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  For a little while.

  * * *

  By Christmas, there had been no less than twenty-seven reports of Sasquatch sightings near, or around, or on the Sorensen farm. Two people claimed to have seen a Sasquatch wearing a seed cap with the glass factory’s logo on it, and one swore that it was wearing Mr. Sorensen’s old coat. The sheriff, two deputies, the game manager at the local private wildlife refuge, and three representatives from the Department of Natural Resources all paid the widow a visit. Each left the farm looking dejected. Mrs. Sorensen was not, apparently, available for drinks, or dinner, or dancing. She answered their questions with crisp answers that could have meant anything. She watched them go with a vague smile on her pale lips.

  The Insufferable Sisters investigated as well. They looked for footprints and bootprints. They looked for discarded hats and thrown-off coats. They hunted for evidence of possible suitors. They interviewed witnesses. They found nothing.

  * * *

  By late January, neighbors noticed that Mrs. Sorensen began to walk with a noticeable lightness—despite the parka and the heavy boots, despite the sheepskin mitts and the felted scarf, her feet seemed to float atop the surface of the snow, and her skin appeared to sparkle, even on the most leaden of days.

  Bachelors and widowers (and, if honesty prevails, several uncomfortably married men as well) still opened doors for the pretty widow, still tipped their hats in her direction, still offered to carry her groceries or see to her barn’s roof, or check to make sure her pipes weren’t in danger of freezing (this last one was often said suggestively, and almost always returned with a definitive slap). The Insufferable Sisters arrived, unannounced, at the Sorensen farm. They came laden with hotdish and ambrosia salad and bars of every type and description. They sat the poor widow down, put the kettle on, and tapped their long, red talons on the well-oiled wood of the ancient farm table.

  “Well?” said Mrs. Ostergaard, the eldest of the sisters.

  “Oh,” said Mrs. Sorensen, her cheeks flushing to high color. “The tea is in the top drawer of the far right cabinet.” Her eyes slid to the window, where the snowflakes fell in thick curtains, blurring the blanketed yard, and obscuring the dense thicket of scrub and saplings on the other side of the gully. The corners of her lips buzzed with—something. Mrs. Ostergaard couldn’t tell. And it infuriated her.

  Mrs. Lentz, the youngest of the sisters, and Mrs. Ferris, the middle, served the lunch, arranging the food in sensibly sized mounds, each one slick and glistening. They piled the bars on pretty plates and put real cream in the pitcher and steaming tea in the pot. They sat, sighed, smiled, and interrogated the pretty widow. She answered questions and nodded serenely, but every time there was a lull in the conversation (and there were many), her eyes would insinuate themselves toward the window again, and a deepening blush would spread down her throat and edge into the opening of her blouse.

  The dogs lounged on the window seat and the raccoon picked at its bowl on the floor of the mudroom. Three cats snaked through the legs of the three sisters, with their backs an insistent arch, their rumps requiring a rub, and all the while an aggressive purr rattling the air around them.

  “Nice kitty,” Mrs. Ostergaard said, giving one of the cats a pat on the head.

  The cat hissed.

  The sisters left in the snow.

  “Be careful,” Mrs. Sorensen said as she stood in the doorway, straight backed and inscrutable as polished wood. “It’s coming down all right.” Her eyes flicked toward the back of the yard, a flushed smile on her lips. Mrs. Ostergaard whipped around and glared through the thick tangle of snow.

  A figure.

  Dark.

  Fast.

  And then it was gone. Snowflakes clung to her eyelashes and forehead. Cold drops of water crowded her eyes. She shook her head and peered into the chaos of white. Nothing was there.

  The sisters piled into their Volvo and eased onto the road, a dense, blinding cloud swirling in their minds.

  * * *

  The next day they called a meeting with Father Laurence. Father Laurence withstood the indignities of their fussing in relative silence, the scent of apples, after all this time, still clinging sweetly in his nostrils.

  The day after that, they called a second meeting, this time calling the priest, the mayor, the physician, the dog catcher, and a large animal veterinarian. They were all men, these officials and professionals that the sisters assembled, and all were seated on folding chairs. The sisters stood over them like prison guards. The men hung on to their cold metal chairs for dear life. They said yes to everything.

  * * *

  Three days later, Arnold Fiske—teetotaler since the day he was born—nearly ran Mrs. Sorensen over with his Buick. It was a warm night for February, and the road was clear. The sun was down and the sky was a livid color of orange. On either side of the road, the frozen bog stretched outward, as big as the world. Indeed, it was the bog that distracted Arnold Fiske from the primary task of driving. His eyes lingered on the dappled browns and grays and whites, on the slim torsos of the quaking aspens and the river birches and the Norway pines fluttering like flags on the occasional hillock. He lingered on the fluctuations of color on the snow—orange dappling to pink fading to ashy blue. He returned his gaze to the road only just in time. He saw the face of Mrs. Sorensen (that beautiful face!) lit in the beam of his headlights. And something else too. A hulk of a figure. Like a man. But more than a man. And no face at all.

  Arnold Fiske swerved. Mrs. Sorensen screamed. And from somewhere—the frozen bog, the fading sky, the aggressively straight road, or somewhere deep inside Arnold Fiske himself—erupted a ragged, primal howl. It shook the glass and sucked away the air and shattered his bones in his body. His car squealed and spun. Mrs. Sorensen was pulled out of the car’s path by … well, by something. And then everything was quiet.

  He got out of the car, breathing heavily. His dyspepsia burned bright as road flares. He pressed his left hand to the bottom rim of his ribcage and grimaced. “Oh my god,” he gasped. “Agnes? Agnes Sorensen! Are you all right?” He rounded the broad prow of the Buick, saw the horror on the other side of the car, and felt his knees start to buckle. He fell hard on his rear and scrambled back with a strangled cry.

  There was Agnes Sorensen—her long, down coat bunched up around her middle, her hood thrown off, and her starlight-colored hair yanked free of its bun and rippling toward the ground, curled in the long arms of a man. A man covered in hair.

  Not a man.

  Her voice was calm. Her hands were on the man’s face. No. Not a man’s face. And not a face either. It was a thicket of fur and teeth and red, glowing eyes. Arnold Fiske’s breath came in hot, sharp bursts.

  “What is that thing?” he choked. He could barely breathe. His chest hurt. He pressed his hands to his heart to make sure it wasn’t going out on him. The last thing he needed was to have a heart attack in the presence of a … well. He couldn’t say. He couldn’t even think it.

  Mrs. Sorensen didn’t notice.

  Her voice was a smooth lilt, a lullaby, a gentle insistence. A mother’s voice. A lover’s voice. Or both at once. “I’m all right,” she soothed. “You see? I’m here. I’m not hurt. Everything is fine. Everything is wonderful.”

  The man (not a man) bowed its head onto Agnes Sorensen’s chest. It sighed and snuffled. It cradled her body in its great, shaggy arms and rocked her back and forth. It made a series of sounds—part rumble, part hiccup, part gulping sob.

  My god, Arnold Fiske thought. It’s crying.

  He sat up. Then stood up and took a step away. Arnold shook his head. He tried to hold his breath, but small bursts still erupted, unbidden, from his throat, as though his soul and his fear and his sorrow were all escaping in sighs. In any case, he felt neither his fear nor his sorrow as he looked at the widow and her … erm … companion. (He had never felt his soul. He wasn’t even sure that he had one.)

  He cleared his throat. “Would you,” he said. A
nd faltered. He started again. “Would you and your, um, friend…” He paused again. Wrinkled his brow. Muscled through. “Need a ride?”

  Mrs. Sorensen smiled and wrapped her arms around the Sasquatch’s neck.

  Because that, Arnold Fiske realized, is what I’m seeing. A Sasquatch. Well. My stars.

  “No, thank you, Mr. Fiske,” Agnes Sorensen said, extricating herself from the Sasquatch’s arms and helping it to its feet. “The night is still fine, and the stars are just coming out. And they say the auroras will be burning bright later on. I may stay out all night.”

  And with that, she and the Sasquatch walked away, hands held, as though it was the most normal thing in the world. And perhaps it was. In any case, Arnold Fiske couldn’t shut up about it.

  * * *

  By noon the next day, the whole town knew.

  A Sasquatch. The widow and a Sasquatch. Good gracious. What will they think of next?

  Two days later, the pair were spotted in public, walking along the railroad tracks.

  And again, picking their way across the bog.

  And again, standing in the back of the crowd at a liquidation auction. The Sasquatch sometimes wore Mr. Sorensen’s old seed hat and boots (he had cut out holes for his large, flexible toes), and sometimes wore the dead man’s scarf. But never his pants. Or some kind of shorts. Or, dear god, at least some swimming trunks. The Sasquatch was in possession, thankfully, of a bulbous thicket of fur, concealing the area of concern, but everyone knew what was behind that fur, and they knew it would only take a stiff breeze, or a sudden movement, or perhaps the presence of a female Sasquatch to cause a, how would you say—a shaking of the bushes, as it were. Or a parting of the weeds. People kept their eyes averted, just to be safe.

  And the sisters were enraged.

  Mrs. Sorensen was spotted walking with a Sasquatch past the statues and artistic sculptures of Armistice Park.

  (“Children play at that park!” howled the sisters.)

  They called Father Laurence at home nineteen times, and left nineteen messages with varying levels of vitriol. Fool of a priest was a phrase they used. And useless.

  Father Laurence, for his part, went to the woods, alone. He walked the same paths he had followed in his boyhood. He remembered the rustle of ravens’ wings, and the silent pounce of an owl, and the snuffling of bears, and the howling of wolves, and the scamper of rabbits, and the slurping of moose. He remembered something else, too. A large, dark figure in the densest places of the wood and the tangled thickets of the bog. A pair of bright eyes and sharp teeth and a long, loose-limbed, lumbering gait that went like a shot over the prairie.

  He was eleven years old when he last saw a Sasquatch. And now all he had to do was pick up the phone and invite Mrs. Sorensen over for dinner. Huh, he thought. Imagine that.

  * * *

  The meal, though quiet, was pleasant enough. The Sasquatch brought a bowl of wildflowers, which the priest ate. They were delicious.

  * * *

  Two weeks later, Mrs. Sorensen brought her Sasquatch to church. She brought her other animals too—her one-eyed hedgehog and her broken-winged hawk and her tiny cat and her raccoon and her three-legged dog and her infant cougar, curled up and fast asleep on her lap. The family arrived early, and sat in the front row. Mrs. Sorensen and the Sasquatch in the middle, and the rest of the brood stretching on either side. Each one sat as straight backed as was possible with the particulars of their physiology, and each one was silent and solemn. The Sasquatch wore nothing other than Mr. Sorensen’s father’s old fedora hat, which was perched at a bit of a saucy angle. It held Mrs. Sorensen’s hand in its great, left paw and closed its large, bright eyes.

  Father Laurence did his pre-Mass preparations and ministrations with the sacristy door locked. The sisters hovered on the other side, pecking at the door and squawking their complaints. Father Laurence was oblivious. He was a great admirer of the inventor of earplugs, and made it a habit to stash an emergency set wherever he might find the need to surreptitiously insert a pair at a moment’s notice—at his desk, at the podium, in his car, in the confessional, and in the sacristy.

  “A sacrilege!” Mrs. Ostergaard hissed.

  “Do something!” came Mrs. Lentz’s strangled gasp.

  “GET THAT DEER OUT OF THE CHURCH,” Mrs. Ferris roared, followed by a chaos of hooves and snorting and the shouting of women and men, and the hooting of an owl and the cry of a peregrine and the snarl of—actually, Father Laurence wasn’t sure if it was a coyote or a wolf.

  Agnes Sorensen was too old to have children. Everyone knew that. But she had always wanted a family. And now she was so happy. Didn’t she deserve to be happy? The sisters pecked and screeched. He imagined their fingers curling into talons, their imperious lips hardening to beaks. He imagined their appliquéd cardigans and their floral skirts rustling into feathers and wings. He imagined their bright bead eyes launching skyward with a wild, high kee-yar of a hawk on the hunt for something small and brown and wriggling.

  The priest stood in the sacristy, his eyes closed. “O God, your creatures fill the earth with wonder and delight,” he sang.

  “Doris,” he heard Mrs. Ferris say. “Doris, do not approach that cougar. Doris, it isn’t safe.”

  “And every living thing has worth and beauty in your sight.”

  “Oh, god. Not sheep. Anything but sheep. GET THOSE ANIMALS OUT OF HERE.”

  “So playful dolphins dance and swim; Your sheep bow down and graze.”

  “Father, get out here this minute. Six otters just came out of the bathroom. Six! And with rabies!”

  “Your songbirds share a morning hymn, To offer you their praise.”

  There was a snarl, a screech, a cry of birds. A hiss and a bite and several rarely used swears in the mouths of the Parish Council. Father Laurence heard the clatter of their pastel heels and the oof of their round bottoms as they tripped on the stairs, and the howl of their voices as they ran down the street.

  Several men waited at the mouth of the sanctuary, looking sadly at the pretty widow next to her hulking companion. The men reeked of mustache oil and pomade. Their shoulders slumped and their bellies bulged and their cheeks went slack and flaccid.

  “Eh, there, Father?” Ernie Jergen—Randall’s sober brother—inclined his head toward the stoic family in the front row. “So that’s it, then?” He cleared his throat. “She’s … not single. She’s attached, I mean.”

  Father Laurence clapped his hands on the shoulders of the men, sucked in his sagging belly as tight as he could.

  “Yep,” he said. “Seems so.” Family is family, after all. The dead have buried the dead, and the living scramble and struggle as best they can. They press their shoulder against the rock and urge forward, even when all hope is lost. Agnes Sorensen was happy, and Agnes Sorensen was alive. So be it.

  He nodded at the organist to start the processional. The red-tailed hawk opened up its throat, and the young buck nosed the back of Father Laurence’s vestments. A pair of solemn eyes. A look of gravitas. Father Laurence wondered if he should step aside. If he was interrupting something. Two herons waited at the altar and a pine marten sat on the lectionary.

  The organist sat under a pile of cats, and made a valiant effort to pluck out the notes of the hymn. The congregation—both human and animal—opened their throats and began to sing, each in their own language, their own rhythm, their own time.

  The song deepened and grew. It shook the walls and rattled the glass and set the light fixtures swinging. The congregation sang of the death of loved ones. A life eclipsed too soon. They sang of the waters of the bog and of the creak of trees and of padded feet on soft forest trails. Of meals shared. And families built. Seeds in the ground. The screech of flight, the joy of a wriggling morsel in a sharp beak. The roar of pursuit and the gurgles of satiation. The murmur of nesting. The smell of a mate. The howl of birthing and the howl of loss, and howl and howl and howl.

  Father Laurence processed in. Open mouthed.
A dark yodel tearing through his belly.

  I am lost, he sang. And I am found. My body is naked in the muck. It has always been naked. I hope; I rage; I despair; I yearn; I long; I lust; I love. These strong hands that built, this strong back that carried, all must wither to dust. Indeed, I am dust already.

  Mrs. Sorensen and her Sasquatch watched him process down the aisle. They smiled at his song. He paused at their pew, let his hand linger on the rail. They reached out, and touched the hem of his garment.

  It was, people remarked later, the prettiest Mass they’d ever heard.

  Mrs. Sorensen and her family left after Communion. They did not stay for rolls or coffee. They did not engage in conversation. They walked, en masse, into the bog. The tall grasses opened for a moment to allow them in and closed like a curtain behind. The world was birdsong and quaking mud and humming insects. The world was warm and wet and green.

  They did not come back.

  Copyright © 2014 by Kelly Barnhill

  Art copyright © 2014 by Chris Buzelli

  eISBN: 978-1-4668-6906-6

  eBooks may be purchased for business or promotional use. For information on bulk purchases, please contact Macmillan Corporate and Premium Sales Department by writing to MacmillanSpecialMarkets@macmillan.com.

  Rosalin Quay, the set and costume designer, stood in a bankrupt Brooklyn warehouse staring at the rewards of a long quest. Inside a dusty storage space were manikins. Stiff limbed, sexless ones from the early 20th century stood alongside figures with abstract sexuality (which is how some described Rosalin) from the early 21st.

  But the prime treasure of this discovery was dummies from a critical moment of change. Manikins circa 1970 were fluid in their poses, slightly androgynous but still recognizably male or female. The look would be iconic in the immersive stage design which she had been hired to assemble.