An Incomplete Education
Page 76
CHAPTER 2: 66, 67, 68, 70 Art Resource; 71 Metropolitan Museum of Art. Bequest of Mrs. H.D. Havemeyer; 73, 74 National Gallery, London; 75 Metropolitan Museum of Art; 77, 78 Museum of Modern Art, New York; 79 (top) Culver Pictures; 79 (bottom left) The Louvre; 79 (bottom right), 80 (right) Art Resource; 81 (top) Caravaggio, “The Musicians,” Metropolitan Museum of Art. Rogers Fund; 81 (bottom) Christofano da Bracciano, “Orpheus,” Metropolitan Museum of Art. Gift of George and Florence Blumenthal; 82 Vincent Van Gogh, “Self Portrait with a Straw Hat,” Metropolitan Museum of Art. Bequest of Miss Adelaide Milton deGroot; 83 (top) Rembrandt, “Flora,” Metropolitan Museum of Art. Gift of Archer M. Hunting-ton; 83 (bottom) Paolo Veronese, “Mars and Venus United by Love,” Metropolitan Museum of Art; 85 Baltimore Museum of Art. The Cone Collection; 86 (left) Museum of Modern Art, New York; 86 (right) Guggenheim Museum; 87, 88 Museum of Modern Art, New York; 89 Guggenheim Museum; 90 (left) Carnegie Institute; 90 (right) Museum of Modern Art, New York; 91 Philadelphia Museum of Art: Louise and Walter Arensberg Collection; 92 Museum of Modern Art, New York; 93 (left) Hans Namuth; 93 (right) Museum of Modern Art, New York, Sidney and Harriet Janis Collection Fund; 94 Hans Namuth; 96 (top left) Leo Castelli Gallery; 96 (top right) Hans Namuth; 96 (bottom left) Collection of Whitney Museum of American Art. 50th Anniversary Gift of the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, an anonymous donor (and purchase) Acq. #80.32; 96 (bottom right) Hans Namuth; 99 Paula Court/Brooklyn Academy of Music; 100 (left) Mary Boone Gallery; 100 (right) Pace Gallery; 102–103 © Pamela Delonnay; 105 (left) German Information Center; 105 (right) Yale University; 106 AT&T; 108 Joseph E. Seagrams and sons, Inc.; 109 German Information Center; 110 Library of Congress; 112 (top) Mies van der Rohe Archive/Museum of Modern Art, New York; 112 (middle) Art Resource; 112 (bottom), 113 (top) Mildred Meade/Chicago Historical Society; 113 (bottom) Library of Congress; 118 (left) Metropolitan Museum of Art. Alfred Stieglitz Collection.; 118 (right) Metropolitan Museum of Art. Elisha Whittelsey Fund.
CHAPTER 3: 124 UPI/Bettmann Newsphotos; 132, 133, 134 New York Public Library Picture Collection; 136 UPI/Bettmann Newsphotos; 138 Federal Reserve Board; 139 Department of the Treasury, Bureau of Engraving and Printing, 140 Arthur Rothstein/Library of Congress; 143 Catherine Ursillo/Photo Researchers, Inc.; 146 Library of Congress.
CHAPTER 4: 148, 150 (right) New York Public Library, Lincoln Center; 150 (left) Library of Congress; 153, 154 Museum of Modern Art/Film Stills Archive; 157, 158, 159, 161, 162 New York Public Library, Lincoln Center; 163, 165, 166, 168 (right) Museum of Modern Art/Film Stills Archive; 168 (left), 170 New York Public Library, Lincoln Center; 173, 176 Museum of Modern Art/Film Stills Archive; 178, 179, 183 New York Public Library, Lincoln Center.
CHAPTER 5: 186 Bettmann Archive; 195 (left) National Portrait Gallery, London; 195 (right) Mary Evans Picture Library/Photo Researchers, Inc.; 197 National Portrait Gallery, London; 198 New York Public Library Picture Collection; 200 Courtesy of New Directions Publishers; 201 New York Public Library Picture Collection; 202 © Martha Swope; 206 New York Public Library, Lincoln Center; 210 Edwin Austin Abbey, “King Lear,” Metropolitan Museum of Art. Gift of George A. Hearn; 217 National Portrait Gallery, London; 218 New York Public Library Picture Collection; 220 National Gallery, London; 225 Library of Congress; 237–39 New York Public Library Picture Collection; 240 American Numismatic Society; 255 (left) Courtesy, Museum of Fine Arts, Boston, William Francis Warden Fund; 255 (right) reproduced by courtesy of the Trustees of the British Museum; 260 New York Public Library Picture Collection.
CHAPTER 6: 266 Picture People; 268 Culver Pictures; 269 Library of Congress; 270, 271, 272 New York Public Library Picture Collection; 273 (top) Library of Congress; 273 (bottom), 274 (top) New York Public Library Picture Collection; 274 (bottom) CBS Masterworks; 275 © David Lindroth, Inc.; 286, 287 Library of Congress; 292–294 (left) Metropolitan Opera Association, Inc.; 294 (right) J. Heffernan, Metropolitan Opera Association, Inc.; 296 New York Public Library Picture Collection; 297 British Tourist Authority; 298 Archive/Photo Researchers, Inc.; 299 German Information Center; 300 Reuters/Bettmann Pierre Berger/Photo Researchers, Inc.; 301 Lincoln Center.
CHAPTER 7: 304 Metropolitan Museum of Art. Catherine Lorillard Wolfe Collection; 308, 310, 311 New York Public Library Picture Collection; 312 Culver Pictures; 313 New York Public Library Picture Collection; 314 Picture People; 315 Library of Congress; 316, 317 New York Public Library Picture Collection; 318, 319 Library of Congress; 321 Archive/Photo Researchers, Inc.; 322, 323 New York Public Library Picture Collection; 324 Library of Congress; 325 New York Public Library Picture Collection; 327 Library of Congress; 328 Wide World Photos; 329 Museum der Stadt, Vienna; 330 Wide World Photos; 336 Henri Cartier-Bresson/Magnum; 337 Susan Meiselas/ Magnum; 339 Library of Congress
CHAPTER 8: 342 Duane Hanson, “Tourists,” O.K. Harris Works of Art; 344 UPI/Bettmann Newsphotos; 348, 368 Wide World Photos; 375, 383, 387, 391, 396 Reuters Bettmann; 414 (top left), 414 (top right), 414 (bottom right) UPI/Bettmann Newsphotos; 414 (middle left) Wide World Photos; 421, 424 © David Lindroth, Inc.
CHAPTER 9: 426 Museum of Modern Art/Film Stills Archive; 434, 438, 440 National Library of Medicine; 452 UPI/Bettmann Newsphotos; 456 Richard Kalvar/Magnum; 457 Wide World Photos; 458 Dr. B.F. Skinner, Harvard University.
CHAPTER 10: 460 Michael Burgess, “Frontispiece to Book I of Paradise Lost,” Metropolitan Museum of Art. Elisha Whittelsey Collection; 463 Picture People; 465, 467 UPI/Bettmann Newsphotos; 469 Bruno Barbey/Magnum; 473 Burry/Magnum; 475 (left) AP/Worldwide Photos; 475 (right) Culver Picture; 477 UPI/Bettmann Newsphotos; 485 © David Lindroth, Inc.; 487 (top) New York Public Library; 487 (bottom) Nicolaes Maes, “Abraham Dismissing Hagar and Ishmael,” Museum of Modern Art. Gift of Mrs. Edward Brayton; 488 Jan Lievans, “Job,” National Gallery of Canada, Ottawa; 489 (top) Thomas Hart Benton, “Susanna and the Elders,” The Fine Arts Museums of San Francisco; 489 (bottom) Mary Evans Picture Library/Photo Researchers, Inc.; 490 National Gallery of Art, Washington, D.C.; 491 New York Public Library Picture Collection; 493 Mary Evans Picture Library/Photo Researchers, Inc.; 494, 498 UPI/Bettmann Newsphotos; 499 Wide World Photos.
CHAPTER 11: 500 Library of Congress; 504 Picture People; 508 Rapho/Photo Researchers, Inc.; 508 American Museum of Natural History; 510 (top) Library of Congress; 510 (bottom) American Museum of Natural History; 515 UPI/Bettmann Newsphotos; 523 American Museum of Natural History; 532, 535 Photo Researchers, Inc. 543, 545, 561, 562 New York Public Library Picture Collection; 563, 564 (left) Library of Congress; 564 (right), 566 New York Public Library Picture Collection.
CHAPTER 12: 570, 573 New York Public Library Picture Collection; 576 (left) National Portrait Gallery, London; 576 (right), 579, 581 Library of Congress; 583 Giraudon/Art Resources N.Y.; 586 Jerry Bauer; 587 (top) Wide World Photos; 587 (bottom) UPI/Bettmann Newsphotos; 588 Metropolitan Museum of Art, Fletcher Fund; 589 (top) Culver Pictures; 589 (bottom) Bettmann Archive; 590 (top) New York Public Library Picture Collection; 590 (bottom) Metropolitan Museum of Art; 591 (top) Picture People; 591 (bottom) Library of Congress; 592 Wide World Photos; 593 North Carolina Museum of Art; 594 Mary Evans Picture Library/Photo Researchers, Inc.; 595 Archive/Photo Researchers, Inc.; 596 Mary Evans Picture Library/Photo Researchers, Inc.; 597 UPI/ Bettmann Newsphotos; 598 Mary Evans Picture Library/ Photo Researchers, Inc; 599 Museum of Modern Art; 600 Library of Congress; 601 Metropolitan Museum of Art; 602 Mary Evans Picture Library/Photo Researchers, Inc.; 603 Metropolitan Museum of Art; 604 Mary Evans Picture Library/Photo Researchers, Inc.; 605 Metropolitan Museum of Art; 617 Library of Congress; 619 Mary Evans Picture Library/Photo Researchers, Inc.; 620 Archive/Photo Researchers, Inc.; 621, 624 UPI/Bettmann Newsphotos; 626, 628 Culver Pictures; 630 Robert Capa/Magnum; 633 UPI/Bettmann Newsphotos. PERMISSIONS (continued)
Alfred A. Knopf, a division of Random House, Inc.: Excerpt from “Piazza Piece” from Selected Poems, Third Edition, Revised and Enlarged by John Crowe Ransom, copyright © 1927 by Alfr
ed A. Knopf, Inc., copyright renewed 1955 by John Crowe Ransom. Reprinted by permission of Alfred A. Knopf, a division of Random House, Inc.
Alfred A. Knopf, a division of Random House, Inc., and Faber & Faber Ltd.: Excerpt from “The Idea of Order at Key West” by Wallace Stevens, copyright © 1936 by Wallace Stevens, copyright renewed 1964 by Holly Stevens. “Anecdote of the Jar” by Wallace Stevens, copyright © 1923, copyright renewed 1951 by Wallace Stevens from The Collected Poems of Wallace Stevens. Rights in Great Britain administered by Faber & Faber Ltd., London. Reprinted by permission of Alfred A. Knopf, a division of Random House, Inc., and Faber & Faber Ltd.
Liveright Publishing Corporation: Excerpt from “The Tunnel” from The Complete Poems of Hart Crane by Hart Crane, edited by Marc Simon, copyright © 1933, 1958, 1966 by Liveright Publishing Corporation, copyright © 1986 by Marc Simon; excerpt from “the Cambridge ladies who live in furnished souls” from Complete Poems, 1904-1962 by E. E. Cummings, edited by George J. Fir-mage, copyright © 1923, 1951, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976 by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation.
New Directions Publishing Corporation: “The Red Wheelbarrow” from Collected Poems: 1909-1939, Volume I by William Carlos Williams, copyright © 1938 by New Directions Publishing Corporation. Reprinted by permission of New Directions Publishing Corporation. Rights administered in Great Britain by Carcanet Press Limited, Manchester. Reprinted by permission of New Directions Publishing Corporation and Carcanet Press Limited.
New Directions Publishing Corporation and Faber & Faber Ltd.: “Canto LXXXI” from The Cantos of Ezra Pound, copyright © 1934, 1937, 1940, 1948, 1956, 1959, 1962, 1963, 1966, and 1968 by Ezra Pound; “Hugh Selwyn Mauberley V” from Personae by Ezra Pound, copyright © 1926 by Ezra Pound. Rights in Great Britain administered by Faber & Faber Ltd., London. Reprinted by permission of New Directions Publishing Corporation and Faber & Faber Ltd.
New Directions Publishing Corporation and Penguin Books Ltd.: “Book II: Sunday in the Park” from Paterson, copyright © 1948 by Williams Carlos Williams. Rights administered in Great Britain by Penguin Books Ltd., London. Reprinted by permission of New Directions Publishing Corporations and Penguin Books Ltd.
Simon & Schuster, Inc., and A. P. Watt Ltd.: Excerpt from “Sailing to Byzantium” by W. B. Yeats from The Collected Works of W. B. Yeats, Volume I: The Poems Revised, edited by Richard J. Finneran, copyright © 1928 by Macmillan Publishing Company, copyright renewed 1956 by Georgie Yeats. Rights outside the United States administered by A. P. Watt Ltd., London. Reprinted by permission of Simon & Schuster, Inc., and A. P. Watt Ltd., on behalf of Michael B. Yeats and Macmillan London Ltd.
Sterling Lord Literistic, Inc.: Excerpt from “Black People” from Selected Poetry of Amiri Baraka/Leroi Jones, copyright © 1979 by Amiri Baraka. Reprinted by permission of SLL/Sterling Lord Literistic, Inc.
ABOUT THE AUTHORS
JUDY JONES is a freelance writer who lives in Princeton, New Jersey. WILLIAM WILSON was also a freelance writer. Wilson went to Yale and Jones to Smith, but both have maintained that they got their real educations in the process of writing this book. William Wilson died in 1999.
Copyright © 2006 by Judy Jones and the Estate of William Wilson
Copyright © 1987, 1995 by Judy Jones and William Wilson
All rights reserved.
Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
BALLANTINE and colophon are registered trademarks of Random House, Inc.
Portions of this book originally appeared in Esquire.
City Lights Books, Inc.: Excerpt from “The Day Lady Died” from Lunch Poems by Frank O’Hara, copyright © 1964 by Frank O’Hara.
Farrar, Straus & Giroux LLC and Faber & Faber Ltd.: Excerpt from “For the Union Dead” from For the Union Dead by Robert Lowell, copyright © 1960, 1964 by Robert Lowell. Rights in Great Britain administered by Faber & Faber Ltd., London.
Henry Holt and Company LLC and Jonathan Cape Ltd., an imprint of The Random House Group Ltd.: “Nothing Gold Can Stay” and excerpt from “Directive” from The Poetry of Robert Frost, edited by Edward Connery Lathem, copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1975 by Lesley Frost Ballantine, copyright © 1951 by Robert Frost. Rights in Great Britain administered by Jonathan Cape Ltd., an imprint of The Random House Group Ltd., London.
HarperCollins Publishers, Inc.: Excerpt from “Daddy” from The Collected Poems of Sylvia Plath, edited by Ted Hughes, copyright © 1963 by Ted Hughes.
Maps by Mapping Specialists Ltd.
Page 702 constitutes a continuation of the copyright page.
Library of Congress Cataloging-in-Publication Data
Jones, Judy.
An incomplete education.
1. Handbook, vade-mecums, etc. I. Wilson, William, 1948–1999. II. Title.
AG105.J64 1987 031′.02 86-91572
eISBN: 978-0-307-56777-2
www.ballantinebooks.com
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