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Star Trek®: Excelsior: Forged in Fire

Page 43

by Michael A. Martin


  His rage slowly intensifying, Kang favored her with a deeply toxic scowl. “If I choose to force you to give him up, there is little you can do to stop me.”

  She nodded, her expression taking on a slack, fatalistic character. “I understand. I ask only that you refrain from crippling me. After you are done, I will heal. And perhaps Qagh will spare me once he sees the scars and bruises you inflicted before I revealed his whereabouts to you.”

  Kang’s mounting fury was beginning to give way to bemusement. “You expected me to torture the truth out of you, yet you still sought me out. Why?”

  A single fat tear began rolling slowly down her cheek. “Because unlike Qagh, some of his enemies are honorable and trustworthy men. And because I had nowhere else to go.”

  Kang’s anger dissipated like a summer squall over the mountain peak on Qo’noS that bore his name. He had never before encountered such a portrait of hopelessness as he saw now in Ylda—a woman so desperate that she had no one to turn to other than a vengeful enemy. In this woman’s presence, he found it difficult to remain anchored to the hatred that had sustained him for all these years, thanks to the blood oath.

  Now, to his immense surprise, he could feel very little save pity for the bedraggled woman who sat beside him. I am indeed getting too old for this, he thought, becoming more than a little disgusted with himself. I have grown weary, and therefore soft. Like the Empire itself.

  Right or wrong, Kang decided to adopt a tack other than intimidation and torture. Catching the attention of the Orion waitress again, he waved her over to his booth. He reached into his armored tunic and withdrew a small coin purse, from which emerged a respectable pile of both latinum strips and Klingon darseks.

  “I want you to prepare some comfortable quarters for this woman,” he said, pushing the heap of coins and slips across the table toward the waitress. “See that they are well provisioned with food and drink, and clean clothing as well. You will advise me when all is in readiness.”

  After the waitress had finished enthusiastically scooping up the unanticipated windfall and disappeared, Kang turned his attention back upon Ylda.

  She couldn’t have looked more surprised had he suddenly drawn a mek’leth and stabbed her through the heart with it.

  “Now will you share the albino’s whereabouts with me?”

  She opened and closed her mouth several times, like a beached spikefish vainly gasping for air. “He will still find me and kill me.”

  “Only if I fail to find him and kill him first,” Kang said. “But I have waited many, many years already to enjoy that privilege. So perhaps I can afford to abide a while longer, while you are in your room cleaning up, resting, and considering my…request.”

  Yes, he thought. I am weary, and I am old. But I am also patient. There would still be time aplenty to bring bloody justice to the albino; all he had to do in the meantime was to build a bridge of trust between himself and this woman.

  Just as Curzon Dax once did for me, Koloth, and Kor.

  “Thank you,” Ylda said.

  Kang watched with a mixture of fascination and envy as a second distended tear followed the trail its elder brother had blazed down her cheek. It had long been his understanding that among many sentient races, including Earthers, tears were thought either to reveal joy or to wash away sorrow. Though the Klingon people’s lack of tear ducts prevented Kang from shedding tears for either reason, the hardships he had endured since DaqS’s death sometimes made him wish he could weep.

  “Do you have children?” Kang asked gently.

  She nodded, her eyes flashing as still more tears struggled to escape.

  Kang reached again into his tunic, from which he withdrew a small holocube. He activated its imaging controls with a flick of his thumb before setting the cube down in the center of the table.

  The fiercely grinning face of his beloved, long-dead little boy DaqS suddenly appeared, hovering just above the cube like an apparition summoned by one of the mystics of ancient Qo’noS.

  “Then let me tell you of the life and death of my firstborn son,” Kang said, smiling gently as memories of pleasanter times returned. “And of the lives and deaths of the sons of my blood brothers, Kor and Koloth.”

  There will be time, Kang thought. Then he began to recount his tale of happiness and woe, of love and death, of outrage and revenge.

  And he watched the flow of Ylda’s rapidly dwindling supply of tears.

  Acknowledgments

  As ever, any errors or fubars contained in these pages are the sole responsibility of the authors. But even though only two names appear on the spine of this novel, legions of others contributed invaluable assistance in the work’s creation. Among those who merit special commendations are: Marco Palmieri, an editor without whose inexhaustible patience and expert guidance this book could never have completed its arduous ten-year journey from brilliant initial idea (Marco’s) to gigantic finished manuscript (ours); I.K.S. Gorkon author Keith R.A. DeCandido, who contributed his unparalleled expertise in Klingon culture, language, technology, metaphysics, and calendar calculations; the kind and indulgent folks at the Daily Market and Café, where much of Mike’s portions of this novel were written; Dr. Marc Okrand, whose volumes on the Klingon language were constant companions; David Gerrold, whose furry creations (seen in “The Trouble with Tribbles” and “More Tribbles, More Troubles”) played a small but pivotal role in the Klingon history depicted herein; Michael Jan Friedman, whose gorgeous 1999 hardcover volume New Worlds, New Civilizations provided valuable reference specific to both Klingons and tribbles; Dayton Ward, whose 2002 novel In the Name of Honor provided valuable literary continuity references regarding Klingon dermatology, and who (with coauthor Kevin Dilmore) enriched the Klingon vocabulary in 2006’s Star Trek Vanguard: Summon the Thunder; Susan Wright’s “Infinity” (from 1999’s The Lives of Dax), which gave us Excelsior chief engineer Lahra as well as a previous visit from both Dr. Christine Chapel and Torias Dax; Majliss Larson, whose 1985 novel Pawns and Symbols named two vessels commanded by Kang; Vonda N. McIntyre, whose Captain Hunter (commander of the border ship Aerfen) and much of Hikaru Sulu’s family history were referenced previously in 1981’s The Entropy Effect and 1986’s Enterprise: The First Adventure; Julia Ecklar, whose 1989 novel Kobayashi Maru debuted Hikaru Sulu’s great-grandfather Tetsuo Inomata; Geoffrey Mandel for his Star Trek Star Charts (2002), which provided an invaluable reference to “galactic geography”; Diane Duane, whose 1997 novel Intellivore supplied some nifty Trill place names; Phaedra M. Weldon, whose story “The Lights in the Sky” (published in 1998 in the first Strange New Worlds anthology) shed some light on the time-frame of the launch of the U.S.S. Enterprise-B; Peter David, whose 1995 novel The Captain’s Daughter established a great deal about Demora Sulu’s relationship with her father, and whose 1994 audiobook Cacophony introduced Lieutenant Terra Spiro; David R. George, whose Serpents Among the Ruins (a 2003 novel) and “Iron and Sacrifice” (a story in 2005’s Tales from the Captain’s Table anthology) have charted the voyage of Demora Sulu for many parsecs beyond the boundaries of this tale; L. A. Graf (aka Julia Ecklar and Karen Rose Cercone), whose 1998 Captain’s Table novel War Dragons debuted some of the characters found in these pages, including Transporter Chief Renyck, engineer Tim Henry, and Dr. Judith Klass; Judy Klass, the author of the 1989 TOS novel Cry of the Onlies, who graciously allowed the author of War Dragons to drag her aboard Excelsior as the chief medical officer’s namesake in the first place; Michael and Denise Okuda and Debbie Mirek, whose Star Trek Encyclopedia: A Reference Guide to the Future (1997 edition) remains indispensable even in the current age of wireless broadband internet service and hot-and-cold running wikis; Mike W. Barr, Tom Sutton, Ricardo Villagran, Peter David (again), Bill Mumy, and Gordon Purcell, whose many and varied Star Trek comic-book tales helped to guide our take on Captain Styles; Judith and Garfield Reeves-Stevens, whose 1990 novel Prime Directive also provided useful background pertinent to Styles and Excelsior; John M
. Ford, whose 1984 novel The Final Reflection introduced the Klingon strategy game of klin zha, along with much else about Star Trek’s archetypal warrior race that has since become canonical; Josepha Sherman and Susan Shwartz, crafters of excellent novels and fine Romulan sherawood office furniture (as advertised since 2004 in the Vulcan’s Soul hardcovers); Harve Bennett and Leonard Nimoy, whose respective efforts as scenarist and director of Star Trek III: The Search for Spock (1984) gave us the U.S.S. Excelsior in the first place; James B. Sikking, who breathed life into Captain Styles for the cameras in the aforementioned film; Jacqueline Kim, who provided our only canonical glimpse of Demora Sulu in Star Trek Generations (1994); Walter Koenig and Grace Lee Whitney, for their immortal portrayals, respectively, of Pavel Chekov and Janice Rand; Michael Ansara, William Campbell, and John Colicos, who brought the Klingon Warriors Three to life, in both “smooth” and “chunky” flavors; and George Takei, who has earned those captain’s bars many, many times over.

  About the Authors

  MICHAEL A. MARTIN’S solo short fiction has appeared in The Magazine of Fantasy & Science Fiction. He has also coauthored (with Andy Mangels) several Star Trek comics for Marvel and Wildstorm and numerous Star Trek novels and eBooks, including Enterprise: The Good That Men Do; the USA Today bestseller Titan: Taking Wing; Titan: The Red King; the Sy Fy Genre Award–winning Worlds of Deep Space 9 Volume Two: Trill—Unjoined; Enterprise: Last Full Measure; The Lost Era 2298: The Sundered; Deep Space 9 Mission: Gamma Book Three—Cathedral; The Next Generation: Section 31—Rogue; Starfleet Corps of Engineers #30 and #31 (“Ishtar Rising” Books 1 and 2, reprinted in Aftermath, the eighth volume of the S.C.E. paperback series); stories in the Prophecy and Change, Tales of the Dominion War, and Tales from the Captain’s Table anthologies; and three novels based on the Roswell television series. His work has also been published by Atlas Editions (in their Star Trek Universe subscription card series), Star Trek Monthly, Grolier Books, Visible Ink Press, The Oregonian, and Gareth Stevens, Inc., for whom he has penned several World Almanac Library of the States nonfiction books for young readers. He lives with his wife, Jenny, and their sons James and William in Portland, Oregon.

  ANDY MANGELS is the USA Today bestselling author and coauthor of over a dozen novels—including Star Trek and Roswell books—all cowritten with Michael A. Martin. Flying solo, he is the bestselling author of several nonfiction books, including Star Wars: The Essential Guide to Characters and Animation on DVD: The Ultimate Guide, as well as a significant number of entries for The Super-hero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes as well as for its companion volume, The Supervillain Book: The Evil Side of Comics and Hollywood.

  In addition to cowriting more upcoming novels and contributing to anthologies, Andy has produced, directed, and scripted a series of over thirty half-hour DVD documentaries—and provided other special features—for BCI Eclipse’s Ink & Paint brand, for inclusion in DVD box sets ranging from animated fare such as He-Man, She-Ra, Flash Gordon, and Ghostbusters to live-action favorites such as Ark II, Space Academy, and Isis. As “Dru Sullivan,” Andy penned the exploits of “Miss Adventure, the Gayest American Hero” for the late, lamented Weekly World News.

  Andy has written hundreds of articles for entertainment and lifestyle magazines and newspapers in the United States, England, and Italy. He has also written licensed material based on properties from numerous film studios and Microsoft, and over the past two decades his comic-book work has been published by DC Comics, Marvel Comics, Dark Horse, Image, Innovation, and many others. He was the editor of the award-winning Gay Comics anthology for eight years.

  Andy is a national award-winning activist in the Gay community, and has raised thousands of dollars for charities over the years. He lives in Portland, Oregon, with his long-term partner, Don Hood, their dog Bela, and their chosen son, Paul Smalley. Visit his website at www.andymangels. com.

 

 

 


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