: 239

  Hedberg, Tor: 239, 242

  Heese, Clara: 112

  Heiberg, Johan Ludvig: 30, 45

  Helburn, Theresa: 239, 247

  Hennings, Betty: 81, 82, 83, 112

  L’Héritière (The Heiress): 18

  Hernani: 30

  Herne, Chrystal: 215, 217

  Hoffory, Julius: 97

  Hofmannsthal Hugo von: 22

  Homer: 54

  Hood, Margaret: 237

  Houghton, Norris: 54

  The House of Bondage: 200

  Hughes, David E.: 31

  Hugo, Victor: 12, 30, 50, 229

  Hutchinson, Josephine: 145

  Hyperion Theatre: 215, 225

  Ibsen, Henrik: 3, 5, 7, 8, 9, 10, 11, 13, 14, 15, 16, 17, 18, 19, 21, 22, 23, 25, 27, 31, 32, 33, 34, 35, 36, 37, 39, 43–44, 45, 54, 59, 60, 61, 62, 65–122, 128, 138, 143, 161, 163, 181, 189, 190, 202, 207, 209, 212, 214, 230, 246, 247

  PLAYS

  The Banquet at Solhaug: 31

  Brand: 32, 43, 45, 61, 91, 96

  The Burial Mound: 31

  Catiline: 31, 65, 75

  A Doll’s House (Et Dukkehjem): 3, 11, 13, 16, 17, 18, 19, 20, 21, 25, 34, 35, 63, 66, 70, 71, 73, 77, 78–96, 108, 109, 113, 116, 189, 196

  Emperor and Galilean: 33, 44, 61, 65, 75

  An Enemy of the People: 11, 21, 22, 34, 78, 93, 108

  Ghosts: 5, 13, 14, 21, 25, 34, 35, 36, 40, 75, 76, 77, 78, 81, 83, 95, 108, 111, 113, 115, 116, 189, 230

  Hedda Gabler: 18, 21, 25, 36, 77, 78, 96–122

  John Gabriel Borkman: 37

  The Lady from the Sea: 35, 77, 78, 97, 108

  Lady Inger: 31

  League of Youth: 33

  Little Eyolf: 37

  Love’s Comedy: 32

  The Master Builder: 36, 78, 247

  Norma, or a Politician’s Love: 31

  Olaf Liljekrans: 31

  Peer Gynt 33, 59, 61, 91, 96

  The Pillars of Society: 8, 21, 34, 35, 44, 77, 78, 108, 190

  The Pretenders: 10, 32, 34

  Rosmersholm: 21, 22, 35, 77, 78 ,108, 116

  St. John’s Night: 31

  The Vikings at Helgeland: 31, 44

  The Wild Duck: 14, 18, 21, 25, 26, 35, 36, 76, 87, 108, 143

  OTHER WRITINGS

  Poems: 59

  Speech to the Norwegian Women’s Rights League: 71, 74–75

  Ibsen and the Actress: 90–91, 117

  Ibsen’s Ghost 121

  The Iceman Cometh: 22

  An Ideal Husband: 37

  The Idiot 33

  The Immediate Question of the Revolutionary Cause: 129

 

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