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The Man of the Forest

Page 20

by Grey, Zane


  What, then, was the duty of Milt Dale to himself? Because men preyed on one another and on the weak, should he turn his back upon a so-called civilization or should he grow like them? Clear as a bell came the answer that his duty was to do neither. And then he saw how the little village of Pine, as well as the whole world, needed men like him. He had gone to nature, to the forest, to the wilderness for his development; and all the judgments and efforts of his future would be a result of that education.

  Thus Dale, lying in the darkness and silence of his lonely park, arrived at a conclusion that he divined was but the beginning of a struggle.

  It took long introspection to determine the exact nature of that struggle, but at length it evolved into the paradox that Helen Rayner had opened his eyes to his duty as a man, that he accepted it, yet found a strange obstacle in the perplexing, tumultuous, sweet fear of ever going near her again.

  Suddenly, then, all his thought revolved around the girl, and, thrown off his balance, he weltered in a wilderness of unfamiliar strange ideas.

  When he awoke next day the fight was on in earnest. In his sleep his mind had been active. The idea that greeted him, beautiful as the sunrise, flashed in memory of Auchincloss's significant words, "Take your chance with the girl!"

  The old rancher was in his dotage. He hinted of things beyond the range of possibility. That idea of a chance for Dale remained before his consciousness only an instant. Stars were unattainable; life could not be fathomed; the secret of nature did not abide alone on the earth—these theories were not any more impossible of proving than that Helen Rayner might be for him.

  Nevertheless, her strange coming into his life had played havoc, the extent of which he had only begun to realize.

  For a month he tramped through the forest. It was October, a still golden, fulfilling season of the year; and everywhere in the vast dark green a glorious blaze of oak and aspen made beautiful contrast. He carried his rifle, but he never used it. He would climb miles and go this way and that with no object in view. Yet his eye and ear had never been keener. Hours he would spend on a promontory, watching the distance, where the golden patches of aspen shone bright out of dark-green mountain slopes. He loved to fling himself down in an aspen-grove at the edge of a senaca, and there lie in that radiance like a veil of gold and purple and red, with the white tree-trunks striping the shade. Always, whether there were breeze or not, the aspen-leaves quivered, ceaselessly, wonderfully, like his pulses, beyond his control. Often he reclined against a mossy rock beside a mountain stream to listen, to watch, to feel all that was there, while his mind held a haunting, dark-eyed vision of a girl. On the lonely heights, like an eagle, he sat gazing down into Paradise Park, that was more and more beautiful, but would never again be the same, never fill him with content, never be all and all to him.

  Late in October the first snow fell. It melted at once on the south side of the park, but the north slopes and the rims and domes above stayed white.

  Dale had worked quick and hard at curing and storing his winter supply of food, and now he spent days chopping and splitting wood to burn during the months he would be snowed-in. He watched for the dark-gray, fast-scudding storm-clouds, and welcomed them when they came. Once there lay ten feet of snow on the trails he would be snowed-in until spring. It would be impossible to go down to Pine. And perhaps during the long winter he would be cured of this strange, nameless disorder of his feelings.

  November brought storms up on the peaks. Flurries of snow fell in the park every day, but the sunny south side, where Dale's camp lay, retained its autumnal color and warmth. Not till late in winter did the snow creep over this secluded nook.

  The morning came at last, piercingly keen and bright, when Dale saw that the heights were impassable; the realization brought him a poignant regret. He had not guessed how he had wanted to see Helen Rayner again until it was too late. That opened his eyes. A raging frenzy of action followed, in which he only tired himself physically without helping himself spiritually.

  It was sunset when he faced the west, looking up at the pink snow-domes and the dark-golden fringe of spruce, and in that moment he found the truth.

  "I love that girl! I love that girl!" he spoke aloud, to the distant white peaks, to the winds, to the loneliness and silence of his prison, to the great pines and to the murmuring stream, and to his faithful pets. It was his tragic confession of weakness, of amazing truth, of hopeless position, of pitiful excuse for the transformation wrought in him.

  Dale's struggle ended there when he faced his soul. To understand himself was to be released from strain, worry, ceaseless importuning doubt and wonder and fear. But the fever of unrest, of uncertainty, had been nothing compared to a sudden upflashing torment of love.

  With somber deliberation he set about the tasks needful, and others that he might make—his camp-fires and meals, the care of his pets and horses, the mending of saddles and pack-harness, the curing of buckskin for moccasins and hunting-suits. So his days were not idle. But all this work was habit for him and needed no application of mind.

  And Dale, like some men of lonely wilderness lives who did not retrograde toward the savage, was a thinker. Love made him a sufferer.

  The surprise and shame of his unconscious surrender, the certain hopelessness of it, the long years of communion with all that was wild, lonely, and beautiful, the wonderfully developed insight into nature's secrets, and the sudden-dawning revelation that he was no omniscient being exempt from the ruthless ordinary destiny of man—all these showed him the strength of his manhood and of his passion, and that the life he had chosen was of all lives the one calculated to make love sad and terrible.

  Helen Rayner haunted him. In the sunlight there was not a place around camp which did not picture her lithe, vigorous body, her dark, thoughtful eyes, her eloquent, resolute lips, and the smile that was so sweet and strong. At night she was there like a slender specter, pacing beside him under the moaning pines. Every camp-fire held in its heart the glowing white radiance of her spirit.

  Nature had taught Dale to love solitude and silence, but love itself taught him their meaning. Solitude had been created for the eagle on his crag, for the blasted mountain fir, lonely and gnarled on its peak, for the elk and the wolf. But it had not been intended for man. And to live always in the silence of wild places was to become obsessed with self—to think and dream—to be happy, which state, however pursued by man, was not good for him. Man must be given imperious longings for the unattainable.

  It needed, then, only the memory of an unattainable woman to render solitude passionately desired by a man, yet almost unendurable. Dale was alone with his secret; and every pine, everything in that park saw him shaken and undone.

  In the dark, pitchy deadness of night, when there was no wind and the cold on the peaks had frozen the waterfall, then the silence seemed insupportable. Many hours that should have been given to slumber were paced out under the cold, white, pitiless stars, under the lonely pines.

  Dale's memory betrayed him, mocked his restraint, cheated him of any peace; and his imagination, sharpened by love, created pictures, fancies, feelings, that drove him frantic.

  He thought of Helen Rayner's strong, shapely brown hand. In a thousand different actions it haunted him. How quick and deft in camp-fire tasks! how graceful and swift as she plaited her dark hair! how tender and skilful in its ministration when one of his pets had been injured! how eloquent when pressed tight against her breast in a moment of fear on the dangerous heights! how expressive of unutterable things when laid on his arm!

  Dale saw that beautiful hand slowly creep up his arm, across his shoulder, and slide round his neck to clasp there. He was powerless to inhibit the picture. And what he felt then was boundless, unutterable. No woman had ever yet so much as clasped his hand, and heretofore no such imaginings had ever crossed his mind, yet deep in him, somewhere hidden, had been this waiting, sweet, and imperious need. In the bright day he appeared to ward off such fancies, but
at night he was helpless. And every fancy left him weaker, wilder.

  When, at the culmination of this phase of his passion, Dale, who had never known the touch of a woman's lips, suddenly yielded to the illusion of Helen Rayner's kisses, he found himself quite mad, filled with rapture and despair, loving her as he hated himself. It seemed as if he had experienced all these terrible feelings in some former life and had forgotten them in this life. He had no right to think of her, but he could not resist it. Imagining the sweet surrender of her lips was a sacrilege, yet here, in spite of will and honor and shame, he was lost.

  Dale, at length, was vanquished, and he ceased to rail at himself, or restrain his fancies. He became a dreamy, sad-eyed, camp-fire gazer, like many another lonely man, separated, by chance or error, from what the heart hungered most for. But this great experience, when all its significance had clarified in his mind, immeasurably broadened his understanding of the principles of nature applied to life.

  Love had been in him stronger than in most men, because of his keen, vigorous, lonely years in the forest, where health of mind and body were intensified and preserved. How simple, how natural, how inevitable! He might have loved any fine-spirited, healthy-bodied girl. Like a tree shooting its branches and leaves, its whole entity, toward the sunlight, so had he grown toward a woman's love. Why? Because the thing he revered in nature, the spirit, the universal, the life that was God, had created at his birth or before his birth the three tremendous instincts of nature—to fight for life, to feed himself, to reproduce his kind. That was all there was to it. But oh! the mystery, the beauty, the torment, and the terror of this third instinct—this hunger for the sweetness and the glory of a woman's love!

  CHAPTER XVI

  Helen Rayner dropped her knitting into her lap and sat pensively gazing out of the window over the bare yellow ranges of her uncle's ranch.

  The winter day was bright, but steely, and the wind that whipped down from the white-capped mountains had a keen, frosty edge. A scant snow lay in protected places; cattle stood bunched in the lee of ridges; low sheets of dust scurried across the flats.

  The big living-room of the ranch-house was warm and comfortable with its red adobe walls, its huge stone fireplace where cedar logs blazed, and its many-colored blankets. Bo Rayner sat before the fire, curled up in an armchair, absorbed in a book. On the floor lay the hound Pedro, his racy, fine head stretched toward the warmth.

  "Did uncle call?" asked Helen, with a start out of her reverie.

  "I didn't hear him," replied Bo.

  Helen rose to tiptoe across the floor, and, softly parting some curtains, she looked into the room where her uncle lay. He was asleep. Sometimes he called out in his slumbers. For weeks now he had been confined to his bed, slowly growing weaker. With a sigh Helen returned to her window-seat and took up her work.

  "Bo, the sun is bright," she said. "The days are growing longer. I'm so glad."

  "Nell, you're always wishing time away. For me it passes quickly enough," replied the sister.

  "But I love spring and summer and fall—and I guess I hate winter," returned Helen, thoughtfully.

  The yellow ranges rolled away up to the black ridges and they in turn swept up to the cold, white mountains. Helen's gaze seemed to go beyond that snowy barrier. And Bo's keen eyes studied her sister's earnest, sad face.

  "Nell, do you ever think of Dale?" she queried, suddenly.

  The question startled Helen. A slow blush suffused neck and cheek.

  "Of course," she replied, as if surprised that Bo should ask such a thing.

  "I—I shouldn't have asked that," said Bo, softly, and then bent again over her book.

  Helen gazed tenderly at that bright, bowed head. In this swift-flying, eventful, busy winter, during which the management of the ranch had devolved wholly upon Helen, the little sister had grown away from her. Bo had insisted upon her own free will and she had followed it, to the amusement of her uncle, to the concern of Helen, to the dismay and bewilderment of the faithful Mexican housekeeper, and to the undoing of all the young men on the ranch.

  Helen had always been hoping and waiting for a favorable hour in which she might find this wilful sister once more susceptible to wise and loving influence. But while she hesitated to speak, slow footsteps and a jingle of spurs sounded without, and then came a timid knock. Bo looked up brightly and ran to open the door.

  "Oh! It's only—YOU!" she uttered, in withering scorn, to the one who knocked.

  Helen thought she could guess who that was.

  "How are you-all?" asked a drawling voice.

  "Well, Mister Carmichael, if that interests you—I'm quite ill," replied Bo, freezingly.

  "Ill! Aw no, now?"

  "It's a fact. If I don't die right off I'll have to be taken back to Missouri," said Bo, casually.

  "Are you goin' to ask me in?" queried Carmichael, bluntly. "It's cold—an' I've got somethin' to say to—"

  "To ME? Well, you're not backward, I declare," retorted Bo.

  "Miss Rayner, I reckon it 'll be strange to you—findin' out I didn't come to see you."

  "Indeed! No. But what was strange was the deluded idea I had—that you meant to apologize to me—like a gentleman.... Come in, Mr. Carmichael. My sister is here."

  The door closed as Helen turned round. Carmichael stood just inside with his sombrero in hand, and as he gazed at Bo his lean face seemed hard. In the few months since autumn he had changed—aged, it seemed, and the once young, frank, alert, and careless cowboy traits had merged into the making of a man. Helen knew just how much of a man he really was. He had been her mainstay during all the complex working of the ranch that had fallen upon her shoulders.

  "Wal, I reckon you was deluded, all right—if you thought I'd crawl like them other lovers of yours," he said, with cool deliberation.

  Bo turned pale, and her eyes fairly blazed, yet even in what must have been her fury Helen saw amaze and pain.

  "OTHER lovers? I think the biggest delusion here is the way you flatter yourself," replied Bo, stingingly.

  "Me flatter myself? Nope. You don't savvy me. I'm shore hatin' myself these days."

  "Small wonder. I certainly hate you—with all my heart!"

  At this retort the cowboy dropped his head and did not see Bo flaunt herself out of the room. But he heard the door close, and then slowly came toward Helen.

  "Cheer up, Las Vegas," said Helen, smiling. "Bo's hot-tempered."

  "Miss Nell, I'm just like a dog. The meaner she treats me the more I love her," he replied, dejectedly.

  To Helen's first instinct of liking for this cowboy there had been added admiration, respect, and a growing appreciation of strong, faithful, developing character. Carmichael's face and hands were red and chapped from winter winds; the leather of wrist-bands, belt, and boots was all worn shiny and thin; little streaks of dust fell from him as he breathed heavily. He no longer looked the dashing cowboy, ready for a dance or lark or fight.

  "How in the world did you offend her so?" asked Helen. "Bo is furious. I never saw her so angry as that."

  "Miss Nell, it was jest this way," began Carmichael. "Shore Bo's knowed I was in love with her. I asked her to marry me an' she wouldn't say yes or no.... An', mean as it sounds—she never run away from it, thet's shore. We've had some quarrels—two of them bad, an' this last's the worst."

  "Bo told me about one quarrel," said Helen. "It was—because you drank—that time."

  "Shore it was. She took one of her cold spells an' I jest got drunk."

  "But that was wrong," protested Helen.

  "I ain't so shore. You see, I used to get drunk often—before I come here. An' I've been drunk only once. Back at Las Vegas the outfit would never believe thet. Wal, I promised Bo I wouldn't do it again, an' I've kept my word."

  "That is fine of you. But tell me, why is she angry now?"

  "Bo makes up to all the fellars," confessed Carmichael, hanging his head. "I took her to the dance last week—over in the town-hall
. Thet's the first time she'd gone anywhere with me. I shore was proud.... But thet dance was hell. Bo carried on somethin' turrible, an' I—"

  "Tell me. What did she do?" demanded Helen, anxiously. "I'm responsible for her. I've got to see that she behaves."

  "Aw, I ain't sayin' she didn't behave like a lady," replied Carmichael. "It was—she—wal, all them fellars are fools over her—an' Bo wasn't true to me."

  "My dear boy, is Bo engaged to you?"

  "Lord—if she only was!" he sighed.

  "Then how can you say she wasn't true to you? Be reasonable."

  "I reckon now, Miss Nell, thet no one can be in love an' act reasonable," rejoined the cowboy. "I don't know how to explain, but the fact is I feel thet Bo has played the—the devil with me an' all the other fellars."

  "You mean she has flirted?"

  "I reckon."

  "Las Vegas, I'm afraid you're right," said Helen, with growing apprehension. "Go on. Tell me what's happened."

  "Wal, thet Turner boy, who rides for Beasley, he was hot after Bo," returned Carmichael, and he spoke as if memory hurt him. "Reckon I've no use for Turner. He's a fine-lookin', strappin', big cow-puncher, an' calculated to win the girls. He brags thet he can, an' I reckon he's right. Wal, he was always hangin' round Bo. An' he stole one of my dances with Bo. I only had three, an' he comes up to say this one was his; Bo, very innocent—oh, she's a cute one!—she says, 'Why, Mister Turner—is it really yours?' An' she looked so full of joy thet when he says to me, 'Excoose us, friend Carmichael,' I sat there like a locoed jackass an' let them go. But I wasn't mad at thet. He was a better dancer than me an' I wanted her to have a good time. What started the hell was I seen him put his arm round her when it wasn't just time, accordin' to the dance, an' Bo—she didn't break any records gettin' away from him. She pushed him away—after a little—after I near died. Wal, on the way home I had to tell her. I shore did. An' she said what I'd love to forget. Then—then, Miss Nell, I grabbed her—it was outside here by the porch an' all bright moonlight—I grabbed her an' hugged an' kissed her good. When I let her go I says, sorta brave, but I was plumb scared—I says, 'Wal, are you goin' to marry me now?'"

 

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