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The Lonely City

Page 26

by Olivia Laing

Malanga, Gerard, and Andy Warhol, Screen Tests | A Diary (Kulchur Press, 1967)

  McNamara, Robert P., ed., Sex, Scams and Streetlife: the Sociology of New York City’s Times Square (Praeger, 1995)

  Mijuskovic, Ben Lazre, Loneliness (Associated Faculty Press, Inc., 1979)

  — Loneliness in Philosophy, Psychology and Literature (Van Gorcum, Assen, 1979)

  Modell, Arnold H., The Private Self (Harvard University Press, 1993)

  Moore, Patrick, Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality (Beacon Press, 2005)

  Moustakas, Clark, Loneliness (Jason Aranson Inc., 1996 [1961])

  Mueller, Cookie, Walking Through Clear Water in a Pool Painted Black (Semiotext(e)/Native Agents, 1990)

  Muñoz, José Esteban, Cruising Utopia:The Then and There of Queer Futurity (New York University Press, 2009)

  Name, Billy, and John Cale, The Silver Age: Black and White Photographs from Andy Warhol’s Factory (Reel Art Press, 2014)

  Nelson, Maggie, Bluets (Wave Books, 2009)

  —The Art of Cruelty (W. W. Norton & Co., 2011)

  —The Argonauts (Graywolf Press, 2015)

  O’Doherty, Brian, American Masters: The Voice and the Myth (E. P. Dutton, 1982)

  Orton, Joe, ed. John Lahr, The Orton Diaries (Methuen, 1986)

  Prinz, Neil, and Sally King-Nero, eds., Andy Warhol Catalogue Raisonné Volume 3: Paintings and Sculpture 1970–74 (Phaidon Press, 2010)

  — Andy Warhol Catalogue Raisonné Volume 4: Paintings and Sculpture late 1974–76 (Phaidon Press, 2014)

  Renner, Rolf G., Edward Hopper (Taschen, 2011)

  Sanders, Charles L.,‘Lady Didn’t Always Sing the Blues’, Ebony, Vol. 28, No. 3, January 1973

  Sante, Luc, Low Life (Vintage Departures, 1992)

  —‘My Lost City’, The New York Review of Books, 6 November 2003

  Scholder, Amy, ed., Fever: The Art of David Wojnarowicz (New Museum Books/Rizzoli, 1999)

  Schulman, Sarah, People in Trouble (Sheba Feminist Press, 1990)

  —Girls, Visions and Everything (Sheba Feminist Press, 1991)

  —My American History: Lesbian and Gay Life During the Reagan/Bush Years (Routledge, 1994)

  —The Gentrification of the Mind: Witness to a Lost Imagination (University of California Press, 2012)

  Sedgwick, Eve Kosofsky, Tendencies (Duke University Press, 1994)

  —A Dialogue on Love (Beacon Press, 2000)

  Senior, Jennifer, ‘Alone Together’, New York, 23 November 2008

  Serres, Michel, trans. Margaret Sankey and Peter Cowley, The Five Senses: A Philosophy of Mingled Bodies (Continuum, 2008)

  Shafrazi, Tony, Carter Ratcliff, and Robert Rosenblum, Andy Warhol: Portraits (Phaidon Press, 2007)

  Shilts, Randy, And the Band Played On: Politics, People and the AIDS Epidemic (St Martin’s Press, 1987)

  Shore, Stephen, and Lynne Tillman, The Velvet Years:Warhol’s Factory 1965-67 (Pavilion Books, 1995)

  Shuleviz, Judith,‘The Lethality of Loneliness’, New Republic, 13 May 2013

  Smith, Andrew, Totally Wired: On the Trail of the Great Dotcom Swindle (Simon & Schuster, 2013)

  Smith, Rupert, ‘Klaus Nomi’, Attitude, Vol. 1, No. 3, July 1994.

  Solanas, Valerie, SCUM Manifesto (Verso, 2001 [1971])

  Sontag, Susan, Regarding the Pain of Others (Penguin, 2004)

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  Specter, Michael, ‘Higher Risk’, The New Yorker, 23 May 2005

  Stimson, Blake, Citizen Warhol (Reaktion Books, 2014)

  Sullivan, Harry Stack, The Interpersonal Theory of Psychiatry (Routledge, 2001 [1953])

  Thomson, David, The Big Screen:The Story of the Movies and What They Did To Us (Allen Lane, 2012)

  Taylor, Marvin, ed., The Downtown Book: The New York Art Scene 1974–1984 (Princeton University Press, 2006)

  — and Julie Ault, ‘Active Recollection’, in Julie Ault, Afterlife: a constellation (Whitney Museum of Art, 2014)

  Tillman, Lynne, ‘The Last Words Are Andy Warhol’, Grey Room, Vol. 21, Fall 2005

  Turkle, Sherry, The Second Self: Computers and the Human Spirit (Simon & Schuster, 1984)

  —Life on the Screen: Identity in the Age of the Internet (Simon & Schuster, 1995)

  —Alone Together: Why We Expect More from Technology and Less from Each Other (Basic Books, 2011)

  Updike, John, Still Looking: Essays on American Art (Alfred A. Knopf, 2006)

  Van der Horst, Frank C. P., and René Van der Veer, ‘Loneliness in Infancy: Harry Harlow, John Bowlby and Issues of Separation’, in Integrative Psychological & Behavioral Science,Vol. 42, Issue 4, 2008

  Warhol, Andy, a, a novel (Virgin, 2005 [1968])

  —The Philosophy of Andy Warhol: From A to B and Back Again (Penguin, 2007 [1975])

  —The Andy Warhol Diaries, edited by Pat Hackett (Warner Books, 1989)

  —and Gerard Malanga, Screen Tests: A Diary (Kulchur Press/Citadel Press, 1967)

  —and Pat Hackett, POPism (Penguin, 2007 [1980])

  —and Udo Kittelmann, John W. Smith, and Matt Wrbican, Andy Warhol’s Time Capsule 21 (Dumont, 2004)

  Weinberg, Jonathan, ‘City-Condoned Anarchy’, curatorial essay for ‘The Piers: Art and Sex along the New York Waterfront’, curated by Jonathan Weinberg with Darren Jones, Leslie Lohman Museum of Gay and Lesbian Art, 4 April–10 May 2012

  Weiss, R. S., Loneliness: The Experience of Emotional and Social Isolation (MIT Press, 1975)

  Wells, Walter, Silent Theater: The Art of Edward Hopper (Phaidon, 2007)

  Wilcox, John, and Christopher Trela, The Autobiography and Sex Life of Andy Warhol (Trela Media, 2010)

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  Wittgenstein, Ludwig, Tractatus Logico-Philosophicus (Harcourt, Brace & Co., 1922)

  —Philosophical Investigations, translated by G. E. M. Anscombe (Basil Blackwell, 1986 [1958])

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  —Memories That Smell Like Gasoline (Artspace Books, 1992)

  —The Waterfront Journals (Grove Press, 1997)

  —Brush Fires in the Social Landscape (Aperture, 2015 [1994])

  —ed. Barry Blinderman,Tongues of Flame (Illinois State University/Art Publishers, 1990)

  —ed. Amy Scholder, In the Shadow of the American Dream (Grove Press, 2000)

  —with Tom Rauffenbart, Rimbaud in New York (Andrew Roth, 2004)

  —with James Romberger and Marguerite Van Cook, 7 Miles a Second (Fantagraphics, 2013)

  Wolf, Reva, Andy Warhol, Poetry, and Gossip in the 1960s (University of Chicago Press, 1997)

  Woolf,Virginia, ed. Anne Olivier Bell, The Diary of Virginia Woolf, Volume III 1925–1930 (The Hogarth Press, 1980)

  Woronov, Mary, Swimming Underground: My Years in the Warhol Factory (Serpent’s Tail, 2004)

  Wrenn, Mike, ed., Andy Warhol: In His Own Words (Omnibus Press, 1991)

  ACKNOWLEDGEMENTS

  ONE MIGHT EXPECT WRITING A book about loneliness to be an isolating experience, but on the contrary it has been astonishingly connecting. I’ve been amazed at how many people have gone out of their way to support this project, and it underscores my sense that loneliness is something we share.

  The first person I want to thank is my friend Matt Wolf, who introduced me to David Wojnarowicz’s work, thereby setting this book in motion, and who has been an endless source of ideas and contacts ever since.

  Huge thanks are due to those who made The Lonely City possible, a list that must start with my beloved agents at Janklow & Nesbit, the wonderful Rebecca Carter and P. J. Mark, dream readers both, as well as Claire Conrad and Kirsty Gordon. I also want to thank my terrific editors, Jenny Lord at Canongate and Step
hen Morrison at Picador, for their insightful and considered feedback and support. I’m indebted to the Arts Council, who funded a research trip to various American archives, and to the Corporation of Yaddo, who provided me with the ideal place to work. I’m also very grateful to the MacDowell Colony: this book really arose from friendships I made there.

  Thanks too to all the teams at Canongate and Picador, especially Jamie Byng, Natasha Hodgson, Anna Frame, Annie Lee and Lorraine McCann on one side of the Atlantic, and P. J. Horoszko, Declan Taintor and James Meader on the other. And Nick Davies, too, who started it all rolling.

  I’ve spent much of the last few years in artists’ archives. I’m very grateful to all at Fales Library at New York University, home of the Downtown Collection and the David Wojnarowicz Papers and an intensely inspiring place in its own right. Particular thanks to Lisa Darms, Marvin Taylor, Nicholas Martin and Brent Phillips, and also to Tom Rauffenbart, the exceptionally generous executor of the estate of David Wojnarowicz. The staff at the American Folk Art Museum, home of the Henry Darger Papers, likewise provided very generous support. Thanks to Valérie Rousseau, Karl Miller, Ann-Marie Reilly and Mimi Lester. I’m also grateful to INTUIT in Chicago for letting me view the Darger room. At the Whitney Museum of American Art, I’d like to thank curator Carter Foster and Carol Rusk, Librarian at the Edward and Josephine Hopper Research Collection. And I’d like to say a huge thank you to all the staff at the Warhol Museum, whose kindness, generosity and help went well beyond the call of duty, particularly Matt Wrbican, Cindy Lisica, Geralyn Huxley, Greg Pierce and Greg Burchard.

  While I was working on this book, I was lucky enough to be awarded a year’s residency at the Eccles Centre for American Studies at the British Library. I’d like to express my deep gratitude to Philip Davies, Catherine Eccles, Cara Rodway, Matthew Shaw and especially Carole Holden – it’s every writer’s dream to work with a curator who shares their interests and sensibilities and it was a joy to get such a passionate and knowledgeable guide to the BL’s contents.

  People who generously gave up their time to be interviewed or answer queries include John Cacioppo at the University of Chicago, Cynthia Carr, Stephen Koch at the Peter Hujar Archive (who also generously provided the beautiful Hujar portrait of Wojnarowicz on p. 94), and Donald Warhola. Thank you all. I’m also deeply grateful to Sarah Schulman, whose own work is such a constant source of education and inspiration.

  Thank you to my exceptionally lovely writerly support team of Elizabeth Day and Francesca Segal, without whom it would take a lot longer and be much less fun. To Elizabeth Tinsley, whose thinking has been stimulating mine for decades now. To the artists, too: Sarah Wood and Sherri Wasserman, thank you. And a very special thanks to the magnificent Ian Patterson, who read and commented on a multitude of early drafts with vast intelligence and patience.

  Then there are the friends and colleagues who’ve discussed, read, edited, encouraged, fed and housed me. In the UK: Nick Blackburn, Stuart Croll, Clare Davies, Jon Day, Robert Dickinson, John Gallagher, Tony Gammidge, John Griffiths, Tom de Grunwald, Christina McLeish, Helen Macdonald, Leo Mellor, Tricia Murphy, James Purdon, Sigrid Rausing and Jordan Savage. In the USA: David Adjmi, Liz Duffy Adams, Kyle de Camp, Deb Chachra, Jean Hannah Edelstein, Andrew Ginzel, Scott Guild, Alex Halberstadt, Amber Hawk Swanson, Joseph Keckler, Larry Krone, Dan Levenson, Elizabeth McCracken, Jonathan Monaghan, John Pittman, the late Alastair Reid, Andrew Sempere, Daniel Smith, Schulyer Towne, Benjamen Walker and Carl Williamson.

  For support with research materials: Brad Daly, Harko Kejzer, Heather Mallick, John Pittman, Cerys Matthews and Steven Abbott, Kio Stark and Eileen Storey, as well as several unknown but much appreciated benefactors.

  Elements of this book first appeared in Granta, Aeon, The Junket, Guardian and New Statesman. Thanks too to all my editors there.

  My deepest thanks go, as ever, to my family. My brilliant sister, Kitty Laing, who was on to some of the scenes on these pages long before me; my beloved father, Peter Laing; and my mother, Denise Laing, who has been reading since the beginning, and whose support I could not do without.

  LIST OF ILLUSTRATIONS

  Greta Garbo, 1955, by Lisa Larsen. Courtesy of The LIFE Picture Collection/Getty Images.

  Edward Hopper, 1941, by Arnold Newman. Courtesy of Getty Images.

  Warhol on the phone, 1972, by Michael Ochs. Courtesy of the Michael Ochs Archives/Getty Images.

  David Wojnarowicz with a Snake, 1981, by Peter Hujar. © 1987 The Peter Hujar Archive LLC. Courtesy Pace/MacGill Gallery NY and Fraenkel Gallery CA.

  Henry Darger, 1971, by David Berglund.

  Klaus Nomi, 1979, by William Coupon. Courtesy of William Coupon.

  Scene from WE LIVE IN PUBLIC, 1999. Courtesy of Interloper Films.

  Polaroid of Andy Warhol Posing for Alice Neel, 1970, by Brigid Berlin. Copyright Brigid Berlin. All Rights Reserved. Courtesy of Vincent Fremont Enterprises, Inc.

  Arthur Rimbaud in New York (Times Square), 1978-79, by David Wojnarowicz (gelatin-silver print, 8 x 10 inches). Courtesy of the Estate of David Wojnarowicz and P.P.O.W. Gallery, New York.

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